Friday, January 10, 2025

Six Summers of Tash and Leopold by Danielle Binks


The title of this book is quite intriguing. You need to think about it both before and after reading this newest book by Danielle Binks. Before reading the title made me think was a Young Adult title - perhaps a first love story. And after reading this proved to be untrue. Also, the name choices are interesting. One is an abbreviated name and the other a full name. This could say Alytash and Leopold; or Tash and Leo.  As for the six summers you need to read the beginning of the book carefully to understand this idea. 

Tash's real name is Alytash Simons (a name I had no idea how to pronounce as I was reading) but she prefers to be called Tash. Leopold Zając has many names. His mum calls him Myszko which means mouse in Polish. His Uncle Alek calls him Lew which means lion also in Polish but in reality, he just wants everyone to call him Leo. Oh, and it would be great if everyone took the trouble to learn how to say his last name: Zye-onse.

Tash is unwell and has been in hospital for extended periods. She is sure her cancer will return, and she is terrified of this. This partly explains why, after years of friendship, she now seems to have rejected her friend Leo. She does not want to think about her life before or be reminded that she is 'the cancer girl'. Tash is staying home for now and homeschooling. 

Leo has his own demons. Dad has had to move away to live with his own parents in Western Australia because his gambling addiction has nearly ruined their family. Leo misses him dreadfully. 

As this story opens as Grade 6 is ending and so over the coming months Leo will start high school but instead of going to the local public comprehensive one, he has won a scholarship to the prestigious Como College. Leo is worried about leaving his only friend Rami and he is also dreading the long journey to reach this distant school each day. And he knows he has to live up to his mum's expectations. Then Leo discovers he simply cannot go to school. He is not deliberately avoiding high school but his anxiety is so acute he simply cannot attend. He can do his schoolwork at home but he simply cannot leave the house to catch the train. 

At the end of Grade 6 a couple of significant things have happened. Leo experienced his first dreadful panic attack and to make matters worse this happened in front of all the Grade 6 kids at the end of year waterslide day. Tash has not spoken to him in over a year and then suddenly she wants his help to deliver a letter to a lady, Mrs Shepparson, who lives nearby.

Mrs Shepparson has her own terrible life issues to deal with. Her son died aged twelve in the storm water drain, she is suffering from acrophobia, and developers are harassing her wanting to buy her sweet little house which is full of memories and colours. The only company she has is her dog named Rosie. And those letters (there seem to be lots of them) are a mystery. Then tragedy strikes and it seems the developers are to blame. All these things need to come together. Leo and Tash need to get to know Mrs Shepparson; Leo and Tash need to heal their friendship; and the bullying by the developers of the new housing estate must be uncovered and stopped.

Danielle Binks creates a strong sense of place in her book although it is fairly Melbourne centric. Having visited a few Melbourne suburbs (I do not live there) I could, however, easily visualise the street, culvert and storm water drain which are the main focus of the story. I read that the real suburb is Noble Park in Melbourne.




Blurb: Alytash and Leopold - Tash and Leo - are neighbours who used to be best friends, but aren't anymore, for reasons that Leo doesn't entirely understand. But now it's the last week of Year Six and Tash is standing in Leo's front yard with a misdelivered letter - and a favour to ask. It's a request that will set off a chain of events in their little crescent in Noble Park, a suburb that is changing, and fast. As they solve an unfolding neighbourhood mystery and help Ms Shepparson, a reclusive neighbour with a tragic past, Tash and Leo each has to confront fault lines in their own recent histories and families. They will discover that friendships can grow and change, that bravery takes many forms, and that, most of all - whatever the future holds - friends and family are what matter.

I think readers aged 11+ either at the end of Primary school or in High School will enjoy Six Summers of Tash and Leopold. I do like the cover. My label for this book is Young Adult - I wonder if this book has been submitted for the CBCA Book of the Year Awards 2025 and if it has, I think it might be a notable title.

