The Lost Island by Samantha Wheeler illustrated by Anke Noack

"Oh Theo. You can't spend your life worrying about what might happen ... I think researching your fast facts is making you more anxious, not less.' ... He was wrong. So wrong. My facts were helpful. We were sailing the Pacific Ocean! Thousands of things might happen. We'd already seen jellyfish and rays and a huge octopus. Not to mention the high chance of encountering pirates, or whales, or stormy weather."

Theo (Theodore Boston Bellview) is on a yacht cruise with his dad, stepmother Lyn and stepsister Mozzie (I wonder if this is a short form of a different name?). Theo feels left out and the cruise is very disappointing plus it feels as though his dad is giving all of his attention to Mozzie. He misses their previously close relationship. As this newly blended family journey across the ocean a wild storm hits their boat, and Theo is swept into the sea. Theo is the sort of kid who lives with hundreds of facts and hundreds of worries, so he has bought a survival pack along on the cruise. Luckily his pack is on his back when he falls into the ocean and luckily his stepsister has somehow managed to toss him a life ring. Unluckily the boat sails away and Theo is swept onto a small, presumably deserted tropical island. Surely it will not be very long before Theo is rescued but alas this is not the case. Hunger and more importantly thirst takes over and so Theo feels compelled to walk away even though he knows he should stay put. He desperately needs to find water and eventually he does but even more surprisingly he also finds an older woman who has created a small hut from the rubbish that has washed up on the shore. She has named this Trash Beach.

(She) "wore a filthy lavender-coloured dressing-gown and a tattered sheepskin slipper on one foot and a too-big orange Croc on the other. And (she) lent heaving on a gnarled stick ..."

My first reaction to this book was to laugh at the highly improbable scenario but by the final chapters I was actually enjoying the 'ride' and I did read this book in almost one sitting.  You do, however, have to suspend disbelief in this book although I do realise younger readers aged 9+ won't read this tale with my 'cynical eye'. 

How lucky that Theo:

• has small survival kit containing: a five-piece mini survival pack with screw drivers, a penknife, whistle, compass, a torch and a ferro rod for starting a fire; two small cans of baked beans; a used snake-bite bandage; 3 metres of rope; 3 pencils; a pen and a notepad.
• has participated with his local scout's group where he has learned skills such as knot tying.
• has a head full of fast facts about all sorts of dangers. (These are interesting but also, at times, very funny).

The issue of the way we have polluted our oceans is one you might want to discuss with your library group - this is vividly presented when we read Professor Staggered has made a fence around her hut using discarded toothbrushes. There is also the moral dilemma of finding and exposing an extinct animal knowing it is sure to be exploited if taken out into the world. I also suggest using page 119 if you plan to book talk The Lost Island with your class or library group - it is the scene where Theo covers his skin with stinging nettles - painful yes but also very funny.

I really appreciated the map of the island:

Huge thanks to UQP for sending me an advance copy of The Lost Island - this book was published earlier this month (August 2026). You will find teachers notes and a book extract here. The teachers notes are very detailed and so I suggest you only select a few of the questions as a way to guide a discussion with your class. 

Publisher blurb: Theo thinks there’s nothing worse than being stuck on a Pacific cruise with his dad, new stepmum and annoying stepsister. But when he’s thrown overboard during a storm and washes up on a desert island, he suddenly has much bigger problems. As Theo tackles castaway life – finding food, water and shelter – he discovers the island is full of mysteries: spooky noises, possible ghosts and the strangest birds he’s ever seen. With survival getting tougher by the day and no rescue in sight, Theo is desperate to get back to his family. But to escape the island, he must first unlock its secrets – and reckon with the power of nature.

The Lost Island is an interesting book about nature’s power and survival, and how we can use what we have to get through. Or what we can do to help recycle and keep the world cleaner, but without being didactic about it. The Book Muse

Companion books with the theme of islands and survival:

The Explorer

These are the newer covers for this gripping series

Higher Ground

For an older reader aged 12+

The Girl who Raced the World by Nat Harrison

Maggie is an orphan. All Maggie Appleton has is a letter written by her mother that she must deliver to a stranger but on the way the letter is taken by a policeman/detective. Maggie is distraught but she continues her journey through London having just escaped from the workhouse only to make the surprising discovery that the man who was supposed to get this letter now works as a valet for the famous explorer Phileas Fogg. I need to tell you that all of this action takes place over the first 25 pages. 

