The Fabric of Us by Aditi Anand

Papa's sewing machine fills the house with sounds and colourful fabrics but one day the house falls silent. Now it is just the little girl and her Dad and the silence seems to stretch on and on. How can the little girl help restore their happiness.

I saw this book promoted on Social Media and the illustrations looked so special. This is a new book published in 2026. The paperback from Walker Books is an affordable price.  You can see Aditi Anand speaking about her book here. You can see more art from Aditi Anand on Instagram.

Publisher blurb: The sound of Papa’s sewing machine fills the family home: Snip! Whirr! Clank! Click Click Click! But one day everything changes and the house is silent... This is a poignant and moving picture book about dealing with grief and bereavement, as a little girl copes with the death of one of her fathers. The family bond over Papa’s love for sewing, and in this sensitively told story, the little girl rediscovers this hobby with her father and together, they find a way to remember Papa.

Anand’s vibrant mixed-media illustrations, full of childlike ingenuity, supplement her spare text. Visual cues such as Hindi newsprint in the collage images, Papa’s kurta and footwear, and a turbaned Sikh man in a bazaar establish the setting as India. Color is used effectively to plot the protagonist’s emotional journey. Full-bleed spreads burst with warm hues until Papa’s death, when the colorful backgrounds become steeped in gray-blue. The final illustrations of a patchwork memory piece that Dad and the child create to remember Papa cleverly combine fuchsia, orange, and yellow patterns from the fabrics worn by this family unit and signal a return to color—and perhaps even joy. Kirkus

Anand's art is absolutely beautiful. I love the collage technique incorporating swatches of text into the image, calling to mind swatches of fabric like Papa must use as a tailor. The muted tones of the illustrations also complement the tone of the story about a girl and her father dealing with the loss (or absence) of her other father. Glass of Wine, Glass of Milk

Aditi Anand is an illustrator, author, and printmaker from India. In 2024, she graduated with distinction from the MA in Children’s Book Illustration at the Cambridge School of Art. She is the winner of the Picture This prize and in 2024 she won the Emerging Illustrator V&A prize for illustration. The Fabric of Us is her debut picture book as an author illustrator. Here is another book illustrated by Aditi Anand:

Read the Kirkus review

The Beautiful Layers of me by Sophia Payne illustrated by Ruchi Mhasne

Blurb: Aunty is getting married! Ameena feels beautiful in her new salwar kameez. But when someone comments on her 'pyjamas', Ameena is suddenly a bit less sure about her traditional dress.

Ameena’s emotional twists and turns feel authentic and relatable, and her eventual pride in her outfit—and, by extension, her identity—will resonate with young people. In Mhasane’s tidily composed illustrations, the brown-skinned family’s bright ensembles pop against the relatively subdued backgrounds. Babu’s words—“These clothes are a part of our heritage”—hearten Ameena and will do the same for readers ... Kirkus

Payne does a wonderful job highlighting the inner conflict of identity in America, where one’s family and heritage are often viewed as “other” to white Americans.  Ameena initially hesitates to embrace what she truly finds beautiful because of the judgment of someone who doesn’t understand. With the support of those who do, she honors herself and takes pride in what she knows is right. The story is beautiful and tender, and while it is clearly written and centered for young Indian girls, it also serves as a good lesson for those outside of this culture. YS Book reviews

I do hope you can find, read and appreciate this book. I discovered it in the library where I work as a volunteer. The talented Teacher-Librarian uses international (and national) book lists and book awards to build her rich library collection. One of these lists is Inclusive Books for Children.

The judges said: For its sensitive and powerful exploration of belonging, cultural identity and difference, showing how children can embrace all parts of themselves. Its warm, gentle illustrations, rich narrative depth and “quiet power” were seen as emotionally resonant, educationally valuable and accessible to a wide range of children.

You will need a box of tissues when you read The Beautiful Layers of me. And I love the way this book can be both a mirror and a window. It could also be a fantastic way to talk about the power of words to harm but also heal. Take a look at my Pinterest collection called "She looks like me". 

If you are reading this book to a group in your school library you might like to talk about the salwar kameez worn by Ameena:

A salwar kameez is a traditional outfit originating from the Indian subcontinent, cherished for its comfort and elegance. It consists of three main parts: the kameez, a long tunic; the salwar, a pair of loose-fitting trousers; and often a dupatta, a matching long scarf. Widely worn in India, Pakistan, and Bangladesh, this versatile ensemble can be styled for everything from daily errands to formal weddings, making it a staple in wardrobes worldwide. 

• Kameez (The Tunic): This is the top part of the outfit. A kameez can vary in length from hip-length to ankle-length and comes in a multitude of cuts, necklines, and sleeve styles. 
• Salwar (The Trousers): These are the pants worn under the kameez. The traditional salwar is pleated and voluminous at the top, tapering to a narrow cuff at the ankle. However, this component has many modern variations. 
• Dupatta (The Scarf): A long, rectangular scarf, the dupatta adds a layer of grace and can be styled in numerous ways draped over one shoulder, both shoulders, or used as a head covering. While integral to traditional sets, some contemporary styles are worn without one. 

You can see more books by Sophia Payne here. Read this review from Bulletin of the Center for Children's Books.

Here are other books illustrated by Ruchi Mhasane:

About Ruchi Mhasane: I'm an artist from India who has studied illustration at the Cambridge School of Art. I have always drawn pictures, but after my MA in Children's Book Illustration, I've realised that visual narratives are a form that I enjoy immensely and am very comfortable with. I love drawing figures, especially children, and I enjoy capturing their movements and gestures. I am now committed to a lifelong study of the form of a picture book, and to developing the way a book talks to a child (or even adult!) I hope to work on books with meaningful content that will delight and inspire young children, so they too can fall in love with books the way so many of us have.

Companion books:

Amma's Sari

A Lemon for Safiya by Jemima Shafei-Ongu illustrated by Nisaluk Chantanakom

"It was Safiya who first spotted the old woman, sitting on the edge of the footpath, sock-sandalled feet in the gutter, busy cars speeding past."

The woman is sitting alone. She is holding a 'bright yellow lemon' in the palm of her hand. When the family ask where she lives it is clear the lady is describing somewhere from her past. The woman talks about her daughter who is named Hanna - this means happiness in Arabic. Luckily the old lady is wearing a bracelet with her name - Maryam. It is such a sweet moment when the child reaches across the car seat to hold the old lady's hand and that is when she sees the bracelet. 

Bookseller blurb: They reached a giant lemon tree. The old woman sat up, tapping an urgent finger against the window. 'Hay! Hay! Hanna zarr'et ha. Hay!' 'She's saying that Hanna planted this tree,' Mama said as Dad pulled over. 'It's a beautiful tree, shajrah hhelweh,' Mama said to the old woman.

 When a little girl, Safiya, and her family help Maryam, a lost and confused stranger by the side of the road, to find her way home, they begin to understand who she is and the rich and remarkable life she has lived. Through kind-natured Safiya, we come to see Maryam, a woman who had been made invisible by society because of her ethnicity, race, religion, language, age and now dementia. With Arabic text interspersed throughout, A Lemon for Safiya is a wonderful exploration of language, diversity and culture.

Listening to an author, or in this case illustrator, talk about the inspiration for their book can make a big difference to how you perceive a text.  This book will be published in early June 2025 but yesterday I attended a conference at our New South Wales State Library and for one of the sessions four authors were invited to speak for five minutes about their new or first book. 

Nisaluk Chantanakom has added delicate art to this story and the memories of the old lady appear in sepia behind each illustration so that even if you don't speak Arabic it is easy to anticipate what the lady is saying. The words are translated too and there is a full glossary at the back of the book. Nisaluk is originally from Thailand but now lives in Sydney.  She was shortlisted for the CBCA New Illustrator with her book A Teaspoon of Light.

About this book she says: I tried to imagine Maryam standing beneath a lemon tree, her mind filled with vivid memories she can’t forget, while she struggles to recall the reality of the present. During this time, an elderly Greek woman with dementia often wandered into our backyard and asked for lemons. She seemed to remember we had a lemon tree, but not that the lemons weren’t yet ripe. I drew inspiration from her postures, expressions and manner for my illustrations of Maryam. Seeing my neighbour’s confusion helped me in my approach to illustrating Maryam’s memories. I chose to depict them as fragmented, using sketchy, childlike crayon marks. Some of these marks are tiny scribbles that I then scanned and enlarged, adding to their raw quality. I felt it was important to have different styles for the present and Maryam’s past. The present is depicted with a full colour palette and a very detailed style. For Maryam’s memories, I combined fine pencil work with scribbled crayon textures and rough 

watercolours patches. (from the teachers notes for A lemon for Safiya)

Jemima Shafei-Ongu is the author of three books. Jemima said (also in the teachers notes): 

A Lemon for Safiya was inspired by true events that happened when my family and I were living in Melbourne around 2006. We found a lost and confused old woman by the side of the road, with not too dissimilar circumstances to Maryam in this story. I have also worked with many children in schools who felt sad and confused when someone they loved, like a grandparent, became impacted by dementia. I also love lemons, and along with olives, they play a special role in my culture (I am of the Levant), and they have a special place in my heart. Nature has a way to teach us about life, about patience, about respect for life and about trust in its process. Lemons, like much of nature, have a life cycle that we can be trustees of and agents to.

The publisher and my conference companion suggest this book could be read alongside Wilfrid Gordon McDonald Partridge. I am not entirely convinced about this but that famous book is a good one to use if you are talking about memories or in fact it is just a very special book to read at any time. 

A better companion book might be this one:

If all the world were ...

And if you are talking about cultural identity and memory you might look for this one: