We Go Slow by Mariahadessa Ekere Tallie illustrated by Aaron Becker

It's a story about presence, connection, and love. 

The kind that grows stronger with every step we take together. 

Matthew C Winner (podcast)

We go slow opens with a hectic morning scene. The young boy heading to his soccer game is in such a hurry his image is almost a blur and so is mum as she heads out the door to work. How does this link with the title? Turn the page and the pace immediately slows right down.

"Mornings are soft laughter, fresh bread, nutmeg & coffee smells. Mornings are stories, cool crackling records & trying to remember last night's dream".

Crackling records? Where is this child? Who are they with? It is their grandfather. Go back to that hectic (wordless) first story spread. The child of this story is calmly eating breakfast in a side room and the grandfather is preparing his coffee. Neither have the rushed look, that we see in the illustrations, of the other family members. 

The child and their grandfather head out onto the sun dappled street. 

Image source: Simon and Schuster

"Outside we go slow, learn a yellow bird's song & a new neighbors name."

Even the sunflower seems to unfold slowly - oh and make sure you look under the dust jacket - you will see this same sunflower. 

My favourite page is when the child looks up at the power pole and says I "wonder if sneakers like their new view from up high." Have you seen the way people throw shoes and sneakers over electrical wires - I have always wondered why.

Image source: Simon and Schuster

This is another one of those books where I would have loved to be inside the mind of the illustrator when he received the text for this book which I imagine was just one typed page. What image do you think of to go with these words for example:

"We go slow, make a wish & watch someone try."

The opening spread in this book is wordless and so are the final three pages. The colours have changed from yellows and sunshine to muted purples and orange as the sun is setting. The passing of time is not explicitly mentioned but it is beautifully shown by the changes in colour and light. The setting is New York city but really we could be in any urban environment - any busy city. 

Publisher blurb: A child and her grandfather step out of their brownstone and take a walk around their lively city. Together, they practice looking closely. They delight in the world that they see, taste, touch, feel, and hear. Whether learning a yellow bird’s song, tasting a street vendor’s mango slices, or listening to the thumping music from passing cars, they find small wonders in every moment they share—and together, always, they go slow.

It’s rather dreamlike and yet still vibrant and urban. Waking Brain Cells

Awards

• ALA Notable Children's Books
• The Golden Kite Award for Picture Book Illustration
• CBC Best Children's Books of the Year
• NCTE Charlotte Huck Outstanding Fiction Recommended Title
• Massachusetts Book Award
• NYPL Best Books

Via spare, poetic language as well as watercolor and pencil illustrations that take hazy, desaturated hues, Tallie and Becker celebrate the time shared between a child and caretaker as they together meander through a metropolitan neighborhood. ... Whether viewed as a depiction of mindfulness in practice or the quiet joys of together time, this tender story is a reminder of the importance of being in the world with unhurried attention and open hearts.” Publisher's Weekly

Here is a rich and insightful interview with Aaron and Mariahadessa - you can listen or read the transcript. Here is a quote from the introduction:

Their new picture book We Go Slow, is a quiet contemplative walk through a bustling city neighborhood where a girl and her grandfather take time to notice the world around them. They listen to bird song, taste mango slices from a street vendor, and feel the rhythm of passing cars, finding small wonders in every moment they share Mariahadessa’s lyrical text.

About the illustrator: Caldecott Honor winner Aaron Becker is the New York Times bestselling author of the Journey trilogy and other award-winning books for children young and old, including The Last Zookeeper, The Tree and the River, and A Stone for Sascha.

About the author: Ezra Jack Keats Honor winner Mariahadessa Ekere Tallie is an interdisciplinary artist and PhD candidate at Brown University. In addition to her award-winning picture book Layla’s Happiness, she has authored several collections of poetry and has performed poetry and taught in the United States, Namibia, the Netherlands, Belgium, and England. She was born and raised in Queens, New York, and her journeys across the borough inspired the writing of her picture book We Go Slow.