Maggie is swept up into the famous journey around the world and, as you are sure to have already guessed, and time is ticking because this unlikely crew have to be back in London in just 80 days. Maggie also needs to get her important letter back from , but she needs to keep Mr Fogg away from the Detective Fix because she knows it is not true that Phileas Fogg stole thousands of pounds from the bank. Has he been framed?

If you love trains, ships, catastrophes, wild story twists, and heroes you will devour this debut book by Nat Harrison. I read the whole book of over 300 pages in one day - yes, it is that good. This book could also be a terrific family read aloud. Oh, and I love the gold embossed cover. There are world maps scattered through this book but I would also suggest you might grab a real, old-fashioned, atlas so you can follow the around the world journey in more detail. Your young reading companion is sure, also, to ask questions about the way time works in the world and how you can jump days when you travel from west to east.

Book seller blurb: It is 1872 and, when Maggie Appleton's beloved mother dies, she is left with nothing but a letter for a mysterious stranger called Passepartout. With nowhere else to turn, Maggie seeks out Passepartout and, in doing so, is drawn into an adventure beyond her wildest dreams. Together with Passepartout's employer, the enigmatic Mr Phileas Fogg, Maggie journeys to Italy, India, Hong Kong, Japan and America, in a daring race against time to win the wager Mr Fogg has accepted. But with a bank robber on the loose, an angry Inspector on their tail and unread secrets in her mother's letter, Maggie soon discovers that there is much more at stake than keeping on schedule to win the bet. Who can she really trust - and will she ever find out where she truly belongs?

Listen to an audio sample.

Maggie is a feisty and relatable character, providing an ingenious and accessible doorway to the world of late Victorian explorers and their heroic exploits. Book Trust

Each character has a distinct voice and purpose, making the group feel like a true family created through shared experiences and mutual respect. Harrison also updates moments from Verne’s original story to reflect contemporary values. Just when readers think the journey is over, Harrison invites them to imagine where Maggie and her newfound family might travel next and what new adventures await them. This is a gentle, exciting promise that the spirit of exploration and love continues beyond the final page. Children's Books Ireland

Like other readers who pick up this book I have not read the Jules Verne classic - Round the World in 80 days - so my knowledge of the plot was somewhat limited. I am telling you this because your young reader aged 10+ can easily read this new book The Girl who Raced the World with absolutely no idea about the original story. They are sure to enjoy this action-packed adventure. Some readers though might, after reading this book, which is based on the famous 1872 book, want to hunt out the Jules Verne story or perhaps read an abridged version or listen to it as an audio book. Huge thanks to Gleebooks Kids for sharing this new book with me. The Girl who Raced the World is available in paperback but if you find the hardcover edition you must lift the dust jacket - there is a terrific surprise under the cover. 

Here it is (from Instagram)

I now discover I have read several books with covers designed by Tom Clohosy Cole. (Cobweb; An Elephant in the Garden; Clifftoppers).  Here are some teaching ideas to use with The Girl who Raced the World. 

The sequel to The Girl who Raced the World is due later this year:

Companion books:

The Silver Arrow

The train to impossible places

The Boundless

On the Blue Comet

The Ship of Doom

The Pearl in the Ice

The Forest of a Thousand Eyes by Frances Hardinge illustrated by Emily Gravett

"The Wall had once been built to hold back the strange, voracious encroachment of the Forest, and protect the towns and cities of the plains. It had done so for a while, but eventually it had failed. The green had found weak points in the Wall and torn its way through them. Now on all sides there was Forest, 

and the only place people could live was the Wall."

Feather has taken something that was so precious to her community. She is one of the older children who leave the safety of their community each day to forage in the Forest but this is no ordinary forest - it is a dangerous entity and we read about this danger very early in the story:

"Of necessity, all the rooms within the stronghold of the Wall were long and narrow, with stone floors and ceilings. The only windows were round, palm-sized panes of clouded rock crystal, currently letting in the early morning light. Already those on broom duty were sweeping the floors in case tiny seeds had been brought in by accident."

Think about the story fragments in these three sentences. The word 'wall' has a capital letter - Wall - and it is stronghold. The way the windows are described reinforce this feeling of living in a fortress. Then we read the strangest idea which is implied by the sweeping - that seeds could be dangerous.

The Bulletin of the Center for Children's Books describes the forest as "vaguely sentient with a deep sense of malice toward the humans that exploited it."

This idea is reinforced by the word placement in this sentence: "she could already smell the heady, insidious green scents of the Forest, like the breath of some great beast."

