Sunday, September 27, 2026

Land of the Cranes by Aida Salazar


I know how to write and draw the picture poems Ms. Martinez taught us to paint our feelings. I know to never forget to scribble my name and date on the bottom.


Publisher blurb: Nine-year-old Betita knows she is a crane. Papi has told her the story, even before her family fled to Los Angeles to seek refuge from cartel wars in Mexico. The Aztecs came from a place called Aztlan, what is now the Southwest US, called the land of the cranes. They left Aztlan to establish their great city in the center of the universe-Tenochtitlan, modern-day Mexico City. It was prophesized that their people would one day return to live among the cranes in their promised land. Papi tells Betita that they are cranes that have come home. Then one day, Betita's beloved father is arrested by Immigration Customs Enforcement (ICE) and deported to Mexico. Betita and her pregnant mother are left behind on their own, but soon they too are detained and must learn to survive in a family detention camp outside of Los Angeles. Even in cruel and inhumane conditions, Betita finds heart in her own poetry and in the community she and her mother find in the camp. The voices of her fellow asylum seekers fly above the hatred keeping them caged, but each day threatens to tear them down lower than they ever thought they could be. Will Betita and her family ever be whole again?

This book is a harrowing one to read but it is also such an important story that needs to be shared. I expect this book has probably been banned in some states of the US because it takes a very unapologetic and raw honest view of ICE and the dreadful conditions in detention centres.

Here are some text quotes (note this is a verse novel but I have not set the quotes out in that format):

Six raids in the last two days, Papi chews. Where? In the factories just over the tracks. People say there will be more. This administration is out to get us. But this is a sanctuary state. A what, Mami? Papi clears his throat and almost whispers, A “sanctuary” is a place where cranes can’t get caught. Caught for doing what?

On Monday Papi must be late. It’s six p.m. and aftercare closes at six fifteen. The ticks on the clock are honey-slow tocks I try not to count. I wonder if Papi’s broken a wing on the skyscrapers he helps build with hammers and steel?

From a string of weeping words I learn someone named ICE put Papi and other hammer workers. From a string of weeping words I learn someone named ICE put Papi and other hammer workers.

We line up to be served a cardboard tray holding a burrito moldy and half-frozen. Exactly how it feels to be inside this prison.

The guard’s fist smashes into her nose which sends her back like a rag doll. Then the other guard rushes her while she is down and kicks and kicks and kicks her in the stomach and in the face until she is        still crying and breathing a heavy and steady pain.

Kirus say ages 8-12 but I totally disagree. This book is one I would place in a High School library for readers aged 12+. It touches on sexual assault and has some very violent and distressing scenes.

Betita expresses her feelings through short poems and pictures:


To make a picture poem first, close your eyes. I tell them. Then let your imagination lead to where your heart is and ask, How are you feeling? Now sit with the answer and if it is sad or scary or happy or grumpy then ask yourself, What does your feeling look like? What shapes appear? What words appear? What story are you telling?

Salazar’s verse novel presents contemporary issues such as “zero tolerance” policies, internalized racism, and mass deportations through Betita’s innocent and hopeful eyes, making the complex topics easy to understand through passionate, lyrical verses. Kirkus

I read an ebook version of this book for a book discussion group. It is not available to buy here in Australia but you might find a copy in a library.

From the author: I wrote Land of the Cranes with an understanding of the long and devastating history of raids, separations, deportations, incarcerations, and deaths my community has suffered. But also, I wrote from an intimate place. I, like Betita, was an undocumented child. I was born in Mexico and brought to the United States as a baby. My childhood fear of “La Migra” (immigration enforcement) and how they could easily rip our family apart hung over me until we received our green cards, though this was not necessarily a guarantee of safety. ... I wrote Land of the Cranes with an understanding of the long and devastating history of raids, separations, deportations, incarcerations, and deaths my community has suffered. But also, I wrote from an intimate place. I, like Betita, was an undocumented child. I was born in Mexico and brought to the United States as a baby. My childhood fear of “La Migra” (immigration enforcement) and how they could easily rip our family apart hung over me until we received our green cards, though this was not necessarily a guarantee of safety.

Here are three other books by Aida Salazar:



Saturday, September 26, 2026

Who Knows the Way to Mr Grimly's Classroom? by Chris Priestley illustrated by Mariachiara Di Giorgio


Publisher blurb: When Miss Flytrap asks if anyone knows the way to Mr. Grimly’s classroom, Grace’s hand flies up—she can’t help herself, even though she’s a new kid in school and has no idea where to go. Nonetheless, with a book to deliver proudly in hand, Grace sets off on a long, strange journey through a very odd place, full of twists, turns, and creepy characters who give puzzling directions. Climbing dark, cobwebby staircases, feeling her way through a fogged-up playground, careening by zipline from the top of a treacherous tower right into a kitchen window—will she ever find Mr. Grimly’s classroom? With equal parts suspense and humor, author Chris Priestley leads an unsettling school tour for the ages, while Mariachiara Di Giorgio’s atmospheric, immersive illustrations beckon readers on with mesmerizing visual riddles.


Walker books caption for this illustration from Instagram:

When Grace's teacher, Miss Flytrap, asks her class, "Who knows the way to Mr Grimly’s classroom?" Grace puts her hand up straight away. "Me, Miss. I know the way, Miss!" But Grace is new to the school and she doesn't, in fact, know the way. Not one bit. She doesn't even know who Mr Grimly is. Undeterred, she sets off. But she could never have imagined just how treacherous, wild and epic the journey to his classroom would be, with twists and turns waiting around every dark and gloomy corner...   Will Grace ever find Mr Grimly's classroom?

The librarian in this story is named Miss Endpaper!



If you are looking for a Halloween book to share in your library this new book could be a winner with readers in Grades 3 and 4. Candlewick have made a 'tip card' for this book - that's a new term I had not heard of. 

Di Giorgio fills this school with an overwhelming sense of wonder, tiny details snuggled into the margins for sharp-eyed spotters to find. The trials of a small child wandering the halls of a new school are broadened to their logical extreme as Grace traverses mysterious classrooms with their even more mysterious faculty, with names like Miss Flytrap, Miss Endpaper, and Mrs. Nightshade. Grace traipses through fog and steam, past a performance of A Midsummer’s Night’s Dream, and, at last, into Grimly’s classroom, where she’s met with a surprise. Kirkus Star review

I understand that it’s a great big metaphor for when kids get lost in spaces that should be familiar to them and suddenly aren’t, but there’s such a sense of fun and play on these pages. And so evocative too! I love the mist, the shadows, and the use of light. I could see a kid poring over these pictures for hours. Betsy Bird

The little girl in this story reminded me of this book. Here are two versions:





Apart from the enticing title I was drawn to this book because I have previously read these books illustrated by Mariachiara Di Giorgio.




(Highly recommended)



I am really keen to see other books illustrated by Mariachiara:




This is a wordless book based on Hansel and Gretel


Friday, September 25, 2026

Bad Badger: A family story by Maryrose Wood illustrated by Giulia Ghigini



Having declared Bad Badger: A love story my book of the year so far, I was very keen to read the sequel. It is almost as good as the first installment. I really did enjoy catching up with Septimus and Gully and finding out how everything was going with the three baby gulls.



This is another book that can be read on different levels. If you think deeply this story is about parenting and identity. The baby seagulls have moved in with Septimus and he is a badger. Then eight other badgers arrive. The baby gulls grow and their flight feathers emerge and of course their mother Gully expects they will soon fly. She knows all gulls are programmed to want to fly but these three youngsters want to stay on the ground. They have missed all the role models of the bird flock. This is a huge problem that Septimus needs to solve, and it is also of course very distressing for Gully. 

Listen to a three minute audio sample here. I love that the narrator has an English accent not American. Read more about Maryrose Wood.

Publisher blurb: To help raise a trio of gull chicks is a rare task for a badger, even a badger as unusual as Septimus. With three spotted fluff balls underfoot, hiding in his phonograph, and pecking at his seashell collection, Septimus has his hands full. To be perfectly frank about it: living with chicks is a lot to get used to. Especially when Gully is off fishing all day while Septimus-Papa Septimus-is left in charge. Just when it seems Septimus might get a bit of the bird-free, badger-only alone time he needs, a knock at the door brings a big surprise: eight visiting forest badgers! As the chicks take to burrowing underground and gobbling up worms with their new badger family, Gully worries they will never learn to take flight. Can Septimus find a way to give the chicks a proper liftoff? Or will their family fall apart instead?



This sequel expands the theme into family in all of its many forms.  Whether it is Gully's flock of gulls or Septimus's "flock" of badgers, the members help each other grow, doing for the individual what he or she needs.  Never too heavy or precious with that message, the story is full of humor and fun, and a packing in a thrilling adventure as the fluffballs grow into becoming members of their large extended family.  A lovely book for children and adults alike! Not Acting my Age

The story also illustrates the stresses of parenthood in an empathetic and caring way. Margaret's Reading Journal

Here are some text extracts:

Opening page: Septimus was a badger. Not a typical badger, mind you, but well within parameters. True, his muzzle was spotted, not striped. His tastes were not what most would call badgerish. He loved his westward-facing porch with the glorious sunset view. He loved his tandem bicycle, his kayak, his seashell collection, and all things italiano. And when it came to the opera? La-la-la! This badger knew his way around an aria. These were the facts about Septimus, and yet—to be frank—they only paint part of the picture. For the most rare and indisputable fact about Septimus was this: He had a good friend—no, a great friend—named Gully. Gully was a seagull. A seagull with three chicks.

But now that he and Gully had spoken, the facts were not so hard to face. Life with chicks was a challenge and a joy, for him and for Gully. A temporary challenge. That part was important. The days seemed endless, but the weeks would fly. Soon, the chicks would too. Today’s struggles would be replaced by new ones, wave following wave in the ever-changing sea. This is what is called taking a bird’s-eye view. Gully had a talent for it, for obvious reasons. It was one of her qualities that Septimus treasured most.

What a brilliant scheme! Even Gully thought so. Thanks to the Ferris wheel, the chicks would get their first true taste of the sky! Surely it would make them long to take flight, at last.

There are some truly delightful turns of phrase in this book such as: 

Easy peasy, badger squeezy!
Easy peasy, turtle squeezy!

And I learnt a new word - food - zeppole. It is an Italian doughnut-like pastries made from deep-fried dough. They have a light, puffy texture. After frying, they are usually topped with powdered sugar and may be filled with custard, jelly, cannoli-style pastry cream, or a butter-and-honey mixture.

It could be fun, if you read this book in a family, to talk about your child's first steps. Gully misses the chicks first float and she is devastated. Did you, as parents, see your child's first steps? Take a look at the Bluey episode Baby Race - it is another great way to talk about this important moment in the life of a child and their parent.

Thursday, September 24, 2026

The Children's Wainwright Prize for Fiction (Environment)

 


I think it is important to share international book prizes for children's books. This can be a great way to find and add new titles to your school library. This one The Wainwright Prize is from the UK. 

The equivalent awards here in Australia are Karajia and the Environment Awards for Children's Literature.  Karajia Award for Children’s Literature honours First Nations storytelling.

The Children’s Wainwright Prize celebrates the books that encourage young readers to fall in love with the natural world. In a time of climate crisis and biodiversity loss, these stories play a vital role in nurturing curiosity, empathy and action in the next generation. Through fiction, non-fiction and beautifully illustrated picture books, this strand of the prize recognises authors and illustrators who spark wonder and empower children to explore, understand and protect the planet they call home.


You may recognise some big names on this list: Jackie Morris; Britta Teckentrup; 
I previously talked about Whale Song.


Authors from this selection with books on this blog 


I previously talked about the series "An Anthology of ... " - the title here is Bugs. 

Wednesday, September 23, 2026

Terry Denton (1950-2026)



“Dad gave joy to millions of children around the world and after all those stories and all those lives he touched, he always came home to us. We are so grateful that his stories will continue to live on, bringing wonder, laughter and comfort to generations yet to come – and most especially to his beloved grandchildren, who will grow up knowing him through the magic he left behind.”

For this blog post tribute to Terry Denton I am going to focus on his older titles. I am sure others will talk about more recent ones such as Jandamarra; Moonwalkers; all those Treehouse stories written with Andy Griffiths and Can you teach a fish to climb a tree (2024). 

Make sure you take a look at paintings by Terry Denton from his web page - such an amazing talent. 

Think about some of the big names that had their work illustrated by Terry Denton - Mem Fox, Margaret Wild, Andy Griffiths, Paul Jennings, Gillian Rubinstein, Morris Lurie, Andrew Daddo, Ursula Duobsarsky, Michael Wagner, Mark Greenwood, Jane Godwin, Mike Dumbleton, Natalie Jane Prior, Richard Tulloch, Phillip Gwynne, Jenny Wagner, Margaret Clark, Justin D'Ath, Doug McLeod, Max Dann, Pamela Shrapnel, Victor Kelleher, Bill Condon, Robin Klein, Jackie French, Ted Greenwood, Dianne Bates, and Moya Simons. (source Trove)

My own favourite book illustrated by Terry Denton is Felix and Alexander - 1986 CBCA Picture Book of Year winner:





The perfect book to share with your preschool or Kindergarten child is Ducky's Nest:






About Night Noises Kirkus said: A compassionate portrait of old age, memorably extended in Denton's sharply observed pen and colored, pencil illustrations, which use frames for the three parallel stories of events in the past, outside, and by the fire.

I remember having this sweet anthology in one of my former school libraries:




Meannie and the Min Min is a fabulous short chapter book - perfect to read aloud in a family or to a class of Grade Three children. If you can find it Max Gillies made a wonderful audio book recording of this story (on a cassette tape).






In one of my early school libraries I had a copy of The Story of Imelda who used to be small - this is the book I keep on my 'to find list' - it was such a charming story by Maurice Lurie.

Here are a couple of other picture books:





CBCA award mentions 
  • Younger Readers 1995 short list Duck for Cover; 
  • Younger Readers 2007 short list The Cat on the Mat is Flat; 

  • Early Childhood 2002 short list Passing On; 

  • Picture Book of the Year 1986 winner Felix and Alexander; 
  • Picture Book of the Year 1994 Honour Book The Paw; 

  • Eve Pownall Award 2011 short list Wicked Warriors and Evil Emperors;
  • Eve Pownall 2014 short list Jandamarra.







Tuesday, September 22, 2026

Meet the illustrator Melissa Sweet


All of my work is done by hand. I’ve never mastered the computer for making art. The computer gives me too many choices and I’m always looking to narrow down the decisions. Working this way is slower, but it also allows for serendipity and being surprised by what’s happening in the process.

Melissa Sweet is an American author and illustrator of children’s books acclaimed for her vibrant mixed-media collage style combining watercolor, gouache, found objects, and layered textures. She has illustrated over 100 titles, including Caldecott Honor books A River of Words and The Right Word with Jen Bryant, and authored award-winning works such as Balloons Over Broadway and Some Writer!. Her art is entirely handcrafted, often based on extensive research and primary sources, and has earned her honors like the Sibert Medal, Orbis Pictus Award, Eric Carle Honors, and the Society of Illustrators’ Lifetime Achievement Award. Wikipedia


Image source: Maine Public Library

I’ve always been a forager and collector of tiny weird things (desiccated amphibians, buttons, rusty bottle caps). But a number of years ago I was saving some unsuccessful watercolors that I cut up and used in another painting. From there, adding other collaged elements to my paintings gave the art a freshness, making it less precious and more fun to make. Often our eyes will go the collaged elements and that difference gives the piece some visual tension. 



Take a look at all these Kirkus Star reviews and here is their interview from 2013. You can also see her work on Facebook and Instagram. 

I previously talked about these books illustrated by Melissa Sweet:















My friends and I spied this book in a local public library recently - perfect book for the 2026 CBCA slogan Symphony of Stories.


I am also very keen to find these:



Seven Impossible Things talked to Melissa Sweet back in 2010: Seven Questions Over Breakfast with Melissa Sweet.

Perhaps you have seen some of these in your local or school library:



There is an UK mum on Instagram who posts a vintage children's picture book each day - she argues modern books are often not of the same quality and that our children and students should be exposed to 'better' titles. I do like some of the books she shares but I disagree that all recent kids books are of a lesser value. I wonder if she has seen the work of my illustrator today - Melissa Sweet. Here are a few of her recommendations. She has shared over 140 titles, and Jenny has the list of her first 100 titles for sale on her webpage:

Follow Your Nose Paul Showers, illustrated by Paul Galdone 1963
The Sandman Udo Weigelt, illustrated by Sibylle Heusser, 1993 German, 2003 English
Good Night, Owl! by Pat Hutchins 1973
Harry the Dirty Dog by Gene Zion illus. Margaret Bloy Graham 1954
Joseph’s Yard by Charles Keeping 1969 (I have read this one to hundreds of students)
Winnie the Witch by Valerie Thomas illustrated by Korky Paul 1987
Feather by Cao Wenxuan (translation by Chloe Garcia Roberts) Illustrated by Roger Mello
Tusk Tusk by David McKee 1978