Chickpea by Marguerite Hann Syme

Afshin has arrived in Australia from Iran with his two children Hooman and Mina. They suffered in Iran due to their religious beliefs and are so happy to have found safety here in Australia, specifically in Adelaide. Sadly, though, shortly after their arrival mum has died and so now Afshin has to navigate a new country and a new language and cope with his two young children and with being alone. The children see a kitten and a baby chick in a local market, and they beg their dad to buy them. Hooman forms a very special relationship with his little chicken, and he names her Chickpea. Mina loves to play with her kitten dressing her up in fancy clothes and jewels. On the book cover you can see she has also tried to do this to Chickpea - painting her toenails and adding lipstick and beads. For Hooman, Chickpea has added a special dimension to his life. His days no longer feel constrained and filled with routines.

One day Hooman comes home from school and Chickpea is gone. Hooman searches for days until he eventually finds her squished into a tiny space at the back of the garage. Chickpea has laid some eggs and she is waiting for them to hatch but if you know about chickens you will know this won't happen - these eggs have not been fertilized. Hooman is so worried because Chickpea won't eat.

Broody hens can be recognized by their behaviour. They sit firmly over the eggs, and when people approach or try to remove the eggs, threaten the person by erecting their feathers, emitting a characteristic sound like clo-clo-clo and will peck aggressively. When broody, hens often temporarily cease eating or reduce their feed consumption.

Luckily a friend finds some fertilized eggs and they swap them and then sit back to wait the twenty-one days needed for them to hatch. On the appointed day, Dad lets Hooman stay home from school, but alas no chicks arrive. And Chickpea is still not eating and they cannot move her. Will Hooman lose his very special friend?

Spoiler alert - no Chickpea will be okay. This is the appeal of this story - the wild ride of emotions over just 55pages. This time they put newly hatched chicks under Chickpea - chicks rescued from a battery hen farm. Nothing happens for three long days. Then the lady who bought the eggs and the chicks claps her hands, Chickpea is startled and the baby chicks move and jump out from under her warm feathers. A happy ending for everyone.

In 1998 Chickpea was a CBCA short-listed book in the Younger Readers Category. Of course, it is now long out of print but I do think it has stood the test of time and it would be enjoyed by young readers aged 8+. A new cover might add to the appeal.. Also, that IDAnimal label is quite off-putting. This book was one from a series by Scholastic and I guess these labels were an early form of generifying your fiction. 

Last night I revisited Chickpea because I have a memory of loving this book and I did hope back then that it would 'win'. I put 'win' in inverted commas because having a short list sticker means this book did win in terms of book sales and because I am sure it was shared with many, many children. 

Here is the sequel which I have no memory of reading and which again is sure to be long of out of print.

Chickpea was short listed by the CBCA. Here is the full list from 1998:

Winner

• Forrestal, Elaine Someone Like Me Puffin 

Honour books

• Hirsch, Odo Antonio S and the Mystery of Theodore Guzman Allen & Unwin Illus. Andrew McLean 
• Wrightson, Patricia Rattler’s Place Illus. David Cox Puffin (Aussie Bites)

Short listed

• Gleeson, Libby Queen of the Universe Illus. David Cox Omnibus (Solo)
• Klein, Robin The Listmaker Viking
• Syme, Marguerite Hann Chickpea Scholastic

There has been a debate on Facebook this week about the Younger Readers choices for 2024 and also some discussion about how books are submitted for judging. I know about this process because I was a CBCA judge 2021-23 but in a different category. The Facebook thread explores two issues about books in the Younger Readers category - specifically the selections this year. Firstly, the range of books on offer from those that cover deep themes through to the slapstick of a graphic novel. If you look at any of the past Younger Readers lists from 1982 onwards you will see the six short listed titles often cover a range of themes and potential readerships. If the issue here is with the choice of a funny or light weight book here are a few to consider. 1992 Bob the builder and the elves (Emily Rodda); 2004 Truck Dogs by Graeme Base; 2007 The cat on the mat is flat Andy Griffiths. 

The other side of this debate relates to books with more mature themes. The description of this category states: Entries in this category may be fiction, drama or poetry and should be appropriate in style and content for readers from the middle to upper primary years. 7-12 years. Note: Some of the titles in this category may only be suitable for readers who are in the upper primary years as they contain mature themes, including violence. Parental guidance is recommended.

Over the years from 1982 onwards there have been some titles for very mature readers short listed in this category - to me this just shows the range of writing talent we have in Australia. Think about 2021 We are Wolves; 2020 The Dog Runner; 2016 Morris Gleitzman Soon; 2013 Children of the King etc.

The second issue relates to how books are entered in the competition, and this is the part of the debate that puzzles me. Books submitted for this award (as with most other awards) are entered by their publisher. This surely is not an issue because having that CBCA sticker on the cover of a book guarantees books sales and also helps to keep a book in print for longer. The publisher pays a fee for each book they enter and they send five copies of the book to the CBCA National office for distribution to the judges. There is nothing secret about this process. For my judging, over two years, we were sent over 460 books. This shows that publishers do not hold back. They submit every title they think has a chance with the judges. I am sure if you are an author, you would be welcome to check with your publisher that your book has been submitted. The only issue we had in my judging panel came with a handful of books that we felt were submitted into the wrong category - but with the permission of the publisher we were able to send these titles onto other teams. Publishers, especially the smaller ones, often submit their book in several categories which shows they are very keen for their book to be noticed by the judges of this prestigious national award. 

Here are other books which might be in your local or school library by Marguerite Hann Syme.