The inhabitants of this place have developed ways to collect dew in funnels, tend to beehives, create bird traps, and even use metal. The community are sure they are the only ones left living in the Wall, but Feather discovers this is not true when she encounters a stranger.

On this day Feather prepares to go outside. Her clothes give further hints about possible danger - "her outdoor clothes coloured stone-grey and pale lichen-yellow for camouflage. She pulled on her tough gloves, the feather cap which stopped her scalp getting sunburnt and her squirrel-leather boots with cleft toes for climbing. ... fastening her tool-belt and hanging her gather- bag and climbing gear over one shoulder." (The audio sample includes this quote).

Feather takes her pet ferret Sleek with her. He is wild animal but he does have some loyalty to Feather and more than once on her journey he is able to alert her to danger. Feather does not go foraging, she goes back to meet the stranger who is called Merildun. He has promised to show her how to make maps but instead he does the most unthinkable and dreadful thing:

"She was opening her mouth to ask a question when a violent shove in the back knocked the breath out of her. She pitched forward into nothingness, and fell."

Feather survives but now she has to track this man. He has stolen something very precious. Feather steps into the unknown and follows the Wall making the most amazing discoveries along the way but also experiencing huge dangers. 

At the beginning of this book you will have NO IDEA what is going on - and I love that. Frances Hardinge is making you, the reader, work hard to join together fragments of this story. Who are these people? Why do they fear the forest?  Are their strange names significant - Feather, Ember and Cherry. Feather is the main character and she is leaving the safety of her home on the Wall. Why do they live inside the top of a very high wall? Everything feels so dangerous right from the beginning. In one scene Feather sleeps inside the empty carapace of a huge beetle - so along with the Forest itself there are also dangerous animals, reptiles and insects to contend with. 

"The human mind is a very strange thing, it can get used to anything, even continual moral peril."

If you love reading children's books as much as I do, then you really should believe me and RUSH out and grab this book - it blew me away. If you teach a Grade Four or Five class this could be a splendid read aloud - not to study, not to dissect, just to share and enjoy. I love the words used by The Horn Book that this is a quasi-post-apocalyptic story. I feel deeply privileged to be able to read and experience a book like The Forest of a Thousand Eyes.

Publisher blurb: The hungry Forest is moving forward like an army, a green and constant threat to the humans living in and on an increasingly crumbling Wall. Feather, accompanied only by her scaled ferret, Sleek, must avoid the Forest's tentacles, and the many dangerous creatures it shelters, to return the community's precious spyglass to its rightful place. Along the way, she develops her resilience, and meets other people living on the Wall, whose stories and experiences open her mind, and those of her community, to new horizons.

In a scant 128 pages, Hardinge immerses readers in a world of dangers and wonders, where nature isn’t neutral but actively hostile, waging an eternal war against the few remaining humans. ... Sumptuous worldbuilding and deft plotting make for a harrowing dystopian story that nevertheless thrums with hope. Kirkus Star review

The message about caring for others and building community is well-crafted, and the quick pace of the adventure along with the evocative illustrations will make readers want to devour this book in one sitting. The Story Sanctuary

(An) atmospheric tale told through Hardinge’s skillful fairy-tale prose and Gravett’s art, which intertwines, illuminates, and sometimes takes over pages altogether. ... Softly shaded illustrations emphasize the natural world’s overwhelming magnitude to Feather, sometimes in close-up views of insects and birds; sometimes opening out to expansive vistas; sometimes dissolving into impressionistic flecks of light and greenery. Horn Book

Read some more review quotes here. 

Here is the US cover:

I am now very keen to read this book by Frances Hardinge also illustrated by Emily Gravett:

Frances Hardinge spent a large part of her childhood in a huge old house that inspired her to write strange stories from an early age. She read English at Oxford University, then got a job at a software company. However, a few years later a persistent friend finally managed to bully Frances into sending a few chapters of Fly By Night, her first children's novel, to a publisher. Macmillan made her an immediate offer. The book went on to publish to huge critical acclaim and win the Branford Boase First Novel Award. She has since written many highly acclaimed children's novels including, Fly By Night's sequel, Twilight Robbery, as well as the Carnegie shortlisted Cuckoo Song and the Costa Book of the Year winner, The Lie Tree.

Fly by Night was published in 2006 and I know we had a copy in my former school library and I am fairly sure I did read it but I had not started this blog back then and so I don't have a written record of my thoughts or the plot. 

