Flying Through Water by Mamle Wolo

We all grabbed bailing vessels. Thunder cracked, and lightning streaked across the sky like a celestial tree revealing its branches for a split second. I felt as though I were caught in a different dimension where death was as present as life, and everything was elemental and terrifying.

I thought about this world and the things we humans struggled for, and all the ways in which we imprisoned ourselves, and each other. It seemed to me that greed was just as much of a prison as poverty, only worse. Here I was alone on this island in the middle of nowhere, stripped of whatever meager possessions I had ever owned. And yet in nature’s heart I felt liberated and endowed with a splendor beyond anything humans could ever purchase. 

What greater wealth was there in this world than freedom?

This story is told in three parts. Sena describes his life in Ghana and his special relationship with is grandfather who tells him stories of his village life before the artificial creation of Volta Lake and the Akosombo Dam. Sena lives with his mother, sister and baby brother. They are very poor but he has been able to go to school. His education is not perfect and the teachers are often absent and they do beat the students but if he can sit the final exam there is the promise of further education and hopefully a better life for his family. But there is a young man who visits their village with promises to the young boys of work and money and perhaps even adventures. Sena is suspicious of this flashy man who they call 'Jack of Diamonds' and he has heard stories of boys sent to work with cattle - boys who are given little or no food and forced to work in dreadful conditions. Sena is determined not to follow this path but then his grandfather dies, his mother is gravely ill with malaria and his best friend declares he is heading away to work because he is sure the promises from 'Jack of Diamonds' are true. 

Sena loves his family and he really wants to help them so after his final exam he leaves a letter under his sister's pillow and he heads off - what he does not know is that this will be a journey into hell. So begins part two. Sena is taken to work as a slave for a cruel master catching fish and diving deep into treatrous waters to untangle the fishing nets. He is given virtually no food, he is beaten and the group of about ten boys are forbidden to talk to each other except about their tasks. Yes this is illegal human trafficking. Can Sena escape? Where will he go? What will happen if he is caught? He does befriend one of the boys and then that boy is killed - possibly murdered by their master - so now Sena must leave. He arrived at this place terrified of water and unable to swim. After several months of this cruel work he can now swim but he is still terrified of the dark water and the waves and he has not learned how to float. Part 3 is all about survival because he does find his way to a small deserted island with only monkeys for company but of course he must also find a way to get back to his family. He also carries huge guilt about the boys he left behind and he has made a new wonderful discovery of a special and rare underwater animal - the lake Manatee. The book ends with a sense of hope for the future for Sena himself but also for other trafficked boys and hopefully also for this very special wild creature who is also trapped in the waters of this lake.

Here are a few text quotes from this book:

Treatment by teachers: The humiliation hurt almost more than the lashes, but I hardened myself to it even though it upset me that the teachers beat us when they knew how hard our lives were. They knew we weren’t late out of laziness or what they called I-don’t-care-ism. But I got used to that too—the callousness of powerful people and the way they didn’t care what was fair.

Kekeli - a description: She had a round face, and when she smiled it was as if the distance between her lips and chin had been measured with a protractor and traced with a compass, their curves were so perfectly parallel. Her laughter was like that of a baby discovering funniness for the first time and too little to contain it. She could spark off the whole class.

Grandfather the storyteller: He said stories took us where our legs couldn’t go and showed us what our eyes couldn’t see, and that the best thing about books was that they were still there when storytellers were gone. I could see what he meant when I thought that one day, he wouldn’t be here to tell us stories anymore—a prospect I quickly banished. I loved his stories more than any I’d read in books.

Jack of Diamonds: Everyone was excited and following his every move, but something in me held back. I wondered if I was the only one to whom his mannerisms seemed somehow familiar, as if he’d studied them on someone else, like Shatta Wale or Burna Boy. Perhaps I was just being silly, but it made me uneasy that we couldn’t see his eyes, because he never took off his sunglasses. And it was amazing how he kept that black jacket on in this heat.

Publisher blurb: Sena treasures his life in rural Ghana-playing soccer, working the family farm, striving to do his best at school-but he is increasingly aware of his family's precarious security in the face of poverty. When an alluring gentleman comes to town to befriend local teenagers, offering promises of a better future, it only takes one more unsettling turn of events to send Sena into the clutches of human traffickers. Sena's ordeal, escape, and remarkable survival makes for a page-turning adventure of self-discovery and empowerment.

