The Same Stuff as Stars by Katherine Paterson

“It means a lot to me,” she said, “you showing me the stars.” 

“It means a lot to me,” he said, “you wanting to see them.”

Before you read this book it is essential to read the introduction but I do need to say it made me cry. Katherine Paterson visited a jail many years ago and talked to a group of inmates about her book The Great Gilly Hopkins. Here is part of her introduction:

I do know that no child makes it without at least one caring adult in his or her life. ... “What’s your name?” I asked a young man handing me his book. “Oh, it’s not for me,” he said. “It’s for my daughter. Her name is Angel.” ... I wrote this book for the many Angels in our world. I hope they find it. And I hope those of us who are more fortunate will take a wiser, more empathetic look at the Angels in our midst and remember that we all are made from the same stuff, the stuff of stars.

Angel and her brother Bernie have very difficult lives. They keep moving house, dad is in jail, and mum seems to have no idea how to care for her kids so all of that responsibility falls onto the shoulders of eleven year old Angel. In the opening scene they go to the jail to visit her dad but then we learn that this will be the last visit - not because he is being released but because Verna has decided to move on again. This time, after a long drive to a remote farm house, they end up with an elderly relative Angel vaguely remembers - this is her great grandmother and things are about to become even more difficult for Angel. 

Things that I loved about the way Katherine Paterson has written this book:

• Little Bernie always repeats important words three times - he is so used to no one listening properly to what he has to say.
• I could almost taste all the food in this book - from the disgusting to the delicious. And I desperately wanted Angel to fill a glass with milk - she shouldn't have to keep worrying that there won't be enough for her brother. Luckily they do eat some delicious popsicles. 
• The Star man is a very special character who shows his love through his kind actions even though he knows his mother has decided he does not exist. Thank goodness he leaves food and milk on her doorstep each week. Spoiler alert - his funeral will leave make you cry.
• The town library (and the school library) are so important in this story as is the beautiful librarian Miss Liza. I would love to hug her tiny, damaged body. 
• Angel should not have to take on such enormous responsibilities of care for her young brother, but it is just so special the way she is always trying to keep him safe and happy - she truly loves him.
• Angels' huge toy bear named Grizzle is almost another character in the story. I loved the way he bought comfort to the kids, but I did want someone to give him a bath. 
• Even though there are really heavy themes in this book every now and then Katherine Paterson gives her read a tiny smile moment such as when Bernie says to Angel “How come you get to choose?” “Because I’m the biggest.” “You’re always the biggest.”
• There is a reference in this story to making Maple Syrup which took me right back to another book I read this year Just Like Jackie.
• I also find an old book series called The Stupids by Harry Allard illustrated by James Marshall (1974) - I didn't realise this was a real book! Well done to Miss Liza for sharing this book with Bernie - the right book at the right time!
• Miss Liza also gives Angel a perfect book - Know the Stars by AH Ray (1962). She left the library with three books and a heart too full to speak.

Here are a few text quotes to give you a flavour of this story:

Bernie was watching entirely too much television. Angel knew about the evils of too much TV for kids. It was like getting only sugar in your mental diet—like not eating all the five major food groups. Ms. Hallingford, Angel’s fifth-grade teacher, was big on the major food groups. She’d also said TV could be a really serious hindrance in a child’s mental development, in the same way not eating right could stunt your physical growth. Angel grabbed the remote and punched the red button.

“Hurry up, and I mean both of you. I swear, sometimes you kids act like snails on Valium. . . . Get a move on, will you?” How could Angel hurry? She stared dumbly into the closet. Verna had said she could take only what fit into the green plastic suitcase that Welfare had given her last year so she wouldn’t have to carry her stuff around in a garbage bag.

It was one thing to leave your kids in an all-night diner by mistake. It was something else to leave them in the country on purpose. That would be too much like Hansel and Gretel.

Everything was going to be all right. ... She knew it, sitting on those steps eating a cherry Popsicle, a real backpack on her back with books inside waiting to be read, and groceries in all five major food groups waiting to be bought. She didn’t have anything to worry about today, and she wasn’t going to get all stressed out about tomorrow. Not while she had the chill syrupy taste of a cherry Popsicle in her mouth.

But now she knew it was true. At least in her head she knew it was a fact. All the things that had happened to her and Bernie hadn’t been their fault. She was sick and tired of thinking it was her fault when they got left at cold apartments and all-night diners and grandmas ... 