Emily Gravett has a rare talent for creating exceptional books for children. The winner of two CILIP Kate Greenaway Medals, her skill and wit are second to none. Emily first sprang into the limelight with the ground-breaking Wolves, which has been followed by such modern classics as Meerkat Mail, Little Mouse's Big Book of Fears, Monkey and Me and Again! and the fabulous Bear and Hare series for younger readers, as well as the beautiful Tidy, Old Hat, Cyril and Pat and Meerkat Christmas. Each book is unique and different from the last – and each features endearing, beautifully drawn characters that touch the heart and tickle the funny bone. Emily lives in Brighton with her family.

A Map for Falasteen by Maysa Odeh illustrated by Aliaa Betawi

A haunting, powerful, and crucial tale of culture and identity. Kirkus Star review

On the second page of this book the teacher answers the student with the most chilling words:

"Miss Baker, why isn't Palestine on the map?' Miss Baker looked at the map. 'I think there's no such place,' Miss Baker said."

Falasteen's family are from Palestine and so now she needs answers. Before I continue I need to talk about the name Falasteen. 

The name "Falasteen" is an Arabic name that refers to the historical region of Palestine. It is derived from the word "Filistin," which is the Arabic name for Palestine. The name carries cultural and historical significance, representing the land and people of Palestine.

Back at home Falasteen asks her grandpa about the school map. He takes out his notepad and draws a map with city names including the name of their home.

"Here is your map, omri,' he said. 'Your teacher needs teaching. You can show her this so all of your friends can learn too."

Next stop, Falasteen asks her grandma who is making delicious spinach pies. Grandma shares the memory of leaving their home. Falasteen's mother was a tiny baby.

"The soldiers came with their tanks and guns. ... They burned the fields and the olive trees."

But grandma has kept hold of her house key. (Try to find this book - The Key from Spain). Grandma gives her precious key to Falasteen. That night Falasteen talks to her mother. 

"Sometimes people live in countries. Sometimes countries live in people. Palestine lives in you and me."

Publisher blurb: At school, Falasteen and her classmates are tasked with finding their families' home countries on a map, but no matter how hard she looks, Falasteen can't find Palestine. Can a place exist if it's not on a map? Confused, Falasteen turns to her family for answers. Her grandfather, grandmother, and Mama encourage her to see their homeland from a different perspective, and each of their stories helps her understand her people's history and her own place in the world.

This is a timely book that helps answer a question that teachers and parents are likely to be asked today. It is not an easy question to answer but here the author handles it with a refreshingly matter-of-fact approach that will reassure as well as inform. Falasteen is a very recognisable child and her curiosity is normal. The family’s response is well handled. The illustrations are child friendly and engaging bringing life to the text. This is a story firmly grounded in reality and should be welcomed in every library. For adults the author provides further information at the end of the book. Books for Keeps

Further reading:

• Kids Britannica
• Globe Trotting Kids
• UNICEF "A child-friendly guide to the Gaza crisis"

A Map for Falasteen thematically explores the universal idea of identity and belonging. This would be a rich book to use while learning about these topics, but also these larger ideas are explored through this specific context — offering an opportunity to consider how it must feel to not find your home on a map. This creates a unique opportunity to empathy and understanding in young readers that home, who we are, is more than what could be defined on a map? Palestinian artist, Aliaa Betawi’s art enhances and compliments the narrative. The deliberate colours of the illustrations — warm tones of yellow and orange for present-day scenes, and cool blues for memories of Palestine — help the young reader move between the past and the present, but also offer a visual representation of hope and loss. They also incorporate meaningful aspects of Palestinian culture highlighting Falasteen’s enduring connection to her homeland. Source Instagram 

Awards:

• Jane Addams Foundation Honor Award
• 2025 California Book Award
• The Arab American Book Award
• The Muslim Book Reviewers Judges’ Award
• Kirkus Best Book of 2024 
• Booklist Editors Choice of 2024

I spied this book in Gleebooks and grabbed it with both hands because I am in the process of preparing a short video presentation (with Dr Robin Morrow) on the topic of "The Refugee experience through Picture Books" and I knew this could be a text we might include.

Maysa Odeh is a Palestinian writer who grew up between Amman, Jordan and the United States. Her debut picture book was written during the assault on Gaza in 2021, which sparked a conversation between herself and her inner child. A Map for Falasteen answers the questions she was too shy to ask as a child of Palestinian refugees. What is a homeland? Where do you find it? How can you be sure it’s there when you can’t see it? Maysa resides in California with her daughter who asks questions all day long in Arabic and English, and sometimes even in her sleep. Read this interview with Maysa about her book. 

Aliaa Betawi is a self-taught Palestinian artist based in Alexandria, Egypt who developed her craft by observing her gifted mother. She believes that every kid deserves a childhood filled with magical, joyful memories and this is what she works to give to all kids, including herself. A Map for Falasteen was her opportunity to capture a single elusive memory in Palestine, a memory she could not enjoy as a Palestinian child in exile.

The Library of Ever by Zeno Alexander

“Do you swear to venture forth bravely and find the answer to any question, 

no matter the challenge?”

If you mashed together Alice in Wonderland and The Phantom Tollbooth you might come close to the plot of this book - such a wild ride. You will turn the pages so quickly as you read this book desperate to see if Lenora can survive all the mayhem.  

The only extra things I would have liked were a library map and perhaps a Dewey decimal chart showing all the library departments where Lenora was sent by the Chief Librarian Malachi. Lenora goes to the calendar room, the map room and the unknown room which actually has information about tardigrades, all the while she is being chased by the enemy who brings darkness. Along the way her status rises and she is awarded new badges. Lenora has to be very mindful of the library motto:

Knowledge is Light

Bookseller blurb: With her parents off traveling the globe, Lenora is bored, bored, bored until she discovers a secret doorway into the ultimate library. Maze like and reality-bending, the library contains all the universe's wisdom. Every book ever written, and every fact ever known, can be found within its walls. And Lenora becomes its newly appointed Fourth Assistant Apprentice Librarian. She rockets to the stars, travels to a future filled with robots, and faces down a dark nothingness that wants to destroy all knowledge. To save the library, Lenora will have to test her limits and uncover secrets hidden among its shelves.

In the chaos of this story there is also commentary on censorship, the role of libraries as providers of free information, the importance of curiosity, and of course the value of libraries as organised repositories of books, maps, charts, ephemera and so much more. Materials from everywhere and every time period.

"The Forces of Darkness wish to control people, and it is every knowledge that prevents them from doing so. ... They can only rule where there is ignorance, they can only create fear where the truth has been hidden, they can only gain power when the light has been snuffed out. Librarians are their greatest enemy, and we have fought them throughout time, and always will fight them as long as that light burns anywhere, no matter how weakly."

I may not have kept reading this book actually because it all became a little too silly for me but then I took a detour last night and glanced at the Kirkus review. Such is the power of their work that the star they gave The Library of Ever spurred me on to stick with this story although I am not so sure I need to read the sequel. I did enjoy Lenora's common sense, determination, perseverance, and her amazing general knowledge. She certainly adapted well to the roles of Assistant Apprentice Librarian and later Assistant Librarian. 

There are moments in this story that made me smile:

"The tardigrade snarled. 'As far as we tardigrades are concerned, Pluto is and always will be a planet. end of discussion. ...Lenora saw no reason to argue. She had always thought that Pluto seemed like a perfectly fine planet, whatever the adults might tell her. She took out her notebook. Pluto is, always will be, a planet. This she underlined firmly."

"I would like to know,' she said, 'how to find Wales.' 'You've found them,' said the whale. 'We are in fact, beluga whales.' 'Oh,' said Lenora. 'I mean Wales, the place, not whales, the mammal. 'Hmph' replied the whale ... And I suppose you think that just because I am a whale, a mammal, that I automatically know the location of Wales, the place?"

Not the first tale to be set in a universal library but unusually clever in the details and commendably accurate in its own way. Kirkus Star review

At its heart, The Library of Ever is a love letter to librarians and an ode to the importance of access to knowledge and information for everyone. The Winged Pen

Here is a fun interview with the author and the web page for Zeno Alexander. I picked up my copy of The Library of Ever at a recent charity book sale for $2. This book was published in 2019 but it is still available as is the sequel:

Bookseller blurb: Lenora returns to the magical Library—which holds every book ever known on its shelves. But she discovers the Library is under new management, its incredible rooms and corridors turned sinister and oppressive. Lenora quickly connects with a secret resistance that’s trying to free knowledge from the darkness threatening it. Her new friends introduce her to an ancient lost city, hang-gliding, and mathematical beings larger than the universe itself.

Companion books:

The 113th Assistant Librarian

Lost in a Book

The Lost History

Escape from Mr Lemoncello's Library

The Lost Library

The Phantom Tollbooth

Going Fishing with Nana by Frances and Lindsay Haji-ali illustrated by Karen Briggs

 

"As the sun rises on brand new day.

