Lizzie Nonsense by Jan Ormerod

"When Lizzie's mama and papa were married, the sun shone on fields of yellow wheat which grew right up to the door of the tiny church. But for as long as Lizzie can remember, she and mama and papa and baby have lived in their little house in the bush, and the church and the neighbours are far away."

Papa needs to take the timber to a faraway town, so mama and Lizzie and baby are left alone for many weeks. As mama completes her chores Lizzie tags along. She sees the world in a different way - using her imagination. The baby in the bath is really floating in the wide blue sea; the flowers from the garden become a bridal bouquet; and for dinner Lizzie declares they will have peaches and cream and sweet little cakes. Of course they are actually having turnips! The church is too far away but on Sunday's they put on their best clothes and walk along the track pretending they are returning from church. Finally papa arrives home:

"And they walk together back to their little house in the bush."

Image source: State Library of Victoria Story Island

Lizzie Nonsense has a special dedication to "my grandmother Beatrice Evelyn Harvey 1883-1972", so we know this book is based on true events. Jan Ormerod, who died in 2013, also wrote The Water Witcher based on the life of her grandfather.

Here is the full Kirkus Star review: When Papa takes the cut sandalwood into town, Lizzie, Mama and the baby are all alone in their little house in the bush. Lizzie is always playing and pretending; Mama calls it Lizzie nonsense, but her imagination helps lighten the daily chores and hard work. While Mama tends the garden, she picks flowers and becomes a bride; as she helps Mama prepare the usual turnips for dinner, they become peaches and cream; as they mend clothes, Lizzie pretends to make a party dress with buttons and bows. Mama even joins the playfulness when they dress in their best on Sunday and walk along the track and back, pretending they’ve been to church. The beautiful painterly, watercolor illustrations are a departure from Ormerod’s earlier cuddly style. The earth-hued wispy and airy paintings affectionately embellish Lizzy’s nonsense, conveying a warmhearted snippet of time when a family bond overcame the hardships of Australian pioneer life to make a home in an untamed land. Based on anecdotes from the author’s own family history.

Lizzie Nonsense was published in 2004 and shortlisted by the CBCA in 2005. In 2006 IBBY Australia selected Lizzie Nonsense as our Honour Book title for illustration. Here is the catalogue annotation:

Lizzie lives with her mama, papa and baby brother on a remote farm in the Australia bush. Papa leaves the family for weeks on end while he delivers wood to the distant town leaving Lizzie, her Mama and baby alone in the bush. Lizzie is a lively girl with a vivid imagination. Her brother in his bath is floating in the ocean, a fallen log is her brave steed and flowers in the garden become a bridal bouquet. Lizzie is such a happy girl. She finds delight in the smallest of things and her buoyant outlook and positivity help her Mama during these difficult days. Even though she dismisses Lizzie’s ideas as nonsense Mama has her own daydreams too. On Sundays they put on their best clothes and pretend they have walked to church. Finally, after all the long weeks, they hear a sound. Is that harness jangling just in the imagination? No it is papa! Lizzie Nonsense is dedicated to the memory of Jan Ormerod’s grandmother and her life in the 1890s. It is a tale told with warmth, tenderness and humour. The images are built up from pencil drawings. Watercolour and ink are used to evoke the light of the Australian bush and the simple candlelight of their home. Several illustrations are presented as an oval similar to a framed picture placed on a dresser or mantle.

Sadly, it is now out of print. I thought of it again when it was mentioned in a recent podcast when the presenter listed books about weddings. I did a blog post about this a few days ago. Today I discovered the 2013 paperback edition of Lizzie Nonsense and it does look like a wedding story even though in my mind this is still a minor aspect of the story. The cover image comes from the title page of the original book. 

I have talked about many books by Jan Ormerod in the past. Click on the label for this post to find more of her books. 

When I first read Lizzie Nonsense I thought of this wonderful Australian poem which I learned by heart for a play called Yarns and Woolley Tales in 1984:

Before the glare o’ dawn I rise

To milk the sleepy cows, an’ shake

The droving dust from tired eyes,

Look round the rabbit traps, then bake

The children’s bread.

There’s hay to stook, an’ beans to hoe,

An’ ferns to cut in the scrub below,

Women must work, when men must go

Shearing from shed to shed.

I patch an’ darn, now evening comes,

An’ tired I am with labour sore,

Tired o’ the bush, the cows, the gums,

Tired, but we must dree for long months more

What no tongue tells.

The moon is lonely in the sky,

Lonely the bush, an’ lonely I

Stare down the track no horse draws nigh,

An’ start . . . at the cattle bells.

