Showing posts with label CBCA 2025. Show all posts
Showing posts with label CBCA 2025. Show all posts

Monday, September 8, 2025

Unreal: Can you tell fact from fake? by Kate Simpson illustrated by Leila Rudge


"Some of the displays from our Myths and Legends exhibit were brought here to the Natural History wing (of the museum) by mistake. ... 
Could you help me sort the real-world animals from the myths?"

This is a fantastic book and it has been so thoroughly researched - and the coloured pencil illustrations by Leila Rudge are perfect. I was alerted to this book when I saw the brochure for a recent local children's CBCA NSW event where Kate Simpson was one of the guests. I will confess I don't read many nonfiction books but I really enjoyed testing myself on each of the challenges - real or unreal. AND I was wrong more than I was right.

Every teacher of Grades 3-6 and every school library should make a chart using the introductory page from this book which explores these important research questions:

  • Who is providing me with this information?
  • Do they have evidence for their claims?
  • Why are they telling me this?
  • How recent is the information?
  • Do other sources agree?
The first habitat was easy - which is real which is unreal - Kraken; Vampire Squid; Marine Iguana; Narwhal; Lamprey = Kraken. But then I started to go wrong. I had never heard of a Chupacabra - turns out this creature is an urban legend. Thank goodness because it is supposed to drink the blood of its prey. I also learnt some new vocab from this book such as the word cryptid which means an animal that some people believe is real but whose existence is not backed by science - such as the Loch Ness Monster. I am also curious to read more about foxfire fungus; the turtle frog (its Australian); zombi ant fungus; and the plantasian. I did think sewer alligators could be real - luckily they are not. Kate Simpson tried to trick me but I knew the spaghetti tree was an April fool's joke.

This book would be a delight to share with a class. If you or your school are members of PETAA they have developed some teaching ideas. There are ten animal categories in this book. I think it would be fun to share one category with your students each week. You could share the page; spend three or four days researching the creatures; vote for your choice of 'unreal' and then reveal the truth at the end of each week. A related topic could be museums - check out this Pinterest

We know that sorting fact from fiction is a useful skill for all readers to acquire as early as possible. This book with its tantalizing topics, its brief descriptive texts accompanying the engaging illustrations will keep children engaged and learning for hours. It’s a book to explore, to delve into and to share. Storylinks



Author blurb: There's been a mix-up at the Museum - some of the displays from the Myths and Legends exhibit have snuck into the Natural History wing. We have to sort it out, but how can we tell fact from fiction? Animal from apparition? Megafauna from monster? Kids will have fun guessing which animals and plants are real and which are fake in this extraordinary exhibition of the strange and wonderful animals and plants that inhabit our world ... and our imaginations. And a brilliant guide to help us know what to look for when tracking down truths.

I missed this book last year - I was so pleased to see Unreal was a 2025 CBCA Eve Pownall Notable title

I previously adored these books by Kate Simpson:





Leila Rudge is the illustrator of two books that I really loved sharing with readers in my school library. We have sent her an invitation to participate in our IBBY Australia Mini Masterpiece art auction for 2025. I do hope she agrees to send us a post card sized piece of her beautiful art.







Dear Leila,

We need your support. We were so delighted by the success of the inaugural 2023 Mini Masterpieces fundraiser that we’re going to run it again to raise funds for the Australian branch of the International Board on Books for Young People, IBBY Australia. 

We’re inviting celebrated Australian children’s book illustrators to donate post-card sized artworks for an online auction. Can you take part?

Formed in 1966, IBBY Australia is one of 82 National sections of IBBY, and each year must pay a membership fee of almost $10 000 to remain part of the international IBBY organisation.

IBBY was established following the Second World War and aims to build bridges to international understanding through children’s books. As you may be aware, IBBY Australia promotes Australian authors and illustrators by submitting their work for several IBBY administered international awards, including:
the Hans Christian Andersen Award
IBBY Honour Book List
the Silent Books collection 
the Outstanding Books for Young People with Disabilities list 

The Mini Masterpieces auction will run from 14 November to 28 November, with the original artworks promoted as a unique Christmas gift. Each piece will have a reserve of $75.
We welcome your support to help IBBY Australia continue to promote Australian creators internationally. Your contribution will be acknowledged and celebrated on our website and our social media channels. 