Here are a few text quotes:

"I think it's a pretty good test of a friendship, being apart for a while and coming back together again, seeing if it makes you feel more or less like yourself."

"The past can never be changed, but 'history' is ongoing - we try to understand what happened, and we find new evidence or new accounts that fill out our understanding and provide new context. Which means history is an ongoing conversation that we can always learn more about, but the past is a fixed point that's just kind of there waiting for us to dig up and better understand. "

"Everyone keeps telling me that the cancer isn't back, that I've been given the all clear,' she made bunny rabbit air quotes with her fingers, ' but all I can hear is yet."

"It's easy for historians - they look at the past like rewinding a movie, able to skip backwards and forwards seamlessly so that all the events line up and make sense, dominoes falling in place along the timeline. Uncertainty doesn't factor in once the story's been written, and it's easy to forget the people in the middle of all that history, who never knew whether or not things would work out in the end."

Reading reviews of Six Summers of Tash and Leopold I made some discoveries - things I might not have thought of:

1.  It is essential to turn back to the beginning of this book and re read the letter Leo writes to Tash, which is how the book begins and yes, it is how the book ends too. 

2. The publisher has likened this book to Bridge to Terabithia and I thought oh no surely not but - well you need to discover why this is actually one book you could connect with Six Summers of Tash and Leopold.

Read this extensive interview with Paperbark Words and Joy Lawn. 

Review quotes:

This is really a book that displays the human condition at its best and worst, and we just love the characters all the more, for it. Both Tash and Leopold are authentic kids who we care deeply about, and they live on long after the book is finished. Fabulously for a YA novel, the conclusion makes you re-open the book at the first page to read again what you have already absorbed – a genuinely brilliant inclusion.  Kids' Book Review

The Six Summers of Tash and Leopold is also filled with wonderfully diverse characters. Leo has Polish heritage, Tash has mixed race South African heritage, and the peripheral characters come from various backgrounds: Rami is Indian, Fatemah has Muslim heritage, and the librarian at their primary school is non-binary. The Book Muse

As they solve an unfolding neighbourhood mystery and help Ms Shepparson, a reclusive neighbour with a tragic past, Tash and Leo each must confront fault lines in their own recent histories and families. They will discover that relationships can grow and change, that bravery takes many forms, and that, most of all – whatever the future holds – friends and family are what matter. Buzz Words

I do, however, need to do a little nit picking about this book. I really did not understand why the Primary School Teacher-Librarian was a non-binary person with the courtesy title Mx Chambers. I'm always happy find a kind, sympathetic, and in this case, wise teacher-librarian in any story or school library, but I found this character label inclusion a little contrived. I did do some research because this term was new to me, in fact at first I thought it was a typo, and here is what I discovered: Mx. is a title that indicates neither marital status nor gender. The Reading Time reviewer agrees with me about this small point. 

Speaking of typos - sorry I did warn you I was going to be a bit picky - if you have this book in your hands turn to page 225. I feel there might be a word missing from this sentence. It is not crucial to the plot but it confused me:

"At that, I threw my arms around Tash - pinning her own in place if only so I could help warm them - and I felt her turn her head and rest her cheek atop my head."

Is this meant to say pinning her arms in place? or pinning her hands in place? We have read in the previous section that it is winter, and they are both quite cold.

One more problem - sorry again. Leo and his former friend Rami are library monitors, or as they are called in this book Library Leaders. Clearly Danielle Binks does appreciate libraries. The Primary school library sounds terrific in contrast with the non-staffed, high tech, impersonal, and 'all for show' posh high school library. Early in the book Leo quotes his mum who quotes Professor R David Lankes - 

"Bad libraries build collections, good libraries build services, great libraries build communities."

I watched this video by Danielle Binks from her Instagram page and I know she deeply appreciates school libraries but there is a small error in her story (well it feels like an error to me). Some libraries use little paper slips to record the date a book is due back - this was certainly a standard library procedure in the past. The little slips are called date due slips, not catalogue cards. As a teacher-librarian this sentence gave me a bit of a jolt (sorry I know this is so trivial). You can see examples below.

"Over the break I received a letter in the mail ... from Librarian Chambers. I guess they meant to give it to me at graduation, but then I didn't go. It was an old-school library catalogue card - the ones that used to be taped into the back of library books to show how many times a title had been borrowed, before everything got digitised."

Date Due slip ready for date stamping


Cards in a card catalogue


Companion books:












Thursday, January 9, 2025

New Year Greetings from IBBY around the world


Each year many of our IBBY Sections prepare and send a New Year greeting often featuring the art from one of their illustrators.  Our IBBY Australia greeting this year has art from Zeno Sworder. His wonderful book My Strange Shrinking Parents was our IBBY Australia Honour Book choice for 2024 and it also won the CBCA 2023 Picture Book of the Year.


From IBBY.org 
Art by Hans Christian Andersen winner Sydney Smith


IBBY UK sell their greeting cards here. The art this year is by Ella Beech.



IBBY Canada - art by Chelsea O'Byrne



The Danish title of this book is Honningkagemanden, der ville se verden







IBBY Estonia




IBBY Mongolia




IBBY Thailand


Illustration from The First Snow illustrated by Marie Štumpfová




Meet the illustrator Qin Leng


Image Source: Open Book

I have illustrated close to 40 picture books (I have lost count) but each one of them was 
a stepping stone, a means to explore, make mistakes and learn. Each new book I produce, 
I am hoping is a step towards an even better book.

Image from Shelter by Celine Claire

I have a plan to occasionally post a "meet the illustrator" piece featuring a Canadian illustrator in readiness for the 2026 IBBY Congress which will be held in Ottawa.

I first saw the art of Qin Leng in one of my most favourite books - Shelter. And later I was lucky enough to meet her at a USBBY Conference. I do hope she will attend the 2026 Congress.


The French title is L'Abri by Celine Claire

Qin Leng is an illustrator and author of children books. She graduated from the Mel Hoppenheim School of Cinema and has spent almost two decades creating content for kids television. Throughout her career, Qin has illustrated picture books, chapter books, magazines and book covers with publishers around the world. Trèfle - Clover (written by Nadine Robert) was the winner of the Governor General Literary Award for best picturebook. Hana Hashimoto, Sixth Violin (by Chieri Uegaki) was a finalist for the Governor General’s Literary Award, and received the APALA Award for best picture book. She lives in Toronto, with her husband and her son. Source Qin Leng

You can see many examples of her work here. And here are all Qin Leng's books from her webpage. Check out her Instagram page. 

I have always loved to draw children. Their innocence, their pure unfiltered joy, their silliness, are all qualities I strive to translate into my work. (Interview with China Underground). 




This is the cover of Clover or Trèfle
Selected for the 2024 IBBY Honour List






Here is my blog post

Coming soon:


Every day, a child walking a dog around the block passes a woman seated in her wide front window. What is she doing? What does she see? Days pass, and the two neighbors exchange smiles, nods, and waves. Soon they’re calling out “Hello!” But one day, the child finds the wide window empty and a For Sale sign on the lawn. When the opportunity to look out through, instead of up into, that now-lonely window arrives, the rewards ripple out in heartwarming ways. 



Meet Lou. Lou is many things: clever, creative, competitive, thoughtful, funny . . . and, most of all, FANTASTIC! He meets life's ups and downs with courage, curiosity and a plucky openheartedness. He enjoys his own thoughts and solo company but is always ready to dance, wrestle, wriggle, somersault and karate chop his way into his parents' day (or night).

Here are some Kirkus comments from their Star reviews:

Piper Chen Sings: Leng’s delicate, expressive ink, watercolor, and oil pastel illustrations capture Piper’s enthusiasm and uncertainty as well as Nǎi Nai’s loving warmth, working seamlessly with the text in vignettes and full spreads.

A day for Sandcastles: Single-page and double-page montages consisting of rows of square and rectangular panels are used to compress time, highlight characters’ emotions, and create bridges between scenes. A wondrous wordless picture book that will make readers want to grab a sand bucket and head to the beach.

Shelter: Leng’s earth-toned watercolors and light strokes of pen and ink have a wonderful messiness about them, and her clothed, anthropomorphic animals are drawn more gesturally than the rounded cartoony look found in many picture books. Claire and Leng have created a beautiful tale that reads like a fable to teach giving and kindness, with artwork that warms up as its characters do.




Illustration from Bompa's Insect Expedition by David Suzuki

Wednesday, January 8, 2025

Tweet by Morris Gleitzman


"Sometimes going viral can be a good thing. You and Clyde are heroes. A boy and a budgie bravely protecting thousands of birds. Standing in the way of giant trucks 
that want to squish them. How totally inspiring is that?"

All readers judge books by their covers and then the author's name (if it is familiar) and then the blurb. Begin with the one-word title. Tweet is a word we all associate with Twitter and the internet and the spreading of informed and uninformed ideas. Perhaps we also think of this as the chatter, often mindless, of social media.  Now look more closely at the cover and you can see a boy in silhouette with a small yellow and green budgie (bird). Then zoom in even closer and the speech bubble which contains the word tweet is shown coming from the bird not the boy. This is intriguing. Now onto the author. I guess most Australian young readers and nearly all Australian teachers and Teacher-Librarians have heard, and also have read, a book to two by Morris Gleitzman. After all he started writing in 1987. His first book was The Other Facts of Life. In 1987 I had been working in my first school library in a small country town for just two years. From then on we collected every book he wrote and I read nearly all of them. In fact he is the author of over forty titles. See the covers of most of these at the end of this post. 

The one thing that distinguishes a Morris Gleitzman book, from books by other writers, is his unique 'voice'. I use the term naive protagonist. In this book Clyde (he is the budgie from the front cover) and Jay, both have this 'voice' albeit one is a boy, and one is a bird. I probably should spend more time thinking about why the bird has a human name and the boy is named after a bird but that might relate to the fact that Jay's parents are ornithologists. 

In a pattern you are sure to have encountered in many, many books, Jay's parents are absent. In fact, they are missing. They set off for Africa to study birds and they have not returned and no one seems to be able to contact them. The mission to find the lost parents is one of the issues that drives the plot of this book. There is one other adult in Jay's life, but Morris Gleitzman removes him from the story very early on - spoiler alert - sadly Poppa is taken to hospital where he dies. That neatly sets up the plot of Jay and Clyde and later a few other unlikely friends who now have to 'save the world'.

The other issue that keeps you turning the pages of this long book (348 pages) is the mystery of the other birds who keep showing up in their hundreds disrupting human activities. This is happening in the city where Jay lives but later we discover it is happening around the world. Why are the birds stopping traffic? Do they have a message? Yes they do. Humans need to listen but birds and humans do not speak the same language. Luckily Clyde is part human because he has been a pet. He can 'talk' to Jay and over time he learns how to communicate with other wild birds. It is also Clyde who makes the most important friends - a bird named Dora (she is a galah) and another bird - a Kea. Just in case you don't know a kea is a large parrot from New Zealand. 

The birds are showing up to highlight the environmental issues facing our world today. This reminded me of this brilliant book by Christopher Cheng (another well-known Australian author).

Morris Gleitzman explains about the environmental issues he raises in his book:

But it doesn't end there. You'll notice that, as well as all these other problems, Tweet contains one other problem that's so big, none of the characters know how to solve it. Not even Jay and Clyde's friends Maxine and Dora, who are super-smart. Please don't fret. Not every problem in a story has to be solved by the last page. Sometimes just discovering new ways to think about problems is the biggest adventure of all.

