A Little Bit Lola: Too Big to be a Fairy by Kiah Thomas illustrated by Bec Kitson

Lola needs money. She hits on the idea that the tooth fairy gives money - all she has to do is pull out a tooth - oh no that's not as easy as it might seem. (you could look for the book Andrew's Loose Tooth by Robert Munsch). Wait a minute Lola could become the Tooth Fairy. She tries to squish herself into her smallest clothes hoping she will instantly become smaller but sad to say that doesn't work. Lola does not give up - she thinks about fairies and their magic. Perhaps Lola can make some magic. She will need a magic wand (easy) and magic potion (are you worried about this?). Now the house is a big mess. Lola decides to clean up then dad comes home and he sees how clean everything is. Perhaps it is time for Lola to have some pocket money. Then she picks up an apple takes a big bite and ....  I'm sure you have made a connection back to that opening scene where she thought about the tooth fairy?

This story reminded me of a favourite Bluey episode - Season 1 episode 20 - Markets. 

Bookseller blurb: Everyone in Lola’s family has wheels except Lola. So, when she spots the perfect pair of roller skates, she has to have them! There’s just one problem: Lola doesn’t have any money. But the tooth fairy does … Can Lola figure out how to shrink down to the size of a fairy so she can be rich too? ... Youngest sibling Lola inspires and delights with her limitless imagination, inventive problem-solving and determination to prove she’s NOT as little as she looks. No matter the obstacle, Lola always finds a way to be whatever she dreams and to be herself.

This book is very pink and the illustrations do not really appeal to me but the story itself has some sweet moments. I think I might be tempted to read Too Big to be a Fairy without showing the pages - reading it more like a series of connected short stories. You can see many of the pages inside this book here. For a different perspective read the Reading Time review. You can see more art by Bec Kitson on her Instagram page. 

Too Big to be a Fairy is a CBCA 2026 Younger Readers Notable title. 

Here are other books from this series:

I loved a previous book for readers aged 10+ by Kiah Thomas - The Callers.

The Callers

After by Padraig Kenny

"Tell me again how the world ended."

Jen and her father live in the world of 'our' future. All the cities have been destroyed following a huge flood and also, as Jen discovers later, a violent war. At the heart of this destruction is just one man. Edward Seacroft is a tech genius. He has developed a way to build powerful robots called Merks and then he has convinced humans to implant chips in their brains but when his plans went  badly wrong he then implemented his first contingency. 

"Seacroft was the man who invented the Hive, an artificial intelligence network that spanned the globe ... He created robots and machines that were connected via this Hive intelligence. Then he had the bright idea of also connecting humans via implants. ...  Soon the Hive became such an accepted part of life that people were given implants at birth. ... But for some reason the Hive turned on the human race ... The Meks rose up. They showed no mercy. The war was bitter and short. Then the Flood came, overloading everyone and anything connect to the Hive."

People who were too poor for the implants have survived and, as this story begins, Jen and her Father have stumbled onto a small colony. Their leader, Albert, is welcoming and Jen knows this could be a place that she will feel safe but it is vital that no one discovers the true identity of her 'father'. Also who is Albert? Is this really a utopian community? What is hidden behind that locked door? Are the people right to be suspicious of strangers? 

There are eight chilling words in chapter 18:

"Human beings are useful. Up to a point."

Jen is a character who will linger with you long after you finish this book. She is so wise and insightful but also at times witty and funny.  The idea of brain implants is explored in another very old dystopian book that I read and loved decades ago - Devil on my Back by Monica Hughes.

Okay, so I need to say I have had this book on my 'to read' pile for over six months. The cover reminded me of another book I read by Padraig Kenny and I wrongly assumed this one would be similar. I did enjoy Stitch but it was a somewhat harrowing book and so I kept waiting to feel 'in the right mood' to tackle After. 

YES as I said I was wrong. After is a gripping book with a plot that keeps you on the edge of your seat. It is not a horror story in the traditional sense such as another Padraig Kenny title - The Monsters of Rookhaven. This new book, After, has more in common with Tin published in 2018 because once again he explores the possibilities of robots and their role or interactions in our human world.

I found After when I visited an independent bookstore in Balmain. Chatting to the shop owner I mentioned I enjoy middle grade novels with a dystopian setting - she checked her database and handed me After but months later I had forgotten this conversation and I let the cover guide me, so I kept skipping past this book with the wrong impression of the contents.

Yesterday I started and finished After. I was so engrossed reading this on a bus that I totally stepped away from the 'real world' for several minutes. I love that feeling of being so absorbed in a story. 