Searing and eye-opening, readers will devour Sena’s story in a day. School Library Journal

Wolo skillfully sheds light on the horrific practice of the trafficking of children, and the grim situations many are forced to live and work in—but she also tells a story of hope and perseverance. The vividly described settings include imagery that paints the scenes for readers as the story unfolds. A powerful look at human suffering and the will to survive. Kirkus Star review

Jack of Diamonds turns out to be a pied piper for a human trafficking network and thus, Sena finds that he has been sold into indentured labour to a fisherman who employs a motley crew of children, some as young as three, in a bid to compete with foreign trawlers working the Volta Lake. Cold and brutish, Sena’s master is a formidable antagonist, the like of which populates Dickensian novels, but the real villain here is the systemic poverty that has left intergenerational scars and threatens the possibility of a future for its under aged victims, who are malnourished, overworked, and constantly exposed to the risk of drowning. The Lagos Review

Fans of Hatchet and A Long Walk to Water will find Flying Through water an engrossing book. Sadly I have no idea how I discovered this book - I must have seen it recommended somewhere.

Listen to an audio sample here. This book only in hardcover so far is too expensive here in Australia (AUS$32.50) but I read a copy on a Kindle.

I recommend this moving and atmospheric story for readers aged 12+ especially those with an interest in social justice. Your senior students could also investigate the work of our Australian organisation that assists victims of modern slavery - The Freedom Hub.

I recently read this book which also explores the topic of human trafficking:

Stitched up

I Have the Right by Reza Dalvand

"This book is particularly important to me because it carries the voice of children 

and makes their rights known. It is a tribute to all the children of the world, 

without distinction of language, ethnicity or religion"

I have the Right was originally published in French with the title; J'ai le droit. The author/illustrator blurb says: I have the right to have a name, a nationality, an identity. I have the right to be treated and protected from illness. I have the right to go to school. I have the right to have a roof over my head. I have the right to be protected from racism, the right not to be excluded because of my skin color or nationality. I have the right not to be rejected because of my religion, my family. I have the right to be surrounded, to have a family. And I have the right to be loved.

When you open this book the end papers are filled with the rights in multiple languages handwritten by children. My favourite pages are "I have the right to nutritious foods" where we see a huge table with males on every shape and size of plate you might imagine. On the page "I have a right to a home where I can thrive" we see a parent reading a book to a child - a power image that you could use for a poster or in a parent newsletter. And as you would expect the page "I have the right not to be forced to fight wars" has an image that is sure to linger with you long after you close the pages of this book.

In a previous post I explored work by internationally acclaimed Iranan illustrator Reza Dalvand. 

Mrs Bibi's Elephant

What could that be?

If I was still working in my school library, I would be tempted to create a permanent display of non-fiction books which focus on the UN Rights of the Child. These books are important and as a bonus they usually have scrumptious illustrations.

I discovered this book (I Have the Right) because I spent a little time last week looking through three of our Australian Standing Order services - Scholastic (Australian Standing Orders ASO); Pegi Williams (South Australia); and Lamont Books.

Here are some other favourite Rights of the Child books:

I've made a list of Australian and International Picture books released in 2023 that I would now like to read:

• Remarkable Remy by Melanie Hayworth illustrated by Nathaniel Eckstrom
• Cloudspotting by Samantha Tidy illustrated by Susannah Crispe
• Satin by Sophie Masson - previously mentioned here
• Little Treasure by Chanelle Gosper illustrated by Susannah Goldsmith
• The Useless Tune by Chris Uhlmann illustrated by Paul Uhlmann
• The World's greatest Tackle by Bruce Walker illustrated by Nettie Lodge
• Mizuto and the wind by Kaye Baillie illustrated by Luisa Gioffre-Suzuki
• Sunday Skating by Andrea Rowe illustrated by Hannah Sommerville
• Alice's Shoe by Julie Thorndyke illustrated by Jennifer Harrison
• The day the moon came to stay by Gary Eck illustrated by Nick O'Sullivan
• Every night at midnight by Peter Cheong
• Nightsong by Sally Soweol Han
• Raised by Moths by Charlie Archbold illustrated by Michelle Conn
• The New kid by Jennifer Bain illustrated by Deborah Brown
• The Kiss by Polly Dunbar
• Gigantic by Bob Biddulph
• That's Nice, Love by Owen Gent
• Henry and the Machine Isabelle Marinov illustrated by Olga Shtonda
• Salat in Secret by Jamilah Thompkins-Bigelow illustrated by Hatem Aly
• Anchored by Deborah Tidball illustrated by Arielle Li
• The Lucky Shack Apsara Baldovino illustrated by Jennifer Falkner
• When You're a boy by Blake Nuto
• The Little Things by Penny Harrison illustrated by Hannah Sommerville
• Downtown Sewertown by Tull Suwannakit
• Freckle by Catherine Jinks illustrated by Jennifer Goldsmith
• Blue by Sarah Christou

And here are a few middle grade novels:

• The Lost language by Claudia Mills
• Huda was here by H Hayek
• Indigo in the storm by Kate Gordon
• Temora and the Wordsnatcher by Kate Gordon and sequel Tamora and the Dreamers
• Safiyyah's War by Hiba Noor Khan 
• When clouds touch us (Verse novel might be YA).