I mentioned this is a long book, but the chapters are very, very short and the viewpoints keep alternating between Jay and Clyde, so I found myself swept along with the story and I was easily able to finish the whole book over a couple of days. I think you will need to explain this to your library readers because the size of this book might daunt them but really there are so many funny, almost laugh out loud, moments and Clyde especially is such an endearing character I do think young readers aged 10+ will really enjoy this book. And it is sure to make them curious to read other books by Morris Gleitzman beyond his World War II series. 

Publisher blurb: Birds. Lots of birds. The people of the world are puzzled. Their feathered friends are trying to tell them something, and they’re not sure what it is. Then a boy and his pet budgie discover the secret. Join Jay and Clyde, and their friends Maxine and Dora, on an exciting, funny, risky journey to save their families. And every other family too.

Here are a few text quotes which I was pleased to see were also mentioned in the teachers notes (see below):

"I know you're fresh out of the cage ... but don't be a dope. This is what we birds do. We look out for each other, right?"

"Something terrible's happening. Huge numbers of birds have started acting crazy. Putting themselves in crazy danger."

"The birds are making a big nuisance of themselves to punish humans for being so cruel. And they don't have a clue how much more cruel that'll make humans be towards them."

"Leaders have two basic things ... Ideas and armies. And the armies are usually bigger than the ideas."

Here are some very detailed teachers notes with discussion questions from the publisher. 

Check out some reviews:

Companion books:
















Books by Morris Gleitzman:








Tuesday, January 7, 2025

Laurent de Brunhoff August 30, 1925 – March 22, 2024




I was sad to read Betsy Bird's Fuse8 post where she listed all the authors and illustrators we lost in 2024. One of these was Laurent de Brunhoff the son of Jean de Brunhoff. Laurent wrote over 40 Babar books.

“The start — (the) very start of Babar — was a bed(time) story from my mother,” de Brunhoff told CNN in an interview, aired in 2003. “And my brother and I loved the story. We went to my father’s studio and told him about it. He started to make a book for us. After the first book he made another one and another one. And he just discovered himself, I think.” CNN

Created in 1931 by Laurent de Brunhoff's parents, the Babar series sold millions of copies around the world and (was) translated into over a dozen languages. ... De Brunhoff's father Jean published seven Babar books before dying from tuberculosis at an early age, with the son then deciding at age 21 to carry on the series. He would go on to create dozens of works around the character, with his last, Babar's Guide to Paris, published in 2017. Le Monde


Here is a video in French (with subtitles) where you can see Laurent de Brunhoff at work.


1 Babar's Cousin (1946)
2 Babar's Picnic (1949)
3 Babar's Visit to Bird Island (1952)
4 Babar's Fair (1954)
5 A tue-tete (1957)
6 Babar and the Professor (1957)
7 Serafina the Giraffe (1961)
8 Serafina's Lucky Find (1962)
9 Babar's Castle (1962)
10 Captain Serafina (1963)
11 Anatole and His Donkey (1963)
12 Babar's French Lessons (1963)
13 Babar Comes to America (1965)
14 Babar's Spanish Lessons (1965)
15 Bonhomme (1965)
16 Babar Learns to Cook (1967)
17 Babar Loses His Crown (1967)
18 Babar's Games (1968)
19 Babar's Moon Trip (1968)
20 Babar's Trunk (1969)
21 Babar's Birthday Surprise (1970)
22 Gregory and the Lady Turtle in the Valley of the Music Trees (1971)
23 Babar's Other Trunk (1971)
24 Babar Visits Another Planet (1972)
25 Meet Babar And His Family (1973)
26 Babar's Bookmobile (1974)
27 Bonhomme and the Huge Beast (1974)
28 Babar and the Wully-wully (1970)
29 Babar Saves the Day (1976)
30 Babar's Mystery (1978)
31 The One Pig with Horns (1979)
32 Babar the Magician (1980)
33 Babar's Little Library (1980)
34 Babar's A. B. C (1974)
35 Babar's Book of Colour (1984)
36 Babar's Counting Book (1986)
37 Babar and the Ghost (1981)
38 Babar's Little Circus Star (1988)
39 Babar's World Tour (2005)



Monday, January 6, 2025

The Anatomy of a Blog Post


How do I compose a blog post?

