This is a brand-new Australian book - published this week. The best part of the story happens very close to the end of the book so readers will need to 'stick with' this book so they can enjoy the emotional scenes of the final chapters.
I learnt recorder as a child and then after I retired I joined an adult class and ensemble group, so I do not need to be convinced that the recorder is a worthy musical instrument. I also attended music camps (playing the viola), and I was in several orchestras as a child and teenager so there were a few parts of this book that did resonate with me.
This book is told from two perspectives. Miley plays the recorder and Juliet plays the flute. Both of them have complex family issues. Miley wants other people to see value in the recorder and Juliet loudly proclaims the recorder does not belong in an orchestra and even more a recorder player should not be selected to perform a solo at the end of camp concert. Juliet is certain she will be the one who wins the audition for concert soloists. Ollie, who plays the cello - it is almost as big as his ego - is also sure he will be the main star at the concert.
Meanwhile there have been terrible floods in this area and now Miley and her mum live in a caravan having lost everything. Miley's mum cannot pay for this music camp, but Miley is awarded a scholarship. Miley hopes the camp will give her another chance to prove the worth of her tenor recorder:
"I mean I get it. They hear a class of kids playing Pachelbel's Canon on plastic descant recorders and it sounds like ferrets flighting in a cave, so they assume it's the recorder's fault. But really the problem is forcing kids with no musical training to play high-pitched instruments. If the government spent more money on music education and equipment then recorder ensembles would sound better. Recorders can sound as good as any other instrument. And way better than the flute."
There are a lot of issues in this book and at times they were a little overwhelming - climate change is one example. The recent floods are most certainly a result of climate change. The camp is also flooded out sorry for the spoiler. The company that sponsors the camp and the scholarships is also contributing to climate change. This creates an interesting tension between the camp leaders. Juliet has her own issues coping with the death of her father who was also a musician and also trying to navigate her mother's own deep grief. And we meet Renee. She is clearly neurodivergent, but this is not directly stated. It is a real strength of this book that readers just need to gradually understand Renee experiences the world in a different way. There are hints in the food she eats, the clothes she wears and the way she needs to keep her hands clean. I really wanted to know more about Renee - she was the character I liked the best.
If you are book talking Music Camp with a group of Grade Six readers I would begin by playing something 'cool' that shows how terrific a recorder ensemble can sound. Maybe just share the sound not the video of this one. Ask about the instruments and ask if the students enjoy this sound. Or let them hear some tenor recorders.
Thank you to UQP (University of Queensland Press) for the advance reader copy. Here is the author webpage. Here are some very detailed teachers notes and questions (I would not use all of these with a class but you could select some to use with a small book discussion group). I think mature readers aged 10+ especially those navigating complex friendships which often happen at the end of Primary school but I do wonder if the cover will appeal to the intended demographic. As an adult reader I am sorry to say it really does not appeal to me perhaps because of the choice of disparate colours. Here are the notes from Lamont Standing orders.
It would be good to explore the concert program at the back of the book with a music class if you have one in your school. We had an amazing music teacher in a primary school where I worked previously. Read more here. Turn the sound up loud (don't show the video) and listen to this glorious piece from the concert.
Publisher blurb: Miley and Juliet have nothing in common, apart from a love of music. Miley can’t afford the five-day Music Camp because she lost her home in a flood, but she’s won a scholarship to attend. This is her chance to prove to everyone that the recorder is a serious instrument. Flautist Juliet comes from classical music royalty. Her late father was an esteemed clarinet player and she wants to honour his legacy. She’s also keen to make friends with people who don’t know about her tragic past – though perhaps not with that girl who thinks the recorder is a serious instrument. Over the week, Miley and Juliet don’t always see eye to eye, especially when they both audition for the only woodwind solo at the final night’s concert. But with torrential rain threatening to flood the camp, their dreams might get washed away. How can they put their differences aside and face the music together?
