Ruby on the Outside by Nora Raleigh Baskin

And the truth is I’ve never had a real friend. A best friend, not just a condo friend. 

I think, partly it’s because of my secret-keeping. I think the thing about having a best friend is that you don’t have any secrets, at least not from each other. 

Most girls I know, and even boys I know, have one really, really important friend 

that rises above all the others who are just regular friends.

When Ruby was just five years old her mum left her at home alone late at night. Mum has gone with her new husband and stepdad to Ruby to rob a convenience store. Guns were involved, the man fled but mum stayed beside the dying teenager. Jump forward six years and Ruby now lives with her aunt and they make a weekly visit to the prison. Ruby was so young when all this happened, but she has fragments of memory. More than this, though, she deeply misses her mother. She names her aunt Matoo - meaning second mum. Ruby learns it is best to keep all of this a secret, so she lives two lives - Ruby on the outside and Ruby on the inside. Mum will be in prison for 25 years and so Ruby will be aged 31 when she is released.

Ruby works hard to be a 'good student' and to make sense of the world. She has one friend a girl named Kristin but even Ruby knows this girl is not really a true friend. Over the summer Ruby meets Margalit and it seems she might have found that longed for true friend but navigating a friendship is new territory for Ruby and she is terrified she will 'mess it up'. 

I started this book yesterday on a bus trip and completed it this morning. I already knew some of the plot which at first distracted me but then I reached the best plot twist ever! I cannot spoil this but all my worry about Ruby and her precious new friendship evaporated.

Bookseller blurb: Ruby's mom is in prison, and to tell anyone the truth is to risk true friendship in this novel that accurately and sensitively addresses a subject too often overlooked-from the author ofThe Summer Before Boys. Eleven-year-old Ruby Danes is about to start middle school, and only her aunt knows her deepest, darkest, secret: her mother is in prison. Then Margalit Tipps moves into Ruby's condo complex, and the two immediately hit it off. Ruby thinks she's found her first true-blue friend-but can she tell Margalit the truth about her mom? Maybe not. Because it turns out that Margalit's family history seems closely connected to the very event that put her mother in prison, and if Ruby comes clean, she could lose everything she cares about most.

Hopefully your students who read this book will not have had the same experience of weekly visits to a prison or correctional facility or jail but sadly this is a reality for some children. I used to be a Teacher-Librarian in a town with a maximum security jail. There are parts of this story that will break your heart but I promise the ending will help heal it. 

Here are some text quotes to give you a flavour of this heartfelt first person narrative.

We put all our belongings in a locker, showed our IDs. But we still had to go through all the security: the metal detectors, the wand search, the hand stamp, the gated doors, the big black bars, the hand stamp check, the sign-in, more bars, and finally we got to the visitors’ room where we were assigned to a table.

So lying in the dark, I try to smile. I force my mouth to turn up at the corners. I think I am smiling and I wonder what my mother is doing. She is in her cell by now, the steel bars pulled shut and locked. Maybe she is asleep. Maybe she is thinking about me. I try to smile but I feel the wetness leaking out of my eyes and dripping down my cheeks onto my pillow. I miss my mother so much.

I’m sure it’s raining in Bedford Hills, too, and that thought comes into my head but I know if my mother is in her cell, she can’t see it. I wonder if she can hear it. I wonder if there are other ways to know if it’s raining. Can she hear it? Do the COs come into work and talk about the weather? What is it like not to see the sky when you wake up in the morning?

I rack my brain. I consider every possibility for how to live with this terrible truth and not lose my very first, very best friend. For a crazy second, I want to call my mom—which, of course, I know I can’t do—like I used to when I was little. I want her to put her arms around me and make everything all right. Or at least tell me what to do. And then I realize my mother can’t fix anything. Because she’s the one who broke it.