Word placement is everything - and Katherine Paterson is a master of this. Look at the highlighted words in this sentence which reveals so much about young Angel and her circumstances. She is getting ready for bed - which is the lounge room couch. She does not turn on the light because that will mean trouble from Verna, her mother: She yanked hard and lifted up the couch seat, turning it into her bed. ... Then she fumbled in the top drawer of the dresser for her nightshirt, really just one of Verna’s old T-shirts, and slipped it over her narrow shoulders.

Look at this sentence too - Angel is thinking about her responsibilities and also about the time when she first held Bernie. Katherine Paterson weaves in a reference which echoes Angels new found interest in astronomy: The thrill was long gone, but the duty had become like the sun in the solar system, the center around which all the other parts of her life revolved. Without it, she would likely fly to pieces.

The heartbreaking abandonment of Angel and her brother is sure to remind you of The Homecoming by Cynthia Voigt.

I am not very good at reading chapter headings especially in a book as good as this one where I just wanted to keep 'turning the page' so anxious for the outcome. But here are some of the chapter headings so you can see they are important and have been carefully worded by Katherine Patterson: A Is for Astronomy; The Swan; Miss Liza of the Library; Know the Stars; To School We Go; Draco the Dragon; Polaris; Consider the Heavens; Galileo Galilei; Falling Stars; Stardust to Stardust; Take Something Like a Star; Shining Stars.

A gently written tale of family caught in the most corrosive of situations, this is a story of guilt and reconciliation. Kirkus Star review

Publisher blurb (from author webpage): Angel Morgan needs help. Her daddy is in jail, and her mother has abandoned Angel and her little brother, Bernie, at their great-grandmother’s crumbling Vermont farmhouse. Grandma, aged and poor, spends most of her time wrapped in a blanket by the woodstove and can’t care for the children. That’s left up to Angel, even though she is not yet twelve. In this dreary world of canned beans and peaches, of adult worries and loneliness, there is only one bright spot—a mysterious stranger who appears on clear nights and teaches Angel all about the stars and planets and constellations. Angel’s quest to carve out a new life for herself and Bernie makes for a powerful, moving story that could arise only from the keen sensitivity, penetrating sense of drama, and honed skill of master storyteller Katherine Paterson.

I follow Katherine Paterson on Facebook and a few days ago she posted an article from a US Newspaper called The Mountaineer. In their religion section the reported talked about this book - The Same Stuff as Stars - by Katherine Paterson (2002). I have read lots of her books but not this one. I shared this with my friend and she hadn't read it either so we have both decided to find and read The Same Stuff as Stars. I added it to my Kindle library and read the whole book in one day - yes, it is that good - a completely engrossing story filled with heartbreak and deep honesty.

Here is part of the newspaper article (in case the link requires a subscription):

Newbery and National Book Award honored writer Katherine Paterson (“Bridge to Terabithia,” “Jacob Have I Loved”) illustrates this in her powerful, yet bittersweet, young adult novel “The Same Stuff as Stars.” I encourage you to find a copy and enter a story that broadens your understanding of what it’s like to live in childhood poverty and to wish for words of approval — to know you are beloved when you are abandoned and feel worthless. We all need to be needed. The story also captures the vastness of the universe in which we live. ...

Now that I hope I have convinced you to read this book you will have to visit a library or read the ebook version as it is now sadly out of print (published 2002) and I couldn't find any suppliers but here is the paperback ISBN [9780544540309] just in case you have another way of searching. 

After reading this book you need to find this title by Peter Sis:

Read more here

You might also want to read the full poem: “Take Something Like a Star” from The Poetry of Robert Frost.

Companion books:

Ruby on the Outside

Alternate title The Faraway Truth

Something like home

When you Trap a Tiger by Tae Keller

I used to be able to talk to her. I used to tell her everything. If this had happened a few years ago, 

I would have said, I JUST SAW A TIGER IN THE MIDDLE OF THE ROAD. 

I would’ve shouted it right into her ear because I couldn’t hold it in.

Mum and her two daughters - Lilly and Sam - are moving back to live with their grandmother or halmoni (grandmother in Korean). Very gradually we are given some brief details that dad has died in a car accident. This move will be a new start for the family but more importantly it is clear Halmoni is unwell. 

Halmoni buys rice and pine nuts and herbs to cast magic, she feeds spirits, she believes in all the things you cannot see. She lives in a house at the top of a hill, a house covered in vines, with windows that watch like unblinking eyes. She is a witch, looming over the town, like something out of a fairy tale. She’s not normal. I’m not normal.

