Kid by Peter Carnavas

"They were so brave ... the bravest goats in the world! And I want to be just like them."

Now read the opening sentence of Kid: 

"There once was a small goat who lived on a farm, not far from the rugged mountain."

Ask yourself some questions - will this small goat have an adventure? will he travel to the rugged mountain? what will he find there? does he have a good life on the farm? are there any other goats there? does 'not far' mean this story will involve a journey?

Life on the farm is good. There are cows, sheep, pigs and hens. Oh, and of course there is a small goat - a young goat - a kid named Kid.

"He was barely taller than the hens, and not just because he was young. He was a small breed of goat - a miniature - so even when fully grown he would hardly peek over a bale of straw. For now he was still a kid, with gangly legs, ears that stuck out and two bumps on the top of his head. He couldn't see them but he knew they were there, and he dreamt that one day they would grow into big curved horns, strong and majestic."

Kid has dreams - big dreams. And these dreams are linked with the story of his parents. This is the story Audrey, one of the hens, tells him night after night. His parents were Buck and Bess and they heroically saved the farm from a fox but by chasing the fox they jumped over all the fences and "no one ever saw those brave goats again." Bess and Buck left their baby behind in the care of Audrey. "And you've been stuck with me ever since."

Kid has the care and friendship of Audrey and also of Harriet, a whitish-pink pig. So, the story is set. Kid would like to be heroic like his parents. He is sure his parents are living in the nearby mountains. Audrey needs to protect her young charge just as she promised his mother all those years ago and Harriet is keen to experience new tastes in the wild. But of course, there is a problem - well there are lots of problem but the biggest one of all is Farm Law. Note the capital letters. 

"Farm Law says that any animal who leaves the farm can never come back ... They'll bring danger to the farm - predators, or sickness from the wild."

"The adventures of Buck and Bess played in his mind. He had loved the stories, so wild and exciting, but he always dreamt that one day they would return to the farm. Now he knew he would never see them again, all because of a big white dog who didn't like goats."

Kid will not be stopped. Ma, the big white farm dog will not stop him. He jumps over the fence and ...

There are some sweet words of wisdom in Kid:

Audrey: "I was scared and I didn't want you to go. But then I asked myself what was more important: to follow the rules or follow your dreams?"

Audrey: "The world hasn't ended. You have a home and friends who love you - even when you're miserable. I didn't raise you to blob around like a snail without a shell. Get up and do something."

Cow: "Gavin (the great hawk) said you will find your family ... on the mountain."

I think I held my breath through the final chapters of this book - I know Peter Carnavas is a trustworthy author and he would give me that all important "happy ending", but I was so worried about little Kid - would Ma let him come back to the farm?

Publisher blurb: This is the story of a small goat called Kid. Ever since his parents chased away a fox and never returned, Kid has stayed with Audrey the hen in the chook yard. Audrey tells him stories of his mum and dad’s daring and bravery. She says they live on the nearby mountain, and Kid longs to leave the farm to find them. And then, one day, he discovers he is big enough to jump the fence … Will a wild adventure up the mountain help Kid find where he belongs?

Here is the trailer - this is sure to make you fall in love with this book:

This book will be published next week - do not wait - run to your independent bookstore or local library and order a copy of Kid by Peter Carnavas. I really wish I lived in Queensland so I could participate in some of the launch events for Kid. Huge thanks to UQP for sending me an advance copy of Kid. I devoured it in one sitting and then went back and read it all again today. There are extensive teachers notes for Kid BUT really my suggestion is just read this book - to your young reading companion, to your class or to your library group. Don't dissect it - just enjoy the writing, the friendships, and the very special voice of young Kid.

This one is just a delight from the first page to the last and your young readers will find it entirely satisfactory and, very likely, the kind of book that they will return to again and again. Just so Stories  (You can see art from Kid in this review)

Kid gives us plenty to love especially for the confident junior reader, animal lover, and those searching for their own g.o.a.t mini-hero to emulate. Dimity Powell  (G.O.A.T stands for Greatest of all Times)

In the UK Kid from Pushkin Press has a slightly different cover. I love talking with students about covers - design, appeal, font choices and the way covers can influence our reading choices. The US edition will come from Groundwood Books in 2027! Kid is published in hardcover and the beautiful pastel colours reminded me of my old copy of Heidi (I have put this image at the bottom of this post).

The publisher and Peter Carnavas himself (quite rightly) links Kid with two very famous books:

Charlotte's Web

You may know this book became the movie Babe.

Peter Carnavas says: After writing my last book, I promised myself I’d take a quiet break from writing, 

but then a small goat trotted into my thoughts. I’m not sure where he came from but I remember what I was doing at the time – I was reading Edwina Wyatt’s book Cub and Brown. Edwina’s story has nothing to do with goats but for some reason, halfway through reading, I put down the book, opened my sketchbook and drew a goat.  Up until now, my novels have centred around quiet children and relationships, so I wanted to try something different with my goat – I wanted an adventure! I started drafting ideas based on the structure of the hero’s journey: I gave him a call to action, a merry band of accomplices (each with their own strengths), a wise elder, a series of trials and an exciting climax. 