Friday, August 15, 2025

CBCA Book of the Year 2025 Awards




How did I go with my predictions?
Image source (you can see all the winners here)

Younger Readers - YES I did pick the winner BUT NO I did not pick the honour titles (see below)

Early Childhood Picture book - I picked ALL three but in the wrong order

Picture Book of the Year - I picked ONE of the three but not the winner

All up it as been quite controversial year for me. I did not like three of the Younger Readers shortlisted titles but the judges awarded honours to two of them!  I was absolutely certain Afloat would win the Picture book category - at least it did get an honour. But what happened to A Leaf Called Greaf - this is a book that should travel beyond our shores to other English speaking countries such as US, Canada, and UK. It can stand up with the very best books about life and grief and sadness and healing - a spectacular book. I do hope it reaches an international audience. 

For the first time I attended a 'live' event where the winners were announced along with a celebration of another initiative run by the CBCA (Children's Book Council of Australia) called shadow judging. I have mixed feelings about this program. These awards are designed to reward literary excellence. YES we do want our young readers to read and enjoy them and this might seem strange but this is not the main focus of the judging. The shadow judges (small teams of readers in a range of schools) read the six short listed books and then select their 'winner' based on criteria.

In contrast the 15 adult judges read hundreds of books and spend around 8 months reading, thinking, writing reports, and meeting to talk about the books. I worry that the hoopla over the shadow judging 'winners' detracts from the importance, and dare I say gravity, of the real awards. On the other hand I was impressed by the short reviews given by students at this event today - all of these students, who judged either Older Readers and Younger Readers, had very clearly thought deeply about the books and the themes and story structures. There were 12 Shadow Judges at the event today who each spoke for 3 minutes. There were 380 school teams - I am not sure if this is in NSW or across Australia. 

There was a loud cheer for Laughter is the best Ending and for The Truck Cat which I am sure every child there had enjoyed this year as the selected book for National Simultaneous Stort time. That means this book did have an extra special amount of exposure with our students in their schools and school libraries. I previously talked about Birdy, Spiro and South with the Seabirds.


Here are a few snippets of comments from the twelve students. I worked with some students from one of my local schools and I was thrilled to see the way her speech had incorporated ideas from every member of their Shadow Judging team.

Some comments by students:
  • Narrative tension
  • Another masterpiece
  • Messy complicated relationships
  • A book not just to be read - it is to be felt!
  • Intriguing whirl-wind
  • Relevant social commentary
  • Evocative and realistic
  • Cheeky humour
  • Rich life lessons
  • Real life situations
  • Vivid portrayal of change
  • Clever cover and word play in the title
  • Resilience to cope with failure
  • Easy to read and easy to follow the plot

Here are the 2025 honour titles:




Some thoughts about the CBCA event today at the State Library of New South Wales:
  • The lovely new auditorium holds 144 people. Unfortunately there were slightly too many people/students at the event and so adult visitors had to stand at the back. 
  • Craig Silvey was one of the guest presenters but his contribution was via video. He did share the first chapter of his forthcoming sequel to Runt (CBCA Younger Readers winner in 2023). The new book is Runt and the Diabolical Dognapping.
  • This does not matter at all but I did observe that of the twelve shadow judging student presenters most were from independent schools and only one was a boy. AND yippee it was the boy who bravely said his allocated book was not his favourite of the six Younger Readers short listed titles - his honesty was fabulous. (His choice was Laughter is the best Ending).

Here are the full details of the winners in the six categories (Source CBCA):








CBCA 2025 Winner predictions


Today at noon the winners and honour books for 2025 for our CBCA (Children's Book Council of Australia) Book of the Year will be announced. I was privileged to be a judge 2021-23 so I do appreciate this is a complex process but also an exciting one.

There were 730 entries this year and 15 judges (six categories). The notables were announced in February with 122 books, representing 31 publishers, 114 writers and 79 illustrators. And then in March we heard the titles of the six short listed books in each category.


This category is beyond the scope of my blog but I did talk about Birdy


I'm predicting Laughter is the Best Ending to win
and only Tigg and the Bandicoot Bushranger as an honour title
This category disappointed me this year and I think there should only be one honour title


I'm predicting One little Dung Beetle to win
and The Wobbly Bike and How to Move a Zoo as Honour titles
(But I do also love Spiro)
You need to consider this category is for readers aged 0-6


I'm predicting Afloat to win
This was a very strong field with an excellent set of titles


I cannot predict this category but I did enjoy South with the Seabirds by Jess McGeachin


I also cannot predict this category but I have talked about 
Digger digs down and I do like When I was a little Girl and The Land Recalls You.

Saturday, May 31, 2025

Birdy by Sharon Kernot



Maddy along with her mum and brother Charlie (the Professor) have moved to a remote country town in South Australia. An utterly dreadful thing has happened to Maddy and her anxiety is so overwhelming she can no longer speak. Mum does not pressure Maddy and she has agreed to do regular counselling. Her brother, who is ten, is also supportive. He loves to collect things and has an encyclopedic knowledge of the world. One day he finds a couple of curious things, but he tells Maddy they are of no value - a small bluebird necklace, some bottle tops and the button from a pair of Levi jeans. 

Maddy needs to challenge herself and so she goes to the local general store to gather the family shopping. She is not able to speak to the shop keeper and experiences panic attacks every time she goes there but she persists. One day a young girl is behind the counter. Her name is Levi. Levi is friendly and she does not pressure Maddy once her brother explains Maddy cannot talk. It takes a lot of courage and time but eventually they become friends and Maddy begins to trust Levi - maybe she can tell Levi what has happened.

Meanwhile there is an elderly reclusive lady in the town who has suffered great losses in her life. Her husband worked at Maralinga where they did nuclear bomb testing and he died from radiation sickness many years ago. Alice has also lost her precious daughter Birdie. Birdie disappeared forty-five years ago but Alice clings to the hope that one day she will come home. Alice hurts her foot and so Maddy is asked to deliver her groceries and gradually we watch as this unlikely pair form a friendship.

Birdy is a verse novel. It is a very engrossing story which will greatly appeal to readers aged 14+. This book deals with some big themes such as sexual assault; issues of consent; anxiety leading to selective mutism; and profound grief.

I did appreciate the Australian and literary references in this book. Charlie is described as a mini-Harry Butler (I'm sure only readers of a certain age will recognise this reference); when they go for a drive one day she reads about the story of Bob the Railway Dog (see image of the picture book at the end of this post); also Maddy loves the poetry of Emily Dickinson. There are also 1970s music references such as Carole King You've got a Friend. And there are very important references in this book to the historic events at Maralinga.

Birdy is highly recommended for teens, for both its honest, heart-wrenching content and lyrical free-verse style. Read Plus

Birdy is filled with positive examples of people supporting each other through their words and kind deeds, and touches on some of the different ways of dealing with anxiety. It also addresses the harm that social media can do, and the strength of character required to counter this. The serious issues that shape Maddy and Alice’s lives (implied sexual assault and anxiety, hoarding and depression) are dealt with sensitively and eventually resolved. Read Plus

Birdy is a title on our 2025 CBCA (Children's Book Council of Australia) short list for Older Readers. I don't usually read the books on this list because they are beyond the scope of this blog which is aimed at readers (and teachers and Teacher-Librarians) with books for ages 4-12. I picked up Birdy from the hospital library where I work as a volunteer partly because the cover is so arresting and partly because I was fairly certain the staff who catalogued this title had put in in the wrong part of our collection. They had added it to our middle grade chapter books but now that I have read Birdy I can say it is most definitely a Young Adult title. 