It's time to pick up Nana. We're going fishing today."

Publisher blurb: This ... children’s picture book takes readers on an exciting fishing trip with Nana in the far north of Australia. Through repetition and rhyme, readers are introduced to early education concepts such as ordinal numbers, counting by twos, and adjectives, all while seeing many cute and cheeky outback animals along the way.

Thanks to Magabala Books for sending a review copy.

Things I like about this book:

• Map end papers - this really is a mud map because for much of this journey across remote areas of Western Australia I am sure there would be no paved roads - but you could also talk to your students about the real meaning of the term mud map
• You could use the map on the end papers to compare the way we draw maps and also to locate this area on a larger map of Australia
• After talking about the map grab your copy of Are We There yet by Alison Lester or Dirt by Sea by Michael Wagner.
• I'm curious about the dedication to the children of Roper River and Manyallaluk School (perhaps the author worked there)
• Taking this book further than counting one to ten but also including the idea of doubling number gives this book scope for discussion and innovating on the text
• The inclusion of less well-known Australian birds such as jabirus and pink galahs
• It would be good to share this book with a preschool group as a way to practice counting and also introduce doubles

Things I wish the publisher had done differently:

• This book has less visual appeal because with the use of digital illustrations - although the notes say they are created "using acrylic paint on canvas paper" so perhaps it is the high gloss paper that gives the illustrations a digital feel
• I am not a fan of cartoon-style faces and eyes (especially on the frog, snake and children)

If your young reading companion is keen on fishing here are a few other titles to explore. 

Here is the companion book:

Frances Haji-Ali is an educator. She has worked in Catholic schools across the Kimberley and is currently a school principal in Perth. Frances is a non-Indigenous collaborator.

Lindsay Haji-Ali is a descendant of the Yawuru/Karajarri people of the West Kimberley region of Western Australia. He is an accomplished artist and his designs and artworks are held in private and corporate collections.

Karen Briggs is an illustrator, graphic and digital designer, and contemporary First Nations artist. She is a Yorta Yorta woman whose ancestral homeland radiates from the junction of the Goulburn and Murray Rivers in Northeast Victoria. Karen illustrates from her home in the Adelaide Hills and runs her own freelance design business. Her first book was Kick with my Left Foot written by Paul Seden, was published by Allen and Unwin in 2014, and shortlisted for the CBCA Crichton Award in 2015. Long-Listed, CBCA Book of the Year, Early Childhood, 2015. Short-Listed, Speech Pathology Book of The Year Awards - Indigenous Children, 2015.

Into the Bewilderness by Gus Gordon

"Maybe we're missing out on something here in the woods? What if there's something else out there? Beyond the trees. Beyond the horizon, where the sun goes down into the ground for the night and the moon is released from the big box in the sky."

"One cannot discover new oceans unless he has the courage to lose sight of the shore."

Don't you just love that word in the title - Bewiderness - your young reading companion might anticipate that the two characters on the cover are bewildered and that they are either IN or travelling TO the wilderness.

Blurb from author webpage: In the Bewilderness, life is good. Best friends Luis (the large furry one) and Pablo (the small furry one) spend their days wandering through nature, playing songs on the guitar, and eating Slow Joe McNally’s pinecone porridge with their neighbors. When dreamer Luis receives an unexpected invitation to attend a performance of The Weary Mermaid in the big, bustling city, he finds it hard to ignore the allure of the bright lights. Luckily, he doesn’t have to go it alone—and it’s a good thing, because it’s a long journey through the Bewilderness, and Luis has many questions. Will they meet laser-eyed gargoyles, zombie chickens, or tyrannical cow rulers? Will they get there on time? Why is quicksand so slow if it’s called quicksand? Thankfully, with his grumpy but loyal best friend by his side, they’ll soon find out. ... Or will they?

This is a story of two unlikely friends - a bear and a mole. It is a 'grass is greener' story and it is also a tale of true friendship. If you are sharing this book with a young group of students, you could perhaps also look at some versions of Town Mouse and Country Mouse. As is often the way with unlikely friends stories this pair have contrasting personalities. Pablo is slightly cynical and verbose while Luis is naïve about the world especially the world beyond their woods. In another way this story also has deeper themes about our need for cultural experiences, rich lives and perhaps even deeper - it could be about the meaning of life itself - but maybe I am getting too carried away. 