Over time my blogging process and content has evolved. My early posts, back when I started in 2008, were often quite brief and I didn't always describe the plot of a book. These posts were written when I was still working full time so I used them more as memory joggers for titles I had read and enjoyed. Back then I did one post each week (4 per month) now I do one each day (nearly)! I think my posts have improved over time. 

My intended audience is perhaps a little too broad? - Teacher-Librarians, Teachers, and young readers themselves especially those aged 10+. I also think about parents especially when I share a preschool title or very occasionally a board book. I rate at number 74/100 on the Feedspot list and number 8/25 on their Australian list. 

The promotion of my blog via social media could be better - this might be a project for 2025. 

So here are some of my blogging steps (not strictly in order):

  • First off, I read the book, and I put post it notes on pages I want to quote or if I forget to do this I try to remember the page number or chapters.
  • Note not every book I read makes it onto my blog.
  • As I blog or explore a book I skim back through it again - so this is kind of like a second reading.
  • I sometimes begin my post with a significant quote from the book - one that perhaps sums up a powerful part of the plot. This applies to novels more than picture books.
  • Then I think about a star rating - five stars, four stars or no stars (that just means the book was good but not a title I would give a star). I do not go lower than four stars. I usually assign stars only to middle grade or junior novels and rarely to picture books or non fiction.
  • I add my labels (I think I could improve this).
  • I try to summarise the plot but only as a way to tempt you to read the whole book. I don't always manage to avoid spoilers but I do try.
  • I try to add a qualitative comment and sometimes an age suggestion.
  • I hunt for other reviewers who have talked about the same book and then I add quotes to my post with links to their pages and I give an extract of their review which often more eloquently summarises my view of a book. I have listed below some of my main sources of reviews.
  • I select a linking colour that matches the book cover.
  • Thanks to blogger Joy Lawn and her blog Paperbark Words - I borrowed her term Companion Reads to share books that are in some way related to the book I am discussing and with each of these companion titles I put a link to my own blog post.
  • If I can find teacher's notes I add this link and if it is a picture book I might put a link to a video reading - but many of these out on the internet are so awful I am quite careful with this plus I really want children, teachers, teacher-librarians to READ the book not view a video reading.
  • If there are illustrations especially in a picture book, I try to include one or two so you can see inside the book.
  • If the author uses interesting words or examples of a rich vocabulary I try to list examples.
  • I look for details about the author and illustrator and add links to their webpages and sometimes I add a few bio details.
  • I often include a picture or link to other books by the same author or illustrator.
  • Occasionally I add ideas for book talks.

The books I blog are not only from Australia (we speak English and can enjoy the best books from USA, Canada, New Zealand, and UK) and the books I blog are often out of print but hopefully many will be in your local or school library. Older books and very old books can be treasures you do need to discover just as much as the latest titles that have just hit the shelves of your local bookstore.

My interests in children's books are quite varied but I especially enjoy finding wordless book (IBBY call them Silent Books); interesting and quirky nonfiction; books translated from other languages; and picture books which are examples of excellence in book design and exquisite illustrations. And of course I read lots of middle grade titles. I borrow books from a school library or two and I buy books. Three or four times a year I receive review copies of books from one Australian publisher University of Queensland Press UQP. It would be so fabulous to see new release books from Walker Books (Australia); Gecko Press; Allen and Unwin; Fremantle Press; Hachette; Berbay Books; Thames and Hudson; Lantana (UK); and Penguin Random House. 

Here are a few of the blog reviewers I often quote:


These are not really reviews but if you have a lot of time to spare you could dip into The Reader Teacher for UK titles (with the volume turned down - his enthusiastic voice can become a little too much). You can see his book lists here.