On their journey Lilly sees some thing very frightening. She knows her grandmother has told the girls stories about tigers. And now she has seen one.

I gaze out the windshield. The landscape that slips by is peaceful. Gray stone houses, green grass, gray restaurants, green forest. The colors of Sunbeam blur together: gray, green, gray, green—and then orange, black. I sit up, trying to make sense of the new colors. There’s a creature lying on the road ahead. It’s a giant cat, with its head resting on its paws. No. Not just a giant cat. A tiger.

When they arrive at the house Lilly encounters the tiger again. She makes a bargain with Lilly. If Lilly returns the stars that were trapped in jars by Halmoni then the tiger will restore Halmoni to good health. Halmoni has told Lilly the story of the Tiger and the stars. 

“I am the littlest girl in the littlest village, and I am sneaky. I hide outside the caves and wait until the tigers fall asleep, until their snores echo through the land. And then I get to work, grabbing the stars—the bad stories—in my fists, stuffing them into jars.”

“I seal jars up. Then I tiptoe away from cave, so soft, hush-hush. Before I leave, I think, I be extra safe. I make sure they don’t follow. So I take rocks from the forest, one by one, and stack them at the mouth of the cave, until they make a wall. Big, heavy wall. Until the tigers trapped inside.”

“Nothing last forever, Lily. Tigers break free. The tigers very angry. Now they coming for me. ... “They hunting me now. They don’t stop hunting.”

Lilly finds the important jars but then she has to work out how to trap the tiger in the basement. The family now live across the road from the library, so Lilly decides to go there to find out how to trap a tiger. In the library she meets a boy named Ricky. He will prove to be a new friend and a boy who can help Lilly navigate this complex time, but will she be able to trap the tiger in time? There are three jars and three stories the Tiger could tell Lilly. Sam calls her sister a QAG - quiet Asian girl - but Lilly has to find a way to break away from this label or stereotype because she is sure she is the only one who will be about to save her halmoni. And of course time is running out.

Blurb from the author page: Would you make a deal with a tiger? When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni’s Korean folktales arrives, prompting Lily to unravel a secret family history.   Long, long ago, Halmoni stole something from the tigers. Now, the tigers want it back. And when one of those tigers approaches Lily with a deal—return what Halmoni stole in exchange for Halmoni's health—Lily is tempted to accept. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice… and the courage to face a tiger.

Opening sentences:

I can turn invisible. It’s a superpower, or at least a secret power. But it’s not like in the movies, and I’m not a superhero, so don’t start thinking that. Heroes are the stars who save the day. I just—disappear. See, I didn’t know, at first, that I had this magic. I just knew that teachers forgot my name, and kids didn’t ask me to play, and one time, at the end of fourth grade, a boy in my class frowned at me and said, Where did you come from? I don’t think I’ve ever seen you before. I used to hate being invisible. But now I understand: it’s because I’m magic.

Keller infuses this tale, which explores both the end of life and coming-of-age, with a sensitive examination of immigration issues and the complexity of home. It is at one and the same time completely American and thoroughly informed by Korean culture. Longing—for connection, for family, for a voice—roars to life with just a touch of magic. Kirkus Star review

There is one sentence that made me gasp in this story. Over five days eleven years ago this week I sat with my mother as she was dying. Someone told me the last sense to go is hearing and so I said the same words that Lilly said to her halmoni reassuring my little mum that I too would be okay:

“It’s okay,” I whisper, leaning so close to Halmoni that my lips brush her ear. I close my eyes and breathe. Sometimes, the bravest thing is to stop running. “It’s okay if you go. We will be all right.”

I gave When you trap a Tiger four stars - I think this is because I just read a similar book or at least one with a similar plot involving a young child and their grandmother - Children of the Quicksands by Efua Traore. This meant I wasn't quite in the mood for another book of magical realism and cultural folktales even though When you Trap a Tiger is Korean and Children of the Quicksands is set in Nigeria. I did enjoy, in this latest book, the way Lilly grew in strength and also her determination in the face of terrible fear that she could and must help her grandmother. The final scene I described above also deeply moved me. I think this book is for readers aged 10+ with good reading stamina and for readers who have experienced books like this one previously. Ricky is also an interesting character. At first I thought he might have ADHD or be on the autism spectrum but then later in the story we discover he has lots of friends at school. I did find the early scene in the supermarket where his father berates him unresolved and therefore a little confusing. This may be because I read those parts a little too quickly.

