Still Sal by Kevin Henkes

Sal is excited. She is about to begin Grade One. Sal has all her special supplies ready:

At the moment, the school supplies were the things in Sal’s life that made her most happy; the things that gave her a little joyful lift just by thinking about them. The box held brightly colored pencils with glittery stars on them, an eraser shaped like a cupcake for the top of a pencil, and two folders and two notebooks with photographs of baby animals on them—piglets, kittens, puppies, lambs.

Her outfit is ready too:

Sal got dressed in the outfit she’d been planning for days. Pink-and-blue plaid tights. Pale-green corduroy pants that came just below her knees. A shirt patterned with yellow and orange suns. Red sneakers. ... Sal had picked out a cloth headband—her most comfortable one. It was white with purple stripes. She was avoiding her hard plastic ones with teeth. She pushed the headband on and patted it into position. “Ready.”

Then a letter arrives and it seems Sal and her best friend in the whole world Griff (Griffen Babcock) will be in different classes. Griff will have a teacher with such a wonderful name - Ms. Flowers. Surely there is a way Sal can change classes and not be in Ms. McCormick's class.

Ms. Flowers’s hair was dark and curly like Sal’s, but cut very short and accessorized with an ABC barrette. She was wearing red sneakers, also like Sal’s, and jeans that were frayed and fringy at the bottom. Her belt appeared to be a tape measure. She looked like a fun babysitter. She smelled like strawberry jam. Sal’s heart leaped.

This is a year of change for Sal. Her baby sister Poppy has moved into her room and Sal is not happy. Griff seems to be making new friends. AND everything, just everything that can go wrong at school, goes wrong. For example my heart broke for Sal when she saw her name label was wrong (this happens me too):

She was looking at her name tag with narrow eyes. There was a new problem. Although Ms. McCormick had cut off the second L and the Y, she’d made her cut so close to the first L that if you didn’t look carefully, you might think Sal’s name was Sa. Also, there’d been a nice border around each name on the name tags, and now the border on Sal’s was gone on the right side. And, the cut edge was crooked. Sal’s name tag didn’t look professional anymore, and it was different from everyone else’s. Stinging tears came to Sal’s eyes. She knew she shouldn’t ask Ms. McCormick to fix her name tag again, but, still, she found the whole thing upsetting.

Kids in Australia are sure to enjoy all the clothes Sal wears - here children wear school uniforms. Sal's choices each day reminded me of Goonie Bird Greene. 

I love the way Sal tries to convince her parents that two-year-old Poppy should not move in:

“I just don’t think she’ll be a good resident of this room,” Sal had told her parents, trying to be as serious as possible, narrowing her eyes, tilting her head, and pitching her voice to sound important. “I just don’t think she’s responsible enough to be here.”

I also love Sal's dad - he is a parent with quiet wisdom and he can make delicious pancakes.

With a group of older kids in Grade 3 perhaps, you could use this book to talk about the way teachers are different - not to criticise just to explore different ways teachers might cover a topic or relate to their class. You could also talk about the way Sal observes the kids in her class. Oh and I cheered when Sal does speak up - she certainly is not a shy child but she does have an understanding of some adult rules such as not using the teacher's first name even though she is so delighted when she makes this discovery.

I think my hairdresser would enjoy reading chapter 19:

The hair salon was called Hair We Go and it smelled important. Like the smells of a doctor’s office and a flower shop mixed together. Brooke was the name of the woman who was to cut Sal’s hair. Brooke’s thin, straight hair was shoulder length and streaked with pink and green. Sal couldn’t take her eyes off it. She wondered how old you had to be to get pink and green hair, although she wasn’t sure if she’d actually want to have it.

As an adult reader I adored this fourth book about the Miller family - I hope young readers aged 7+ will also enjoy this book but they might find the tone used by Sal a little too mature? I need to think about this a little more. The Kirkus reviewer says: Fairly sophisticated language and observations stretch the target audience to include third and fourth graders for whom first grade may be a distant memory. I was delighted to see Kirkus gave Still Sal a Star review:

Henkes’ graceful, easy prose, sharp insights, and impressive ability to convey the way children think shine here. He invites readers to empathize with Sal, feeling her disappointment and annoyance with a world that doesn’t always understand her as well as the satisfaction with small victories that bring her back to herself: getting used to a major haircut and learning to connect with Ms. McCormick. ...  A delightful, understated triumph.

Blurb from Kevin Henkes web page: Sal has been looking forward to first grade for a long time. But her excitement quickly turns to disappointment when she learns that her best friend, Griff, is in the other first-grade classroom and has the most popular teacher. Then Sal’s name is spelled wrong on her name tag, she trips in front of the cool fifth graders, and her self-portrait doesn’t turn out the way she wanted it to. In fact, everything about school is an absolute disaster. Poor Sal! Luckily for Sal, she has understanding parents, a terrific new teacher, and empathetic friends who remind her that it takes time to adjust to change. And sure enough, after a few days, Sal feels like herself again.

Still Sal highlights themes of family, friendship, social and emotional growth, resilience, and adapting to change. The fourth stand-alone book in the Miller Family sequence includes black-and-white illustrations by Caldecott Medal winner Kevin Henkes on almost every page and is an excellent choice for early elementary grades, for readers ready for a short novel, and for family and classroom read-alouds.

AND there will be another book in this series later this year - Poppy.

If I worked in a bookshop I would love to make a window display of this series. Here are the four titles from the series so far and I also think all Primary school libraries should own every one of them - you can read more from the links below. All four of these have Kirkus Star reviews:

The Year of Billy Miller; Billy Miller makes a Wish

Click on the Kevin Henkes label on this post to read about more of his books - for all ages!

Six Weeks by Matt Goodfellow illustrated by Joe Todd Stanton

"I love you mum.

Please help me.

I don't know what to do without you."

There is such a level of tension in this verse novel that you just need to read on and on. Alfie lives with dad, his dad's new wife and their young baby Alice. Alfie's mum has died and early on we learn this happened when the baby was born about one year ago and we also read that Alfie absolutely never wants to see the man who lived with his mum ever again. As a reader you will have no idea what has happened between this man and Alfie but over the six weeks of the story Matt Goodfellow gradually lets us step into Alfie's life, and we can hear Alfie's questions which naturally are about life and death and we see first-hand complex human relationships along with the importance of grieving.

I have been a bit of a reading slump lately - I had a couple of new books to read and review but neither of them really grabbed me. I thought about the "Rights of the Reader" by Daniel Pennac. His number two rule is: The Right Not to Finish a Book – It is acceptable to stop reading a book at any point and his number ten rule is: The Right to Enjoy Reading – Above all, reading should be pleasurable and free from pressure. Facing a long day with a few serious life stresses I decided to put away the two books that I was struggling with and pick up Six Weeks. I knew this book would be good, but I didn't know just how good - I was totally absorbed by this story, and I read 150 pages in one gulp before lifting my head and 're-entering' the real world. Six Weeks is a winner! Please put this book into the hands of the readers in your life aged 10+. The powerful storytelling in this book 'blew me away'.

Matt is an exceptional storyteller, and his use of verse is incredibly effective at conveying Alfie’s internal world.  Books for Topics

Six Weeks is a book you have to just sit with after you've finished it so you can fully absorb everything. It's a book I hugged at the end (between the tears). It's a book full of heart-break, healing and hope.  K and O Bonkers about Books

When I’m asked about my favourite books, I always say lots of children’s books and that more adults should read them! Six Weeks is the exemplification for why I say that: it is a subject matter which hits young and old and it particularly resonates with the grief journey I’m on. Your heart will break for Alfie at the start and slowly, that love and hope will begin to be rebuilt. Matt is an exceptional storyteller and his use of verse is so effective to convey such important messages. Check 'em out books

If you read my blog you may know I am not a fan of book endorsements, but I wholeheartedly agree with the comments by these authors:

• 'Utterly magnificent' Liz Hyder
• 'Matt Goodfellow's best novel to date' Sarah Crossan
• 'Brilliant, brilliant, brilliant' Phil Earle
• 'Goodfellow has pulled off something astounding' Anthony McGowan
• All at once beautiful, tender, funny and sharp ... a triumph' Katya Balen

I adored these two previous verse novels by Matt Goodfellow:

The Final Year

The Beautiful Layers of me by Sophia Payne illustrated by Ruchi Mhasne

Blurb: Aunty is getting married! Ameena feels beautiful in her new salwar kameez. But when someone comments on her 'pyjamas', Ameena is suddenly a bit less sure about her traditional dress.