I am so happy to say that this book is one you might be able to afford for your school library at slightly less than AUS$30. And this is another picture book that would be perfect to share with an art teacher in both Primary and High Schools. Or if you find this book in your local or school library just slow right down and read this book with your young reading companion beside you sharing a very special moment that comes from reading a very special book with a lyrical text and art that will make you gasp!

I previously talked about this book by Mariahadessa Ekere Tallie:

Layla's Happiness

Read the Kirkus Star revew

Companion books:

The Night Walk

Outside In

On a Summer Night

Dawn

Nana in the City

Wait wait

The Wonder Thing

One Day

If you listen

Nana in the City by Lauren Castillo

"I went to stay with my Nana at her new apartment in the city. 

I love my nana but I don't love the city."

At its heart this simple picture book is about point of view. The little boy finds the city is loud and scary. But his nana says it is wonderful - bustling, booming and extraordinary.

Nana has such wisdom. She makes the little boy a cape and the next day she shows him that the city is not at all scary because he can now be brave in his fabulous cape. Now slow down and take time to really look into the illustrations because, as is the way with the best picture books, at this point the pictures go way beyond the text. 

You will love sharing this book with your young reading companion and a bonus they might hear/discover a wonderful new word - extraordinary. Nana in the city was a Newbery honour title in 2015. Unfortunately, this book is outrageously expensive here in Australia at over AUS$42. I borrowed my copy from a well-stocked school library - they were lucky to purchase this book back in 2015 for AUS$20. 

What does the Caldecott mean to you?  It means so much to know that the committee felt my book was worthy of such an incredible honor. I am just so thankful. Now, because of this silver sticker, many more children will experience NANA—Maybe even while sitting on the lap of their own Nana—and that blows me away. This book was written as a tribute to my grandmother, who I traveled to New York to visit during my childhood summers, and to my late editor, Frances Foster, who was like family to me in New York City. 

Throughout, Castillo’s soft, warmly colored art expresses the child’s changing feelings about the city while also depicting the characters’ close bond. Kirkus

Publisher blurb:  In this magical picture book, a young boy spends an overnight visit with his nana and is frightened to find that the city where she lives is filled with noise and crowds and scary things. But then Nana makes him a special cape to help him be brave, and soon the everyday sights, sounds, and smells of the city are not scary—but wonderful. The succinct text is paired with watercolor illustrations that capture all the vitality, energy, and beauty of the city.

If you read this book with a preschool or Kindy group you could compare the themes of Nana in the City with Town Mouse and Country Mouse. I have put a few picture book versions in this post. And then you can read the sequel Nana in the Country. Here is the web site for Lauren Castillo.

This is a Story; Our friend Hedgehog

See lots more Lauren Castillo books here.

Here is the blurb for Nana in the Country: When Nana comes from the city to visit her grandson in the country, the boy is so excited to teach her about all the wonderful things he does on the farm where he lives—feeding the ducks, milking the cow, even tending to bees. But to his disappointment, Nana already seems to know how to do just about everything. And she isn’t the least bit nervous about picking up bugs or easing a hen aside to collect an egg. But then a storm hits in the night, and the boy must take the lead and make sure the animals are safe and dry. And it turns out there are many more unique-to-the-country adventures to surprise his beloved Nana with.

Into the Bewilderness by Gus Gordon

"Maybe we're missing out on something here in the woods? What if there's something else out there? Beyond the trees. Beyond the horizon, where the sun goes down into the ground for the night and the moon is released from the big box in the sky."

"One cannot discover new oceans unless he has the courage to lose sight of the shore."

Don't you just love that word in the title - Bewiderness - your young reading companion might anticipate that the two characters on the cover are bewildered and that they are either IN or travelling TO the wilderness.