When you trap a tiger won the Newbery Medal. You can see other books by Tae Keller here. If you enjoy books with folk tales woven into the narrative you might also look for these:

Where the mountain meets the moon

Zadie Ma and the Dog who Chased the Moon

A Glasshouse of Stars

Children of the Quicksands by Efua Traore

Publisher blurb: City girl Simi is sent to stay with her long-lost grandmother in a remote Nigerian village. There’s no TV, internet or phone. Not a single human-made sound can be heard at night, just the noise of birds and animals rustling in the dark forest outside. Her witchlike grandmother dispenses advice and herbal medicine to the village, but she’s tight lipped about their family history. Something must have happened, but what? Determined to find out, Simi disobeys her grandmother and goes exploring. Caught in the sinking red quicksand of a forbidden lake, her fantastical journey begins …

There are only a few main characters in this book but I did keep getting lost and so I wish a list of human and non-human (gods) had been included. The ending is a little abrupt and for me, confusing. I didn't understand why the children were suffering on the other side of the lake and also I still don't really know why hundreds of them were taken there over the years. I also should have made more use of the help glossary which is included at the beginning of the book.

Readers aged 10+ with plenty of reading stamina who enjoy stories set in different cultures and stories with elements of magical realism and danger may enjoy this story. 

Curious readers might dig deeper into Nigerian folklore:

• The Myths of the Yoruba: Deities and Legends from Nigeria
• The Ultimate Guide to Yoruba Mythology: Orishas, Legends & Spiritual Traditions
• Mythopedia (background reading for teachers)

The taking of the children from the village might also make you think of the famous poem about the Pied Piper. 

Children of the quicksand was a debut novel for Efua Traore - she won the Times/Chicken House competition which then led to the publication of her book. You can see her other books here. I do enjoy books published by Chicken House. On their page you can read an extract from this book. Here is a review from the journal Africa Access. 

This is a beautiful story with an evocative setting. The reader is drawn to the rich sights, sounds and smells of the remote setting with its mysteries woven into a story dealing with separation, grief and loss. It is Simi’s personal story, yet the history that she uncovers is also deeply powerful and moving: the story of a family dealing with loss in their own individual ways. It is her grandmother, Iyanla, whose secrets we want to uncover and, when we do, it is via a tale steeped in Yoruba folklore and magic. Books for Topics

Here is an alternate cover:

Read the Kirkus review

Bookseller blurb: A richly imagined magical adventure set in West Africa by a prize-winning new voice in children's writing, Children of the Quicksands introduces readers to Yoruba myths and legends while showcasing the wealth of culture, traditions, adventure, joy, pride, and love found in Nigeria. Both modern and fantastical, extraordinary debut talent Efua Traore takes us to the village of a modern day Ajao and the strange parallel world that lies beneath. In a remote Nigerian village, thirteen-year-old Simi is desperate to uncover a family secret. Ajao is nothing like Lagos--no cells phones, no running water or electricity. Not a single human-made sound can be heard at night, just the noise of birds and animals rustling in the dark forest outside. Her witchlike grandmother dispenses advice and herbal medicine to the village, but she's tight lipped about their family history. Something must have happened, but what? Determined to find out, Simi disobeys her grandmother and goes exploring only to find herself sinking in the red quicksand of a forbidden lake and into the strange parallel world that lies beneath. It must have been a dream...right? Wrong. Something isn't right. Children are disappearing and it's up to Simi to discover the truth.

Krout & Elmore Children’s Book Award for Best Portrayal of Aging

2009 Elementary Award winner

2025 Winner of the Krout and Elmore Award

Krout & Elmore Children’s Book Award for Best Portrayal of Aging

The Krout & Elmore Children’s Book Award for Best Portrayal of Aging from the Gerontological Society of America is awarded each year to recognize realistic portrayals of older adults in picture books for children.

We use the Caldecott Medal definition: “A ‘picture book for children,’'as distinguished from other books with illustrations, is one that essentially provides the child with a visual experience. A picture book has a collective unity of storyline, theme, or concept developed through the series of pictures of which the book is comprised. A ‘picture book for children’ is one for which children are an intended potential audience. The book displays respect for children’s understanding, abilities, and appreciation. Children are defined as persons of ages up to and including fourteen, and picture books for this entire age range are to be considered.” Read more here.

2024

• Primary Reader: Grandad's Pride by Harry Woodgate; Published 2023, Little Bee Books
• Honorable Mention: Dancing in Thatha’s Footsteps by Srividhya Venkat and illustrated by Kavita Ramchandran; Published 2021, Yali Books
• Elementary Reader: Abuelita and Me by Leonarda Carranza and illustrated by Rafail Mayani; Published 2022, Annick Press
• Honorable Mention: Just Like Grandma by Kim Rogers and illustrated by Julie Flett; Published 2023, Heartdrum

2022

• Recipient: On the Trapline by David A. Robertson and illustrated by Julie Flett; Published 2021, Tundra Books
• Honorable Mention: Coffee, Rabbit, Snowdrop, Lost by Betina Birkjaer and illustrated by Anna Margrethe Kjærgaard; Published 2021, Enchanted Lion

2020

• Older Readers: Merci Suarez Changes Gears by Meg Medina; Published 2018, Candlewick
• Younger Readers: A Gift from Abuela by Cecelia Ruiz; Published 2018, Candlewick  

2018

• Primary Reader: It’s Just Aging by Eliah Takushi, Carly Tan, and Colby Takeda; Published 2015, Mutual Pub Co
• Elementary Reader: Hour of the Bees by Lindsay Eagar; Published 2016, Walker Books 

2016

• Primary Reader: Papa Chagall, Tell Us a Story by Laurence Anholt; Published 2015, Frances Lincoln Children’s Books
• Elementary Reader: The Turtle of Oman by Naomi Shihab Nye; Published 2016, Greenwillow Books 
• Honorable Mention: Nana in the City by Lauren Castillo; Published 2014, Clarion Books 

2014

• Primary Reader: Shoebox Sam by Mary Brigid Barrett and illustrated by Frank Morrison; Published 2011, Zonderkidz
• Elementary Reader: Marching with Aunt Susan: Susan B. Anthony and the Fight for Women's Suffrage by Claire Rudolph Murphy and illustrated by Stacey Schuett; Published 2011, Peachtree

2011

• Primary Reader: Sometimes It's Grandmas and Grandpas: Not Mommies and Daddies by Gayle Byrne and illustrated by Mary Haverfield; Published 2009, Abbeville Kids

2010

• Primary Reader: Niwechihaw/I Help by Caitlin Dale Nicholson; Published 2008, Groundwood Books
• Elementary Reader: Ain't Nobody A Stranger to Me by Ann Grifalconi and illustrated by Jerry Pickney; Published 2007, Little, Brown Books for Young Readers

2009

• Primary Reader: Rock, Brock and the Savings Shock by Sheila Bair and illustrated by Barry Gott; Published 2006, Albert Whitman & Company
• Elementary Reader: The Golden Rule by Ilene Cooper and illustrated by Gabi Swiatowska; Published 2007, Abrams Books for Young Readers 

2025 winner and shortlisted titles

Higher Ground by Tull Suwannakit

You will need to set aside some time to read this intriguing book. The story begins with an enormous flood. Two children and their grandmother (and pet rabbit) are left stranded. No one is coming to help but the grandmother has years of wisdom and she knows how to use their scarce supplies to survive. She shows the children how to plant seeds to grow food, how to gather water, build a shelter, how to catch and prepare fish, how to use fire for cooking and warmth and most of all she gives the children hope. For nearly 200 days the group survive but the grandmother is growing frail. We watch the seasons change and we see their daily activities through a series of wordless spreads. Eventually the children decide to build a raft. This is the part that broke my heart - the children set off to find other people and they leave their grandmother behind. She tells the children she cannot make the journey, she needs to stay behind and tend their garden but they should know she will always be with them in their hearts.

I expect to see this book listed for many 2026 awards - and it is sure to be a CBCA (Children's Book Council of Australia) notable in the Younger Readers category. The presentation of this book is just beautiful - hardcover and with a very appealing size and book design. 

Publisher blurb: After a great flood swallows their city, a wise grandmother, her two grandchildren, and their pet rabbit find themselves stranded on the only safe place left—the rooftop of their home. With nothing but their small garden and a handful of supplies, they must learn to survive in a world where the familiar streets have turned to endless water. Days turn into weeks, and weeks into months, as they face hunger, storms, and the uncertainty of what lies beyond the horizon. But through each hardship, the grandmother shares words of wisdom, teaching her grandchildren the power of resilience, kindness, and hope. As their garden grows, so too does their belief that even in the darkest times, life finds a way forward. Higher Ground serves as both a warning and a call to action for future generations, urging readers to honor and protect the environment before it’s too late. Told through beautifully illustrated panels, this dystopian middle-grade graphic novel is a powerful meditation on survival, family, and the delicate balance between humanity and nature.

Here are some brief teachers notes from the publisher. 

It is my hope that Higher Ground will encourage young readers to reflect on their own connections to nature, the importance of family values, and the fragile world around them. In a world that is constantly changing, these qualities are more important than ever. Perhaps the story’s central themes of hope, growth and resilience, could offer readers a meaningful outlook to a more empathetic world we live in. Tull Suwannakit (Federation of Children's Book Groups)

I am not a fan of endorsements (as you may know) but there are some interesting names here:

Image source: Tull Suwannakit

Tull Suwannakit talks about his work here. 

Higher Ground is highly visual, with 14 short chapters, and plenty of light and shade in both story and pictures, making it difficult to ascribe to an ideal reader. It is pitched for ages 5+, but this is the sort of immersive, cross-genre, layered storytelling that will captivate readers of many ages, in many different ways. Storylinks

Here is a detailed and insightful interview with Joy Lawn at Paperbark Words. Here is a review from The Bottom Shelf. 

Embracing such themes as home, belonging, loss, grief, refugees, self-sufficiency and the consequences of climate change, this is a book that deserves to be widely read at home and in classrooms. Red Reading Hub

In this age of global warming and climate change books there are many books now that explore the consequences of catastrophic flooding. 

Please try to find this book to read after (or before) High Ground. 

Water, Water

And for older readers I highly recommend this book:

Across the Risen Sea

Other books I have talked about here by Tull Suwannakit:

Happy Hoppy Home

Heart and Soul

The Only Branch on the Family Tree by Sherryl Clark illustrated by Astred Hicks

Gemma's teacher sets a school assignment - draw and present your family tree. Everyone seems to be able to this easily - all except Gemma. Her family is just two people. No grandparents, no dad, no siblings, no cousins. Luckily Gemma is a problem solver so she decides to make a collage of pictures of 'mum and me'.

I started with the old photos

she'd put away

in boxes

and saved on the computer.

...

I found pictures of Mum

with her mum and dad

it's awful that they're gone

'they died,' she said

but then I found one photo

on the computer

that said something different.

Gemma discovers she does have a grandmother, and that she is alive, and even more surprising she does not live very far away. 

So now as a reader you will have lots of questions:

• Why did mum tell Gemma her grandmother had died?
• Will Gemma be able to find her grandmother?
• What will her grandmother say when she meets Gemma?
• Can Gemma solve this mystery and can she be brave and confront her mum about this lie?
• And are we heading for a happy ending for this family?

As with all good verse novels there is a deep emotional layer to this story. Readers aged 9+ are sure to enjoy this book and because it is so very short it is also perfect for reluctant readers. I also think this book might hook a few kids onto reading. Congratulations to UQP on the fabulous cover design - very appealing. 

This lovely verse novel from UQP and Sherryl Clark looks at family dynamics from a different perspective – about estrangement and isolation within families, because not every family is the same. ... Whilst the book doesn’t touch on the specifics of the conflict and estrangement, I think this is what makes it so much more powerful and allows readers to see themselves in this novel, especially if they have been through similar experiences to Gemma. The Book Muse

A couple of weeks ago I read Just Like Jackie. It is such a similar story and would be a perfect companion book to read after The Only Branch of the Family Tree.

Just like Jackie

I was so excited when UQP offered to send me this new verse novel by Sherryl Clark - I am a huge fan of her work and we had a brilliant day many years ago when she visited my school. I read all of these to children in my school library over many years:

This is one of my favourite Verse Novels

I need to find a copy for my own shelves

Hope you can find this one - perfect for all girls in Grade Six

Motormouth

 Mina and the whole wide world

POST UPDATE: I just discovered another book that includes the plot point of drawing up a family tree as part of a class project. I have added this book to my own "to read" list.

Publisher blurb: It’s the first week of middle school, and Ash (don’t call her “Ashley”) already has a class assignment: Make a family tree. But how can Ash make a family tree if she doesn’t have a family? Ever since she was four years old, Ash has been in foster care, living with one so-called family after another. Now she’s stuck with Gladys. And the only place Ash feels safe is in the branches of her favorite tree, drawing in her sketchbook, hidden from the view of Gladys’ son Jordan. As Jordan becomes harder to hide from, and more dangerous to be around, Ash isn’t sure who she can trust. A new friend, an old friend, some teachers at school? Sometimes the hardest part of asking for help is knowing who to ask.

Here is the Kirkus Star review.

