Krout & Elmore Children’s Book Award for Best Portrayal of Aging

2009 Elementary Award winner

2025 Winner of the Krout and Elmore Award

Krout & Elmore Children’s Book Award for Best Portrayal of Aging

The Krout & Elmore Children’s Book Award for Best Portrayal of Aging from the Gerontological Society of America is awarded each year to recognize realistic portrayals of older adults in picture books for children.

We use the Caldecott Medal definition: “A ‘picture book for children,’'as distinguished from other books with illustrations, is one that essentially provides the child with a visual experience. A picture book has a collective unity of storyline, theme, or concept developed through the series of pictures of which the book is comprised. A ‘picture book for children’ is one for which children are an intended potential audience. The book displays respect for children’s understanding, abilities, and appreciation. Children are defined as persons of ages up to and including fourteen, and picture books for this entire age range are to be considered.” Read more here.

2024

• Primary Reader: Grandad's Pride by Harry Woodgate; Published 2023, Little Bee Books
• Honorable Mention: Dancing in Thatha’s Footsteps by Srividhya Venkat and illustrated by Kavita Ramchandran; Published 2021, Yali Books
• Elementary Reader: Abuelita and Me by Leonarda Carranza and illustrated by Rafail Mayani; Published 2022, Annick Press
• Honorable Mention: Just Like Grandma by Kim Rogers and illustrated by Julie Flett; Published 2023, Heartdrum

2022

• Recipient: On the Trapline by David A. Robertson and illustrated by Julie Flett; Published 2021, Tundra Books
• Honorable Mention: Coffee, Rabbit, Snowdrop, Lost by Betina Birkjaer and illustrated by Anna Margrethe Kjærgaard; Published 2021, Enchanted Lion

2020

• Older Readers: Merci Suarez Changes Gears by Meg Medina; Published 2018, Candlewick
• Younger Readers: A Gift from Abuela by Cecelia Ruiz; Published 2018, Candlewick  

2018

• Primary Reader: It’s Just Aging by Eliah Takushi, Carly Tan, and Colby Takeda; Published 2015, Mutual Pub Co
• Elementary Reader: Hour of the Bees by Lindsay Eagar; Published 2016, Walker Books 

2016

• Primary Reader: Papa Chagall, Tell Us a Story by Laurence Anholt; Published 2015, Frances Lincoln Children’s Books
• Elementary Reader: The Turtle of Oman by Naomi Shihab Nye; Published 2016, Greenwillow Books 
• Honorable Mention: Nana in the City by Lauren Castillo; Published 2014, Clarion Books 

2014

• Primary Reader: Shoebox Sam by Mary Brigid Barrett and illustrated by Frank Morrison; Published 2011, Zonderkidz
• Elementary Reader: Marching with Aunt Susan: Susan B. Anthony and the Fight for Women's Suffrage by Claire Rudolph Murphy and illustrated by Stacey Schuett; Published 2011, Peachtree

2011

• Primary Reader: Sometimes It's Grandmas and Grandpas: Not Mommies and Daddies by Gayle Byrne and illustrated by Mary Haverfield; Published 2009, Abbeville Kids

2010

• Primary Reader: Niwechihaw/I Help by Caitlin Dale Nicholson; Published 2008, Groundwood Books
• Elementary Reader: Ain't Nobody A Stranger to Me by Ann Grifalconi and illustrated by Jerry Pickney; Published 2007, Little, Brown Books for Young Readers

2009

• Primary Reader: Rock, Brock and the Savings Shock by Sheila Bair and illustrated by Barry Gott; Published 2006, Albert Whitman & Company
• Elementary Reader: The Golden Rule by Ilene Cooper and illustrated by Gabi Swiatowska; Published 2007, Abrams Books for Young Readers 

2025 winner and shortlisted titles

The Garden of Broken Things by Freya Blackwood

There are a lot of layers to this story. This will be a book that you do need to think about. I first read this book in May last year and after several re-readings I am still pondering some aspects of this elusive story. I do like the final images where everyone has come together to enjoy the garden. This is reminiscent of another wonderful book about a garden - Rose Meets Mr Wintergarten by Bob Graham.