Blurb from author webpage: In the Bewilderness, life is good. Best friends Luis (the large furry one) and Pablo (the small furry one) spend their days wandering through nature, playing songs on the guitar, and eating Slow Joe McNally’s pinecone porridge with their neighbors. When dreamer Luis receives an unexpected invitation to attend a performance of The Weary Mermaid in the big, bustling city, he finds it hard to ignore the allure of the bright lights. Luckily, he doesn’t have to go it alone—and it’s a good thing, because it’s a long journey through the Bewilderness, and Luis has many questions. Will they meet laser-eyed gargoyles, zombie chickens, or tyrannical cow rulers? Will they get there on time? Why is quicksand so slow if it’s called quicksand? Thankfully, with his grumpy but loyal best friend by his side, they’ll soon find out. ... Or will they?

This is a story of two unlikely friends - a bear and a mole. It is a 'grass is greener' story and it is also a tale of true friendship. If you are sharing this book with a young group of students, you could perhaps also look at some versions of Town Mouse and Country Mouse. As is often the way with unlikely friends stories this pair have contrasting personalities. Pablo is slightly cynical and verbose while Luis is naïve about the world especially the world beyond their woods. In another way this story also has deeper themes about our need for cultural experiences, rich lives and perhaps even deeper - it could be about the meaning of life itself - but maybe I am getting too carried away. 

Gus Gordon has included such a rich vocabulary in this book - mostly spoken by Pablo. 

sophistication backwater; behemoth; wayward; disoriented; rabid; ravenous winged creatures; repressed society; wanderlust; preordained; elegant chaos; immeasurable; and manifestation of intellectual achievement. So, this graphic novel and the tone of the humour will suit readers aged 9 or 10+.

It is fun the way the pair of friends 'rib' each other with their ascribed nicknames of Furball and Turnip. I also enjoyed the wordless pages - a chance to slow down and just see their world.

"Well Furball, we're off to see what the Big City has to offer. Will it be a vast wealth of culture and energy or a bottomless pit of despair?' 'There could be pretty lights ...!' 'That hide a broken-down society crippled by expectations of grandeur."

The Kirkus review of Into the Bewilderness is so insightful. The reviewer likens Pablo and Luis to Laurel and Hardy and I learned a new word for their friend Ray who is perhaps a yeti or a bigfoot. Kirkus use the word cryptid. Cryptid: an animal (such as Sasquatch or the Loch Ness Monster) that has been claimed to exist but never proven to exist.

Appealing, colorful artwork complements the philosophical, character-driven plot, including stunning two-page spreads that showcase the wonder of the woods and a sparkling night sky. With gentle humor, the author explores themes of curiosity, friendship, and the value of different perspectives. School Library Journal

This is a delightful and wacky graphic novel that will have adventurous spirits of all ages smiling as they follow this charming pair. The book doesn’t talk down to readers, containing impressive vocabulary and concepts that work on a number of levels. It’s a gorgeous little hardback and an absolute joy for ages 9+. Readings Melbourne

Gordon writes with wit, warmth, and compassion. He shares small but important insights into humanity, whilst also exploring more philosophical themes such as understanding our place in time and space, explaining the elegant chaos of the universe or unpacking the meaning of culture, all of which are handled deftly with humour. Reading Time

Here is the US cover with some tiny changes - I wonder why? The endorsement is from Sergio Ruzza - I do love his books (see them at the bottom of this post).

I read Into the Bewilderness in one huge gulp. It took me just over an hour to devour the 180 pages. I laughed and I gasped - there are two gasp-worthy scenes in this story. Gus Gordon is the author and illustrator of over 80 books, and he should be very proud of his first graphic novel which I know took many hours to create. You can see his work in progress on Instagram.

One of my favourite moments is when Pablo and Luis arrive in the Big City. They are hungry. Luis would like a tuna fish sandwich and Pablo would like some pecan pie. Turn the page and we see them standing outside a business named Tuna Fish Sandwich and Pecan Pie Restaurant - perfect!