Oscar's Lion by Adam Baron illustrated by Benji Davies

Reading this book is a roller-coaster ride. Oscar wakes up (a little later than usual) and he wonders why his parents didn't call out telling him to get ready for school. He picks up his favourite book, reading this is part of their family morning routine, and he heads along the hallway to his parent's room. BUT his mum and dad are gone and in their place he finds a huge lion. 

Sadly, I cannot tell you too much more because anything I say here will spoil this story. Since I have given this book four stars and because the paperback edition has only just arrived here in Australia I am going to suggest you go out and find or buy or borrow this book yourself - I am certain you will enjoy it because there are so many surprises here including flying a spitfire plane and meeting Admiral Nelson and being part of the Battle of Trafalgar but just how this, and many other things happen, and how it all relates to a lion, are things you need to discover for yourself. 

Content warning - there is a distressing scene near the beginning of this book (it's okay the lion has not eaten Oscar's parents) involving a bully and a birthday party and some vicious cruelty towards young Oscar but the resolution of this will give you a smile. 

This is definitely a story where you just have to suspend disbelief and roll with it. There is no point in wondering why Oscar is not more upset about his missing parents and there is no point in thinking it is all very convenient that the lion can shape-shift into an insect or a bird. Yes, there are some deeply sad moments in this story along with some that are funny and slightly incredible. As an adult reader you may have guessed the ending long before your young reading companion, but I think that will just allow you both to go back and hunt out the story signposts. The reviewer at BookBag disagrees. 

The narrative voice accepts all of the magical at face value and is a skilful portrayal of a child’s view of the complexity of life as the plot tumbles through historical, real life and eccentric exploits. Books for Keeps

Listen to the first couple of chapters here. The audio is perfect and this could be way to introduce this story to your young reader or library group. You can read a brief interview with Adam Baron about the topic of grief. And you can read more about him and see his other books here. 

My copy of this book has an extra very appealing feature - the fore edge is red. The fore edge is a term used to describe the vertical edge of a book opposite the spine. The part you see when the book is closed. This, along with illustrations by the wonderful Benji Davies, is why I picked up this book in one of our large chain bookstores. 

Words that Taste Like Home by Sandhya Parappukkaran illustrated by Michelle Pereira

Learning a language is a skill I would like to have. I often think about the lucky children I meet in one of my volunteer jobs who have parents who speak to them in their native tongue. The mother of a young child in my apartment building comes from Brazil. I love hearing them speaking to one another in Portuguese. I know another family where mum speaks only German and dad speaks only English and so their three little girls are now fluent in both languages. 

There is a raw honesty to this book. Rohan has a happy life in southern India. He has an especially precious relationship with his grandmother but then he moves to a different country and he has to adjust to new ways of living and of course learn a new language. At first he is still able to talk to his grandmother on the telephone but gradually words begin to fail him.

When he gets a puppy "he wanted to describe its cute little paws, but the words were out of reach."

Riding his bike "he'd lost the words to tell Muthassi how the wind felt brushing against his cheeks."

"He didn't have the words to explain how he'd scored a goal or why his best friend wasn't talking to him."

Luckily the family make a return visit to their homeland and gradually his words return. There is also a hint that mum and dad will help when they return home because previously we read:

"Rohan's parents started talking to him more and more in their first language."

Image Source: Hardie Grant publishing

This book has been listed as a 2025 CBCA Picture Book of the Year Notable title. I am certain we will see this book listed as one of the six shortlisted books. 

You can see inside Words that Taste Like Home here.

Sandhya Parappukkaran and Michelle Pereria have DONE IT AGAIN. This will, as with their previous titles, will touch your heart. Children from multicultural families will relate to these stories and more importantly books like these will, as Jella Lepman hoped when she formed IBBY, build bridges to understanding. These books are not about world peace (that's what Jella Lepman aspired to) but in small ways these books build understanding about others and between each of us.

Words and pictures combine to make a complex situation accessible to young readers. Michelle’s immediately recognizable artwork here uses a rich colour palette to contrast the different elements that make up Rohan’s two worlds. Each page is rich in detail and a feast for the eyes perfectly complementing Sandhya’s sensitive text. This is an important story that will resonate with anyone who has left one culture and language behind to adopt a new, perhaps quite different culture and language. Storylinks

On the publisher page it says: Sandhya believes that when we explore and celebrate our cultural identities, we show one another greater respect and empathy.

I also love the way Sandhya Parappukkaran always includes the preparation and eating of delicious food in each of her books. In Words that Taste Like Home Rohan and his grandmother make mango pickles. I am not keen on eating mangoes (I know this shocks most people) but those pickles sure do sound delicious.

