Tuesday, April 8, 2025

The Garden of Broken Things by Freya Blackwood


There are a lot of layers to this story. This will be a book that you do need to think about. I first read this book in May last year and after several re-readings I am still pondering some aspects of this elusive story. I do like the final images where everyone has come together to enjoy the garden. This is reminiscent of another wonderful book about a garden - Rose Meets Mr Wintergarten by Bob Graham.


When you open The Garden of Broken Things you will see a small orange cat on the front and back end papers. He or she is looking back toward the reader beckoning you to come on in. The early pages before the story begins are very important - take your time with them. On the half title page people are enjoying and restoring the garden. These are scenes from the garden in the past. On the title page there is a hint that the owner of the garden has grown older. We see her with her husband and then sitting alone.  Turning to the first page readers can see the garden in the context of the street. It is indeed overgrown and broken. The little house is falling down and it is almost engulfed by the trees that surround it. 

"Number 9 Ardent Street was a lonely place, with windows like sad eyes."

The children explore the garden but it is Sadie follows the cat and who finds the old woman.

" ... the cat found a lap. It belonged to an old woman, bent with time and weariness."

Sadie doesn't ask questions. She just sits beside the woman and talks about her day and her school and she even reads her home reader "with lots of expression". Sadie stays late into the evening sitting beside the lady and as night falls the lady seems to "come back to life"

"The woman's hand was warm, and her skin felt like paper."

Sadie is reunited with her parents who presumably have been searching for her. Then we have a stark white page. Is this meant to signify heaven? We see the woman with her head lifted up in her pale coat and then on the next page she is gone. Did the touch of kindness shown by Sadie allow the woman to move on? Was she waiting for this small human connection or perhaps waiting for permission to leave?

I haven’t made it clear what happens to the woman. Stories without a clear ending, that leave you thinking, always appeal to me. So there are plenty of gaps in the illustrations and text where readers can make assumptions. I’ve had quite a few adults ask me if there’s been a printing error on the page where the old woman is looking upwards and surrounded by white. It was planned that way! Freya Blackwood

Take a look at the annotation by our National Centre for Australian Children's Literature. Here is a quote: "Led by the cat, Sadie goes deeper into the garden and finds a little old lady, still in her dressing gown, asleep on a bench. Unperturbed by her silence, Sadie chats away about her day and the things that are important to her and then reads a book to the old lady. As darkness descends, Sadie falls asleep, and it is only then that the woman stirs. The other children have already gone home, so the old lady, her mind full of fond memories, takes Sadie home to her worried parents. Her job done; she realises that she is ready to let go. But, before she does, she leaves her fabulous garden to the children of Ardent Street."

Here are the teachers notes from the publisher. I was shocked to see they say this book is for ages 3+. In my view it is a book to share and talk about with a child aged 7+. Read more here. And I have a 'meet the illustrator' post where you can see other books by Freya Blackwood. Freya discusses her book in more detail here

The book description tells us The Garden of Broken Things celebrates curiosity and the joy of listening. But I think this rich, layered story is about so much more – grief and loss; perception and reality; belonging; memories and honouring the past; nature; resilience; growth and transformation; and ageing. Reading Time

The transformation from the sad and lonely to the wild and joyful is a direct result of the children’s interest in, and enjoyment of, all the forgotten garden can offer. It is a subtle examination of the sometimes ignoring of the elderly and old (or broken) things, and a sound message that simply because something or someone has grown old, it does not mean that these things have become superfluous or disposable. Just so Stories

The CBCA judges in their Notables report said: The Garden of Broken Things is a poignant story about open-mindedness, curiosity and the importance of listening. Curious and open-minded, young Sadie follows a cat into a backyard and discovers an old lady seated on a bench. Through Sadie’s kindness and the power of connection, the old lady is awoken from her statue-like state. The use of figurative language coupled with the highly expressive water colour, pencil and pastel illustrations provide the reader with insights into the full range of human emotions, both light and dark. This tender story beautifully represents the power of human connection across generations and is suitable for a very broad audience from small children to adults.

Here is an interview of Freya Blackwood about her book with Joy Lawn and you can also see inside this book. 

It is interesting to ponder the name of the street chosen by Freya Blackwood. Ardent means "showing strong feelings or passionate."  

This book has been shortlisted for our CBCA (Children's Book Council of Australia) 2025 Awards


Here in this blog I have already talked about


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