Read more about Sharon Kernot here. I am not sure I would use this book with a class - it feels too much like a personal journey that should be experienced by a solitary reader walking alongside Maddy and her journey to understanding and recovery, but the publisher has prepared some teaching notes if these interest you. Joy Lawn interviewed Sharon Kernot on her blog Paperbark Words

Awards for Birdy:

  • Shortlisted, CBCA Book of the Year, Older Readers, 2025
  • Shortlisted, NSW Literary Awards Ethel Turner Prize for Young People’s Literature, 2025
  • Shortlisted, Readings Young Adult Prize, 2024
Here are the CBCA judges comments:

In Birdy, a compelling verse novel, two heartfelt and heartbreaking mysteries slowly unfold and overlap – a powerful contemporary drama intersecting with a historical crime. The main character Maddy is a teenage girl who is experiencing selective mutism and anxiety after what she will only refer to as The Incident. Her family relocates to the country to help her recover and there she makes a surprising connection with the reclusive older woman Alice, whose daughter Birdy disappeared 45 years ago. The novel explores ideas about shame, loss and trauma, the healing power of friendship and kindness, and celebrates the ability of poetry to generate deep feelings in both the writer and reader. We witness the skillful execution of the expressive and poetic language of a verse novel, to create rhythm, pause and silence to reflect the interior mood of the character of Maddy. The language is rich, descriptive and evocative, while still being accessible for the teen audience. This book would appeal to readers who love reading realistic, contemporary, heartfelt stories, and who enjoy crime and mystery. The descriptive, evocative language and complex themes provide much scope for detailed study in a classroom environment.

Companion books:



When Maddy intrudes on Birdy's room which has been carefully preserved by her mother and left just as it was 45 years ago I thought of this older Australian book from 1991:



Thursday, May 29, 2025

Tigg and the Bandicoot Bushranger by Jackie French



"She never realised that she knew so little about herself, not even her name or family, or even what she looked like now that she was dressed as a girl. ... I know myself now, she thought. I can hold up a stagecoach and catch a possum and cook a pigeon pie so good the pigeon would have proudly given up its feathers for it. I know I can survive an attack by drunken men ... I can find a good life for myself. I just don't know where or what it will be."

Tigg needs money to pay the woman who was given charge of her many years ago. Ma Murphy, a 'baby farmer' was paid enough money to keep her when Tigg was small but when the money stopped coming in she took the four children in her care to the gold diggings with a plan to open a tavern. Sadly, three of these children died but young Tigg survived. In the opening scene Tigg is disguised as a boy and she holds up a stagecoach demanding money from the travellers. During the altercation she is shot in the shoulder. She manages to get back to Ma Murphy but Tigg knows she is now wanted by the police so she needs to leave and hide. She joins a young Chinese man who is escorting a large group of 'Celestials' who are travelling from Robe in South Australia to the Victorian Goldfields. She joins the group at the South Australian border. The journey is anticipated to take three to six weeks. 

I loved all the refences to food in this book especially near the end when Tigg makes two new friends in Goulburn. It was also fascinating to read about all the ways Tigg used her bush survival skills, taught to her by a young indigenous woman, to find food, shelter and even make a possum cloak while she was hiding out in the bush. There are some memorable human characters in this story such as Henry Lau who escorts her on the Long Walk, but I also loved her horse named Bucephalus. It was fortuitous that 'Gentleman Once' who taught Tigg to read and write also gave her a book entitled 'Advice for a Young Lady in the Colonies'. I laughed when Tigg remembered and perhaps misunderstood some of the 'advice' from this book. 

Tigg is an orphan but her hardships and life circumstance have made her very canny especially with 'reading people' and also with money. It was comforting to read she kept her stash of money close to her body and that she also had even more money hidden in the bush. Her dream of a family, a home, comfort and food gave me hope that Jackie French was taking me on a story journey with a satisfying happy ending. Also thank goodness Jackie French allowed Tigg to take a bath every now and again - I always worry when someone has no food, no bed, no shelter, has to contend with wild weather but even more I desperately wanted Tigg to be able to feel clean. 

The back notes in this book are essential reading - especially after you finish this novel - because the give a historical context to these events of 1800s Australia. 