Ameena’s emotional twists and turns feel authentic and relatable, and her eventual pride in her outfit—and, by extension, her identity—will resonate with young people. In Mhasane’s tidily composed illustrations, the brown-skinned family’s bright ensembles pop against the relatively subdued backgrounds. Babu’s words—“These clothes are a part of our heritage”—hearten Ameena and will do the same for readers ... Kirkus

Payne does a wonderful job highlighting the inner conflict of identity in America, where one’s family and heritage are often viewed as “other” to white Americans.  Ameena initially hesitates to embrace what she truly finds beautiful because of the judgment of someone who doesn’t understand. With the support of those who do, she honors herself and takes pride in what she knows is right. The story is beautiful and tender, and while it is clearly written and centered for young Indian girls, it also serves as a good lesson for those outside of this culture. YS Book reviews

I do hope you can find, read and appreciate this book. I discovered it in the library where I work as a volunteer. The talented Teacher-Librarian uses international (and national) book lists and book awards to build her rich library collection. One of these lists is Inclusive Books for Children.

The judges said: For its sensitive and powerful exploration of belonging, cultural identity and difference, showing how children can embrace all parts of themselves. Its warm, gentle illustrations, rich narrative depth and “quiet power” were seen as emotionally resonant, educationally valuable and accessible to a wide range of children.

You will need a box of tissues when you read The Beautiful Layers of me. And I love the way this book can be both a mirror and a window. It could also be a fantastic way to talk about the power of words to harm but also heal. Take a look at my Pinterest collection called "She looks like me". 

If you are reading this book to a group in your school library you might like to talk about the salwar kameez worn by Ameena:

A salwar kameez is a traditional outfit originating from the Indian subcontinent, cherished for its comfort and elegance. It consists of three main parts: the kameez, a long tunic; the salwar, a pair of loose-fitting trousers; and often a dupatta, a matching long scarf. Widely worn in India, Pakistan, and Bangladesh, this versatile ensemble can be styled for everything from daily errands to formal weddings, making it a staple in wardrobes worldwide. 

• Kameez (The Tunic): This is the top part of the outfit. A kameez can vary in length from hip-length to ankle-length and comes in a multitude of cuts, necklines, and sleeve styles. 
• Salwar (The Trousers): These are the pants worn under the kameez. The traditional salwar is pleated and voluminous at the top, tapering to a narrow cuff at the ankle. However, this component has many modern variations. 
• Dupatta (The Scarf): A long, rectangular scarf, the dupatta adds a layer of grace and can be styled in numerous ways draped over one shoulder, both shoulders, or used as a head covering. While integral to traditional sets, some contemporary styles are worn without one. 

You can see more books by Sophia Payne here. Read this review from Bulletin of the Center for Children's Books.

Here are other books illustrated by Ruchi Mhasane:

About Ruchi Mhasane: I'm an artist from India who has studied illustration at the Cambridge School of Art. I have always drawn pictures, but after my MA in Children's Book Illustration, I've realised that visual narratives are a form that I enjoy immensely and am very comfortable with. I love drawing figures, especially children, and I enjoy capturing their movements and gestures. I am now committed to a lifelong study of the form of a picture book, and to developing the way a book talks to a child (or even adult!) I hope to work on books with meaningful content that will delight and inspire young children, so they too can fall in love with books the way so many of us have.

Companion books:

Amma's Sari

As Brave as You by Jason Reynolds

(nearly five stars)

“Yeah, but you never, like, I’on’t know, just walk around your yard? Not all the way to the edge, but just a little bit? ’Cause if I had a big yard like this back home, I would be in it all the time. Even if I was blind,” Genie said. Grandpop cocked his head. “Is that so?” 

Genie wiped his mouth with the back of his hand. “Yep.” 

“Well, I guess I gotta figure out how to get as brave as you, Little Wood.”

The opening lines of As Brave as You might make you think this will 'just' be a funny book (perhaps filled with toilet humour) but if you think that you will discover you are so 'wrong'.

#460: Poop. Poop is stupid. Stupid poop. Stupid. Poopid. Poopidity. Is poopidity a word?

The boys are cleaning up dog poo. #460 is a way that Genie keeps track of his questions - especially here living with his grandparents who have no internet and so he has no way to use his friend 'Google'. The boys have come from Brooklyn to North Hill, Virginia. Their parents are supposed to be on a holiday. They are supposed to be 'working things out' and hopefully finding a way to stay together so meanwhile Genie and Ernie are trying to adjust to living in a totally new place with new rules. 

Back to Genie's questions. He writes them in a special book:

Genie flipped through pages of his notebook—where he kept his best questions. Some had already been answered, and some were still mysteries. He landed on one that he had totally forgotten about—#389: Do honey badgers eat honey?

