Lizzie Nonsense by Jan Ormerod

"When Lizzie's mama and papa were married, the sun shone on fields of yellow wheat which grew right up to the door of the tiny church. But for as long as Lizzie can remember, she and mama and papa and baby have lived in their little house in the bush, and the church and the neighbours are far away."

Papa needs to take the timber to a faraway town, so mama and Lizzie and baby are left alone for many weeks. As mama completes her chores Lizzie tags along. She sees the world in a different way - using her imagination. The baby in the bath is really floating in the wide blue sea; the flowers from the garden become a bridal bouquet; and for dinner Lizzie declares they will have peaches and cream and sweet little cakes. Of course they are actually having turnips! The church is too far away but on Sunday's they put on their best clothes and walk along the track pretending they are returning from church. Finally papa arrives home:

"And they walk together back to their little house in the bush."

Image source: State Library of Victoria Story Island

Lizzie Nonsense has a special dedication to "my grandmother Beatrice Evelyn Harvey 1883-1972", so we know this book is based on true events. Jan Ormerod, who died in 2013, also wrote The Water Witcher based on the life of her grandfather.

Here is the full Kirkus Star review: When Papa takes the cut sandalwood into town, Lizzie, Mama and the baby are all alone in their little house in the bush. Lizzie is always playing and pretending; Mama calls it Lizzie nonsense, but her imagination helps lighten the daily chores and hard work. While Mama tends the garden, she picks flowers and becomes a bride; as she helps Mama prepare the usual turnips for dinner, they become peaches and cream; as they mend clothes, Lizzie pretends to make a party dress with buttons and bows. Mama even joins the playfulness when they dress in their best on Sunday and walk along the track and back, pretending they’ve been to church. The beautiful painterly, watercolor illustrations are a departure from Ormerod’s earlier cuddly style. The earth-hued wispy and airy paintings affectionately embellish Lizzy’s nonsense, conveying a warmhearted snippet of time when a family bond overcame the hardships of Australian pioneer life to make a home in an untamed land. Based on anecdotes from the author’s own family history.

Lizzie Nonsense was published in 2004 and shortlisted by the CBCA in 2005. In 2006 IBBY Australia selected Lizzie Nonsense as our Honour Book title for illustration. Here is the catalogue annotation:

Lizzie lives with her mama, papa and baby brother on a remote farm in the Australia bush. Papa leaves the family for weeks on end while he delivers wood to the distant town leaving Lizzie, her Mama and baby alone in the bush. Lizzie is a lively girl with a vivid imagination. Her brother in his bath is floating in the ocean, a fallen log is her brave steed and flowers in the garden become a bridal bouquet. Lizzie is such a happy girl. She finds delight in the smallest of things and her buoyant outlook and positivity help her Mama during these difficult days. Even though she dismisses Lizzie’s ideas as nonsense Mama has her own daydreams too. On Sundays they put on their best clothes and pretend they have walked to church. Finally, after all the long weeks, they hear a sound. Is that harness jangling just in the imagination? No it is papa! Lizzie Nonsense is dedicated to the memory of Jan Ormerod’s grandmother and her life in the 1890s. It is a tale told with warmth, tenderness and humour. The images are built up from pencil drawings. Watercolour and ink are used to evoke the light of the Australian bush and the simple candlelight of their home. Several illustrations are presented as an oval similar to a framed picture placed on a dresser or mantle.

Sadly, it is now out of print. I thought of it again when it was mentioned in a recent podcast when the presenter listed books about weddings. I did a blog post about this a few days ago. Today I discovered the 2013 paperback edition of Lizzie Nonsense and it does look like a wedding story even though in my mind this is still a minor aspect of the story. The cover image comes from the title page of the original book. 

I have talked about many books by Jan Ormerod in the past. Click on the label for this post to find more of her books. 

When I first read Lizzie Nonsense I thought of this wonderful Australian poem which I learned by heart for a play called Yarns and Woolley Tales in 1984:

Before the glare o’ dawn I rise

To milk the sleepy cows, an’ shake

The droving dust from tired eyes,

Look round the rabbit traps, then bake

The children’s bread.

There’s hay to stook, an’ beans to hoe,

An’ ferns to cut in the scrub below,

Women must work, when men must go

Shearing from shed to shed.

I patch an’ darn, now evening comes,

An’ tired I am with labour sore,

Tired o’ the bush, the cows, the gums,

Tired, but we must dree for long months more

What no tongue tells.

The moon is lonely in the sky,

Lonely the bush, an’ lonely I

Stare down the track no horse draws nigh,

An’ start . . . at the cattle bells.