Stay for Dinner and Amma's Sari

I was one of the CBCA judges who selected The Boy who tried to Shink his Name 

as a CBCA New Illustrator winner. 

Sandhya Parappukkaran is an award-winning picture book author, library assistant and avid reader. She writes stories inspired by her childhood experiences that encourage readers to embrace their cultural identities. Her books have been published all over the world and, among Sandhya’s many accolades, Stay for Dinner (illustrated by Michelle Pereira) won the Multicultural NSW Award at the 2024 NSW Premier’s Literary Awards and The Boy Who Tried to Shrink His Name (illustrated by Michelle Pereira) won the 2022 CBCA New Illustrator Award. 

You can see more art by Michelle Pereira here.

Sisters of the Lost Marsh by Lucy Strange

When you begin this book you need to carefully read the Curse:

Be sure the first girl marries well,

The second in the home to dwell.

A third maid can do little harm

If set to work upon the farm.

Four and five must both be wed

Or six will bury you stone dead.

There are six girls in this family. Their mother has died after giving birth to the last three girls - triplets. Father or Dadder is very superstitious. The family live with their beautiful wise grandmother in her home and they work hard to maintain her farm. Their father is more interested in appearances and expects all the girls to obey him and do their chores without question.

Looking at the first line of the curse, Dadda has betrothed Grace to a local much older landowner - Silas Kirby. Just as an aside I seem to have read other books where the bad or evil man was named Silas. Grace has no interest in marrying this man but her father has already taken delivery of a handsome horse and so the deal is now unbreakable.

Then the fayre arrives:

"No one knows when the Full Moon Fayre will come. It might as well be called the Blue Moon Fayre, Grammy says. Sometimes it comes twice a season, and then not for years and years."

I imagine you are beginning to put his puzzle together. And now I can add books are forbidden in this community but Grammy has some and the girls can read and they have listed to all manner of folk and fairy tales including the story of the Marsh King. Maps are also banned.

Back to the curse. The second sister is Freya. She is destined to stay home and look after Dadda but she is secretly in love with the boy who will be her partner at the Springtide Fires. But it is the third sister who drives this story. Willa is the wild child. She is sure her Dadda hates her but she has no idea why. Then Grace disappears after going to the Full Moon Fayre and Willa decides it is up to her to follow the route taken by the fayre so she can find and save her sister. Willa has a map, a compass, the horse that Silas gifted named Flint and her head is full of stories and warnings about the possible dangers of this journey.

The writing is impressively beautiful and sophisticated without sacrificing the reader-friendly clarity of the straightforward narrator. Willa’s innate goodness and iron will carry her through adventures and physical trials, pitting her against superstitions and fairy tales alike. ... So engrossing a tale and world that readers won’t want to come up for air. Kirkus Star review

Strange is a gifted storyteller who masterfully balances good and evil, dreariness and hope. She incorporates a few perfectly timed doses of horror that will entertain middle grade readers without overwhelming them. Book Page

It’s a rare thing, when a book hooks your interest wholly and completely from the very first page, but Sisters of the Lost Marsh really achieved that. I absolutely didn’t want to put it down until I’d devoured every last word. It was atmospheric, slightly spooky at times, with a gentle hint of magic running throughout every page. I adored it with every fibre of my being and didn’t want it to end. That Book Girl

I read Sisters of the Lost Marsh in one sitting. The story just races along and the marsh and the dangerous mire feel so real - the setting of this book feels like another character. 

Lucy Strange has written a beautiful, haunting novel, an eerie and luminous mix of gothic mystery, folklore and fairy tale inspired by the landscape of Romney Marsh. This isolated setting of mist, salt marsh, ditches and lost villages is brilliantly and atmospherically evoked. Books for Keeps

I think this book will greatly appeal to keen readers aged 10+. It might also lead to an interest in finding other books about witch trials and curses such as these:

The 13th Floor

The Beatryce Prophecy

Wilder

The Witch's Boy

Fire Girl

What drew me to this book? I knew the author's name - I have read a few of her previous books (see below) but more importantly I really like the cover. Oh, and Sisters of the Lost Marsh is published by Chicken House and they consistently produce fantastic books. Read an extract of Sisters of the Lost Marsh. 

Once you have read one book by UK author Lucy Strange you are sure to want to find more. 

Our Castle by the Sea

The Secret of Nightingale Wood

The Ghost of Gosswater