This is science-fiction, a dystopian future, but also a message about how we care for each other, and why we do so. Just Imagine

From the outset, the reader is encouraged to question the dynamic between Jen and Father, who are wandering along a path hoping to find a better place, hunting for food and avoiding gangs of scavengers. They have an unusual relationship: Jen is an independent and clever twelve-year-old girl who seems to make a lot of the decisions for the pair, while Father is quiet, protective and obsessed with a parenting book he has read. ...  this (is a) fast-paced and action-packed take on what could be a frightening dystopian topic, that is handled in a moving and thought-provoking manner for young readers. From its gripping first line – ‘Tell me again how the world ended’ – immediately setting the scene, to the final thrilling climax, this book will open young readers’ minds to some big philosophical questions about what it means to be human, whether machines can learn to have feelings and how we treat those who are different to us. Who are the real monsters here, machines or humans?  Children's Books Ireland

Here is a radio interview with the author.

Pádraig Kenny is an Irish writer from County Kildare, now living in Limerick. Previously an arts journalist, a teacher and a librarian's assistant, he now writes full-time. His first novel Tin and recent The Monsters of Rookhaven were both Waterstones Books of the Month. He has twice won the Children's Books Ireland Honour Award for Fiction, has been nominated for the Carnegie Medal and shortlisted for the Irish Book Awards.

After is sure to make you think about similar issues to those raised in other robot books such as The Wild Robot. Jen's 'father' makes a sacrifice to save her life and the life of the people in this small community. How did the processors of a robot allow him to do this? If you are looking for other dystopian books and books about robots use the labels at the bottom of this post - this book covers lots of issues that should generate deeper discussions about technology, power, corruption, climate change, and even AI.

The wild Robot

This book also explores the issue of robots and emotions.

This book also reminded me of the pods that are found in this book:

The Raven's Song

Bear by Natalia Shaloshvili

"Bear thinks. I love being a bear. I love my cookie. I love my book. I love my balloon. I love siting on my bench, all by myself."

But what will Bear do when other animals arrive wanting to share his bench seat, wanting to have a bite of his cookie, take a look at his book and even ask for his balloon? Finally, it all gets too much, and Bear lets out a loud roar. The animals all flee but then Natalia Shaloshvili gives her readers one more scene where perhaps there is a way for Bear to feel better but now poor Duck has to give away his cookie! You and your young reading companion will now want to talk about what might happen next. 

Holding in your feelings can have unintended consequences. Kirkus

There is a fine line between a book that is written to 'teach a child a lesson' - heavy handed versions of this can be labelled didactic - and books that explore an aspect of life that might be familiar to a young child which shows familiar feelings and reactions.

Bear is a book that is filled with big, big feelings and it all feels so real watching the way Bear reacts to others. We are privy to the narrative in his head as he navigates situations with his friends. AND his facial reactions are perfect.

While Bear's words say one thing, his expression and the clever use of font say another, giving the reader the opportunity to consider his body language and speculate on what he is really thinking, offering yet more lessons in how to "read the room", particularly if the adult sharing the book begins a conversation about these sorts of non-verbal cues and clues. Read Plus

Let’s talk about those illustrations—because wow. They’re gorgeous. Natalia Shaloshvili brings Bear’s world to life with a whimsical, textured art style that feels both magical and totally unique. Each page is a little work of art, with rich colours and soft details that invite young readers (and their grown-ups!) to pause and explore. Mummy is reading Books

I highly recommend you look for Bear and add it to your Primary School or preschool library collection. 

Bookseller blurb: A hilarious and heartwarming picture book about sharing, big feelings, and learning how to speak up! Packed with vibrant illustrations and laugh-out-loud moments, Bear is a delightful story that little readers will want to revisit again and again. Perfect for bedtime, story time, or any time! Bear is ready for the perfect day - blue skies, a cosy bench, his favourite book, a delicious cookie, and a bright balloon. Bliss! But just as he settles in, Fox wants a spot on the bench. Then Wolf asks for a bite of cookie. Rabbit wants a turn with the book. And Elephant? Well, he has his eyes on that balloon...Before Bear knows it, his peaceful day has turned into a chaotic whirlwind of sharing, and he's about to explode! AAAAAARGH! From the brilliant mind of author-illustrator Natalia Shaloshvili, Bear is a laugh-out-loud, beautifully illustrated story about learning to say what you really mean before your emotions take over.

Natalia Shaloshvili began her creative career as a fashion and editorial illustrator, working with a number of international magazines and creative agencies, including Grazia, Women's Health, and Gala. Later, she found her true passion in children's books and paintings. Her original work can be found in private galleries and homes around the world. She lives in London, England, with her family. Find her on Instagram as @nataly_owl. See inside Bear here.

Here are other books by Natalia Shaloshvili. I will be heading off to my library to hunt for these:

Companion books:

Five Bears You could also look at Otto The Top Dog

Something's wrong

Norton and the borrowing bear

Two for me, one for you

Good for you, good for me

Castle Crashing by Andrea Rowe illustrated by Hannah Sommerville

"They're building separate castles, neighbouring sand-forts on the shore. 

But Bonnie wants a clubhouse, a grand sandcastle for all."

When you spend a day with friends, I guess it is natural to have an expectation about how the day will 'pan out'. Young Bonnie expected all the friends to work together to create the fabulous sandcastle of her imagination. Instead, each child makes their own elaborate creation, and Bonnie feels totally left out and alone. Bonnie does know some 'calming down' techniques such as counting to ten but these do not work. Her friends seem to have left her, and in her anger and frustration Bonnie stomps on her sandcastle. At this point I think I would ask the students in my library group what could happen next? In the story it is Bonnie who apologises but I wonder if the other kids might need to say sorry too? It would be good to talk about the emotions encountered in this story - words like flustered, fusses, fed up.

With a group of younger children I would pair Castle Crashing with a Bluey episode - Stick Bird Season 3, episode 41. 

Bluey Stickbird: Bluey and Bingo are at Currimundi lake having a stick throwing contest. The kids are not very good at throwing, so Mum steps in and teaches them how to do it the right way. While Bluey keeps practising, Bingo snaps Dad out of his melancholic mood and they go to look for more sticks. Bingo finds a stick shaped like a bird’s head and she and Dad use it to create a beautiful sand sculpture. But while their backs are turned, Bingo’s handiwork is destroyed by some older kids! Bingo is upset and angry, until Bluey arrives and teaches Bingo how to throw her troubles away – something Dad learns too.

There are some lyrical words and phrases in this book: tilting. sagging shacks; a twisty shack spills onto the sand; Bonnie skitters seaward; sticky sunscreen smeared; as the tide tiptoes out to sea; pointed sandy spires; and the sun winks at the friends.

It’s a nicely executed lesson in self-regulation, and as many schools are incorporating strategies for this into daily classroom activities, this will be a welcome addition to any collection. Just so Stories

I went to a book launch at Gleebooks Kids for this new book Castle Crashing which was released on 28th October. I expect this book might be a 2026 CBCA Notable Early Childhood selection. 

Here are the things I discovered about Andrea Rowe - as a young writer she won a competition judged by the famous Australian writer Colin Thiele - his advice 'keep practicing'; each of the books in this series focuses on a different child; Andrea loves thinking about her characters - trying to get right inside their heads; and she will have four books published (I don't think they are from this series) in 2026.

Here are the questions I would have asked if (a) I was brave enough and (b) there was an opportunity to do this:

• This is your fifth book - How did you two discover each other? Was this through your publisher?
• Andrea - as you write do you read your work aloud to yourself as a way to maintain rhythm and cadence?
• Your first three books from this series have alliterative titles - will you continue this pattern?
• The idea of focusing on one child in each book is reminiscent of Clive eats Alligators by Alison Lester - are you familiar with this book?
• I read that you work part time in a bookshop - can you talk about the importance of wide reading in your field of children's fiction and especially wide reading of picture books.
• Hannah - was Anisa's Alphabet your first book? Can you talk about how you approached this book which has very serious themes and is very different from books like Castle Crashing.
• Hannah - can you talk about some other authors you have worked with - especially our famous author Margaret Wild?
• Jetty Jumping won the CBCA Early Childhood picture book award in 2022. Can you talk about this and also perhaps explore any comments you might have received about the possible safety issues of younger children (this award is for readers aged 0-6) of jumping from a wharf or jetty.

Here are the other two books from series - Jetty Jumping, Sunday Skating and now we have Castle Crashing.

The have also created two board books (which I think you could call spin offs from the original title):

Look for these other books about sandcastles (and my friend at Kinderbookswitheverything has even more for you to enjoy):

Here is a publisher bio for Hannah Sommerville:

Hannah Sommerville is a best-selling picture book illustrator who creates enchanting watercolour, gouache and digital illustrations in her studio on the South Coast of NSW. Hannah earned a Bachelor of Creative Arts (Visual Arts and Graphic Design) at the University of Wollongong in 2006 and began illustrating in 2010 after the arrival of her young children. Hannah is a storyteller who enjoys creating picture books that capture the imagination, tenderness and playfulness that surround children and family life. Her picture book Digby & Claude, written by Emma Allen, was selected for the CBCA 2019 Notables list.

Hannah Sommerville is an illustrator to watch. Rachel (bookseller at Gleebooks) shared that Hannah has a new book due out in 2026 which she has written and illustrated - I won't give away the story line but it does sound terrific. In March 2026 her book The Night Tiger by Sherryl Clark will be published. I did invite Hannah to participate in our 2025 IBBY Australia Mini Masterpiece online art auction. If we run this event again in 2027 I do hope she will consider participating. I would love to own a piece of her beautiful art. Hannah Sommerville has illustrated some wonderful books:

Anisa's Alphabet

Finding You (try to find this one it is truly special)

Market Day

The Boy who Said Wow by Todd Boss illustrated by Rashin Kheiriyeh

"A risk" says Mother

"A challenge" says Father

"An adventure" cried Grandfather

Publisher blurb: When Grandfather comes to take his grandson to a concert, Ronan is quiet as they leave the house, quiet in the car, and quiet at the concert hall. But when the performance is over and the beautiful music fades out at last, Ronan opens his mouth…and lets out a great big WOW! Not any old WOW, but Ronan’s very first WOW! That one word fills up the hearts of Ronan’s family, the musicians, the audience, and—when the recording goes viral—the world.

What was the music I hear you ask - 'Masonic Funeral music' by Mozart.

Spending time in a public library last month I spied this book which I had heard of but not read. I enjoy attending classical music concerts in special venues so it made me smile to hear the true story of this little boy who was so moved by the music he heard that in the silence after the final note from the orchestra he said 'wow'! 

This wow is huge partly because it is a beautiful and natural reaction to a special experience but more importantly because this boy was almost nonverbal and yet he used his voice to express his delight. 

I love that he took his dog to the concert, but I can imagine some adults might think this was an odd inclusion in a story that is based on real events.  Add this book to your list of stories to share when you talk about the 2026 CBCA slogan 'A Symphony of Stories'. After or even before sharing this book, I would grab your own favourite piece of classical music and ask your library group to close their eyes and just listen - perhaps one or two of the younger children might have a reaction like Ronan in this story. This is not a video of the actual book it has different illustrations, but it is worth a look because you can hear the music as the story is told. 

The Boy who Said Wow was published in 2024. As I write this post you can buy this book for a really good price here in Australia but I also sure it will be found in many public libraries.

A heartwarming testament to music’s emotional power. Kirkus

The limited colour palette of the illustrations captures the emotions of all the characters and because they are set in a seemingly timeless setting, this enables the reader to identify with the characters more closely and raise questions. Why is Ronan silent? Is it ok to be quiet most of the time? How much do we value silence? Just Imagine

Rashin Kheiriyeh has a master’s degree in graphic design and a doctorate in illustration and has illustrated more than eighty books in half a dozen languages, including Welcome Home by Aimee Reid and Story Boat by Kyo Maclear, a Kirkus Reviews Best Book of the Year. She was a 2017 Maurice Sendak fellow and is a lecturer at the University of Maryland. She was born in Khorramshahr, Iran, and now lives in Washington.

The Book Tree

Margot and the Moon Landing by AC Fitzpatrick illustrated by Erika Medina

Margot loves everything about space travel and the moon. She reads every book she can find on this topic and then she just has to SHARE everything she knows with EVERYONE. The problem is her mother has stopped listening and her teacher just seems to be quite frustrated and even angry with Margot.

Eventually, having no one listening to her, drives Margot herself crazy and she grabs her marker pens and writes furiously all over her bedroom walls. Sharing this book with your child this could be the page to stop. How will mum react? Turn the page and you will be surprised. Mum stops and takes the time to read what Margot has written. 

"Margot waited for something to happen but instead mum got very quiet. She read all the words and then read them again."

Margot tries to rub out the words, but mum stops her. She grabs a pot of paint and together they fill the wall with images of space travel and stars and then even better mum attaches two enormous sheets of paper to the walls and shows Margot that these are the places she can write anything she likes. 

Publisher blurb: Margot loves space. Astronauts, the stars, and especially the moon landing. So she can’t understand why all of her attempts to communicate her passion fall on disinterested ears. Her mom is patient but distracted; her classmates would rather play kickball; and her teacher just wants her to focus and pay attention in class. Even so, Margot wishes she never had to talk about anything but space ever again. When she wakes up one morning and discovers she can only recite Neil Armstrong’s famous speech from the moon landing, Margot realizes she has an even bigger problem. How can Margot get everyone to pay attention and—more importantly—to hear what she’s really trying to say? This powerful picture book debut plays with themes of listening and communication to highlight the importance of a space of one’s own, no matter what your passion may be. 

A charming picture book about both a child and her obsessions and frustration, anger, and repair. Kirkus

There are several valuable themes in this book, including listening, communication and forgiveness. The book’s contents cover Margot’s learning to express herself effectively and constructively, and there’s also the lesson for adults in children’s lives – to listen and allow kids to be heard and to meet where they’re at. Canadian Review of Materials (Read this review if you are concerned about the way Margot expresses her anger using strong language). 

You can probably guess why I bought this book. If you are talking about space or the moon landing or want to affirm those quirky kids in your class who obsess (in a good way) over a specific topic, then this book could be fun to share. It reminded me of the way the little girl in Agatha May and the Angler Fish by Nora Morrison knew everything about her own favourite fish. 

Here is the teacher's guide from Canadian publisher Annick Press. Erika Rodriguez Medina is originally from Mexico. She now lives in Canada. You can see some of her books here. 

If you have an older child aged 9+ who, like Margot, is fascinated by the Moon Landing they might enjoy this Australian middle grade novel. 

In the illustration I shared you can see Margot reading a book about Laika. Take a look at my blog post about this famous dog who was sent to space (warning very young children may be distressed to discover Laika did not make it back to earth). You should also visit or revisit this award-winning Picture book from Australia:

Stellarphant

The Only Branch on the Family Tree by Sherryl Clark illustrated by Astred Hicks

Gemma's teacher sets a school assignment - draw and present your family tree. Everyone seems to be able to this easily - all except Gemma. Her family is just two people. No grandparents, no dad, no siblings, no cousins. Luckily Gemma is a problem solver so she decides to make a collage of pictures of 'mum and me'.

I started with the old photos

she'd put away

in boxes

and saved on the computer.

...

I found pictures of Mum

with her mum and dad

it's awful that they're gone

'they died,' she said

but then I found one photo

on the computer

that said something different.

Gemma discovers she does have a grandmother, and that she is alive, and even more surprising she does not live very far away. 

So now as a reader you will have lots of questions:

• Why did mum tell Gemma her grandmother had died?
• Will Gemma be able to find her grandmother?
• What will her grandmother say when she meets Gemma?
• Can Gemma solve this mystery and can she be brave and confront her mum about this lie?
• And are we heading for a happy ending for this family?

As with all good verse novels there is a deep emotional layer to this story. Readers aged 9+ are sure to enjoy this book and because it is so very short it is also perfect for reluctant readers. I also think this book might hook a few kids onto reading. Congratulations to UQP on the fabulous cover design - very appealing. 

This lovely verse novel from UQP and Sherryl Clark looks at family dynamics from a different perspective – about estrangement and isolation within families, because not every family is the same. ... Whilst the book doesn’t touch on the specifics of the conflict and estrangement, I think this is what makes it so much more powerful and allows readers to see themselves in this novel, especially if they have been through similar experiences to Gemma. The Book Muse

A couple of weeks ago I read Just Like Jackie. It is such a similar story and would be a perfect companion book to read after The Only Branch of the Family Tree.

Just like Jackie

I was so excited when UQP offered to send me this new verse novel by Sherryl Clark - I am a huge fan of her work and we had a brilliant day many years ago when she visited my school. I read all of these to children in my school library over many years:

This is one of my favourite Verse Novels

I need to find a copy for my own shelves

Hope you can find this one - perfect for all girls in Grade Six

Motormouth

 Mina and the whole wide world

POST UPDATE: I just discovered another book that includes the plot point of drawing up a family tree as part of a class project. I have added this book to my own "to read" list.

Publisher blurb: It’s the first week of middle school, and Ash (don’t call her “Ashley”) already has a class assignment: Make a family tree. But how can Ash make a family tree if she doesn’t have a family? Ever since she was four years old, Ash has been in foster care, living with one so-called family after another. Now she’s stuck with Gladys. And the only place Ash feels safe is in the branches of her favorite tree, drawing in her sketchbook, hidden from the view of Gladys’ son Jordan. As Jordan becomes harder to hide from, and more dangerous to be around, Ash isn’t sure who she can trust. A new friend, an old friend, some teachers at school? Sometimes the hardest part of asking for help is knowing who to ask.

Here is the Kirkus Star review.