Genie was the kind of kid who kept a small jacked-up notebook and pen in his pocket just so that he could jot down interesting things whenever they came. The point was to keep a list—a numbered list—of all the things he needed to Google, because to Genie, the more questions you had, the more answers you could find. And the more answers you found, the more you knew. And the more you knew, the less you made mistakes. Genie wasn’t about mistakes.

Genie is wise beyond his years, and he has a wonderful level of emotional intelligence.  After their long car trip to the country this is what he says about his mum:

The skin on her face looked heavy, and Genie wondered if she had slept at all during the ride. Actually, the skin on her face had been looking heavy for a few months.

There is another layer to this visit - Genie's father and his grandfather have not spoken to each other for years - so something bad must have happened in the past. AND also, Grandpop is totally blind and yet he manages to navigate inside the house. Inside yes, but he needs Genie to help him learn how to walk outside. 

Genie and Grandpop bond over Grandpop's secret inside greenhouse garden and over names - Genie is a girl's name given to a boy and Grandpop's name is Brooke. Ernie and Genie learn about selling peas at the market. It should be an uneventful Summer but of course it is not especially after the boys meet Tess who lives on the next farm. And good news Tess has Wi-Fi so Genie can get onto his backlog of questions. 

Oh and my heart broke when Genie accidentally broke the little red toy truck that had belonged to his Uncle Wood (spoiler alert - his uncle was a soldier who died in action twenty years ago in operation Desert Storm).

#442: Why am I so stupid? Why did he have to leave the truck on the floor? Why? His first day at Grandma and Grandpop’s house, and he had already messed up. The first day. He just couldn’t believe it. He hated making mistakes. All he could think about was how he had to make it right. He had to fix it. But… how?

I do have to give a content warning - this book contains guns, and a shooting.

He turned to open the refrigerator door, and that’s when Genie noticed something was sticking up from the back of his pants like a short tail. Oh… my… G—it was a pistol—the handle of a pistol! Genie had never actually seen a gun in real life, just on the cop shows Ma was always watching, or in movies—action flicks, sci-fi flicks, and even the scary flicks Genie and Ernie weren’t supposed to be watching. ... Questions to remember: What’s a blind man doing with a gun?  Why would Grandpop have a gun, period?

Readers aged 11+ with reading stamina will enjoy this book and the story twists and turns will keep them turning the pages desperate to see if young Genie can atone for his mistakes - breaking that precious truck and accidentally killing one of Grandpop's special birds not to mention the messy issue of Ernie's tooth, the gun shot and his worry about his mum and dad. 

Publisher blurb: Genie’s summer is full of surprises. The first is that he and his big brother, Ernie, are leaving Brooklyn for the very first time to spend the summer with their grandparents all the way in Virginia—in the COUNTRY! The second surprise comes when Genie figures out that their grandfather is blind. Thunderstruck, Genie peppers Grandpop with questions about how he hides it so well (besides wearing way cool Ray-Bans). How does he match his clothes? Know where to walk? Cook with a gas stove? Pour a glass of sweet tea without spilling it? Genie thinks Grandpop must be the bravest guy he’s ever known, but he starts to notice that his grandfather never leaves the house—as in NEVER. And when he finds the secret room that Grandpop is always disappearing into—a room so full of songbirds and plants that it’s almost as if it’s been pulled inside-out—he begins to wonder if his grandfather is really so brave after all. Then Ernie lets him down in the bravery department. It’s his fourteenth birthday, and, Grandpop says to become a man, you have to learn how to shoot a gun. Genie thinks that is AWESOME until he realizes Ernie has no interest in learning how to shoot. None. Nada. Dumbfounded by Ernie’s reluctance, Genie is left to wonder—is bravery and becoming a man only about proving something, or is it just as important to own up to what you won’t do?

This is one of those books where you feel as though you are sitting right beside the family. I especially loved Grandma's cooking and her no-nonsense approach to the boys. 