The officer behind the glass stamps my hand with an invisible stamp. Today it is the right hand. Yesterday must have been left. I am not sure why they switch it every day, but I am sure it has something to do with preventing the prisoners from getting out. Or the wrong people from coming in. ... Here there is a little machine that you have to put your hand under and suddenly, there it is, the glowing stamp they just put on your skin. I used to think that was so cool, so magical. Not anymore.

Visitors are not allowed to wear green, but that’s not a problem for me. I’ve made sure I don’t own one green thing. Not a shirt, or a sweater, a sweatshirt, or pants. Not even green socks.

A deeply compassionate exploration of an experience underrepresented in children’s literature but overrepresented in the real world. Kirkus

Australian readers may not be familiar with the game Ruby plays with her friend - carrom. It is a board game. Read more here. Also, you will want to read one of my favourite books - Sarah, Plain and Tall. 

Here are some other books I have read with jail settings:

A Wish in the dark

The Warden's Daughter

Born Behind Bars

All Rise for the Honorable Perry T Cook

From the desk of Zoe Washington (The Faraway Truth)

When we flew away by Alice Hoffman

Bookseller blurb: Anne Frank's The Diary of a Young Girl has captivated and inspired readers for decades. Published posthumously by her bereaved father, Anne's journal, written while she and her family were in hiding during World War II, has become one of the central texts of the Jewish experience during the Holocaust, as well as a work of literary genius. With the Nazi occupation of the Netherlands, the Frank family's life is turned inside out, blow by blow, restriction by restriction. Prejudice, loss, and terror run rampant, and Anne is forced to bear witness as ordinary people become monsters, and children and families are caught up in the inescapable tide of violence. In the midst of impossible danger, Anne, audacious and creative and fearless, discovers who she truly is. With a wisdom far beyond her years, she will become a writer who will go on to change the world as we know it. 

I have a few dilemmas about recommending this book. Yes, it is an engrossing read although at times it felt a little repetitive. But who should read this book? I think you do need to be familiar and even better to have recently read The Diary of Anne Frank. But then do fans of The Diary of Anne Frank want a book like this which, even though it has been researched, it is a work of imagination - imagining the Frank family and especially Anne in the years before the family went into hiding. I think one of my conclusions is this book should only be read after you have met Anne Frank through her diary and if you are curious about life in Amsterdam during the Nazi occupation and of course you want to know a little more about the Frank family - their life and in the case of Anne her deepest thoughts.

Historical information woven into the narrative serves as time stamps as the Franks move ever closer to their life in hiding. This context is helpful for readers and offers a startling reminder of the terror that took over Europe during World War II. Ultimately, Hoffman portrays Anne and Margot as the children they truly were, gripped with fear and telling each other stories for comfort but still eager to go for bike rides, celebrate birthdays, and try to live their lives fully. This novel serves as an insightful companion for Frank’s own diary or as a stand-alone entry into a terrifying and unforgivable time in history. Kirkus

There is a QR code on this Scholastic flyer which takes you to the first chapter. Listen to an audio sample. Here are a set of questions to use with a book group. Read more plot details here. When we flew away is published in cooperation with The Anne Frank House. You can see more Adult andYA books by Alice Hoffman here. I previously read and enjoyed Night Bird. 

Use my label Anne Frank to discover other books I have shared about Anne Frank. Companion book:

(Sorry, this is now out of print)

Here is the Kirkus review

Amma's Sari by Sandhya Parappukkaran illustrated by Michelle Pereira

 

This book is a glorious celebration of cultural heritage, family connection and learning to 

appreciate the strengths and beauty in difference.

Mum (Amma) puts on her sari each morning and this is a very special ritual which her daughter enjoys but out in the world people stare. Amma is not concerned about this, but her daughter Shreya notices the way others look at her mum.

"Eyebrows arch into curious mountains when we step out Amma boldly marches on."

Her daughter can hear the comments and see the faces and it makes her feel uncomfortable in way that is confusing and perhaps even disloyal.

"My feet drag. Whispers make me feel anxious."

