IBBY Australia Mini Masterpiece art auction - Meet Judy Watson

 

Auction of 48 Mini Masterpiece art works runs from 14th - 28th November 2025

Judy was born in 1966 and grew up in an outdoorsy veterinary family, passionate about animals, art and books. She worked as a veterinary nurse while studying literature and art history at the University of Melbourne before travelling overseas. There she worked in a London theatre and painted in a garret in Brixton. After returning to Australia in 1995 she worked in revegetation and Landcare, whilst developing a graphic design business and found her way into children’s book illustration.   

Judy’s fine art practice typically incorporates mixed media techniques including printmaking and collage for her smaller pieces. But she also paints larger works in acrylics. These are often painted on found panels or upcycled surfaces.

Judy Watson has illustrated a number of children's books, including Goodnight Mice! by Frances Watts, which won the Prime Minister's Literary Award for Children's Fiction in 2012, Searching for Cicadas by Lesley Gibbes, shortlisted for the Eve Pownall Award for Information Books in the 2020 CBCA Book of the Year awards, and Leonard Doesn't Dance by Frances Watts which was selected by the International Youth Library for the White Ravens 2020 Catalogue. She lives and works in Frankston, Victoria. (Source Allen and Unwin).  Here is her Instagram page. 

When I was judging the CBCA Book of the Year award we were sent When You're Older and I just marveled at the colourful and lively illustrations. In fact, I loved this book so much that I gifted it to a young family with two little boys. Read the Kirkus review.

When you're Older

Here are edited comments by one of the judges:

The boldness of the design and illustration of the wrap around front cover grabbed me from the start. There were visual references to Elmer and Max from Where the Wild Things Are.  The body language of the bored and frustrated older sibling is captured so effortlessly. The shapes of the digital collage pieces have different textures and ratios of size (e.g. the squiggles on the baby suit are much finer than the pattern on the plant pot.) - this gives an illusion of depth and solidity of scene. This blue then turns to teal and peacock green on the following pages, but once again acts as a path or vein to follow across the pages.  All the other creatures and plants are highly patterned, but the dog has a very flat and plane shape and texture - linking him back to the reality of the opening scene. There is such movement on the opening with the seagulls hovering across the top of the page and the crab pincers up, stealing the hot chips. Judy Watson's use of texture for the water creates a sense of shimmering on the ocean. The negative space of the white used to create the glacier is quite extraordinary. The wild dogs pulling their sleds race across the page from left to right indicating a wildness of speed. The design of the binoculars framing the close up of the seal in ingenious. Simple yet sophisticated. 

Page from the French edition of When you're older (Source)

I have a beautiful art piece in my home from the book Thunderstorm Dancing. 

Blurb: When a sunny day at the beach turns stormy, a little girl runs for cover. Her daddy and brothers are wild in the wind and lightning, and her poppy is as loud as thunder. They fill the house with stamping and crashing while Granny plays piano to their riotous thunderstorm dancing, until the storm passes and they all fall down. Then, in the stillness, the girl is ready to play. What will she be, now that the rain has stopped and there's a glimmer of sunlight? Read more here

Now there is an opportunity to own another. Judy talks about our auction in a 13th November blog post and she has generously donated five pieces to our IBBY Australia Mini Masterpiece art auction. Here are two of them:

Faces at the pet parade

Unicorn at the pet parade

Judy Watson illustrated Searching for Cicadas for the Walker Nature Storybook series - this is a book that should be in every Australian library because Cicadas are such a quintessential part of our Australian Summer.

From the few book examples I have shared here you can see Judy Watson is a master of many forms of illustration. Here are more images of her work. Now take a look at another piece she has contributed to our auction (she has five pieces).

"Trent"

Description from Judy Watson: Trent is sometimes gloomy at parties. The music is not to his taste, or the tomato sauce runs out before he gets his hot dog, or the host’s children ask impertinent questions about his feet. (He’s sensitive about his feet.) When Trent is gloomy, he stands beside the door to the kitchen – not inside the kitchen where the lights are bright and people may ask him to help slice celery. It’s better just outside, where he can snatch a sausage roll off the tray at the moment it comes through the door. If someone speaks to him, he points to his beak and makes apologetic munching sounds.  But today Trent is not gloomy. He has eaten two hot dogs with an abundance of tomato sauce, and Madness are playing at just the right volume. Trent has taken over the dance floor in just the way he used to at kindergarten. Back then, the teacher scolded him for waving his wings about with a ‘total disregard for others’. Today there is no teacher, everyone else has shuffled back to the walls and Trent is the life of the party. 

Leonard doesn't dance

Blurb: All the birds are excited about the Big Beaky Bird Ball -- except Leonard. His warble-warble waltz with the magpies is more wobble-wobble, and his caw-caw can-can with the crows is a can't-can't. The puffins are prancing, the rosellas are rocking and you should see the flamingo go-go-go! Everyone is jumping and jiving, but not Leonard. Leonard doesn't dance. Then an unexpected encounter changes everything ...

Here is a new book illustrated by Judy Watson:

Read the Kids' Book Review review

Her newest picture book is Jo and the No by Kyle Mewburn. 

The Peach King by Inga Simpson illustrated by Tannya Harricks

"It was Little Peach who found their voice. Sing! Everyone sing! We all know the song!

Together the peach trees sang until they turned the wind around ... "

Little Peach Tree is a sapling in a vast orchard. They look up to the Peach King – a majestic tree standing proudly at the hill’s crown. Through the turning of seasons Little Peach Tree and the others in the grove sprout blossoms, fruit, then leaves and finally these leaves are blown away and the trees shiver through the colder winter months. Conditions are changing, though, and the people have to bring water to their precious trees. Just as the peaches are almost ready to harvest, a bushfire springs up and so all the fruits need to be gathered early. Meanwhile the Peach King stands to protect the orchard but there is nothing he can do to stop the fire.

"The Peach King leaned into the fire, spreading his branches wide - like a shield. The heat was fierce, his leaves shrivelled and crisped ... the Peach King was alight. Flames licked along his blackened branches, up into his crown."

Harricks’ sweeping, textured artwork deepens the sense of both beauty and impending loss. At the heart of this tale is courage: the Peach King’s sacrifice to shield the orchard and Little Peach Tree’s discovery of its own strength. Arts Review

Here are some other review comments.

Themes of stewardship and resilience are evident throughout, as well as an opportunity for research into the actual natural processes of renewal for certain types of trees after a fire. The fable echoes a long history of stories about youngsters rising to heroic royal ranks, whilst being distinctly Australian in its depiction of the flora and fauna, and the scourge of bush fires. The use of the peach seems to unite these narrative elements – like a nod to European fairytales as well as Australian farming. Storylinks

Check out the details of our IBBY art auction - we have two pieces of art from The Peach King - you could own a very special illustration from this new Australian Picture book. (see bottom of this post).

In many parts of the world (including Australia) we are feeling the devastating effects of climate change. Drought, bushfires and wild storms. These conditions are especially difficult for the people who grow our food. In this book the focus is a peach orchid. It is summer in Australia from December onwards and this is when we all enjoy delicious stone fruits like peaches, apricots, plums, nectarines and cherries. The Peach King is a fable but if you share this book with a group of readers in your library aged 9+ I would begin by talking about peach trees - and make sure you stop and look at the peach-filled end papers in The Peach King. You could also talk about tree life cycles and deciduous trees.

• Peach trees typically start producing fruit within three to four years after planting, depending on various factors such as variety and care.
• Factors influencing production include the type of peach tree, climate conditions, and overall maintenance practices, such as watering and fertilization.
• Younger peach trees may yield limited fruit, while mature trees (four to twelve years old) can produce significantly higher amounts, reaching up to 65kg annually.
• Regular pruning and fertilizing are crucial for maximizing fruit quality and tree health, especially during the early years of growth.
• Peach trees have a lifespan of 15 to 20 years, providing fruitful harvests if maintained properly throughout their life.

Publisher blurb (Lothian): When Little Peach Tree was just a sapling, all they could see was row upon row of other peach trees. And, on top of the hill, watching over the orchard - the Peach King. As seasons pass, bringing cycles of change, Little Peach Tree grows and grows. But darker changes are stirring. Soon rain is scarce, the forests turn brown, animals flee and the sky turns red. To protect the orchard, the Peach King faces grave danger and Little Peach Tree must find their voice.

Here are the teachers resources. It is also important to share the end note from this book where we read that Inga Simpson lived through the terrible bushfires of 2019-2020 and she did purchase a box of Araluen peaches which she later learnt were indeed picked just ahead of the fire.

"Spring came with a rush. Sap surging, buds budding, growing in spurts. The older trees seemed sooo slow to Little Peach, whose limbs were buried in blossom, like a coat of tiny roses."

 

The teacher's notes mention this book - I am very keen to read it:

This is not exactly related but I recently read this wonderful Middle Grade novel which featured a peach tree.

The Peach Thief

Here is a video on Instagram of Tannya Harricks painting the peach tree. And you can hear a reading of this book here.

Tannya Harricks has two beautiful original art works in our IBBY Mini Masterpiece art auction which begins this week! And both are from her new book The Peach King.

I am a HUGE fan of Tannya Harricks illustrations and art. Here are some of her books I have previously explored here:

Mallee Sky

Kookaburra

Night Watch

Inga Simpson is an Australian novelist and nature writer. She began her career as a professional writer for government before gaining a PhD in creative writing. In 2011, she took part in the Queensland Writers Centre Manuscript Development Program and, as a result, Hachette Australia published her first novel, Mr Wigg, in 2013. Inga has since gained a second PhD, in English literature, which examined the history of Australian nature writing. Her most recent adult title is The Thinning (2024: Hachette Australia | June 2025: Little Brown, UK) and her previous children's title is The Book of Australian Trees, illustrated by Alicia Rogerson (2021: Lothian). The Peach Tree story is mentioned in her adult novel Mr Wigg.

IBBY Australia Mini Masterpiece art auction - Meet Gabrielle Wang

Begin with my previous post about Gabrielle Wang.

Gabrielle Wang is an award-winning Australian author and illustrator whose stories often blend Chinese and Western culture with elements of fantasy. A former Children’s Laureate, she draws on her rich heritage and love of art to create imaginative, heartfelt books for young readers.

Our IBBY Australia Mini Masterpiece auction has over 45 pieces including this very special illustration by Gabrielle Wang. The auction begins on 14th November.

This piece is titled Sweet Hammock

Here are some recent books by Gabrielle:

Silken Thread

Zadie Ma and the Dog who Chased the Moon

Here is the illustrated card made by Gabrielle Wang for the opening of the Melbourne Bookshop - The Little Bookroom. Twenty-Five illustrators were invited to interpret the famous bookshop logo which you can see below the piece by Gabrielle.

IBBY Australia Mini Masterpiece Art Auction - Meet Dub Leffler

Dub Leffler is an illustrator, writer, animator and mixed media artist, working in the arts through books, film, television, muralism and art education. ...  He is a prominent children’s book illustrator and author, collaborating with Sally Morgan, Banksy, Coral Vass and others, and is known for his soft realistic portraits and emotional landscapes. He is descended from the Bigambul and Mandandanji people of southwest Queensland as well as being of French, Syrian and Irish heritage. ... His award-winning bestseller picture book Once There Was a Boy (2011) received international recognition, was acquired by the Library of Congress and was featured several times at the Bologna Children’s Book Fair. More recently, Leffler illustrated Sorry Day (2018), written by Coral Vass, which won the 2019 Eve Pownall Award for Information Books from the CBCA. Black Cockatoo (2018), which he illustrated, was also an Honour Book that year. At last count, Dub has created 25 books. (Source Dub Leffler)

In 2011 Dub Leffler spoke with Kids' Book Review about his work 

Here are the two pieces Dub Leffler has generously donated for our IBBY Australia online Mini Masterpiece art auction:

From Rocky and Louie (see book cover below)

From Sorry Day (see book cover below)

And here are some of his books (all of which are sure to be in your local or school library):

Our Dreaming was submitted for the CBCA awards in 2022. Here are some judge's comments (I was one of the judges):

I do hope there will be an audio version of this or perhaps a video version so children can hear the Gundungurra words. The illustrations in this book add a gentle mood and beautifully compliment the wisdom of the text. The lines “it is our identity, purpose and responsibility to our community” are so powerful. The dedication by Dub Leffler is wonderful and would be a perfect way to begin a discussion about this book with a group of students. This book will show readers the importance of respecting and sharing dreaming stories. The reader is taken on a gentle journey of discovery too, with Gundungurra words used in such a natural way. The word list and pronunciation guide will give Non indigenous readers an opportunity to engage with and learn new words. Dub Leffler’s illustrations are perfect, drawn in muted, earthy tones, that also reflect the colours of the land. His work has a lightness of touch. Some pages are almost tactile. 

From the delicate watercolour/mixed media illustrations to the gentle tone of this almost sacred poem this book calls the reader into it ... Saunders has captured this voice, and Leffler generously invites us in. The production of this book including artistic endpapers that are like watching an orchestra tune up, matte buff stock, a text type which echoes the transparent nature of the watercolour images and a cover sprinkled with foil stars/ make this a book to be proud of.

I really love how the Indigenous words are integrated seamlessly into the English text to create this bilingual celebration of culture – and I fully appreciate the glossary and pronunciation guide at the back. The Australian life depicted in the illustrations are wonderfully realistic ... we get different views – some close ups, some long shots, some birds’ eye views – to get a real sense of place. It’s refreshing that the central characters are echidnas; a perfect choice for this slow and contemplative journey across the land. This is a book that will enrich readers’ experiences and understandings – of Indigenous culture, history, and language.

Bindi

Frog finds a Place

Dub also has an illustration in this book:

The Bicycle (2011) features separate illustrations from internationally acclaimed artists - including Quentin Blake, Shaun tan, Tony Ross and Freya Blackwood - which celebrate the liberating joy of two wheels. Read this from Kids' Book Review

In 2020 Dub Leffler created our IBBY Australia New Year greeting card which was shared with the 85 sections of IBBY.