Publisher blurb: Impossible Creatures tells the story of a boy called Christopher who is visiting his reclusive grandfather when he witnesses an avalanche of mythic creatures come tearing down the hill. This is how Christopher learns that his grandfather is the guardian of one of the ways between the non-magical world and a place called the Archipelago: a cluster of magical islands, where all the creatures we tell of in myth live and breed and thrive alongside humans. They have been protected for thousands of years from being discovered; now, terrifyingly, the protection has worn thin, and creatures are breaking through. Then a girl, Mal, appears in Christopher’s world. She is in possession of a flying coat, is being pursued by a killer, and is herself in pursuit of a baby griffin. Mal, Christopher and the griffin embark on an urgent quest across the wild splendor of the Archipelago, where sphinxes hold secrets and centaurs do murder, to find the truth – with unimaginable consequences for both their worlds. Together the two must face the problem of power, and of knowledge, and of what love demands of us.
As I read this book I added about 40 post-it notes marking my favourite scenes and sentences. Here are some of them:
"This world has always had magic in it, Christopher. Aren't you holding a griffin in your arms? The magic grew with the Earth's first tree, from the tree it flowed into the soil, into the air and the water. In the Archipelago, they call it the glimourie."
"Some sentences have the power to change everything. There are the usual suspects: I love you, .... But the words with the greatest power to create both havoc and marvels are these - I need your help."
"He knew that sometimes, if you are among the very lucky, a spark of understanding cuts like lightning across the space between two people. It's a defibrillator for the heart. And it toughens you. It nourishes you."
Thank you, Katherine Rundell for mentioning delicious and essential food - this is something I always look for in longer complex books like this one.
"She spent hours running through trees with Gelifen (a griffin), looking for unicorns and gorging on waterberries."
"There was a wall of blue glass jars, containing sweets from across the Archipelago. There were balls of soft gum, harvested from the sea by sylphs, which gave you brief bursts of great physical strength, but if you chewed too long gave you a rash of scales across your hands. There were ruinously expensive candies called voulay-drops, made my centaurs in the mountains of Edem. They tasted of that which craved most, but also, if you ate more than one, made you vomit something black for days afterwards."
"The table was laden with food. There was a beautiful moist nut cake, and fresh cinnamon twists, and a plate of biscuits still hot from the own. Leonor was grey-haired, untalkative, unsmiling - but she showed her care in her cooking. She was the finest baker in the whole of Icthus: it was there that she put her patience, and her love."
"His grandfather had said that unicorns had a taste for mint. Quickly he tore open the pack and held them out in one hand. The unicorn dipped its mouth and sucked them from his palm, leaving it wet with unicorn spit. Then it touched its muzzle to his face, and breathed. Christopher felt the warmth on his skin and it smelt of mint and animal and something magnificently wild ..."
"There was a dark flat bread, which they ate dipped in olive oil. There was a slab of cream-coloured dried fish, delicious and so salty it was like eating the sea itself."
"He had been given a woven bag of apples, of plums and pears and apricot: dryad fruit, like nothing else on earth. They tasted still-living fruits with opinions and jokes and laughter in them."
Overtones of folklore; mythology; fairytales; and CS Lewis (the final scenes are sure to make you think of Aslan and Narnia):
"It had been years now since Mal had first learned to fly. a travelling seer had given her the flying coat soon after she was born. He had named her and laid the coat at her small feet." I thought of Sleeping Beauty.
Vocab: phalanx of swans; rhinocerosed; gainsay; scrofulous. And there are lots of invented words too.
Names are important in this book too (think of A Wizard of Earthsea). Mal is short for Malum - and malum has a deep meaning - one that Mal herself has yet to discover.
There is also a tiny thread of a love story in Impossible Creatures. I am not going to spoil this with any details, but adult readers might think of scenes from a favourite movie where the two main characters briefly glance at one another and then look away or brush hands and it's electric - these tiny moments were thrilling for a romantic reader like me.
The Guardian's Bestiary at the start of this book has art by Tomislav Tomić. He is from Croatia. The cover is by Daniel Egnéus. (I have talked here about two of his books - Fox and Raven Child. In the UK the hardcover edition has phoenix sprayed on the page edges - it looks so magical.
I am not a big fan of endorsements, but this book has a huge list of celebrity praises - Michael Morpurgo; Catherine Doyle; Philip Pullman; Neil Gaiman; Jacqueline Wilson; and Kiran Millwood Hargrave.
Everyone on social media is so excited about this new Katherine Rundell book - and justly so. I have seen bookshop window displays here in Australia (Three Sparrows) and in UK (my bookish friend has shared them) and the Australian children's book podcast Your Kids' Next Read included an interview with Katherine Rundell [begin at 16.45]- this is quite amazing because this group (Facebook and Podcasts) are usually, almost exclusively, focused on Australian books. I was also amazed that that interviewer had not previously read any of Katherine's books - how did she miss them and why didn't she prepare for the interview? Anyway, if you listen you can hear Katherine Rundell's absolutely beautiful, lyrical speaking voice.
I completely agree with these review comments by Just So Stories: I cannot tell you how much I love this (book), and that will be demonstrated by the fact that I will be keeping my copy and will re-read it, more than once I suspect. Though I read it immediately it was received, in swift binge fashion (and cried), it has taken me two weeks to compose this review – which I fear still does not do it justice.
I also agree this book is best for mature readers aged 11 or 12+.
Here is Katherine Rundell on Instagram. Here is a one hour video where Katherine talks with Michael Morpurgo about her book. I do need to warn you, I just read on the UK publisher site (Bloomsbury) that Impossible Creatures is the first book in a trilogy. The good news is that at the end of the first book we are not left hanging. Yes, another book will be very welcome but enough is resolved at the end of the first installment thank goodness. Listen to this short introduction by Katherine Rundell.
Writing fantasy has been a huge joy. Impossible Creatures has been a long time in the making – I pitched the idea more than five years ago, and I’ve found it a magnificent challenge. I loved fantasy as a child, and I love it now as a writer – for the freedom it gives to wholly unleash your imagination. Fantasy seems to me one of the most exciting ways to wield metaphor: so that, in writing about griffins and dragons and horned hares and immortality and flying coats, you might offer children (who have such allegiance with the fantastic, in every sense) a way to fathom their own world. Katherine Rundell
I have read and LOVED so many books by Katherine Rundell and the delicious thing about her writing is that it defies categorization. She covers so many genres and themes but the one thing that links these books is that they are all page turners and for me, they are all FIVE star titles.
I also loved these:
All through this book I kept thinking about this book illustrated by our Australian Hans Christian Andersen winner - Robert Ingpen and I have discovered he has a new book about mythical creatures too.
Companion reads:
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