Three Dresses by Wanda Gibson

I was so proud of my three dresses. I took care of them so I'd always have 

one to wash, one to wear and one spare. 

This is a book that should be shared with children all over Australia (and beyond). For many children this story will be so thought provoking. Imagine if your Christmas present was a new dress - I am sure most little girls would be excited. And what if you were given three dresses - now that is sure to make you extra happy. But what if the three dresses were not new? These are second-hand dresses given to you by the Lutheran church. Have your emotions just been through a roller coaster? Now think about how you feel if these are your only dresses - your best dresses - your special dresses. 

"You should have seen the joy on our faces when we put on those second-hand dresses. We were so happy."

Wanda and her family live at Hope Vale Mission. This is her story. She was born in 1946. 

"When I was a kid, I went to school and had to work on the farm. After school, I did domestic duties for the Mission staff."

Now let's continue the story. The next thing to think about as you read this book is holidays. How long do your family have for a holiday? Where do you go and how do you get there? What do you do on your holiday?  Wanda and her family have just two weeks each year. Wanda packs her three dresses, one to wear, one to wash and one spare. 

"We didn't have bags, so we'd lay our dresses on the ground and roll them up like a little swag to carry on our backs. Mum and Dad would take tools, blankets, and mayie to eat. We all had to carry so much."

Compare this with your class discussion. The family will walk to their holiday destination, they have no suitcases and on the next page we read the journey takes two days. 

So now think about where they might be going? What will they do there? Where will they stay and what will they eat?

The group arrive at the beach. They set up a camp and catch fish, gather bush tucker and tell stories. Of course, eventually the holiday ends but the little girls in the family still have their precious dresses. And for Wanda, recalling her childhood, this is a very special memory. 

Blurb UQP: When Wanda Gibson was a little girl, her mum would tell her this as they packed to go on holidays. Wanda grew up on Hope Vale Mission in Far North Queensland, and her family were allowed only one short break away from work each year. At their special spot at the beach, they camped in the sandhills, cooked fresh fish on the fire and swam in the ocean. Beautifully illustrated with Wanda’s paintings, this heart-warming true story celebrates family time, connection to place and finding joy in the simple things, like your favourite three dresses.

Thank you to UQP for sending the advance copy of Three Dresses which will be published on 30th April, 2024. Make sure you add this to your library collection - Primary and High School. Here are the teachers notes. And take a look at this excellent review from The Bottom Shelf. 

Wanda Gibson is a Nukgal Wurra woman of the Guugu Yimithirr people (on her mum’s side) and lives in Hope Vale on the Cape York Peninsula, Queensland. Her dad is a Yuuethawarra man and his country is around Cape Melville. Both of Wanda’s parents were Stolen Generation and were brought to Cape Bedford Mission when they were ten or twelve. Wanda is a master weaver – she weaves baskets, birds and fish from dried grass. She is also a painter and completed a Diploma of Visual Arts at Cairns TAFE in 2014. Wanda has five kids, eleven grandkids and five great-grandkids.

Companion books:

October, October by Katya Balen illustrated by Angela Harding

Have you (adult readers) seen the movie Captain Fantastic?  This book echoes that plot with October and her dad in a remote forest "off the grid".  October does have a mother but she could not cope with life in the wilderness and so she leaves when October is quite small and heads back to live in the city.

Here is the blurb: 

"October and her dad live in the woods. They are WILD. They only need the trees and the lake and the stars and each other. Until the year October turns eleven. The year everything changes.That’s the year October rescues a baby owl. It’s the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October’s mother comes back. The year everything changes.

Written in Katya Balen’s heart-stoppingly beautiful style, this book is a feast for the senses, filled with the woodsmoke smell of crisp autumn mornings and the sound of wellies squelching in river mud. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul."

October is filled with anger that her mother left the family. She refuses to even open the regular letters sent by her mother. On the day of her eleventh birthday when her mother comes to visit (this has happened before) October is determined not to see her. October climbs a high tree. Her father tries to get her down and there is a terrible accident. October cannot be left on her own in the woods and her father will be in the hospital for many months so October is forced to move to the city to live with her estranged mother. Adjusting to this new relationship; the lights, noises and crowds of the city; and coping with going to school each day is almost too much for October. She does have a tiny owl baby as a companion but then little Stig is taken away to an animal rescue centre and it feels as though her world is crashing all around her. Over the year we watch October grow and change from an incredibly angry girl into a girl who can make new friends and into someone who can adjust to change. Thank goodness for that all important happy ending.

Take a look at the beautiful art by Angel Harding. I do love the cover of this book and the small lino cuts inside. In this video Katya Balen reads an extract from her book. Here is a UK Podcast where Katya talks about her book.