When you open The Garden of Broken Things you will see a small orange cat on the front and back end papers. He or she is looking back toward the reader beckoning you to come on in. The early pages before the story begins are very important - take your time with them. On the half title page people are enjoying and restoring the garden. These are scenes from the garden in the past. On the title page there is a hint that the owner of the garden has grown older. We see her with her husband and then sitting alone.  Turning to the first page readers can see the garden in the context of the street. It is indeed overgrown and broken. The little house is falling down and it is almost engulfed by the trees that surround it. 

"Number 9 Ardent Street was a lonely place, with windows like sad eyes."

The children explore the garden but it is Sadie follows the cat and who finds the old woman.

" ... the cat found a lap. It belonged to an old woman, bent with time and weariness."

Sadie doesn't ask questions. She just sits beside the woman and talks about her day and her school and she even reads her home reader "with lots of expression". Sadie stays late into the evening sitting beside the lady and as night falls the lady seems to "come back to life". 

"The woman's hand was warm, and her skin felt like paper."

Sadie is reunited with her parents who presumably have been searching for her. Then we have a stark white page. Is this meant to signify heaven? We see the woman with her head lifted up in her pale coat and then on the next page she is gone. Did the touch of kindness shown by Sadie allow the woman to move on? Was she waiting for this small human connection or perhaps waiting for permission to leave?

I haven’t made it clear what happens to the woman. Stories without a clear ending, that leave you thinking, always appeal to me. So there are plenty of gaps in the illustrations and text where readers can make assumptions. I’ve had quite a few adults ask me if there’s been a printing error on the page where the old woman is looking upwards and surrounded by white. It was planned that way! Freya Blackwood

Take a look at the annotation by our National Centre for Australian Children's Literature. Here is a quote: "Led by the cat, Sadie goes deeper into the garden and finds a little old lady, still in her dressing gown, asleep on a bench. Unperturbed by her silence, Sadie chats away about her day and the things that are important to her and then reads a book to the old lady. As darkness descends, Sadie falls asleep, and it is only then that the woman stirs. The other children have already gone home, so the old lady, her mind full of fond memories, takes Sadie home to her worried parents. Her job done; she realises that she is ready to let go. But, before she does, she leaves her fabulous garden to the children of Ardent Street."

Here are the teachers notes from the publisher. I was shocked to see they say this book is for ages 3+. In my view it is a book to share and talk about with a child aged 7+. Read more here. And I have a 'meet the illustrator' post where you can see other books by Freya Blackwood. Freya discusses her book in more detail here. 

The book description tells us The Garden of Broken Things celebrates curiosity and the joy of listening. But I think this rich, layered story is about so much more – grief and loss; perception and reality; belonging; memories and honouring the past; nature; resilience; growth and transformation; and ageing. Reading Time

The transformation from the sad and lonely to the wild and joyful is a direct result of the children’s interest in, and enjoyment of, all the forgotten garden can offer. It is a subtle examination of the sometimes ignoring of the elderly and old (or broken) things, and a sound message that simply because something or someone has grown old, it does not mean that these things have become superfluous or disposable. Just so Stories

The CBCA judges in their Notables report said: The Garden of Broken Things is a poignant story about open-mindedness, curiosity and the importance of listening. Curious and open-minded, young Sadie follows a cat into a backyard and discovers an old lady seated on a bench. Through Sadie’s kindness and the power of connection, the old lady is awoken from her statue-like state. The use of figurative language coupled with the highly expressive water colour, pencil and pastel illustrations provide the reader with insights into the full range of human emotions, both light and dark. This tender story beautifully represents the power of human connection across generations and is suitable for a very broad audience from small children to adults.

Here is an interview of Freya Blackwood about her book with Joy Lawn and you can also see inside this book. 

It is interesting to ponder the name of the street chosen by Freya Blackwood. Ardent means "showing strong feelings or passionate."  

This book has been shortlisted for our CBCA (Children's Book Council of Australia) 2025 Awards

Here in this blog I have already talked about

A leaf called Greaf

The Truck Cat

These long-loved things

Phyllis and Grace by Nigel Gray illustrated by Bethan Welby

"Grace's mum baked a cake. She asked Grace to take a slice to Phyllis. Phyllis lived next door."

Love Reading4Kids: Grace is a little girl; Phyllis is the old lady next door. Phyllis lives alone and her memory is fading, but that doesn't stop Grace from liking her. They find that, despite the gap in their ages, they have much in common and a moving and enduring friendship is born. This is a deeply touching story for all the family of how a little girl befriends her elderly neighbour who has dementia ...

Nigel Gray gives readers heartbreaking insights into Phyllis and her memory loss/dementia:

"Phyllis poured milk from a carton into the kettle. The milk smelt sour. Phyllis came and sat down at the table again without switching on the kettle."

"Finally, she found the slice of cake that Grace's mother had made. It was furry with mould."

"She rolled up the painting and put it in the fridge."

Strengths of this story:

• Nigel Gray does not shy away from a focus on a complex issue - dementia and also neglect (do her family ever visit - we know the house needs repairs)
• Grace is a beautiful child who is so very, very patient with Phyllis
• The story is an important portrait of kindness in action
• Gentle appealing illustrations
• A sweet ending but not one that unnecessarily tries to solve the main issue of memory loss and dementia

Things that could cause concern:

• Grace's parents do not seem to notice that Phyllis needs more help not just an occasional piece of cake or a small container of food
• Do the parents ask Grace about her visit to Phyllis - surely this young child is puzzled by the questions Phyllis asks over and over again especially about her children, husband and even her own name?
• Grace's dad comes over and repairs the broken electrical fuse but the page turn is a little abrupt - clearly Phyllis is so confused about this strange man in her house
• What does Phyllis eat? Is someone actually caring for her on a regular basis? 
• Is this story too distressing for a very young child? Or am I just adding a layer of my own adult sensibilities. We watch Phyllis decline even further over the course of the story but I guess it is good that mostly her mood is portrayed as fairly happy. 
• Reading this book could lead to difficult questions - I know these are important but that is why you need to consider the age of the child - where is her husband? Where are the children? Are they really upstairs? Why is Phyllis doing all these strange things?

This is a book you could share with one child (not a class). It does have a lot of text but more importantly you need to leave lots of room for questions. I would say this book is suitable for ages 7+ but most reviewers seem to say 3 or 4+.

Basing the story on the experience of his own granddaughter and her neighbour, author Nigel Gray’s story is told with great sensitivity and equally sensitively illustrated in Bethan Welby’s gentle watercolour scenes. Together words and pictures beautifully document the progression of dementia and how it might appear, from a young child’s viewpoint. A book for adults and children to share and discuss as gently as it’s presented by its creators. Red Reading Hub

I love this book for its gentleness, its compassionate view of the world, so much an expression of its author. What I also like so much is the respect the author shows for his readers, never lecturing or hectoring, never stating categorically what we must think, but assuming that his thoughts on the subject will be gleaned from the story itself. Living arts Canberra

I mentioned Phyllis and Grace when I talked about the 2023 White Ravens titles. 

Companion books:

Newspaper Hats

The author Nigel Gray is interesting - he was born in the UK and now lives in Western Australia but taking a look at his book list so many of his titles have UK illustrators and UK publishers. Here is an audio interview with Living Arts Canberra. Here is a sixteen minute video of the author reading his book. 

I arrived in Western Australia in 1988 (more than twenty-five years later than I’d intended) having migrated with my wife and my sons Sam and Jo, under the special category of artists and sports people of international reputation, and we have been Australian citizens since 1990.