You can see inside Into the Bewilderness here. 

Joy Lawn interviewed Gus Gordon and asked him about his book - here are a few quotes by Gus from her blog Paperbark Words:

This bear and mole deserved a larger story. So, I decided to sit down and write one chapter, and see where it led me. I did a lot of research, looking at other graphic novels, from here and abroad. I really hadn’t looked at many before, but I must admit that it felt familiar, in a sense, and once I began to flesh out the story, things kind of fell into place.

The wonderful thing about the graphic novel format is that it’s incredibly versatile. As long as the story is progressing, it doesn’t matter how you tell it visually. It embraces almost all the elements of storytelling. Much like a picture book, you can use the page space to breathe, and slow the pace down, not a single panel in sight. Perhaps a bird slowly making its way down over the forest below for pages and pages. Or, conversely, you can use multiple vignettes to speed the story up.

Home is always a powerful notion in stories, and it features heavily in Into the Bewilderness, as I mentioned earlier. A familiar theme that has been pointed out to me from readers, as a recurring feature of my stories over the years, is the theme of loneliness. That in the end we are alone in this world, and despite the undeniable importance of family and friends, it’s up to us to make the most of our short lives. 

When the pair of friends travel to the city to see a show I thought of this wonderful book:

And the expression of true friendship and an adventure in a big city (Gus says he was thinking of Detroit but I thought of New York) reminded me of this special book also by Gus Gordon:

Herman and Rosie

These are books by Sergio Ruzzier - he did the endorsement on the US cover of Into the Bewilderness.

Read more here.

Willow Bright's Secret Plot by AL Tait

Mum has died. This happened when Willow was only five years old so for many years it has just been Willow and her dad and their life together in rural Australia but now things have changed, and Willow has been sent to live with her Aunt Cressida and her cousin Fleur. The property where her father worked has been sold and dad is working far away hoping to save enough money so he and Willow can be reunited. 

Willow finds city life hectic and confusing. She is really struggling to fit in, and Aunt Cressida seems to have so many rules. Even worse though, her cousin Fleur is simply horrible. AL Tait describes Fleur's behaviour so well that on page 10, I just had to stop reading and take a break from this book. I do not react well to unkindness.

Back to the story. In the opening scene, there is a carnival or fete at the school. One of the attractions is the petting zoo. While Willow is standing in the line for fairy floss, a young calf escapes from the small 'zoo' enclosure. Willow is a farm girl. She knows this calf is frightened and also it is clear he is heading towards some small children playing in sand pit. Willow springs into action, she grabs a rope and lassos that renegade calf. Surely, she is hero - she saved the day - but this is not the reaction of the people in the crowd. I gasped! Reading aloud the first chapter of Willow Bright's Secret Plot could be a great way to book talk this title with your upper primary library group. You can hear AL Tait (Allison Tait) reading her chapter here.

The runaway calf could be an isolated incident, but other strange things have been happening at school. And some other things are going on in this community. One thing Willow really needs is to find a quiet place with trees and nature. Taking an early morning walk each day she discovers an overgrown plot of land. The house appears to be empty. Willow makes a plan to visit this special place every morning. She thinks she could even begin to tame this wilderness but then she meets the old man who does live in the house. He does not know this, but he might be able to help with her plan to run away back to her former home because he will pay her to restore his garden. Willow is well on track to implement her plan when unexpectedly she makes new friends, and she finds a way to navigate the changes in her life. 

There is a scene in this book that I think will linger with me - Willow tries to talk to her new friend (from page 114 onwards). Cos (short for Cosette) has already decided Willow believes Martin, Cos's brother, is guilty of the petty crimes around the neighborhood. Willow tries desperately to explain why she is visiting but she is extra nervous because her aunt has forbidden her from visiting this house. It is all so complicated. All Willow wants is to invite her new friend to help with the garden but Cos just closes the door and storms off.

The awkwardness of making friends and growing up, and learning to speak about your feelings or acknowledge them, and about finding out that people do care, and sometimes, it might take us, and everyone around us, time to understand. Because nobody can adapt to changes automatically when it comes down to it. And this book shows that sometimes, working out what to say and how to say it can be the hardest thing to do. The Book Muse

In some ways the transformation of the garden reminded me of the classic book (a firm favourite of mine) The Secret Garden by Frances Hodgson Burnett. The restoring of the garden leads to a healing of Willow and also of the garden owner Mr Belrose. I also like the double meaning you can interpret from the title and the words 'secret plot'. 

Here is a description of Mr Belrose:

"The man was older than his strength and voice suggested ...This man had wiry, white eyebrows that were almost as wild as what was left of his hair, and he was wearing a wrongly buttoned, checked pyjama shirt atop navy trousers and his boots. But he had the kind of warm, brown skin that suggested hours spent outdoors ... and the way the deep wrinkles fanned out around his blue eyes suggested he spent more time smiling than frowning."

And here is a description of why Willow enjoys her early morning solitude:

"The early morning had always been Willow's favourite time of the day. At Jack's Creek, it was the only time cool enough to walk anywhere, and it was then that Willow would stroll across the verdant grass square that surrounded the homestead, past the point where the sprinklers kept it green, and out into the wild, dusty expanse beyond."

Did you notice the word 'verdant'? I am always happy when authors use rich language in a story. 

Bookseller blurb: ‘I feel her in the breeze that makes the dahlias bob, and in the scent of the roses …’ After moving to the city from the country, Willow Bright feels like she’s lost her mum all over again―and landed on another planet. Her clothes are wrong, her taste in music is wrong, and even the food she eats is wrong. But when Willow spots a pattern in a series of puzzling accidents and mishaps, she forms an unlikely friendship―and finds new purpose. Can Willow solve the mystery and find room to be herself along the way? Or will her plot to run home to the wide-open spaces and memories of her mum land Willow in even more trouble? 

The town planning/corruption layer of Willow Bright's Secret plot made me think about a very old Australian classic book - The Battle of the Galah Trees by Christobel Mattingley (1973).   

Companion books:

Huda was here

Out of the Wild Night

The Secret library of Hummingbird House

Cicada Summer

A good day for climbing trees

The train at the end of my street by Tom Jellett

I still find it quite exciting catching a train (whether to sit upstairs? Or downstairs?) and hopefully some of that excitement is conveyed in the drawings. ... 

(I usually sit upstairs). Tom Jellett

I once had a train at the end of my street so the title of this book really grabbed my attention. I now live in a part of Sydney where there are no trains. Commuters and families have to travel by bus to the CBD to then catch a train. I actually do this every week on my way to a volunteer job. I really enjoy the train part of my journey. It would be fantastic to share this book with your own child before or after a train outing especially if this is not a part of their daily life. The trains in this book are clearly in Sydney but this book will translate easily to other train networks. You might even have a chat about graffiti and also all the supportive inclusions around train stations for people with a visual impairment. 

This new Australian picture book is a joyous celebration of family life and trains. Mum and dad and their two children live near a station. Mum catches the train to work and on weekends the family catch the train or an outing. Our narrator explains all about the different trains, how to buy tickets, and how to stand safely on the platform but this is not a lesson it's just a recount of their happy time together. Most of the story takes place over one day and this is beautifully shown in the front end paper (morning) and back end paper (same scene in the evening).

I am certain this book will be a 2026 CBCA Early Childhood notable. Tom Jellett creates so much movement and (implied) noise on each page. This book is an essential purchase for every preschool and also perfect to add to your school library.  I especially love the double spread scene of the busy station where we see all sorts of people on the move heading to and from their trains in groups or pairs or alone with bags and suitcases, backpacks and strollers. Read more about Tom Jellett here. (Hot stuff by Margaret Clark is one of my all-time favourite read aloud books). 

It’s a simple book that feels very familiar and explores all things train from the perspective of a child who can hear trains from their home. From meeting Mum as she disembarks after work to buying a ticket, checking the platform clock and bringing snacks for a long journey, this book has it all covered! There are many different types of trains and stations, and all are lovingly illustrated with Sydney-based author and illustrator Tom Jellett’s trademark warmth. Jellett has created a delightful celebration of transportation and a perfect book to share with train fan. Readings

Image source: Good Reading Magazine

Dirt by Sea

One Tree by Christopher Cheng illustrated by Bruce Whatley

"When he was a young farmer, Grandfather woke to birds singing in his trees. 

He tended his fields and talked to his plants to help them grow."

But that was long ago. Now Grandfather lives in a city apartment. It is busy and noisy and the air does not smell too good.  Grandfather is sad and quiet. 

One day his grandson sees a tiny plant growing in a crack on the footpath. He gently pulls it from the ground and takes it home because he is sure his grandfather will know how to care for this tiny fragile new life. At first Grandfather seems disinterested but then he begins to talk to the little tree. 

"Then on my birthday, Grandfather gives me another potted tree. 'Two trees are always better than one'."

Over the coming weeks they add more trees and soon their balcony is filled with trees and blossoms. And then a bird arrives. His silent Grandfather begins to talk again - telling stories of his mountains and rivers and trees and fishing. Other people notice the green on their high-up balcony and they add their own trees and over time the grey, austere building is transformed. 

Publisher blurb: One tall tree on the mountain once marked Grandfather’s farm. Now there is a busy city and Grandfather lives with us in our apartment. Once he told stories but now he stays silent. Until one day, in the city market, I find something precious . . . something that brings Grandfather’s memories alive again.

One Tree reads like a beloved fable; a story that spans generations and could easily slip into despondency yet buoys hope in the most translucent way as Cheng compares the past with the present. Green mountainsides are obscured by city grim and skyscrapers. Individualism is sucked away in a vortex of colourless anonymity and sameness, yet one tiny action motions great change allowing transformation. This story blends environmental concerns with social awareness and family relationships all under a deliciously Asian cultural umbrella. And the thing that pulls it all together? Whatley’s exquisite illustrations. Dim's Write Stuff

The topic of urban renewal and growing a green city could be a fabulous mini unit in your school library. There are so many books on this topic. Here are a few companion books:

The Secret Sky Garden

The Tin Forest

The Extraordinary Gardener

The Girl who Planted Trees

Oscar's Tower of Flowers

The Curious Garden

Rose's Garden

The Tree at Number 43

Bruce Whatley is our IBBY Australia 2026 Hans Christian Andersen award nominee. I read One Tree many years ago (it was published in 2019) and I have often suggested it as a companion book but for some reason I had not penned a proper blog post about this book.

One Tree is one of the five books illustrated by Bruce Whately that we have sent to the ten HCAA jurors.

The Reading Time reviewer said:

This book is so simply but beautifully written, and the illustrations so vibrant and effective, that once I read it, I had to turn back and read it again immediately. The story of the grandfather slowly being drawn into helping his grandson with the tree was so touching. I especially appreciated when the grandfather starts talking quietly to the tree. Bruce Whatley’s illustrations are achieved digitally, but give the appearance of linocuts. This technique, in its blend of old and new technology complements the themes of the book: the old and the new can find ways to coexist.

One Day by Shirley Marr illustrated by Michael Speechley

"Mayfly has not regretted a second of the 

incandescent experience that is life. 

It has been a perfect day."

Mayfly is born in May. She will only live for one day so every moment is precious. Humans do live longer than one day but equally the underlying message in this book is clear - it is important to value your day and your relationships. It is also important to notice and celebrate the world you live in no matter how big or how small.

This book opens with a calendar page. The date 18th May is circled because this is the birthday of May (that's the name I am giving her) - the mayfly. A frog spies the newly emerged mayfly. He is the voice of doom. "The world out there will eat you up ... not that it matters. You'll only live for one day, anyway."

How will she react - here is the opportunity to talk about optimism. Mayfly says - "One whole day! It's hard to believe." 

As we watch Mayfly exploring her world including the big city, we also see a young girl with her grandparents. Think about their life journey. There is a scene where, as a reader, we are given a birds-eye view of the city. Notice the shop and building names - these are a powerful way to show a life journey - A1 Daycare; Day Street Primary; Day Street High School, Juan Dei University; Juan Dei Student housing; The Daily Grind Pty Ltd; Day Job Corporation; Daydream travel; Daily bakery; Sunset Retirement living; and Apel A. Daye Hospital.

Okay this is a big call, but I am going to say One Day is my 2025 book of the year (so far). I was previously a CBCA (Children's Book Council of Australia) picture book judge. I wish I had that privilege this year so that I could champion One Day as a book that needs to be added to all school libraries. This is a perfect example of a multilayered picture book which can be shared across school grades. This book is sure to appear on lots of awards lists.

Walker Books Australia released One Day this week. They have made a teaching kit (aimed at a very young audience) but this book is sure to lead to very deep discussions with older readers in middle and upper primary classes about the circle of life, our human life journey, our brief time on earth, the importance of family relationships, along with -  techniques of illustrators, book design (colour palette, embossed lettering on the cover, end papers), and page/book formats. 

I don't often comment on the work of book designers, but Sarah Mitchell deserves a huge award for her work on this book. You can follow her on Facebook. 

The text of this book is brilliant, but it is equally brilliant to see how Michael Speechley extends this text with tiny illustration details AND the 'calendar-style' format where you turn this book sideways is so different and utterly perfect. (I was not able to find the official term for this).

There is a word that I quoted at the top of this post. It made me gasp:

incandescent

That is the perfect word to describe One Day by Shirley Marr - incandescent! Paul MacDonald used another perfect word in his review - "a stunner".

Here is some more of the text from One Day:

"To her astonishment she takes flight. But it's easy to feel small in a big world. Life is a map with no set destination. One that can take you in any direction. ... Life is a moment in time."

Interview: One Day introduces a little girl in a yellow raincoat to a mayfly who is determined to make every moment of her day count. ‘We playfully discussed, during a chance meeting, the hypothetical question of “What would you do if you only lived for one day?”,’ said Marr and Speechley. ‘The idea quickly became something driven primarily by the love of art and prose that neither of us believed would find publication—if not for the support of agent Gemma Cooper of the Bent Agency. We cannot wait for readers to delve into our passion project and meet Mayfly!’  ‘Shirley and Michael’s beautiful encapsulation of the notion of carpe diem has never been more beautiful,’ said Walker publisher Clare Hallifax. ‘From Shirley’s exquisite prose to Mike’s charming and inventive illustration, readers young and old will be charmed and inspired.’ Books and Publishing interview

Here is the very best companion book (sadly long out of print):

Mayfly Day

Try to find this book too:

Life

I highly recommend these middle grade novels by Shirley Marr - she is one of our top Australian children's writers. 

Countdown to Yesterday (5 stars); All four quarters of the Moon; A Glasshouse of Stars

Michael Speechley has been a graphic designer and high school art teacher in WA. His first picture book, The All New Must Have Orange 430, explores themes of consumerism and the environment. It was shortlisted and awarded as an Honour Book in the Children’s Book Council of Australia (CBCA) Children’s Book of the Year Award in 2019 and was the winner of The Wilderness Society’s 2019 Environment Award for Children’s Literature, Picture Books. His second book is The Gift, which was published in September 2019. This book deals with loss, kindness and the joy of giving. It was a Notable Book in the 2020 CBCA Book of the Year Awards and was shortlisted for the 2019 Western Australian Premier’s Book Awards.