I really appreciate having maps in books. The map at the beginning of Kid reminded me of this book:

Map from Kid (found in the teachers notes)

Try to find this picture book too:

Albert and Lila

Check out all the picture books by Peter Carnavas and then look for his terrific novels:

Leo and Ralph, My Brother Ben, The Elephant

Kid is published in hardcover and the soft pastel colours used on the cover reminded me of my old copy of Heidi. Just a small observation of mine - Kid doesn't have any actual links with Heidi!

The Wondrous Tale of Lavender Wolfe by Karen Foxlee illustrated by Martina Heiduczek

The curse: "We must find The Marigold's stolen treasure and return it before the dawn of the last day of the seventh year. If we don't we are doomed to be turned to sand."

"You are much more than your name, always remember that. All of us are a tale within a tale within a tale."

So, time is ticking. As this story begins it is the seventh year - April 4th 1719 and they only have until December 31st to complete their quest.

Every crew member (called the Worshipful Company of Uncommon Seamen) on the ship and every 'kidnapped' child is there because they possess a magical gift. With Lavender this gift is of hearing and naming the winds. You are right if you are thinking this is a very important skill on a sailing ship. 

I really wanted a character list for this book so I have created one:

• Lavender Wolfe - left at a wharf by her mother, snatched by the cook Big Agatha and taken onto a pirate ship named The Good Marchioness "the most magical and cursed pirate ship that ever sailed the seven seas". Lavender is renamed Hans Whitby (Whitby is the name of the town where she was 'found').
• Big Agatha the ogress and magical cook - she hugged "so hard that you were turned to flummery with being loved." "I can sense a teaspoonful of magic in an urchin quick as the whiskers grow on my chin. Yet I cannot say what that magic all be." 
• Colin one of the kitchen rats - he/she is especially kind to Lavender
• Poppet - another kitchen rat - he/she knows all the recipes cooked by Agatha
• Odine - a chicken 
• Samuel, Thomas, and Peter Portugal all ship's rats but none are able to complete the voyage with Lavender
• Michael - a boy who has been magically trapped in shell
• Captain Odyessia Pleasant - she is the captain of The Good Marchioness. One of her arms is a huge bird wing. "She was beautiful; a ragged scar across the left side of her face, from her lip to her missing ear, ... Captain Pleasant had a wing instead of a right arm. A large wing reached down almost to the floor, glowing coppery beneath the lanterns."
• Ginger - cat who can transform into a sailor
• Oliver de Basseterre - a baby
• The Princess with no name and her father the Wizard King
• Captain Barnabas Bloom - pirate and father to Michael. He is transformed into ... (sorry I can't tell you)
• Queniva - a sparrowhawk
• Crew - Sasha Blackhat; Jonas; Tiny Percival; Percy; Grimes and Savage
• Lyneham prisoner from the ship the pirates attacked and pillaged. (He is not to be trusted)
• The Little Duchess - Ghost-fetcher and her guardian The Dowager
• Princess Yasbel de la Esclera who has her named changed to Phillip - she has magical hair

Ships - Lady Eloise - a ghost ship which holds the spectral map; The Good Marchioness the ship carrying Lavender and others who need to break the curse; The Marigold which is the ship carrying the Princess to her betrothed and The Fair Fortune the ship of Captain Barnabas Bloom.

Recipes - all contain extra magic - I learned a new word or two in this book - ananas it's a pineapple and the word clapperdudgeon which means beggar.

Agatha calls the kitchen kids (all with boys names) rats but in fact she showers them with her love and enormous hugs. 

Text quotes:

"I never wanted to meet a ghost ship nor glimpse one from a distance. But I wanted to see the spell canister and its last spell resurrecting the princess and Michael out of the shell. I wanted Samuel and Peter and Octavius returned. I wanted everything restored, which meant me going home. I wanted more story. I wanted questions answered. I wanted to know how Captain Pleasant came to be cursed and how Ginger could turn into a cat."

"And I knew that I, Hans Whitby, previously of the pickling shelf, floor scrubber, potato peeler, spoon-shiner, still with the name of Lavender tucked safe inside me, magic porridge-stirrer, tender of wounds, meant for the sea, rescuer of prisoners and friend of a ghost-fetcher, with a tiny drop of blood from a cutlass upon my chest, climber of masts, was about to die."

This book is a huge saga - with nearly 400 pages and a myriad of characters and a complex plot. Young readers aged 10+ will need reading stamina and also plenty of time because I think you need to read this book over just two or three days so you can keep track of all the threads. I am speaking from experience because I read this book over five days in very small snatches and I kept having to turn back to previous scenes to follow all the twists and turns. There is the potential at the end of the story for a sequel but I actually hope Karen Foxlee does not continue her story and rather leaves the future adventures of young Lavender to our imaginations. 

You can find teachers notes on the publisher web page. Take a look at the labels I have assigned this post - these might give you further ideas about some of the themes (such as the importance of names and destinies) and these also hint at some major plot details.

A new book by Karen Foxlee is always something to celebrate and The Wondrous Tale of Lavender Wolfe is a wondrous and wonderful tale indeed, full of mystery and magic, inventive and memorable characters and a compelling protagonist. Story Links

This is a children’s book full of pirates and dangerous land and sea adventures. It is also a story of growing up and being there for others. It is about a growing awareness. Lavender was to learn that all of us are much more than what we first seem. We all have a tale within us. Even within the worst of us, goodness can be found. There are fair winds trapped within storms and even love hidden in bad spells. Queensland reviewer's collective

Blurb from author web page: Lavender Wolfe is a pickpurse, with a magical secret. She is all alone on a wharf when she is snatched by Big Agatha and thrown into the galley of the pirate ship, The Good Marchioness. Disguised as a boy (for only boys may live in the galley) and renamed Hans Whitby, Lavender has to make her home among the kitchen rats. However, The Good Marchioness is no ordinary no ordinary ship. Captained by Odyessia Pleasant, a fierce pirate with long blonde hair, violet eyes and a bird’s wing in place of an arm, the crew are on a desperate voyage – to find and return stolen treasure before all those who sail within the cursed pirate ship are turned to sand. Lavender included. Lavender is quick-witted and sharp as a tack, and as her magic starts to be revealed she finds herself coming under the arresting gaze of Captain Pleasant. Will Lavender help break the curse? Or will she be just another victim of this story within a story, her true identity lost to the sands of time? An adventure as big as the ocean and as warm as your heart. All aboard!

I do have to talk for a moment about pirate stories. Sadly, there are real pirates in our world we now call them people smugglers. A few of us have begun to re-think our picture books about pirates especially if members of your school community have come to Australia as refugees. Strangely I read another Australian middle grade novel with a pirate theme last month - Oceanforged my Amelia Mellior. The issue of pirates and of glorifying them in kids story books is one I need to ponder a little more deeply. This is not intended as a criticism of The Wondrous Tale of Lavender Wolfe it is just something to consider. 

Here is some further reading about this topic:

Sails and Souls: The Literary Evolution of Pirates from Simple Rogues to Morally Complex Heroes in Children’s Fiction

I am a huge fan of Karen Foxlee.  Take a look at these:

Lenny's Book of Everything

Dragon Skin (ages 11+)

A most magical girl

Ophelia and the marvelous boy

The Higher Power of Lucky by Susan Patron Illustrated by Matt Phelan

Here is a word from this book which I love - splendiferousness

Lucky has never met her dad. Her mum died from a freak accident when she stepped on some electrical wires that had blown down in a severe storm. Lucky was only eight when this happened and so she has lots of unanswered questions. Lucky's father was previously married in France. When Lucky's mother dies, he asks his first wife to come and take care of Lucky. Brigitte does come but she thinks this will only be needed for a short time until a foster parent is found. Brigitte has come from France and so she faces an enormous shock when she finds herself in Hard Pan, California - population 43. This place is in the desert and Lucky and Brigitte live in a set of joined trailers. 

It is very clear Brigitte loves and cares for Lucky but Lucky is filled with doubt. She is sure Brigitte misses her own mother back in Fance and that one day, possibly very soon, Brigitte will leave. Lucky is desperate to stop this happening so she hits on a plan to run away expecting this to somehow convince Brigitte that she is needed.

Lucky has two young friends. A small boy named Miles who has been sent to live with his grandmother. Miles loves cookies and one special book - Are you my Mother?  I loved this book when I was a small child too. The trouble is Miles, aged five, cannot read and so he keeps asking Lucky and her other friend Lincoln to read it for him. Lincoln is a wise friend but his obsession is knots. Lucky does appreciate his wise words but she also is a frustrated with his focus on knots. Lucky also has a special loyal dog named HMS Beagle.

Here are some text quotes:

A breeze rattled the found object wind chimes at the Found Object Wind Chime Museum and Visitor Center, and the high desert air carried that sound in front of it, all the way across town, down to the three trailers at the very end of Hard Pan. Just the sound of those chimes made Lucky feel cooler. But she still had doubts and anxious questions in all the crevices of her brain, especially about how to find her Higher Power. If she could only find it, Lucky was pretty sure she’d be able to figure out the difference between the things she could change and the things she couldn’t, like in the little prayer of the anonymous people. Because sometimes Lucky wanted to change everything, all the bad things that had happened, and sometimes she wanted everything to stay the same forever.

Lucky got Brigitte as her Guardian when she was eight years old. The reason was that Lucille, Lucky’s mother, went outside one morning after a big rainstorm, and she touched some power lines that had blown down in the storm. She touched them with her foot.

Or, let’s say that her Guardian just gave up and quit because Lucky did something terrible. The difference between a Guardian and an actual mom is that a mom can’t resign. A mom has the job for life. But a Guardian like Brigitte could probably just say, “Well, that’s about it for this job. I’m going back to France now. Au revoir.” There poor Lucky would be, standing alone in the kitchen trailer, at rock bottom. Then she would have to search for her own Higher Power and do a fearless and searching moral inventory of herself, just like Short Sammy and all the other anonymous people had had to do.

Her eyes, skin, and hair, including her wispy straight eyebrows, were all the same color, a color Lucky thought of as sort of sandy or mushroomy. The story she told herself to explain it was that on the day before her birth, the color enzymes were sorting themselves in big vats. Unfortunately, Lucky decided to be born a little ahead of schedule, and the enzymes weren’t quite finished sorting—there was only one color-vat ready and the color in that vat was sandy-mushroom. So Lucky got dipped in it, head to toe, there being no time for nice finishing touches like green eyes or black hair, and then, wham, she was born and it was too late except for a few freckles.

Seen from a little distance, Lincoln looked better, in Lucky’s opinion—you could imagine how he’d look when he grew into his ears. Like, as he got older his head wouldn’t look as big and his neck would definitely look less scrawny. So far he didn’t look like a president, which was what his mother was hoping and which was why she named him Lincoln Clinton Carter Kennedy. Lucky knew he’d rather be president of the International Guild of Knot Tyers. Mothers have their good sides, their bad sides, and their wacky sides, but Lucky figured Lincoln’s mother had no way of knowing at the time he was born that he would turn out to be so dedicated about knots.

She suddenly understood that she’d been doing everything backward. She’d thought you looked for your Higher Power and when you found it you got special knowledge—special insight—about how the world works, and why people die, and how to keep bad things from happening. But now she knew that wasn’t the right order of things. Over and over at the anonymous meetings she’d heard people tell how their situation had gotten worse and worse and worse until they’d hit rock bottom. Only after they’d hit rock bottom did they get control of their lives. And then they found their Higher Power.

There are sad moments and moments of great tension in this story but there are also some very funny events such as the snake in the clothes drier (Brigitte is terrified of snakes); and when Lincoln decides he needs to fix the sign outside town - "Slow children at play" to say "Slow, children at play". The free government food is hideous but also utterly crazy especially the tasteless yellow cheese. 

The Higher Power of Lucky has 160 pages so it is a very quick book to read but somehow I just didn't want it to end. And I was so pleased that I totally wrongly predicted the ending. 

There has been some controversy about this book in the US because early in the story Lucky overhears one of the people speaking at the 12 Steps Program (she loves to hear the stories from people with various addictions about how they found their 'High Power' after hitting 'rock bottom'. Short Sammy's story involves his dog and a snake and includes the word 'scrotum'. Lucky listens outside the Found Object Wind Chime Museum and Visitor Center, where she works clearing up rubbish after each group comes for their meeting. Read an interview with Susan Patron here about this issue. Sadly, Susan Patron died in 2023. You can read more about the plot and find discussion questions on the publisher page. 

Publisher blurb: Lucky, age ten, can't wait another day. The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has. It's all Brigitte's fault -- for wanting to go back to France. Guardians are supposed to stay put and look after girls in their care! Instead, Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future U.S. president (maybe) and member of the International Guild of Knot Tyers. Just as bad, she'll have to give up eavesdropping on twelve-step anonymous programs where the interesting talk is all about Higher Powers. Lucky needs her own -- and quick. But she hadn't planned on a dust storm. Or needing to lug the world's heaviest survival-kit backpack into the desert.

Hard Pan may be lightly populated, but every soul is uniquely unforgettable, from 5-year-old Miles, shameless cookie hustler, to Lincoln, serious knot-tying addict. Readers will gladly give themselves over to Patron, a master of light but sure characterization and closely observed detail. A small gem. Kirkus Star review

After reading The Higher Power of Lucky please go out and find Are you my Mother?

The other two books are Lucky Breaks (2009) and Lucky for Good (2011) - the series is called Lucky's Hard Pan trilogy. The good news that book one can stand alone - it does leave the way open for the sequel but everything is beautifully resolved in this first installment. 

I have absolutely no idea how I discovered this book The Higher Power of Lucky - it is a title I recently added to my Kindle library. Maybe I saw it on a Newbery list because it was a Newbery winner in 2007. Over the Christmas week I read so many fantastic books - I will be sharing them here over the coming days - Flight of the Puffin by Ann Braden; The Wanderer by Sharon Creech; The Frindle Files by Andrew Clements; The Bletchley Riddle by Ruta Sepetys; The Might Miss Malone by Christopher Paul Curtis; Busted by Dan Gemeinhart; and Queen of Thieves by Johan Rundberg.

Kamishibai Man by Allen Say

One of the best shelves in many Primary school libraries are set aside for picture books for older readers. I spied this book in the library where I am volunteering. I have previously loved many books by Allen Say (see bottom of this post). You could use this book with a group of younger students who are exploring the topic - Life in the Past. And you will also want to explore the stories told by the old man - The Peach Boy and Little One Inch.

Here is the Kirkus description: Kamishibai means “paper theater” in Japanese, and when Caldecott artist Say was a boy in Japan in the 1940s, a “kamishibai man” on a bicycle used to sell sweets and tell serial tales of heroes and heroines, using picture cards and a wooden stage. This nostalgic story begins when Grandpa, once a kamishibai man, gets a hankering to resurrect his show. Unfortunately, it’s been so long he finds himself in an unrecognizable city with tall buildings and rude drivers. Dismayed, he parks his bike in a vacant lot and begins to recount not the beloved “Peach Boy,” but his own story of how his show was eventually replaced by television (initially referred to as denki, or electric kamishibai!). Soon enough, Grandpa’s surrounded by a crowd of adults who remember him from their childhood, and, ironically, he ends up on the evening news. Say effectively incorporates two illustration styles here—lovely soft watercolors and a more cartoonish style for flashbacks to the heyday of kamishibai. A fascinating window on a bygone art form.

Bookseller blurb: The Kamishibai man used to ride his bicycle into town where he would tell stories to the children and sell them candy, but gradually, fewer and fewer children came running at the sound of his clappers. They were all watching their new televisions instead. Finally, only one boy remained, and he had no money for candy. Years later, the Kamishibai man and his wife made another batch of candy, and he pedaled into town to tell one more story--his own. When he comes out of the reverie of his memories, he looks around to see he is surrounded by familiar faces--the children he used to entertain have returned, all grown up and more eager than ever to listen to his delightful tales. Using two very different yet remarkable styles of art, Allen Say tells a tale within a tale, transporting readers seamlessly to the Japan of his memories.

When you Trap a Tiger by Tae Keller

I used to be able to talk to her. I used to tell her everything. If this had happened a few years ago, 

I would have said, I JUST SAW A TIGER IN THE MIDDLE OF THE ROAD. 

I would’ve shouted it right into her ear because I couldn’t hold it in.

Mum and her two daughters - Lilly and Sam - are moving back to live with their grandmother or halmoni (grandmother in Korean). Very gradually we are given some brief details that dad has died in a car accident. This move will be a new start for the family but more importantly it is clear Halmoni is unwell. 

Halmoni buys rice and pine nuts and herbs to cast magic, she feeds spirits, she believes in all the things you cannot see. She lives in a house at the top of a hill, a house covered in vines, with windows that watch like unblinking eyes. She is a witch, looming over the town, like something out of a fairy tale. She’s not normal. I’m not normal.

On their journey Lilly sees some thing very frightening. She knows her grandmother has told the girls stories about tigers. And now she has seen one.

I gaze out the windshield. The landscape that slips by is peaceful. Gray stone houses, green grass, gray restaurants, green forest. The colors of Sunbeam blur together: gray, green, gray, green—and then orange, black. I sit up, trying to make sense of the new colors. There’s a creature lying on the road ahead. It’s a giant cat, with its head resting on its paws. No. Not just a giant cat. A tiger.

When they arrive at the house Lilly encounters the tiger again. She makes a bargain with Lilly. If Lilly returns the stars that were trapped in jars by Halmoni then the tiger will restore Halmoni to good health. Halmoni has told Lilly the story of the Tiger and the stars. 

“I am the littlest girl in the littlest village, and I am sneaky. I hide outside the caves and wait until the tigers fall asleep, until their snores echo through the land. And then I get to work, grabbing the stars—the bad stories—in my fists, stuffing them into jars.”

“I seal jars up. Then I tiptoe away from cave, so soft, hush-hush. Before I leave, I think, I be extra safe. I make sure they don’t follow. So I take rocks from the forest, one by one, and stack them at the mouth of the cave, until they make a wall. Big, heavy wall. Until the tigers trapped inside.”

“Nothing last forever, Lily. Tigers break free. The tigers very angry. Now they coming for me. ... “They hunting me now. They don’t stop hunting.”

Lilly finds the important jars but then she has to work out how to trap the tiger in the basement. The family now live across the road from the library, so Lilly decides to go there to find out how to trap a tiger. In the library she meets a boy named Ricky. He will prove to be a new friend and a boy who can help Lilly navigate this complex time, but will she be able to trap the tiger in time? There are three jars and three stories the Tiger could tell Lilly. Sam calls her sister a QAG - quiet Asian girl - but Lilly has to find a way to break away from this label or stereotype because she is sure she is the only one who will be about to save her halmoni. And of course time is running out.

Blurb from the author page: Would you make a deal with a tiger? When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni’s Korean folktales arrives, prompting Lily to unravel a secret family history.   Long, long ago, Halmoni stole something from the tigers. Now, the tigers want it back. And when one of those tigers approaches Lily with a deal—return what Halmoni stole in exchange for Halmoni's health—Lily is tempted to accept. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice… and the courage to face a tiger.

Opening sentences:

I can turn invisible. It’s a superpower, or at least a secret power. But it’s not like in the movies, and I’m not a superhero, so don’t start thinking that. Heroes are the stars who save the day. I just—disappear. See, I didn’t know, at first, that I had this magic. I just knew that teachers forgot my name, and kids didn’t ask me to play, and one time, at the end of fourth grade, a boy in my class frowned at me and said, Where did you come from? I don’t think I’ve ever seen you before. I used to hate being invisible. But now I understand: it’s because I’m magic.

Keller infuses this tale, which explores both the end of life and coming-of-age, with a sensitive examination of immigration issues and the complexity of home. It is at one and the same time completely American and thoroughly informed by Korean culture. Longing—for connection, for family, for a voice—roars to life with just a touch of magic. Kirkus Star review

There is one sentence that made me gasp in this story. Over five days eleven years ago this week I sat with my mother as she was dying. Someone told me the last sense to go is hearing and so I said the same words that Lilly said to her halmoni reassuring my little mum that I too would be okay:

“It’s okay,” I whisper, leaning so close to Halmoni that my lips brush her ear. I close my eyes and breathe. Sometimes, the bravest thing is to stop running. “It’s okay if you go. We will be all right.”

I gave When you trap a Tiger four stars - I think this is because I just read a similar book or at least one with a similar plot involving a young child and their grandmother - Children of the Quicksands by Efua Traore. This meant I wasn't quite in the mood for another book of magical realism and cultural folktales even though When you Trap a Tiger is Korean and Children of the Quicksands is set in Nigeria. I did enjoy, in this latest book, the way Lilly grew in strength and also her determination in the face of terrible fear that she could and must help her grandmother. The final scene I described above also deeply moved me. I think this book is for readers aged 10+ with good reading stamina and for readers who have experienced books like this one previously. Ricky is also an interesting character. At first I thought he might have ADHD or be on the autism spectrum but then later in the story we discover he has lots of friends at school. I did find the early scene in the supermarket where his father berates him unresolved and therefore a little confusing. This may be because I read those parts a little too quickly.

When you trap a tiger won the Newbery Medal. You can see other books by Tae Keller here. If you enjoy books with folk tales woven into the narrative you might also look for these:

Where the mountain meets the moon

Zadie Ma and the Dog who Chased the Moon

A Glasshouse of Stars

Tree Table Book by Lois Lowry

"I'm going to tell you three words. I'm choosing them at random. Listen carefully. This will be important.

House.

Umbrella.

Apple.

Remember those. I'll explain later."

Sophia (known as Sophie) is aged eleven and her best friend is Sophie Gershowitz. Sophie is eighty-eight years old and she lives next door to Sophia. Sophia wants to tell us the story of Sophie. Sophia once received some advice about writing: "Begin on the day that is different."

Ralph is a kid in her neighborhood. Ralph's dad is a pediatrician and so he owns a copy of The Merck Manual which is a reference book for doctors. And there is Oliver who is seven and on the autism spectrum. So, Sophia has three friends - Sophie her Friend of the Heart; Ralphie her same age friend; and Oliver.

Sophia loves check the Merck. Sophia needs the Merck because she has overheard a conversation about her best friend Sophie's health. Sophia is also a medical hypochondriac and her medical dilemmas are sure to make you laugh.

"There is something about a book; the feel of it, the weight of it in your hands, the way the pages turn (pages in the Merck are very thin and extremely serious-seeming, the cover is leather, and there are built-in index tabs."

Aaron, Sophie's son, is coming from Akron. Sophia's parents tell her Sophie will take a test to check her memory or we would say cognition. This gives Sophia  a brilliant idea. She can help Sophie pass this test - all it will take is some training. Sophia is sure Sophie has good eyesight and good hearing but sometimes she seems to miss smells and often Sophie finds very stinky things in her fridge. She also sometimes forgets to turn off her kettle. 

If you have an elderly parent or grandparent you might be familiar with the tests for dementia - one of the questions involves remembering three objects - hence the title of this book - the short-term memory test. Over several days, as Sophia asks the test questions, we gain an insight into Sophie and her life in Poland, her husband, and the holocaust. Sophia uses the three-word test as a way for Sophie to recall her childhood and Sophie tells three stories - the tree with the berries picked too soon by the children; the table at the baker shop that Sophie was not allowed to visit; and the book of fairy tales that her mother returned to the rich owner - the house where Sophie was hidden over the war years.

Lowry is famous for dealing with difficult subjects in her work, which has occasionally been banned, and as young Sophie encourages older Sophie to delve into her long-term memories, it becomes clear that this is also a novel about surviving the Holocaust. Three brilliantly told stories from Sophie’s Polish childhood form the climax of the novel, contrasting very effectively with young Sophie’s charming, insouciant 21st-century kid voice (captured to perfection by the 87-year-old Lowry). The Historical novel society

When the test prep unlocks memories of Sophie G.’s childhood in Poland during World War II, Lowry conveys with sensitivity and realism Sophie W.’s sorrow upon realizing that things she’s only learned about in school have had a painful, lifelong impact on her beloved friend. Book Page

Read more plot details here.

Readers aged 10+ who enjoy personal stories and stories about kindness are sure to enjoy Tree Table Book. Sophia has such a determined attitude and voice. You should also look for these in your local or school library:

Girl 38 Finding a Friend

I'll keep you close

The Remarkable Rescue at Milkweed Meadow by Elaine Dimopoulos illustrated by Doug Salati

Use your milkweed: Read this! Kirkus Star review

Butternut is a young rabbit. She lives with her family in a burrow near a meadow and also near a human home. The family of humans regularly fill a garden bird feeder with delicious seeds for the many birds that live in and around the meadow but each morning one bird named Blue bullies the other birds and squirrels and so none can get close to the delicious treats. 

Meanwhile in the burrow each evening the young rabbits take turns as storytellers. I love the names of Butternut's siblings: Lavender, Clover, Thistle, Goosegrass and Baby Sweetcorn are the girls and Kale, Chicory, Watercress and Mallow are the boys. Mum is Nettle and Butternut's grandmother is aptly named Sage because she is the wise elder of their family.

There is a violent scene in the first chapter of this book I would say it is for readers aged 8+. Blue is angry with Mother Firstfledge and so he raids her nest and takes one of her eggs - his actions are truly awful and brutal. After a few more weeks the other eggs - three of them - do hatch and Piper, one of the new young birds, is determined to show forgiveness. Piper loves the way Butternut tells stories and they quickly become firm friends even though this is not usually allowed - friendship between species. 

One evening a young fawn catches her leg in the roof of the burrow. Her name is Winsome and she is badly hurt. Butternut lives her life in fear of 'what if' but Piper convinces her they need to go out late at night and find the hurt fawn and offer their help. Piper is also sure there is a way to help Blue - surely there is a deeper reason why he is such a bully. Oh, and Butternut also has to overcome her fear and take the test that all her siblings have had to do, learning to cross the busy road and avoid being squashed by a car. 

Here are some text quotes to give you a flavour of the story and storytelling advice:

"Everyone in Milkweed Meadow still talks about the rescue, and if you stop hopping around like a kit that's found a banana slice, I'll tell you the story."

"Mother encourages strong beginnings. 'Snare them!' ... I suppose that's what a good story does. It digs into your skin like a silver wire and holds you in its grasp."

"Stories matter.  Interesting characters. A thorny conflict. A wood-gnawing climax. Details that let you smell and taste and touch."

"I wanted to say that he had me all wrong. That I was the most fearful and timid rabbit in my colony. That with the way my mind worked, every trunk in the forest would become a wolf, every twig a snake. But saying these things our loud would make them come true. There was a part of me that wanted to imagine that I could be brave. That I could tame my mind's brambles to help the fawn."

"If you ignore the creatures that can make a midnight snack out of you, then the forest at night is an enchanted setting for a story."

"Helping a creature is a good reason to take a risk. Isn't that what so many of our stories tell us to do? To help others?"

Blurb from author page: Apprehensive by nature, Butternut the rabbit believes the warnings she’s heard from her mother and grandmother. Egg-laying birds are inferior species. Deer bring ticks. Coyotes are terrifying predators. Only rabbits have the smarts to practice strategies for survival and to tell stories that entertain and inspire. In Milkweed Meadow, all species do best when they remain focused on their own kind. When the bully of the meadow, a jay named Blue, steals a treasure of her burrow and compels her to scale a trellis to retrieve it, Butternut forms an unlikely friendship with an irrepressible robin nestling, Piper, and later with Winsome, a deer fawn whose leg injury is a blow to her vanity. For the first time, the dangerous and fun adventures the friends have make Butternut question her elders’ teachings—and whether holding on to old prejudices truly makes creatures safer and happier. When the trio discovers creatures in crisis, their compassion is tested: Do they forsake the creatures or attempt the most daring rescue ever to take place in Milkweed Meadow, one that will require the help of multiple species, including the young humans that live in the adjacent house?

Here are some detailed teachers notes. Listen to a five-minute audio sample. This book also contains a map of Milkweed Meadow. 

This enchanting animal adventure is made up of a series of interconnected short stories. In a beautiful narrative voice, and brought to life by Salati’s charming black-and-white illustrations, Butternut describes her own storytelling process. School Library Journal

This chapter book has a relatively rare and welcome level of depth, and the strong narrative voice, ecological awareness, and themes around the value of connection and community will call to many readers. Horn Book

Awards for The Remarkable Rescue at Milkweed Meadow

• A 2024 Massachusetts Book Award Honor Book
• An ALA Notable Book
• A Junior Library Guild Gold Standard Book
• A Kirkus Reviews Best Middle Grade Book of 2023
• A Bank Street Best Children’s Book of 2023 with Outstanding Merit
• A 2023 Booklist Editors’ Choice
• On Vermont’s 2024-5 Golden Dome Book Award List

Here is the sequel which was published in 2024:

Companion books:

Cress Watercress

Heartwood Hotel (there are four books in this series)

Appleblossom the Possum

The Legend of Podkin On-Ear

Bravepaw and the Heartstone of Alluria

Kirkus relate The Remarkable Rescue at Milkweed Meadow to this book Toaff's Way which I once have on my to-read list. Sadly there is no ebook version but Amazon do have a new copy for - gasp! AUS$140! I do find it odd that this book didn't really reach us here in Australia - Cynthia Voigt is such a famous author. I talked about this previously here. 

Meet Toaff: a lovable squirrel, and new standout character, searching for a place to call home in this gem of a story by a Newbery Medal-winning author. Toaff is a small squirrel full of big questions. Why must I stay away from the human's house? Why shouldn't I go beyond the pine trees? Why do we fight with the red squirrels across the drive? His sister shrugs--that's just the way things are. His brother bullies--because I said so. And the older squirrels scold--too many questions! Can Toaff really be the only one to wonder why?When a winter storm separates him from his family, Toaff must make his own way in the world. It's a world filled with danger--from foxes and hawks and cats to cars and chainsaws. But also filled with delight--the dizzying scent of apple blossoms, the silvery sound of singing, the joy of leaping so far you're practically flying. Over the course of a year, Toaff will move into (and out of) many different dreys and dens, make some very surprising friends (and a few enemies), and begin to answer his biggest questions--what do I believe and where do I belong?

You can see other books illustrated by Doug Salati here. 

The Hotel Balzaar by Kate DiCamillo illustrated by Julia Sarda

Begin here with this audio sample from chapter one. When you listen, you will hear the delicious language choices used by master storyteller Kate DiCamillo - beguiling brilliance, the porcelain of the skink, overstuff sofas strewn with cushions of green and gold, the room was fille to overflowing with light almost as if someone were ... pouring molten gold, perpetually occupied. 

Marta and her mother live in the attic of the Hotel Balzaar.

"And on the dresser was her mother's brush, and beside that was an envelope that was stained and worn smooth from handling. Marta's mother's name was written on the envelope - Elena Buchelli. And below her name was Marta's name - Marta Buchelli. The exact words Marta's father had written on the envelope were: And Marta Buchelli too, of course. How Marta loved those words: of course. Of course."

"It had been over a year since they had heard anything from her father. In the meantime, Marta and her mother had moved from one place to another, trying to survive."

 There are hints in the story that her mother, who works as a maid, is not really allowed to have her child living with her. Her father is missing. All Marta has that worn out letter. Almost every day her mother instructs Marta:

"You must be quiet, quiet, Marta. Like a mouse. Do not let yourself me charmed ... 'Say you understand, Marta,' said her mother. 'I understand,' said Marta. But she did not understand. She did not understand at all."

Marta lives in a small world. There is their attic room and the one hundred and twenty-eight stairs, the hotel lobby with a clock that has a cat chasing a mouse and a painting which seems to have one wing that looks like an angel. The hotel doorman Norman does acknowledge and talk to Marta but the receptionist Alphonse pretends she does not exist. Then one day a mysterious guest arrives at the hotel. 

"Right before the clock struck noon, there was a commotion in the lobby. A gust of cold air entered, and with it came an old woman dressed in red - red shoes, a red hat and a red dress. She was leaning on a cane, and on her should there perched a massive green-feathered parrot."

Marta will now break all her mother's rules because the old woman, who calls herself a Countess, invites Marta to come to her room. Marta meets her parrot named Blitzkoff. The Countess says he can speak but Marta never hears him instead the Countess tells Marta a series of six stories. At first it seems these stories are unconnected, and they all seem to be unresolved, but Marta listens carefully and you, the reader, will read carefully, because there are connections that can be made here, and the final untold story will be the most important one of all. 

Readers, too, will enjoy piecing together the connections among the stories and will be encouraged to seek deeper truths about people and the world around them. ... A delightful, thoughtful escape to a magical world. Kirkus

I am not sure I would use The Hotel Balzaar for a classroom study - it feels like such a personal reading experience but if you skim through these teachers notes from the publisher you will gain more insights into the plot and you will see some of the glorious art by Julia Sarda. If you are looking for a present for a keen reader aged 9+ pop this book onto your list - the hardcover edition with a dust jacket would be a very special gift. 

The setting for this heartfelt story is not specified but it feels like a European city and a time perhaps fifty or more years ago. This is the second of a planned set of three books or novellas called Norendy Tales. I previously talked about The Puppets of Spelhorst. The third book will be released next year. I love the way each book features a different illustrator - book one Julie Morstad; book two Julia Sarda. I wonder who will illustrate the third Norendy Tale? Every school and public library should add this set of books to their collection alongside EVERY book by Kate DiCamillo (you probably already know I am a huge fan). Here is a long video interview where you can hear Kate talk about her book. Read this review.

The Puppets of Spelhorst

The Hotel Balzaar uses the Countess for her storytelling prowess, consolidating all stories into her character. The Puppets of Spelhorst, in contrast, integrates a multitude of characters to tell stories. Even with these two different story telling mechanisms, the story within a story pattern is consistent between the two Norendy Tales. Both feature a plot arc stretched out from story to story to story, all culminating in one fell swoop with heartwarming endings. This strategy is extremely tricky to execute, particularly for the short format of middle grade reading material. The ease with which DiCamillo whips out these two editions reinforces why DiCamillo is the supremely successful queen of this genre ... In both of these books the illustrations are abundant and add intrigue and depth to the telling of the story; both the narrative and the images pull equal weight. Both titles, it’s safe to say, are true reader delights. New York Journal of Books