When my friend from Kinderbookswitheverything asked if we were sent any books by Nigel Gray for CBCA (Children's Book Council of Australia) judging I was puzzled because I didn't think he was Australian.

Look at this list of illustrators:

• Jane Ray
• Philippe Dupasquier
• Michael Foreman
• Helen Craig

Bethan Welby who illustrated Phyllis and Grace lives in Devon, UK.

But then we have BIG Australian names such as:

• Bob Graham
• Elise Hurst
• Craig Smith
• Gregory Rogers
• Andrew McLean
• Anna Pignatoro

The Life and Time of Lonny Quicke by Kirsty Applebaum illustrated by Matt Saunders

Back cover blurb: What if you could save lives? What if, with just the touch of your hand, you could stop an animal, or even a person, dying? You'd do it, wouldn't you? But what if it meant you got older each time? Older and older ... until you had not time left yourself. Would you do it then?

Lonny lives with his father, grandfather and younger brother, Midge, in a remote part of the forest. Very early in the story you will get the sense that this family are hiding. As the story opens Lonny comes upon a rabbit that has been attacked by a fox. The rabbit is only minutes away from death. There is a strong buzzing in Lonny's head. Lonny has a special power. He reaches out and gently touches the rabbit. As Lonny watches the wounds are healed and the rabbit jumps up and hops away. But as you read in the blurb above there is a price for this healing. Lonny has aged a little more. He is twelve but he looks and sounds much older. This is not the first time he has touched a dying creature.

The family are only just surviving in their remote hide away. Mr Quicke repairs old pocket watches but there as not too much demand for these. When a fox kills all but one of their precious chickens Lonny decides to head into the nearest town called Farstoke for work. The lady who buys the repaired watches offers to take him and Midge also tags along. When they arrive in the city everyone is preparing for a festival - the festival that celebrates Lifelings. People in Farstoke have created stories about Lifelings. Many people probably don't even believe they are real but Lonny is a Lifeling and Alison, mother of his new friends Erin and Katy is gravely ill. Click these review quotes for more plot details.

Sometimes middle grade literature can pose the biggest questions with such grace, and this is one of those titles. Did you Ever stop to Think

As with all of Applebaum’s works, friendship runs strongly as a theme throughout with the constant pull of opposing forces drawing the reader into the action of the story – safety and freedom, life and death, friendship and isolation.  Just Imagine

Have you read Tuck Everlasting by Natalie Babbitt?  This book poses similar questions about power over life and death. 

The Life and Time of Lonny Quick is one of those books that became my reading obsession last week. I kept trying to snatch reading minutes so I could find out what would happen to Lonny. I want to give this book five stars but, while the ending was very, very dramatic, the final pages were a little too perfect (and devastating) but having said that please please don't let that stop you reading this wonderful and thought provoking book. I also had a few unanswered questions about Lonny's grandfather - but again this is not meant to be a criticism. 

Nosy Crow blurb: Lonny is a lifeling. He has the power to heal any living creature and bring it back from the dead. But he pays a price for this gift – by lengthening the creature’s life, he shortens his own. So Lonny has to be careful, has to stay hidden in the forest. Because if people knew what he could do, Lonny would be left with no life at all…

You can read the first few pages on the Nosy Crow web site. This book was published only two days ago (as I pen this post). The paperback edition is fairly expensive but I do highly recommend this book for readers aged 10+.  With just 270 illustrated pages and a very fast paced plot this is a book you will want to devour in one or two sessions. Huge thanks to Beachside Bookshop for my advance copy of The Life and Time of Lonny Quicke.

One more thing.  Have a think about the title.  The Life - Lonny's life - and time - time is precious, time is short, we all live one life - of Lonny Quicke.  If you think about the bible words "the quick and the dead" quick in this context means alive and quicken (verb) means revive or make alive. 

I loved a previous book by Kirsty Applebaum - Troofriend. And I have just ordered her first book The Middler. 

Matt Saunders (illustrator of The Life and Time of Lonny Quicke) also designed the cover for The Threads of Magic.