Tigg and the Bandicoot Bushranger has been short listed for our 2025 CBCA (Children's Book Council of Australia) Younger Readers book award. I will confess that while I did adore many of Jackie French's early books her more recent titles have not quite resonated with me - but all of that has now changed. Jackie French, when writing her best books, skillfully blends masses of history research into a terrific story. At no time does this book about Tigg feel like a history lesson but of course that is exactly what it is. For example I had no idea about the Long Walk nor about the way the Chinese people set up market gardens in remote rural Australia. Sadly, I did know about 'baby farming' because decades ago I read another fiction book based on this gruesome practice - Mama's Babies by Gary Crew (2002). My only tiny criticism (echoed by the Reading Time reviewer) is that there are lots of story threads in this book and at times I did find it difficult to keep track of all the characters - a family tree for Tigg might have been helpful. 

I loved this description of Tigg's first ever hug:

"Tigg hesitated. She'd never been hugged before. She'd always thought it looked uncomfortable. She tentatively put her own arms around his waist. A hug didn't feel at all like being imprisoned in chains. It just felt warm and safe ... She stepped back after a while, wishing Advice for a Young Lady in the Colonies had told her how long a father-daughter hug should last for."



Author webpage blurb: The year is 1859 and the goldfields are filled with diggers – and danger! Orphaned twelve-year-old Tigg is the Bandicoot Bushranger, the youngest bushranger on the Ballarat goldfields in 1859. When a robbery goes wrong, Tigg must flee in disguise as one of the tens of thousands of Chinese men and boys braving heat, thirst, starvation and murderous attacks on the long road from Robe in South Australia to the goldfields in Victoria. But even further danger threatens. Who has offered a large sum of money for Tigg's capture? And is the mysterious Henry Lau a friend or enemy? To be safe, Tigg must solve the greatest mystery of all. Who is Tigg?

Here are some teachers notes. Here are the first three chapters of Tigg and the Bandicoot Bushranger.

The 2025 CBCA Younger Readers short list has really disappointed me. I have previously mentioned six other titles which I think better match the judging criteria for this category. 


In my personal opinion there are only two books in this selection that are worthy of our prestigious National Award - Laughter is the Best Ending and now I add Tigg and the Bandicoot Bushranger. To and Fro is a heartfelt personal story of identity and belonging but the silly additions of 'toilet humour' really distracted from this story for me. Aggie Flea has eight references to 'farts and farting' and Saskia Spark-Lee is a light read - perfect for newly independent readers but not sufficient depth of caliber for our award (again this is just my personal opinion).

Jackie French has talked about bushrangers in previous books such as this fairly recent one which I also really enjoyed:




Other Jackie French stories about bushrangers are Dancing with Ben Hall; The Night they Stormed Eureka; The Horse who bit a Bushranger; and The Secret of the Black Bushranger.

In my former library I really enjoyed exploring bushranger picture books with my Grade Five groups as a way to extend their class study of our Australian Gold Rush era. Here are a few you could share with a group in your school library (note these are all are now out of print but are sure to be found in well stocked collections). We also explored lots of materials about Ned Kelly of course.






My own favourites, among the enormous number of books by Jackie French (Our IBBY Australia Hans Christian Andersen nominee in 2008) are Tajore Arkle; The Book of Unicorns (short stories); A Waltz for Matilda; The Shaggy Gully Times; The Tomorrow Book; Christmas Always comes; and Diary of a Wombat.



Thursday, April 10, 2025

Afloat by Kirli Saunders illustrated by Freya Blackwood


This is another one of those picture books where I marvel at the way the illustrator, in this case Freya Blackwood, has interpreted the text which I imagine was sent to her on one typed page. There is no mention of walking along a riverbank but that perfectly sets the scene. Similarly, there is no mention in the text of people living in makeshift tents beside an industrial wasteland.  Then we see people who have gathered to weave yarn, and they are seen talking and sharing food. The people are weaving with yarn as you might expect when we see them collecting vines and rushes but this definition also shows the people have gathered to yarn together: Yarning or having an informal conversation that is culturally friendly and recognised by Aboriginal people as a way to talk about something, someone or provide information. Yarning builds on the oral tradition (genre) of handing down information.