Gus Gordon has included such a rich vocabulary in this book - mostly spoken by Pablo. 

sophistication backwater; behemoth; wayward; disoriented; rabid; ravenous winged creatures; repressed society; wanderlust; preordained; elegant chaos; immeasurable; and manifestation of intellectual achievement. So, this graphic novel and the tone of the humour will suit readers aged 9 or 10+.

It is fun the way the pair of friends 'rib' each other with their ascribed nicknames of Furball and Turnip. I also enjoyed the wordless pages - a chance to slow down and just see their world.

"Well Furball, we're off to see what the Big City has to offer. Will it be a vast wealth of culture and energy or a bottomless pit of despair?' 'There could be pretty lights ...!' 'That hide a broken-down society crippled by expectations of grandeur."

The Kirkus review of Into the Bewilderness is so insightful. The reviewer likens Pablo and Luis to Laurel and Hardy and I learned a new word for their friend Ray who is perhaps a yeti or a bigfoot. Kirkus use the word cryptid. Cryptid: an animal (such as Sasquatch or the Loch Ness Monster) that has been claimed to exist but never proven to exist.

Appealing, colorful artwork complements the philosophical, character-driven plot, including stunning two-page spreads that showcase the wonder of the woods and a sparkling night sky. With gentle humor, the author explores themes of curiosity, friendship, and the value of different perspectives. School Library Journal

This is a delightful and wacky graphic novel that will have adventurous spirits of all ages smiling as they follow this charming pair. The book doesn’t talk down to readers, containing impressive vocabulary and concepts that work on a number of levels. It’s a gorgeous little hardback and an absolute joy for ages 9+. Readings Melbourne

Gordon writes with wit, warmth, and compassion. He shares small but important insights into humanity, whilst also exploring more philosophical themes such as understanding our place in time and space, explaining the elegant chaos of the universe or unpacking the meaning of culture, all of which are handled deftly with humour. Reading Time

Here is the US cover with some tiny changes - I wonder why? The endorsement is from Sergio Ruzza - I do love his books (see them at the bottom of this post).

I read Into the Bewilderness in one huge gulp. It took me just over an hour to devour the 180 pages. I laughed and I gasped - there are two gasp-worthy scenes in this story. Gus Gordon is the author and illustrator of over 80 books, and he should be very proud of his first graphic novel which I know took many hours to create. You can see his work in progress on Instagram.

One of my favourite moments is when Pablo and Luis arrive in the Big City. They are hungry. Luis would like a tuna fish sandwich and Pablo would like some pecan pie. Turn the page and we see them standing outside a business named Tuna Fish Sandwich and Pecan Pie Restaurant - perfect!

You can see inside Into the Bewilderness here. 

Joy Lawn interviewed Gus Gordon and asked him about his book - here are a few quotes by Gus from her blog Paperbark Words:

This bear and mole deserved a larger story. So, I decided to sit down and write one chapter, and see where it led me. I did a lot of research, looking at other graphic novels, from here and abroad. I really hadn’t looked at many before, but I must admit that it felt familiar, in a sense, and once I began to flesh out the story, things kind of fell into place.

The wonderful thing about the graphic novel format is that it’s incredibly versatile. As long as the story is progressing, it doesn’t matter how you tell it visually. It embraces almost all the elements of storytelling. Much like a picture book, you can use the page space to breathe, and slow the pace down, not a single panel in sight. Perhaps a bird slowly making its way down over the forest below for pages and pages. Or, conversely, you can use multiple vignettes to speed the story up.

Home is always a powerful notion in stories, and it features heavily in Into the Bewilderness, as I mentioned earlier. A familiar theme that has been pointed out to me from readers, as a recurring feature of my stories over the years, is the theme of loneliness. That in the end we are alone in this world, and despite the undeniable importance of family and friends, it’s up to us to make the most of our short lives. 

When the pair of friends travel to the city to see a show I thought of this wonderful book:

And the expression of true friendship and an adventure in a big city (Gus says he was thinking of Detroit but I thought of New York) reminded me of this special book also by Gus Gordon:

Herman and Rosie

These are books by Sergio Ruzzier - he did the endorsement on the US cover of Into the Bewilderness.

Read more here.

The Great Phoenix of London by Lindsay Galvin

"We already mentioned that many sources agree that the phoenix is very old, and there can only be one of them at a time. The myth links to Egypt and Arabia, and is tied to beliefs about the sun god, expecialy in Greek and Egyptian myth. The theory that it arises from its own ashes, or that of the parent bird, are agreed. So it is everlasting."

