Friday, May 16, 2025

A Lemon for Safiya by Jemima Shafei-Ongu illustrated by Nisaluk Chantanakom


"It was Safiya who first spotted the old woman, sitting on the edge of the footpath, sock-sandalled feet in the gutter, busy cars speeding past."

The woman is sitting alone. She is holding a 'bright yellow lemon' in the palm of her hand. When the family ask where she lives it is clear the lady is describing somewhere from her past. The woman talks about her daughter who is named Hanna - this means happiness in Arabic. Luckily the old lady is wearing a bracelet with her name - Maryam. It is such a sweet moment when the child reaches across the car seat to hold the old lady's hand and that is when she sees the bracelet. 

Bookseller blurb: They reached a giant lemon tree. The old woman sat up, tapping an urgent finger against the window. 'Hay! Hay! Hanna zarr'et ha. Hay!' 'She's saying that Hanna planted this tree,' Mama said as Dad pulled over. 'It's a beautiful tree, shajrah hhelweh,' Mama said to the old woman.

 When a little girl, Safiya, and her family help Maryam, a lost and confused stranger by the side of the road, to find her way home, they begin to understand who she is and the rich and remarkable life she has lived. Through kind-natured Safiya, we come to see Maryam, a woman who had been made invisible by society because of her ethnicity, race, religion, language, age and now dementia. With Arabic text interspersed throughout, A Lemon for Safiya is a wonderful exploration of language, diversity and culture.

Listening to an author, or in this case illustrator, talk about the inspiration for their book can make a big difference to how you perceive a text.  This book will be published in early June 2025 but yesterday I attended a conference at our New South Wales State Library and for one of the sessions four authors were invited to speak for five minutes about their new or first book. 

Nisaluk Chantanakom has added delicate art to this story and the memories of the old lady appear in sepia behind each illustration so that even if you don't speak Arabic it is easy to anticipate what the lady is saying. The words are translated too and there is a full glossary at the back of the book. Nisaluk is originally from Thailand but now lives in Sydney.  She was shortlisted for the CBCA New Illustrator with her book A Teaspoon of Light.

About this book she says: I tried to imagine Maryam standing beneath a lemon tree, her mind filled with vivid memories she can’t forget, while she struggles to recall the reality of the present. During this time, an elderly Greek woman with dementia often wandered into our backyard and asked for lemons. She seemed to remember we had a lemon tree, but not that the lemons weren’t yet ripe. I drew inspiration from her postures, expressions and manner for my illustrations of Maryam. Seeing my neighbour’s confusion helped me in my approach to illustrating Maryam’s memories. I chose to depict them as fragmented, using sketchy, childlike crayon marks. Some of these marks are tiny scribbles that I then scanned and enlarged, adding to their raw quality. I felt it was important to have different styles for the present and Maryam’s past. The present is depicted with a full colour palette and a very detailed style. For Maryam’s memories, I combined fine pencil work with scribbled crayon textures and rough 

Jemima Shafei-Ongu is the author of three books. Jemima said (also in the teachers notes): 

A Lemon for Safiya was inspired by true events that happened when my family and I were living in Melbourne around 2006. We found a lost and confused old woman by the side of the road, with not too dissimilar circumstances to Maryam in this story. I have also worked with many children in schools who felt sad and confused when someone they loved, like a grandparent, became impacted by dementia. I also love lemons, and along with olives, they play a special role in my culture (I am of the Levant), and they have a special place in my heart. Nature has a way to teach us about life, about patience, about respect for life and about trust in its process. Lemons, like much of nature, have a life cycle that we can be trustees of and agents to.

The publisher and my conference companion suggest this book could be read alongside Wilfrid Gordon McDonald Partridge. I am not entirely convinced about this but that famous book is a good one to use if you are talking about memories or in fact it is just a very special book to read at any time. 

A better companion book might be this one:



And if you are talking about cultural identity and memory you might look for this one:



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