Reynolds gives his readers uncommonly well-developed, complex characters, especially the completely believable Genie and Grandpop, whose stubborn self-sufficiency belies his vulnerability and whose flawed love both Genie and readers will cherish. This pitch-perfect contemporary novel gently explores the past’s repercussions on the present. Kirkus Star review

Reynolds captures the bond that Grandpop and Genie form in a tender, believable, and entertaining way, delivered through smart and funny prose and sparkling dialogue. School Library Journal

Awards:

• ALA Notable Children's Books
• Bank Street Best Books of the Year
• William Allen White Children's Book Award Reading List (KS)
• ALA Coretta Scott King Author Honor Book
• Chicago Public Library's Best of the Best
• Rebecca Caudill Young Reader's Book Award (IL)
• ALA Schneider Family Book Award
• ALA Notable Children's Recording
• Wisconsin State Reading Association's Reading List
• Center for the Study of Multicultural Children's Literature Best Multicultural Books List
• New York Public Library Best Books for Kids
• Kirkus Prize Winner
• USBBY Outstanding Books for Young People with Disabilities Award List

Genie's questions sometimes act as a light relief from some of the heavy themes in this book - here are a few that gave me a smile:

#458: Grits? What exactly are they? And I get that they’re called grits because they’re gritty, but who thought that name was a good idea? That’s like naming peas green slime balls.

#456: How come glaucoma isn’t called eyecoma? Technically, Grandpop’s eyes are ’sleep, right? Eye… coma. Makes more sense.

#447: What does it mean to shoot the breeze? I know one thing, ain’t no breeze nowhere around here for Grandpop to shoot. 

#448: What does a month of Sundays mean? Has there ever actually been a month of Sundays? Maybe the first month of Sundays was the January after Jesus was born. 

#449: Is the sun hotter in the south? If so, then a month of sundaes makes more sense.

#486: How come teeth ain’t called mouthnails? Or maybe fingernails should be called fingerteeth. 

#487: Do old birds ever lose their beaks? Do they ever crack them pecking hard things? If they do, does that change the way they sing? 

#488: Why do they sing anyway? And is the song of a bird different if the bird is in a tree, in the sky, or in a cage?

Watercress by Andrea Wang illustrated by Jason Chin

Watercress isn’t loud. It doesn’t need to be.

The prose is spare and poetic. The watercolor illustrations are subtle, immersive, and rich with emotion. This book whispers truths: about shame and pride, about family and survival, and about the painful beauty of remembering. The Wardens of Magic

Understated, deep, and heart-rending -

bring tissues. Kirkus Star review

The big mystery of this Caldecott winning book is that it was not distributed here in Australia and yet this is a story that could easily translate to our context. AND this book won the 2022 Caldecott Medal. You can still buy this book but the hardcover edition of this book costs between AUS$35 and AUS$47 and so will be beyond the budget of most school libraries. Trove only list ten public and university libraries with this book. Luckily, I was able to re-read Watercress in a public library a couple of weeks ago - Green Square Library. I discovered it there a couple of years ago. You can see the whole book on this video. Here is an interview with Andrea Wang and Jason Chin.

Here is the synopsis from Wikipedia: A young girl is in the car with her brother and parents when they come across wild watercress growing on the side of the road. Her parents excitedly pull over and instruct the children to help them gather the watercress. The girl feels embarrassed to be seen by passing cars and disgusted by the mud and snails that are on the plants. The watercress is prepared for dinner that night, but the girl initially refuses to eat it because she is ashamed of their "dinner from a ditch". Her mother brings out a picture from her childhood and, for the first time, talks about the famine that her family suffered. Feeling guilty, the girl takes a bite of the watercress. She discovers that she likes the taste and reflects on the new memory she and her family have created.

My former school had a unit of study with the Grade 6 classes about our multicultural country here in Australia - Watercress is a book I would have loved to share as a part of this class topic alongside other books about The Refugee Experience Through Picture Books. 

You should also look for this book which is based on the years in China of the great famine.

Sparrow Girl

Author note from Andrea Wang: This story is about the power of memory. Not just the beautiful memories, like the ones my mother and father had about eating watercress in China, but also the difficult ones, the memories that are sometimes too painful to share. It starts with my own distressing memory of being made to pick watercress that was growing wild by the side of the road. As the child of Chinese immigrants, growing up in a small, mostly white town in Ohio, I was very aware of how different my family and I were from everyone else. It's hard to feel like you don't belong, and collecting food from a muddy roadside ditch just made that bad feeling more intense for me -- something my very practical parents didn't understand. When I was young, my parents didn't talk about their memories of China, of growing up poor, losing siblings, and surviving war. I don't blame them -- these are difficult topics to discuss with children. But it's important, too, for children to understand their family history. Perhaps if I had known about the hardships they had faced, I would have been more compassionate as a child. Maybe I would have felt more empathy and less anger. More pride in my heritage and less shame. Memories have the power to inform, to inspire, and to heal. This story is both an apology and a love letter to my parents. It's also an encouragement to all children who feel different and to families with difficult pasts -- share your memories. Tell your stories.

Prizes for Watercress:

• Caldecott Medal Winner
• Newbery Honor Award
• Asian/Pacific American Award for Literature
• Chinese American Librarians Association Best Book Award 2022
• New England Book Award Winner
• 2021 Boston Globe – Horn Book Honor Book
• 2021 Cybils Award 

See more here. 

I previously talked about these books by Andrea Wang and Jason Chin:

Luli and the Language of Tea

Life after whale

The Touchstone by Andrew Norriss

Opening sentence: One morning, as Douglas was leaving for school, he heard a voice calling his name. It was a faint voice, hardly louder than the wind blowing through the trees, but when he looked round to see who was calling, there was nobody there. He was wondering if he might have imagined it, when the voice called again.

The voice is a woman named Kai and she explains:

​‘I do not have much time, so you must listen carefully. Three things.’ She spoke in short bursts, breathing through clenched teeth between each of them. ‘One, my name is Kai and I come from another planet. Two, my mission is to take this...’ she gestured to the case in her lap, ‘...back to my home world and liberate people my people. Three, I am being hunted by the Guardians of the Federation and my only chance of escape is to find someone to hide me for the next forty-eight hours.’ She looked up at Douglas, her dark eyes staring intently into his. ‘Gedrus says you are the only coda I can reach. Will you help me? Please?’

Things to notice - Kai is from another planet. She is hurt and needs help. There is sure to be some danger ahead for Douglas even if we have, at this stage, no idea about the Guardians of the Federation. Also who is Gedrus? More in a minute ...

First you need to know Kai has a box and a mysterious green stone necklace. We later find the box contains more of these stones and that the holder of the stone can contact the librarian named Gedrus. He can answer any question - yes read that again ANY question. Think of the possibilities here - help in a test; help with homework; and what about his mum and dad - Douglas would love some help to bring them back together. BUT of course we know the old adage "be careful what you wish for". 

‘You might like to think of me,’ Gedrus leant forward with his elbows on the desk, ‘as the sort of access point to an encyclopaedia.’ He gestured to the rows of books behind him. ‘A very large encyclopaedia, that contains information about events and people from all corners of the galaxy. Anything you want to know, you hold the stone, ask me, and I give you the answer.’

The complex part of this story comes when we make a discovery about Kai - is she really trying to save her planet? Is she really telling the truth? And what about Gedrus - does he have a motive for giving the answers he supplies and then another character arrives - and he is a Guardian - his name is Quomp.

Back to that first quote. Douglas is a coda:

The C means that you are the sort of person who can absorb new and disturbing information without too much emotion – in other words you don’t panic. The O means you’re someone who likes his privacy, so you’re the sort of person who can keep a secret. The D means you’re honest and dependable, and the A means you have a very trusting personality and you tend to believe what someone tells you as long as it doesn’t contradict common sense or something you already know.’

Along the way, in this crazy tale, Douglas does find a terrific new friend - Ivo. Ivo is crazy about robots and rockets and now there is a way for Douglas to help his new friend because of Gedrus. Douglas will also need money - older readers aged 10+ and adults are sure to find the way Douglas manipulates the stock market rather thrilling. 

Blurb from author webpage: The Touchstone is a pretty remarkable object. You hold it in your hand, ask a question and it gives you the answer. You just have to be a bit careful what you ask... This is the story of how one of the most valuable objects in the galaxy falls into the hands of a very ordinary English schoolboy, Douglas Paterson, and what he decides to do with it. Like so many things that are supposed to make life easier, this one starts off by making everything very difficult! Shortlisted for the Sheffield Children's Book Award, the Solihull Children's Book Award, the West Sussex Children's book Award.

I met a wonderful young reader last Christmas and when she discovered I was a fellow book lover she enthusiastically shared her favourite book which was read to her class in Grade 2 or 3. She explained that in every bookshop she visited with her parents she always asked if they had this special book but so far no one could help her.

Naturally I went back to my motel and Googled the book using the information she had shared and I easily found this book was The Touchstone by Andrew Norris (2021). Sadly it is now out of print but there are copies available from online sellers and also there is an eBook version which is the one I just read.

In books for young children characters rarely if ever die - of course Charlotte's Web and Bridge to Terabithia are two exceptions but I would say they better suit an older child. I am explaining this because my young reading friend told me (huge spoiler alert) that the main character, a boy named Douglas, dies in the story! NO I could not believe that this would happen in a book shared by a class teacher with children aged 7 or 8. Please, please do not worry though - this book does have a happy ending. 

I do still wonder why the teacher selected this book for her class. I think it would better suit readers aged 10+ but perhaps she (unfortunately in my view) wanted to use some existing teaching resources from one of the many commercial online companies.  In any case this book really resonated with the little girl I met. You can see more books by Andrew Norriss here. I read Mike many years ago and Ctrl-Z looks very familiar - we must have had this one in my former school library.

Companion book - this has just been published and I will talk about it in detail in a few days:

Bookseller blurb: 'The world will end at ten thirty-six in the morning, on the fourteenth of March this year.' This is the message aliens send to ten-year-old nerds Harrison (Aitch), Ally and Mo. How do they send it? Via the magnetic letters on Mo's fridge, of course. Aitch and Ally aren't sure what to believe, but soon they're in an alien spaceship travelling at lightspeed to Jupiter's icy moon Europa. Mo is worried his mum will be furious that he boarded an alien craft with strangers. And Aitch is not too happy that they've kidnapped his dog. But maybe the aliens aren't that scary after all? They say they want to save the planet. It's only humans they're not so impressed by... The future of the human race might just be in the hands of three nerds and their lazy dog. What could go wrong?

Other books to look for in your library:

The Strangeworlds Travel Agency

The Book of Wondrous Possibilities

The Library of ever

A Little Bit Lola: Too Big to be a Fairy by Kiah Thomas illustrated by Bec Kitson

Lola needs money. She hits on the idea that the tooth fairy gives money - all she has to do is pull out a tooth - oh no that's not as easy as it might seem. (you could look for the book Andrew's Loose Tooth by Robert Munsch). Wait a minute Lola could become the Tooth Fairy. She tries to squish herself into her smallest clothes hoping she will instantly become smaller but sad to say that doesn't work. Lola does not give up - she thinks about fairies and their magic. Perhaps Lola can make some magic. She will need a magic wand (easy) and magic potion (are you worried about this?). Now the house is a big mess. Lola decides to clean up then dad comes home and he sees how clean everything is. Perhaps it is time for Lola to have some pocket money. Then she picks up an apple takes a big bite and ....  I'm sure you have made a connection back to that opening scene where she thought about the tooth fairy?

This story reminded me of a favourite Bluey episode - Season 1 episode 20 - Markets. 

Bookseller blurb: Everyone in Lola’s family has wheels except Lola. So, when she spots the perfect pair of roller skates, she has to have them! There’s just one problem: Lola doesn’t have any money. But the tooth fairy does … Can Lola figure out how to shrink down to the size of a fairy so she can be rich too? ... Youngest sibling Lola inspires and delights with her limitless imagination, inventive problem-solving and determination to prove she’s NOT as little as she looks. No matter the obstacle, Lola always finds a way to be whatever she dreams and to be herself.

This book is very pink and the illustrations do not really appeal to me but the story itself has some sweet moments. I think I might be tempted to read Too Big to be a Fairy without showing the pages - reading it more like a series of connected short stories. You can see many of the pages inside this book here. For a different perspective read the Reading Time review. You can see more art by Bec Kitson on her Instagram page. 

Too Big to be a Fairy is a CBCA 2026 Younger Readers Notable title. 

Here are other books from this series:

I loved a previous book for readers aged 10+ by Kiah Thomas - The Callers.

The Callers

A Taste of Home by Maryam Hassan illustrated by Anna Wilson

Tariqu's teacher announces the class will hold a special picnic and everyone is invited to bring one special dish to celebrate family and culture. The kids are excited and mention so many different foods such as yakisoba (Japanese fried noodles) and perogies (Polish dumplings).  Tariq talks to various family members and each make a good suggestion - saag paneer (vegetarian Indian curry), crispy paratha (unleavened layered flatbreads), or falooda (frozen dessert with vermicelli, jelly, rose syrup, sabja seeds, milk and ice cream). Each food leads to a description of an adventure or special experience. Finally Tariq decides. 

"He chopped onions, garlic and ginger with his dad. He picked the freshest herbs from the garden with his sister, and he mixed it all to form perfectly round patties to fry with his mum."

He has made bun kebabs. 

A Taste of Home is on the 2026 Inclusive Books for Children list. 

Make a note of this book - it is one to share for Harmony Week which this year was 16-22nd March. Check out my Pinterest for more book ideas. 

I especially loved the illustrations in A Taste of Home and then I discovered Anna Wilson is Australian but she now lives in Scotland. You can see some of her books at the end of this post.