The Great Fire of London is a topic studied in UK schools and so this is a perfect book for those students because it is a story which combines history with magical realism. Children here in Australia will be unfamiliar with this historical event but the action in this story is sure to make them curious to know more. This book could also be a terrific one to share in a family if you are planning a family holiday in London - you are sure to want to visit St Paul's cathedral after experiencing the gripping scenes at the end of The Great Phoenix of London. The maps in this book are also splendid.

Read more about the Great Fire:

• Kids' Britannica
• History for Kids
• BBC Bitesize
• National Geographic for Kids

In this video Lindsay Galvin talks about her books (one hour).

Lindsay Galvin offers a most exciting, brilliantly researched and presented historically based novel. It’s full of wonder, drama and excitement so that we can scent the embers, feel the fear and realise the destruction. Book Wagon

Among the many things I loved about this book were the illustrations, including maps showing the fire’s spread each day and descriptions of Guild members descending on St Paul’s cathedral to store belongings in what they hoped was the safety of the stone crypt. Bucket chains were formed to throw water from the Thames onto the fire, and there was frantic digging to uncover the underground Fleet River for another water source. The latter two failed, of course. The ending is emotional and stunning. Historical Novel Society

This well-known period in history has never before been brought to life in such an engaging way. Familiar names and places weave their way through the pages pulling together the strands of the story in a manner that makes sense. The Great Fire of London will no longer be just something that happened, but rather, something that happened to real people. Readers will begin to empathise with those who lost their homes and businesses. They’ll see the impact this tragedy had on everyday lives and how communities reacted in fear and disbelief. King Charles II, the Duke of York, the Mayor of London and Samuel Pepys himself highlight the difference between the social classes and how London was so unprepared for such a challenge. Scope for Imagination

The School Reading list (a UK resource) has an excellent detailed plot summary with text examples and discussion questions for The Great Phoenix of London. You can read a book extract on the Chicken House web page. 

I previously really enjoyed this book by Lindsay Galvin:

My Friend the Octopus

Song of the River by Joy Cowley illustrated by Kimberly Andrews

Publisher blurb: In this resonant story from Joy Cowley, Cam the mountain boy follows the river from its trickling source in the snow all the way to the sea. The river leads him through forest, farms and towns to the salty wind of the sea. The dramatic landscapes are packed with detail to discover in the world of the river.

Cam lives in the mountains with his grandfather. He is curious and asks when can they see the sea. Cam sees a trickle of water and hears a voice calling:

"Come with me. Come with me. I will take you to the sea."

Cam follows the trickle and it leads to a creek then a stream and then the stream becomes a river flowing beside farm lands and leading to the port where Cam finally sees a beach and the sea.

"It was wild and beautiful ... and it went on forever."

These lines reminded me of the words by Margaret Mahy (also from New Zealand) from her book The Man whose Mother was a Pirate.

“The little man could only stare. He hadn’t dreamed of the BIGNESS of the sea. He hadn’t dreamed of the blueness of it. He hadn’t thought it would roll like kettledrums, and swish itself on to the beach. He opened his mouth and the drift and the dream of it, the weave and the wave of it, the fume and foam of it never left him again. At his feet the sea stroked the sand with soft little paws. Farther out, the great, graceful breakers moved like kings into court, trailing the peacock-patterned sea behind them.”

This book jumped off the library shelf for two, or maybe three reasons. Firstly I really like the cover and so I expected to like the illustrations. I have put two covers here - one is the hardcover and the other the more affordable paperback. Secondly, I recognised the name Joy Cowley (I recently talked about her new book Good Night Good Beach) and thirdly the library I visit each week has added Sustainable Development Goal stickers to the covers of their books and this one had Goal 6 - Clean water and Sanitation. This link will take you to my post about this exceptional resource created by my friend from Kinderbookswitheverything. And this second link will take you to Goal 6.

Check out this Pinterest of other books you could use to explore this goal

Song of the River is a book you should add to your school library collection. Why? It has lyrical language and a story that makes geography accessible (notice the maps on the end papers) and as I mentioned the illustrations are very appealing. Take a look at these phrases:

The water splashed and sand in the voice of snow.

The creek laughed down the mountainside and chattered over stones.

The river sang in the voice of green and gold frogs.

The river drank other rivers ...

Cowley neatly modulates Cam’s adventure, sentences that build and accrete like that rivulet taking readers on the journey. Andrews’ diverse landscapes are solidly composed, shifting angles but maintaining an earthy, muted palette. Kirkus

Companion books:

A River

The River