Viewed from above we see various hands weaving the threads and on the next page there are different pieces emerging from baskets to nets and even a pair of wings for a young child. The finished work beautifully matches the patterns on the end papers. 

The final words in this book are so powerful and make this book a perfect one to discuss with students aged 10+.

"Push out next to me. We are here to brave the storm. Here to rise above. To survive. Stand up next to me. We are here to fly, here to shape this world together. To thrive."

Here are a couple of quotes from the author and illustrator notes at the back of the book:

"Afloat was written for First Nations People across the globe - it's for my community, it's for the weavers, and for everyone who is with us on this journey. ... The story follows an Elder, teaching gathering and weaving practices to a child. As they continue, more people join them, until all are united in their efforts to move towards a promising future where this knowledge is deeply known and valued. At the heart of Afloat is a metaphor of weaving together, to form a raft, to brave a storm as one." Kirli Saunders

"I wanted a visual narrative to show the typical but alarming journeys of our waterways, and it begins, as the text suggests, roaming the water's edge. ... Gathering weaving reference from all over the globe, I noticed similar patters across different cultures ... " Freya Blackwood

Blurb from Freya Blackwood: From award-winning Gunai author Kirli Saunders and seven-time CBCA-winner Freya Blackwood comes Afloat, a story told in a time of climate crisis. Against a backdrop of a changed environment, an Elder leads a child along the waterways, sharing her People's knowledge and gathering community along the way.  Afloat is an uplifting and inspiring picture book that uses the practice of weaving as a powerful metaphor for the honouring and teaching of First Nations wisdom, and the coming together of all people to survive, thrive and create a more hopeful future.

I first saw this book in January, 2024 but I didn't take the time to read it slowly or think about it in depth. The CBCA (Children's Book Council of Australia) 2025 shortlists have been announced and Afloat is one of the six picture book titles. 

Here are two important reviews of Afloat:

Diverse community members work together to gather natural materials, process fiber, and weave vibrant textiles, and as the book reaches a heartwarming conclusion, their vision is at last realized. Though the complexities of Saunders’ metaphor may be lost on the youngest readers, all will feel empowered by her overarching message, summed up in her final words: “We are here to fly, here to shape this world together.” Kirkus

The spare and straightforward text describes yarning, which can refer both to fiber arts and to storytelling. “We are here to collect the vines. Here to find the rushes, to fuse the fibers…to soak and split. To roll between finger and thumb. To yarn…to knot and loop. Here to form bonds, to make ties…to unite.” Saunders’s understated prose alludes to traditional ecological knowledge passed down by women elders, to rising sea levels and cultural displacement produced by the climate crisis, and to the need to join together to effect change. Blackwood’s illustrations combine saturated details with soft-edged blending and warm, earthy tones with deep verdigris teals and sea-glass greens. Horn Book

I find it wonderful and curious that this book was sent to these two very major US reviewers. I made a similar discovery with the book Countdown to Yesterday by Shirley Marr (make sure you read this wonderful middle grade novel. In my view it should have been a 2025 CBCA winner!)

You can see inside this book here on the publisher page. This illustration is the one that moved me the most from Afloat:


Push out next to me. 
We are hear to brave the storm.

If you or your school are members of PETTA you will find the link to a unit of work using this book here

Companion book:


Post update - this is a new book just released in July 2025. It would also be a splendid book to read after you explore Adrift.



If you can find them these two Caldecott books also might be good comparison books:



This might be a bit of a stretch but Afloat made me think of this wonderful book about community and refugees and finding a new future:



Tuesday, April 8, 2025

The Garden of Broken Things by Freya Blackwood


There are a lot of layers to this story. This will be a book that you do need to think about. I first read this book in May last year and after several re-readings I am still pondering some aspects of this elusive story. I do like the final images where everyone has come together to enjoy the garden. This is reminiscent of another wonderful book about a garden - Rose Meets Mr Wintergarten by Bob Graham.