Small Mercies by Bridget Krone

"Once when Gandhi stepped off a train in India, his sandal fell between the train and the platform and he couldn't get it back. So he took off his other sandal and threw it down too. When people asked him why he did that, he explained that one sandal was no use to anyone. It was better that someone finds two sandals on the track than just one. This taught me to look at problems with new eyes."

This is a deeply personal story. Mercy lives with her two elderly foster aunts in the South African town of Pietermaritzburg. Mercy's life seems to be on a precipice. She is fearful that the "authorities" will discover the poverty and difficulties of her home. She finds the demands of her teacher overwhelming.

Aunt Mary declares they will need to take in a lodger. Mr Singh arrives with his stories of Mohandas. Mercy discovers this is actually Mahatma Gandhi. Mercy has a school assignment where she has to talk about a role model - some one who inspires her. Perhaps Mercy can share some of Mr Singh's stories in her talk.

Meanwhile a nasty developer has arrived on the scene. He has plans to knock down their house and clear the empty land next door. The house is very old and it seems to be falling apart. Aunt Flora is also falling apart - she has Alzheimers. Aunt Mary explains to Mercy:

"it's as if her roads are blocked. Some of the roads in her brain have closed. Some streets have become one-ways, some roads that used to be busy motorways are now cul-de-sacs. There are lots of pot-holes and dead ends... so her thoughts can't get through like they used to."

Have you ever noticed the way authors use shoes as a way to explain poverty. Often a character will have shoes that are way too small and, as readers, we feel the pain of every step and the despair that money is too short for new or even second hand replacements.  In Small Mercies Bridget Krone also uses shoes as a way to let us know things are tough for Mercy.

"Mercy had to walk fast to keep up. She was wearing flip-flops that were too big for her and they made an embarrassing slap on the tiles of the shopping centre floor." Later when Mr Singh takes Mercy to visit a statue commemorating Gandhi she develops very painful blisters from her flip-flops and the long journey is grueling.

Here are some other signposts of the family poverty:

"Aunt Mary cutting the crusts off with the broken bread knife and Aunt Flora fussing ... and then wrapping the Marmite sandwich up tightly in an old bread bag. There was a time when they'd wrapped sandwiches in wax paper, but these days they recycled everything possible: even tea bags, after their fourth or fifth dunking in boiling water, were put on the veranda to dry and then soaked in parafin to be used as firelighters in the winter."

"She didn't have a phone, and the TV set, before it got sold at the auction, had lived in the corner of the dining room on a trolley, covered with a green velvet cloth fringes with pom poms."

Mercy is so afraid of a visit by the social worker that she has memorised some words to at least postpone her removal by the authorities:

"According to the Children's Act of 2010, each child has the right to legal representation and I demand that the order be held pending this process."

This is book I HIGHLY recommend. I know that this story will linger with me for a long time. It is an example of carefully crafted storytelling. In my head I talked to Bridget Krone as I was reading this book hoping she could help Mercy. I was especially worried when Mercy misunderstood a conversation she overhears which is actually about Aunt flora needing to go into aged care. Mercy thinks Aunt Mary is planning to send her to a children's home. The resolution of this in Chapter 28 made me sigh with relief. I also want to thank Bridget for her character Mr Singh who offers quiet wisdom to Mercy and who is also able to produce delicious food exactly when it is needed.

Read this review for more plot details:

The short chapters are a nice treat for the reading level,particularly since the themes have a depth to them that take some reflecting.Krone notes that her “favorite stories are those that, just when you expect a lesson, sing a song instead.” Small Mercies is just that surprising song, full of light and sweetness. Readers will carry the melody in their hearts long after the last page is turned. NY Journal of Books

Sensitive, funny, and tender. Kirkus

Small Mercies (published in 2020) is a book from South Africa.  Here is the US cover.  Which do you prefer? I was excited to read the review by Ms Yingling.

I would pair small Mercies with The Great Gilly Hopkins by Katherine Patterson and these titles:

Pictures of Hollis Woods

When Friendship followed me Home

Missing May

Speechless

I think adults would enjoy Small Mercies. It made me think of these two adult novels: