Meet a few illustrators and authors speaking at the IBBY Congress

Natali de Mello

Blurb for When we go Home: Marlee’s parents are excited. "We are going back home!" they tell her and her brother. "Not my home," Marlee says. She knows the island is where her mum and dad grew up, and that she and her brother will get to do lots of fun things when they visit. But she’s never been there. And though her dad says a person can have two home countries, Marlee isn’t sure she believes him. But slowly, the warm welcome from her large, loving family, the coconut water she drinks on the beach and the many other delights she discovers on the island, from pigs on the beach to music at bedtime, help Marlee see that what her dad says is true. (Read the review in Quill and Quire)

Natali de Mello is a Brazilian-Canadian author and illustrator based in Ottawa, creating picture books and visual stories that blend imagination, design, and a touch of humour. I’ve been working in children’s publishing for nearly a decade, exploring themes of identity, belonging, and nature through a mix of traditional and digital media. My background includes an MA in Illustration from Falmouth University, a Certificate in Visual Arts and a BA in Architecture.

I’m the author-illustrator of Curious Capybara (Roaring Brook Press/Macmillan, 2026), and the illustrator of When We Go Home (Kids Can Press, 2026), as well as several other titles published with Planète Rebelle and Kata, including Suivez la capitaine fourmi! (2024) and Indrazaal et la quête de l’océan (2023). I’m currently working on new picture books as both author and illustrator, including projects with Planète Rebelle and Heritage. I’m also developing my first middle-grade graphic novel, Lyla and the Squirrels, supported by the Canada Council for the Arts and the Ontario Arts Council—a story about curiosity, friendship, and small rebellions. Here is her Instagram page.

Sadé Smith

Born in Toronto, Ontario, Sadé Smith is the Canadian children's book author of Granny's Kitchen which was nominated for the Blue Spruce Award for the Forest of Reading 2023 and shortlisted for the 2023 Crystal Kite Award. She is of Jamaican descent and her books often involve food and recipes with colorful illustrations to capture the vibrancy and beauty of the Caribbean islands. 

Granny’s Kitchen is her debut children’s picture book illustrated by Ken Daley. Her second book Julie and the Mango Tree illustrated by Sayada Ramdial has been selected for the CBC Books list of 40 Canadian kids books to read in spring 2023 and the Barnes & Noble’s list of Most Anticipated Kids’ Books for August 2023. It has also been selected for the 2025 TD Summer Reading Club.

 Jean-François Sénéchal

Here is the Kirkus review of I will not be Scared

 

Here is the Kirkus Star review

The son of two teachers, Jean-François Sénéchal was born surrounded by books. After studying anthropology and writing a few texts on Haiti, he returned to his first love and devoted himself to literature. He was a frequent finalist for the Prix Jeunesse des libraires du Québec (Quebec Booksellers’ Youth Prize), which he won with Au carrefour (At the Crossroads). For this novel, as well as for Feu (Fire), he was a finalist for the Governor General’s Literary Awards. He was also a finalist for the Prix du livre jeunesse des Bibliothèques de Montréal (Montreal Libraries’ Youth Book Prize) and the winner of the Prix Adolecteurs (Adolescent Readers’ Prize) and the Prix Bernadette-Renaud (Bernadette Renaud Prize) for Le boulevard (The Boulevard), which was included on the 2018 Honour List of the International Board on Books for Young People (IBBY). Jean-François Sénéchal received the 2017 Joseph S. Stauffer Award for Literature from the Canada Council for the Arts.

Island Storm by Brian Floca illustrated by Sydney Smith

"Now take my hand and we'll go see the sea before the storm."
"You pull on me, I pull on you, and we decide to go on."

The text in this book is a lyrical poem. Two children head outside but they know a storm is approaching. There is an urgency to their journey. When the storm arrives they race home to the comfort of towels, dry clothes, dinner, a warm bed and blankets. But like all storms this one will eventually be spent, and the morning gives everyone the promise of a new day.

"A powerful thunderstorm is brewing on the island. Leaves whisper and branches shake. Waves crash and the sky grows close and dark. Two brave siblings bear witness, pulling each other through the woods and along the shore. They'll shelter soon, but not yet. First they need to feel it all."

This book is an equal partnership of exquisite writing and exquisite illustrations.

Here are some examples from the text:

"We stand on stones that lie like great bones, weathered and worn by water and time - by storms like the one that's headed our way."

"We pass the lighthouse, standing guard- a tower with a blinking eye, a tower with a lonesome cry, a welcome and a warning."

"Our town is eerie and empty, a stage without its show."

Walker Books blurb: A gorgeously illustrated jacketed hardback picture book for children which explores the extraordinary strength and changeability of the natural world and shines a light on those thrilling new experiences shared with siblings. Join in the journey as two siblings go hand-in-hand to experience the true power of a thunderstorm in their seaside town. They want to witness it all - the rise, the thrill of it all, and then the slow return to calm once the storm has passed and a new day begins.

Smith’s impressionistic watercolor and gouache illustrations convey not simply the horrifying strength of the storm, but also the way the light of day changes and shifts throughout the kids’ walk. The images plunge readers into heart-stopping moments, rendered real thanks to Floca’s incredibly evocative wordplay, capable of eliciting both fear and comfort. Readers will experience this tempest alongside the characters, every step of the way. Kirkus Star review

I would never use the phrase tranquil conclusion, but it is an interesting concept and does fit the ending. I was thinking, “I love a good storm as much as the next person, but I do not think I would venture as far away from home as these two kids did.”  However, I liked how Smith’s colors change as things start to “heat up” and the storm comes closer, becomes more intense, then as it leaves and brightens the day. Things are dark, but always have a form of light to them that allows a little hope. Cannonball Read

Sydney Smith (winner of the Hans Christian Andersen Award) is a master of water scenes in his illustrations. See more pages inside this book here.

Hopefully you have seen many of his previous books:

Check out this blog post

You can see more books by Brian Floca here.

Alice and Gert: An Ant and Grasshopper story by Helaine Becker illustrated by Dena Seiferling

The storyline is quiet, but it is sound and solid, and while the narrative speaks linearly, the whimsical illustrations round out the story with depth and nuance. The ant and the grasshopper are softly rendered and oh-so-subtly animated (most especially by the engaging luminosity in their big bug eyes), and insects never looked so cuddly. The soft, pale, earth-toned palette is as easy on the eyes as the gentle story is on the mind. Graceful, kind, and altogether soothing. Kirkus

Alice is the ant; Gert is the grasshopper. Alice is a worker. It is a hot summer, but she is preparing for the winter which is coming very soon. Gert is a dreamer and composer. She spends her days singing and relaxing and cannot understand why Alice is working so hard. Then of course winter arrives and this is where the story becomes a dilemma for the reader and for Alice. Gert has done nothing to prepare for the cold and lack of food over the coming months and so she might starve BUT Alice is kind and compassionate and is able to see Gert has actually helped in her own special way.

"Perhaps you should have planned better,' said Alice. 'Instead, you sang and danced through the long hard days of summer.' ... 'But ... your (songs) lightened my load, and now it's time for me to repay your kindness. I've collected enough food to last the winter - for both of us."

It is so important to share Aesop Fables with children in your library, classroom and home. AND there are so many fantastic versions to use with truly special illustrations. Dena Seiferling creates beautiful pages in this book:

Her illustrations are as classic as the fable, having used her pencil to create profound scenes that are steeped in atmosphere and characters evocative with feeling. From the dramatic Gert who never looks silly as she enjoys her creative pursuits to the tireless Alice who takes the time, amidst her work, to feel, Dena Seiferling makes us appreciate the depth of the story through her characters and the setting. Can Lit for Little Canadians

Here are a couple of other versions of The Ant and the Grasshopper:

Amy Lowry Poole

Jerry Pinkney

Ed Emberley

In the library where I volunteer each week the most recent book display showcased the Aesop Fables held in the collection. As I was reshelving these to make way for the new display (Yarn Yarns knitting in picture books) I stumbled upon Alice and Gert and on the cover I saw the name Dena Seiferling. Over the last eight years my field knowledge of international illustrators has grown exponentially thanks to this fantastic library where I am so privileged to work each week. I previously loved art by Dena Seiferling in these two books:

Night Lunch

King Mouse

Dena Seiferling is a Canadian illustrator and instructor at AuArts, Alberta. Her illustrations are characterised by a love for animals and nature, and she works with a variety of mediums including drawing with graphite and needle-felted sculpture. She has won the Best Illustrated Children’s Book of the Year Award from the New York Times and New York Public Library for Night Lunch, written by Eric Fan. She is the illustrator of King Mouse by Cary Fagan and illustrated for Joseph Coelho’s Ten-Word Tiny Tales.

Dean Seiferling's newest book is Things I learned from my Dog (due out this year). I am very keen to find this book from 2022:

Soup's On Around the World by Denyse Waissbluth illustrated by Chelsea O'Byrne

Delicious and nutritious. Kirkus

Bookseller blurb: Through vibrant illustrations and heartwarming text, Soup's On Around the World invites readers on a flavorful journey of soups across the globe, each with its own unique history and traditions! Every soup tells its own story, revealing fascinating stories such as: The popular Chinese dish, Wonton Soup, is over 1000 years old. In Finland, a unique Christmas dried fruit soup is served as a sweet dessert, topped with whipped cream. Bitter-leaf Soup, a traditional dish from West Africa, was first used to treat illnesses. French Onion Soup was possibly invented by a king!

The cover of this book caught my eye and then to my delight my friend told me there is another book in this series (Taste the World) about tea. Both of these books would be fabulous additions to your school library and especially perfect if you have a multicultural school population or if you school celebrates days such as Harmony Day. And for families here in Australia, it is Winter so that is the perfect time to snuggle up and read a book about soup.

Bookseller blurb: Let's go on an adventure to discover new cultures and friends through tea! In this fun and lyrical picture book for ages 4-8, kids will learn how tea is enjoyed in Thailand, Japan, Russia, Egypt, Pakistan, Hong Kong, Uruguay, South Sudan, India, and more countries! Did you know that po cha, the traditional tea in Tibet, is thick and salty like soup? Or that in Iran, tea is served with a rock? (A rock candy, that is!) Or that afternoon tea was dreamed up in England by a duchess who complained of being hungry between lunch and dinner? With vivid poetry, vibrant illustrations, and unique facts about different tea cultures, Teatime Around the World tells the delightful story of a beloved beverage.

Read the Kirkus review. In this video the author talks about creating her book Teatime around the World. Denyse Waissbluth and Chelsea O’Byrne both live in Vancouver, Canada.

Meet the Canadian illustrator Thao Lam

Image source: House of Anansi 

About Thao Lam: Thao Lam fled from Vietnam to Canada with her family as a child. Learning English was difficult, and it was picture books that helped her understand this new world and ignited her passion for visual storytelling. She has an insatiable love for colored and textured papers, which she uses to create her exuberant collages. Source

Take a look here to read more about many of these titles.

The Paper Boat is part of the IBBY Silent Book collection and Everybelly was selected as a title for the 2026 USBBY Outstanding International Book list. 

Read the Kirkus Star review of The Paper boat. Here is a video of Thao talking about this book. 

Bookseller blurb for Thao (the book): A funny, eye-opening story about the challenges of growing up with an unfamiliar name and learning to be true to yourself, new from the critically acclaimed Thao Lam. Even though it's only four simple, familiar letters long, nobody can ever pronounce Thao's name. She's been called Theo, Tail, even Towel! But the teasing names - Tofu, Tiny, China Girl - are worse. Maybe it's time to be someone else? Thao decides to try on a different name, something easy, like Jennifer. It works, but only until she opens her lunchbox to find her mother's Vietnamese spring rolls, ... Thao's favorite! Now, it feels a lot more comfortable to be herself. Simple on the surface, this story inspired by Thao's own childhood is full of humour, heart, and important ideas of diversity, inclusion, and cultural pride. The story will be instantly relatable to readers who have ever felt different. Designed with a playful emphasis on typography, and Thao's own childhood photos added to her signature cut-paper collage, THAO champions being true to yourself and your background, and being empathetic towards others. It is a celebration of all that's in a name and the power of owning your identity.

Kirkus Star review comments:

Every Belly: Through cut-paper collage illustrations, Lam spotlights a noteworthy diversity ... 

Wallpaper: Paper-collage illustrations lend texture and depth to this fantastical story, with individual elements providing layers so real readers will want to lift them up and peek underneath. Simple shapes (triangles for trees) and careful attention to detail make complex emotions visible and real for young readers. The hand-lettered title adds to the accessibility and childlike qualities of this book. A unique and visually stunning approach to the classic dilemma of making new friends.

The Line in the Sand: The artwork uses bold pops of color and geometric designs to tell an elegant, profound story.

Meet the Canadian illustrator Elly Mackay

Butterfly Park

Bio: Elly MacKay is an acclaimed paper artist and award-winning children’s bookmaker. She is the author and illustrator of a number of picture books, including In the Clouds and Red Sky at Night, and has illustrated, among others The Enchanted Symphony by Julie Andrews and Emma Walton Hamilton and I A a Meadow Mermaid and The Secret Fawn by Kallie George. Before pursuing a career in picture books, she taught in schools and was an educator in galleries. Elly lives in the winter kingdom of Owen Sound, Ontario, where she and her family often search for snow dragons in the gardens and fields nearby. 

Read about her process here and see all of her picture books. I am attending the IBBY Congress in Ottawa - hopefully Elly Mackay will be there too sharing her wonderful work.

Here is an interview with Marmalade Books. You might like to follow her work on Instagram.

Kirkus review comments:

The Bunny Ballet: Though select stylistic elements invoke the pastoral aesthetic of Little Golden Books of yore, MacKay’s art is something special, a marriage of vintage and contemporary in its ethereal dreaminess and Technicolor detail. The result is an enchanting bedtime incantation, one that’s light on narrative tension and rich in immersive loveliness. (Star review)

The Tallest Treehouse: MacKay’s backlit dioramas, suffused with watery colors, glow gauzily. Moss greens and dawn pinks conjure the light-skinned fairies’ forest, a place that feels both familiar and faraway. 

Here is a list of her newest and forthcoming titles:

• The Island of Wild Horses. by Elly MacKay. Tundra Books, 2028.
• Fox Fairies. by Elly MacKay. Tundra Books, 2027.
• A Forest Begins Anew by Louise Aamodt. Ill. by Elly MacKay. Astra Young Readers, 2026.
• Twelve Daring Grays: A Whale Migration Adventure by Nora Nickum. Ill. by Elly MacKay. Candlewick, 2026.
• The Bunny Ballet. Written by Nora Ericson, Ill. by Elly MacKay. Abrams, 2025.

MacKay’s captivating ink and paper illustrations were layered and enhanced with wire, colored filters, and light and then photographed for a glowing and serene three-dimensional effect. The speckled whales seem ready to splash off the page in each dioramic scene. Kirkus Star review

And here are all her previous titles:

• Frostfire. by Elly MacKay. Tundra Books, 2024.
• The Enchanted Symphony. by Julie Andrews and Emma Walton Hamilton. Abrams Kids, 2023.
• I Am a Meadow Mermaid. by Kallie George. Tundra, 2023.
• Zap! Clap! Boom! Written by Laura Purdie Salas. Bloomsbury, 2023.
• Too Early. Written by Nora Ericson. Abrams, 2022.
• In The Clouds. by Elly MacKay. Tundra Books, 2022.
• Hidden Treasure. by Elly MacKay. Running Press Kids, 2021.
• The Secret Fawn. by Kallie George. Tundra Books, 2021.
• The Tallest Treehouse. Running Press Kids, 2019.
• Red Sky at Night. Tundra Books, 2018.
• Waltz of the Snowflakes. Running Press Kids, 2017.
• Maya. by Mahak Jain. Owlkids, 2016.
• Beach Baby. by Laurie Elmquist.  Orca, 2016.
• Butterfly Park. by Elly MacKay. Running Press Kids, 2015.
• Shadow Chasers. by Elly MacKay. Running Press Kids, 2014.
• Fall Leaves. by Loretta Holland.  Clarion Books, 2014.

And I now discover Elly Mackay did the cover for A most magical girl by Australian author Karen Foxlee.

The Little Hummingbird by Michael Nicoll Yahgulanaas

The hummingbird parable, with origins in the Quechuan people of South America, 

has become a talisman for environmentalists and activists who are committed to making meaningful change in the world. In this inspiring story, the determined hummingbird does everything she can to put out a raging fire that threatens her forest home. 

The hummingbird—symbol of wisdom and courage—

demonstrates that doing something is better than doing nothing at all.

"Here is the story of the great forest that caught on fire. The terrible fire raged and burned. All of the animals were afraid and fled from their homes. The elephant and the tiger ran. The beaver scurried and the frog leapt away. Above them the birds flew in a panic. The creatures huddled at the edge of the forest and watched. All except one."

The one is the little hummingbird. She picks up water, one drop at a time, and flies back and forth to the fire. One drop at a time. The other animals watch on convinced there is nothing they can do. The hummingbird tells them:

"I am doing what I can."

The after word for The Little Hummingbird is by Wangari Maathai - here are two books for children about her work:

The Little Hummingbird is a revised edition of a previous title: the award-winning Flight of the Hummingbird (2008) which had 64 pages (see the image at the bottom of this post). You can watch a two-minute animation of the story here. Do watch this it is fantastic. 

Bookseller blurb: This inspiring children's book is based on a South American indigenous story about a courageous hummingbird who defies fear and expectations in her attempt to save the forest from fire. The illustrated story is supplemented by a natural and cultural history of hummingbirds, as well as an inspiring message from Nobel Peace Prize winner Wangari Maathai. The evocative artwork by internationally renowned Haida artist Michael Nicoll Yahgulanaas complements this optimistic tale that encourages everyone to take responsibility for their home and the planet.

I said this very recently - even if I live a hundred more lifetimes I will never reach the end of new and old book discoveries especially those that reside in the library where I work as a volunteer. The Little Hummingbird seems like a fairly obscure book - published in Canada in 2010 and based on an indigenous folktale from South America. Michael Nicoll Yahgulanaas is a Canadian visual artist with a very distinct style called Haida Manga. I am so pleased to have discovered this book but at the same time it reinforces my thought that there are SO many other fabulous books 'out there' that I may never discover. New copies of The Little Hummingbird do seem to still be available from several online sellers. 

Here is an example of the art style found in The Little Hummingbird:

“Haida manga,” a somewhat incongruous term, describes a hybrid form of visual expression where the artist not only celebrates Haida cultural memory and merges it with Asian brush techniques, but also engages with the challenges facing all modern societies: conflict, war, the impact of human activity on the environment, climate change and intercultural relations. Yahgulanaas brings to manga a visual and stylistic technique belonging to the cultures of the Pacific Northwest coast: the formline, or figurative line. The formline is a winding line painted in black that swells and contracts, outlining the contours of the picture’s subject. Read more here.

Here is a simpler explanation: Haida manga is a cool and unique art style that mixes traditional art from the Haida people with modern Japanese manga comics. It's like a blend of old and new, bringing together amazing stories and designs from the North Pacific region with the exciting look of Japanese comics. Haida manga has become popular in many countries, including Japan, South Korea, China, Taiwan, Macao, France, and Canada.

This story has also been performed as an opera in Vancouver - perhaps that is how the Teacher-Librarian in the school in Sydney, Australia discovered this book? Here is the original version:

Zero Zebras by Bruce Goldstone illustrated by Julien Chung

Subtitle: A counting book about what's not there

Zero is such an abstract concept for all of us but especially for very young children. This book is such fun. On each page there are things to count in a sequence of one to twelve but you are also invited to notice there are zero zebras on every page. 

Think about the choices of things to count: One wallaby; two tuna; three thrushes; four frogs; five foxes and so on with spiders, seals, elephants, newts, tigers; llamas and turtles BUT of course there are zero zebras. Simple alliteration gives this book a lighthearted-feel and your youngest students are sure to keep hunting for those elusive zebras. 

The back of this book has a wonderful explanation by the author written for adult readers:

"Zero is a big nothing. Do you skip past zero when you start to count? Almost everybody does: 1, 2, 3, and more but zero is always there first. ... Think about an empty box. What isn't inside? There are no shoes and no shirts. No books and no pencils."

A counting book cleverly designed to raise awareness about nothing. Kirkus Star review

Montreal artist Julien Chung’s brightly coloured digital illustrations have a bold, eye-catching graphic design. Eagle-eyed counters will spot the numerals 1 through 12 blending into the background scenes. For example, the numeral 3 floats like a cloud in the sky; the numeral 7 is caught in a spider’s web; and the tricky-to-find numeral 8 appears in a spotlight’s glow. There are many subtle connections between the scenes. Animals featured on one page can be found making a cameo appearance in the following spread. There are no zebras to be found in the scenes, but there are lots of stripes, from the angular blades of grass, to the black and white design swim trunks on a jumping frog. Candian Review of Materials

Montreal artist Julien Chung’s brightly coloured digital illustrations have a bold, eye-catching graphic design. Eagle-eyed counters will spot the numerals 1 through 12 blending into the background scenes. For example, the numeral 3 floats like a cloud in the sky; the numeral 7 is caught in a spider’s web; and the tricky-to-find numeral 8 appears in a spotlight’s glow. There are many subtle connections between the scenes. Animals featured on one page can be found making a cameo appearance in the following spread. There are no zebras to be found in the scenes, but there are lots of stripes, from the angular blades of grass, to the black and white design swim trunks on a jumping frog.

Publisher blurb: Discover the importance of counting what’s there and what’s not there in this brilliant picture book that combines math, imagination, and creativity! Zero Zebras asks a bold question: can you count what isn’t there? Can you count — to zero? Bruce Goldstone takes us on a wild animal safari counting one wallaby, two tuna, three thrushes, four frogs — but absolutely ZERO zebras. Readers will realize the infinite possibilities of counting what is and isn’t on the page. Goldstone’s imaginative and creative text is brought to life by Chung’s vibrant illustrations which include hidden numbers beautifully integrated into each stunning scene for fun some hide-and-seek. This is the perfect introduction to the concept of zero and infinity, showcasing the profound wonder of numbers in a playful, dazzling picture book that will wow readers of every age!

The library where I volunteer and borrow books carefully record the price of each book they purchase on one side of the imprint page. They record date of purchase, supplier and cost. I always like to look at this to see how long a book has been in their collection and also to see what they paid. The Teacher-Librarian must have really wanted this book because she paid an eye-watering AUS$50. I have found this book with some Australian online booksellers for less than AUS$35.

Zero Zebras won the Mathical Book Award in 2023.  If you are looking to add some exemplary picture books and other books that explore maths concepts these lists should be your first source.

Mathical selects, promotes, and distributes math-inspiring fiction and nonfiction for children ages 2-18. Proposed titles are submitted annually by publishers and the public. Many hands help select the books, including language arts and math teachers, librarians, early childhood experts, and more.

If you share this book with a group of older students they could use the format as a writing model and write their own picture book to share with children in Kindergarten or at a local preschool. 

You can see other books by Bruce Goldstone here. I previously talked about this book illustrated by Canadian illustrator Julien Chung. He lives in Montreal:

365 How to Count a Year

Marilyn Baillie Canadian Picture Book Award

Spork 2011 finalist; The Man with the Violin 2014 finalist; Footpath Flowers 2016 finalist;

In a Cloud of Dust 2016 finalist; My Beautiful birds 2018 finalist.

I am sure you recognise some or perhaps all of these.

The Marilyn Baillie Picture Book Award, established in 2006, honours excellence in the illustrated picture book format. The prize is awarded annually and in 2008, the cash prize was increased from $10,000 to $20,000. To be eligible, the book must be an original work in English, aimed at children ages three to eight, written and illustrated by Canadians. Eligible genres include fiction, non-fiction and poetry.

Scroll down through this page to see past winners. I recently talked about Our Pool. 

Mina

Lizzy and the Cloud

Elizabeth Mrazik-Cleaver Canadian Picture Book Award

 

Read the biographical details of these books here

Every year, IBBY Canada presents the Elizabeth Mrazik-Cleaver Canadian Picture Book Award to a Canadian illustrator in recognition of outstanding artistic talent in a Canadian picture book.

They have selected from 131 books submitted by 36 publishers, the illustrators of the 10 finalist books depict stories that add to our understanding of the world around us. Whether through nature, culture or imagination. The illustrations range from whimsical and delicate to rich brushwork to bold graphic elements and are sure to engage and inspire their readers.

The Elizabeth Mrazik-Cleaver Canadian Picture Book Award is administered by a committee of three members of the Canadian section of the International Board on Books for Young People so I expect the 2026 finalists and perhaps previous winners will be on display at the 2026 IBBY Congress in Ottawa.

The award is named after Elizabeth Mrazik-Cleaver. She bequeathed a $10,000 legacy as a basis for an award to be given to an outstanding illustrator of a picture book. The recipient receives $1000 and a certificate. Elizabeth Mrazik-Cleaver, Born 7 February 1939 in Montréal; died 27 July 1985 in Montréal, was a prominent writer and illustrator of children’s books. She is probably best known for the Enchanted Caribou and for illustrating The Loon’s Necklace.

Published in 1977: According to Canadian Indian legend, when an old man's sight was restored 

by Loon he gave the bird his precious shell necklace as a reward. 

That is why the loon has a white collar and speckles on its back.

Past Winners of the Elizabeth Mrazik-Cleaver Canadian Picture Book Award

2023 – Todd Stewart, Skating Wild On An Inland Sea 

2022 – Dena Seiferling, Night Lunch 

2021 – Gérard DuBois, À qui appartiennent les nuages?

2020 – Marie-Louise Gay, The Three Brothers

2019 – Rachel Wada, The Phone Booth in Mr. Hirota’s Garden

2018 – Julie Morstad, Bloom 

2017 – Julie Kraulis, A Pattern for Pepper

2016 – Isabelle Arsenault, Louis parmi les spectres

2015 – Sydney Smith, Sidewalk Flowers 

2014 – Pierre Pratt, Stop, Thief! 

2013 – Julie Morstad, How To

2012 – Isabelle Arsenault, Virginia Wolf

2011 – Cybèle Young, A Few Blocks

2010 – Julie Flett Owls See Clearly at Night: A Michif Alphabet

2009 – Oleg Lipchenko, Alice’s Adventures in Wonderland

2008 – Christine Delezenne, La Clé

2007 – Stéphane Jorisch, The Owl and the Pussycat

2006 – Kady MacDonald Denton, Snow

2005 – Geneviève Côté, The Lady of Shalott

2004 – Stéphane Poulin, Un chant de Noël

2003 – Pierre Pratt, Where’s Pup?

2002 – Janie Jaehyun Park, The Tiger and the Dried Persimmon

2001 – Marie-Louise Gay, Stella, Queen of the Snow

2000 – Michèle Lemieux, Stormy Night

1999 – Kady MacDonald Denton, A Child’s Treasury of Nursery Rhymes

1998 – Pascal Mileli, Rainbow Bay

1997 – Harvey Chan, Ghost Train

1996 – Janet Wilson, Selina and the Bear Paw Quilt

1995 – Murray Kimber, Josepha: A Prairie Boy’s Story

1994 – Leo Yerxa, Last Leaf First Snowflake to Fall

1993 – Barbara Reid, Two by Two

1992 – Ron Lightburn, Waiting for the Whales

1991 – Paul Morin, The Orphan Boy

1990 – Ian Wallace, The Name of the Tree

1989 – Eric Beddows, Night Cars

1988 – Stéphane Poulin, Can You Catch Josephine?

1987 – Barbara Reid, Have You Seen Birds?

1986 – Ann Blades, By the Sea: An Alphabet Book