There are a couple of things that I wish were different about this book.

1. I would have loved to find a list of all the foods and some recipes and also some cultural details about the different treats and tastes.

2. I do wish the final page had not ended with a pirate scene. I have previously talked about the link between pirates and people smugglers and the dreadful experiences of refugees. Many school libraries no longer promote pirate stories for this reason.

Companion books:

Stay for Dinner

Books illustrated by Anna Wilson:

The Librarian's Stories

Love Birds

Mirror by Jeannie Baker

A picture book is text, illustrations, total design; an item of manufacture 

and a commercial product; 

a social, cultural, historical document; and foremost an experience for a child. 

As an art form it hinges on the interdependence of pictures and words, 

on the simultaneous display of two facing pages, 

and on the drama of the turning page. 

Bader, B. American Picturebooks from Noah’s Ark to the Beast Within.1976.

Think about the words - simultaneous display of two facing pages - Mirror by Jeannie Baker goes even further - it feels as though you are reading two books side by side.

To pick up a copy of Mirror was to experience something quite at odds with the whole tendency of books to enter the e-world, the virtual and slippery place where textbooks and novels cluster, waiting for the click of a button to whisk them into existence. Those experienced in handling picture books instinctively opened the cover to full width, to reveal two equivalent scenes, each one showing a boy looking out at the night sky from an upstairs window. One scene is of a building with lacy decoration, against a pink and green landscape of cultivated farmland; the other shows an urban skyline, with tall buildings many Australian readers would recognise as those of Sydney. Dr Robin Morrow

I have mentioned Mirror (2010) in several previous posts but I wanted to do a deeper dive into this innovative and important book especially after reading this essay from Reading Australia by Dr Robin Morrow. When Mirror was published I knew this was a book that readers in my library would need to experience closely and flat on a table for ease of opening SO I immediately purchased ten copies. Perhaps this was extravagant but in those days I had a very supportive Principal who allocated a generous budget to our school library. 

Mirror is one of those books that is sure to be found in every Australian school and public library and it is a book you should treasure in your own collection. Mirror is still available so it might be time to update your copy. Here are the teachers notes from the publisher Walker Books. You should also take a look at the NCACL Picture Books for Older Readers Database. 

The dual-book format illustrates the two disparate worlds, but also highlights the universal themes of family, community and home. Baker’s intricate collages are truly amazing, but the cultural respect and humanity in this book make it shine. Readings Melbourne

Here is the full Kirkus Star review:

This entirely original book is a strong contender to bring to a desert island, especially as it’s two books in one. Open the “books” simultaneously, in English from left to right and in Arabic from right to left. Scan the pictures and compare family life and global interdependence as the panorama of urban and rural scenes from two very different countries unfolds. Wordless, except for an introduction and an illustrator’s afterword in English and Arabic, the pictures allow readers to meet an Australian boy and a Moroccan boy whose lives become interconnected. The Moroccan boy and his father sell a rug woven in their rural home, and it ends up in Sydney, in a small house that is being renovated by an Australian family. As the boy in Australia draws a picture of his new “flying carpet,” the Moroccan boy sets up his computer, bought with profits from the rug. Baker’s entrancing collages, packed with visual information and created with fabric, sand, vegetation and other unusual materials, have the power to bring back child and adult viewers for infinite “readings.” Perfectly spectacular.

Mirror is a book to be treasured, to be read and re-read with children who will spot new details each time they look through the pages. The book stirs the imagination and creates countless opportunities to talk about our own culture and everyday life as well as exploring the culture of the people of Morocco in a way that children (and adults) will find relatable and personal. Kids' Book Review

Awards:

• British Book Design and Production Awards (2011) – Winner
• English 4-11 Book Awards Leicester (2011) – Winner
• Indie Book Awards – Children’s Category (2011) – Winner
• Oppenheim Toy Portfolio, Gold Award (2010) – Winner
• Australian Book Industry Awards, Book of the Year for Younger Children (2011) – Short-listed
• NSW Premier’s Literary Awards, Patricia Wrightson Prize for Children’s Literature (2011) – Short-listed
• West Australian Young Readers’ Book Award – Picture Book (2011) – Short-listed
• Western Australian Premier’s Book Awards, Children’s Books (2010) – Short-listed
•  Joint Winner CBCA Picture Book of the Year 2011
• Australian Indie Award Best Children’s Book 2011
• An International Youth Library White Ravens Award 2011