When you open The Garden of Broken Things you will see a small orange cat on the front and back end papers. He or she is looking back toward the reader beckoning you to come on in. The early pages before the story begins are very important - take your time with them. On the half title page people are enjoying and restoring the garden. These are scenes from the garden in the past. On the title page there is a hint that the owner of the garden has grown older. We see her with her husband and then sitting alone.  Turning to the first page readers can see the garden in the context of the street. It is indeed overgrown and broken. The little house is falling down and it is almost engulfed by the trees that surround it. 

"Number 9 Ardent Street was a lonely place, with windows like sad eyes."

The children explore the garden but it is Sadie follows the cat and who finds the old woman.

" ... the cat found a lap. It belonged to an old woman, bent with time and weariness."

Sadie doesn't ask questions. She just sits beside the woman and talks about her day and her school and she even reads her home reader "with lots of expression". Sadie stays late into the evening sitting beside the lady and as night falls the lady seems to "come back to life"

"The woman's hand was warm, and her skin felt like paper."

Sadie is reunited with her parents who presumably have been searching for her. Then we have a stark white page. Is this meant to signify heaven? We see the woman with her head lifted up in her pale coat and then on the next page she is gone. Did the touch of kindness shown by Sadie allow the woman to move on? Was she waiting for this small human connection or perhaps waiting for permission to leave?

I haven’t made it clear what happens to the woman. Stories without a clear ending, that leave you thinking, always appeal to me. So there are plenty of gaps in the illustrations and text where readers can make assumptions. I’ve had quite a few adults ask me if there’s been a printing error on the page where the old woman is looking upwards and surrounded by white. It was planned that way! Freya Blackwood

Take a look at the annotation by our National Centre for Australian Children's Literature. Here is a quote: "Led by the cat, Sadie goes deeper into the garden and finds a little old lady, still in her dressing gown, asleep on a bench. Unperturbed by her silence, Sadie chats away about her day and the things that are important to her and then reads a book to the old lady. As darkness descends, Sadie falls asleep, and it is only then that the woman stirs. The other children have already gone home, so the old lady, her mind full of fond memories, takes Sadie home to her worried parents. Her job done; she realises that she is ready to let go. But, before she does, she leaves her fabulous garden to the children of Ardent Street."

Here are the teachers notes from the publisher. I was shocked to see they say this book is for ages 3+. In my view it is a book to share and talk about with a child aged 7+. Read more here. And I have a 'meet the illustrator' post where you can see other books by Freya Blackwood. Freya discusses her book in more detail here

The book description tells us The Garden of Broken Things celebrates curiosity and the joy of listening. But I think this rich, layered story is about so much more – grief and loss; perception and reality; belonging; memories and honouring the past; nature; resilience; growth and transformation; and ageing. Reading Time

The transformation from the sad and lonely to the wild and joyful is a direct result of the children’s interest in, and enjoyment of, all the forgotten garden can offer. It is a subtle examination of the sometimes ignoring of the elderly and old (or broken) things, and a sound message that simply because something or someone has grown old, it does not mean that these things have become superfluous or disposable. Just so Stories

The CBCA judges in their Notables report said: The Garden of Broken Things is a poignant story about open-mindedness, curiosity and the importance of listening. Curious and open-minded, young Sadie follows a cat into a backyard and discovers an old lady seated on a bench. Through Sadie’s kindness and the power of connection, the old lady is awoken from her statue-like state. The use of figurative language coupled with the highly expressive water colour, pencil and pastel illustrations provide the reader with insights into the full range of human emotions, both light and dark. This tender story beautifully represents the power of human connection across generations and is suitable for a very broad audience from small children to adults.

Here is an interview of Freya Blackwood about her book with Joy Lawn and you can also see inside this book. 

It is interesting to ponder the name of the street chosen by Freya Blackwood. Ardent means "showing strong feelings or passionate."  

This book has been shortlisted for our CBCA (Children's Book Council of Australia) 2025 Awards


Here in this blog I have already talked about