While they are shopping the little girl finds she is lost. Her mum is not nearby. How can she find her? The crowds of tall shoppers are noisy and rushing everywhere. 

"The crowd tosses me adrift. I frantically search for a stretch of shimmering silk. I wipe my eyes and breathe a wish - to feel soft silk, warmth and love. Then a glint of sunshine catches my eye."

The little girl has found her mum, and she has also found a new way to appreciate her mother's beautiful clothing and the way is now open to embrace all the wonderful cultural and family things her mother has to share.

The sari itself, in this book, is almost a character in its own right – it shimmers with confidence. Every child has had the experience of feeling embarrassed by their parents, but this book adds a cultural layer which will directly mirror the experience of some readers and hopefully inform other children and build empathy and understanding. 

The layering of the illustrations on the third double spread is especially effective and innovative as a way to show the past and the present. On some pages the illustrations seem to swish with the fabric of her sari. Michelle Pereira allows us to really feel the fear of Shreya when she is surrounded by the enormous legs and shoes of the crowd outside when she has lost her mum. The final words of the text are glorious – ‘I beam through the stares and whispers. Walking in the light of Amma’s sari'.

A truly wonderful celebration of diverse cultures. This book helps us to recognise and appreciate these different experiences and perspectives – and makes us challenge and think critically about the way we might react to the ‘otherness’ in the world around us.  Amma is so proud of her sari – which is a representation of herself, her identity, her culture – and how this is represented visually through the sheer size and vibrancy of it. I love the way the sari fills every page. 

Now take a look at end papers - talk to your young reading companion about the significance of the clothesline and peg basket. Link this to the story (that's easy) then try to link this to the wider themes in this book. 

The layout of the pages is so creative with the text intertwining with the illustrations in varied ways adding interest and meaning to the narrative. The illustrations are a feast for the reader’s senses as you are transported back to Amma’s childhood. The details stimulate your taste buds and you also feel like you can hear the hearty laughter ringing from the pages as Shreya and her mother enjoy such quality time together. There are a cast of culturally and racially diverse characters included in the illustrations which adds to the richness of the story and the celebration of difference and diversity. Reading Opens Doors

Amma’s Sari has one of the pinkest covers I’ve seen and it is absolutely gorgeous. The colours are  delicate and attractive, perfectly complementing this sensitively told tale of love and acceptance, the whole notable for its careful nuance and delicacy of feeling. Storylinks

Here is an ABC video of this book. Here are some useful teaching notes linked from Pegi Wiliams. And there are more ideas on Sandhya's own page. 

Michelle Pereira won the CBCA (Children's Book Council of Australia) New Illustrator award in 2022 with her book and Amma's Sari was a 2023 Notable Picture book:

The judges said: An excellent production with high-quality, very appealing retro illustrations which have been created with a limited colour palette using bold strokes and ‘splattered’ detail. The illustrations and text are fully entwined conveying the difficult balance between being ‘different’ and celebrating cultural heritage. The elegant endpapers echo this heritage while the kookaburra outside the window gives an Australian flavour to the setting. The illustrations also appeal to our senses. There is skilled use of ‘white’ space and the night time page made with the green hues is a very effective contrast against the orange of Zimdalamashkermishkada’s name.

Sandhya Parappukkaran left her job as a Food Technologist so she could put her feet up and read. Then she rediscovered her passion for children’s books. She writes stories with themes of ‘embracing your cultural identity’ inspired by her South Indian heritage. Sandhya resides in Brisbane with her husband. Michelle Pereira is an illustrator who spent her childhood in Nairobi, Kenya and now lives in Melbourne, Australia. She graduated from Monash University with a Bachelor of Communication Design and became a professional illustrator after a somewhat extended, but enjoyable, stint of bar work. She has worked with a range of clients such as Penguin UK, Netflix, the New York Times and Marie Claire. She uses bright colours and textural elements.  Hardie Grant