Mirror by Jeannie Baker

A picture book is text, illustrations, total design; an item of manufacture 

and a commercial product; 

a social, cultural, historical document; and foremost an experience for a child. 

As an art form it hinges on the interdependence of pictures and words, 

on the simultaneous display of two facing pages, 

and on the drama of the turning page. 

Bader, B. American Picturebooks from Noah’s Ark to the Beast Within.1976.

Think about the words - simultaneous display of two facing pages - Mirror by Jeannie Baker goes even further - it feels as though you are reading two books side by side.

To pick up a copy of Mirror was to experience something quite at odds with the whole tendency of books to enter the e-world, the virtual and slippery place where textbooks and novels cluster, waiting for the click of a button to whisk them into existence. Those experienced in handling picture books instinctively opened the cover to full width, to reveal two equivalent scenes, each one showing a boy looking out at the night sky from an upstairs window. One scene is of a building with lacy decoration, against a pink and green landscape of cultivated farmland; the other shows an urban skyline, with tall buildings many Australian readers would recognise as those of Sydney. Dr Robin Morrow

I have mentioned Mirror (2010) in several previous posts but I wanted to do a deeper dive into this innovative and important book especially after reading this essay from Reading Australia by Dr Robin Morrow. When Mirror was published I knew this was a book that readers in my library would need to experience closely and flat on a table for ease of opening SO I immediately purchased ten copies. Perhaps this was extravagant but in those days I had a very supportive Principal who allocated a generous budget to our school library. 

Mirror is one of those books that is sure to be found in every Australian school and public library and it is a book you should treasure in your own collection. Mirror is still available so it might be time to update your copy. Here are the teachers notes from the publisher Walker Books. You should also take a look at the NCACL Picture Books for Older Readers Database. 

The dual-book format illustrates the two disparate worlds, but also highlights the universal themes of family, community and home. Baker’s intricate collages are truly amazing, but the cultural respect and humanity in this book make it shine. Readings Melbourne

Here is the full Kirkus Star review:

This entirely original book is a strong contender to bring to a desert island, especially as it’s two books in one. Open the “books” simultaneously, in English from left to right and in Arabic from right to left. Scan the pictures and compare family life and global interdependence as the panorama of urban and rural scenes from two very different countries unfolds. Wordless, except for an introduction and an illustrator’s afterword in English and Arabic, the pictures allow readers to meet an Australian boy and a Moroccan boy whose lives become interconnected. The Moroccan boy and his father sell a rug woven in their rural home, and it ends up in Sydney, in a small house that is being renovated by an Australian family. As the boy in Australia draws a picture of his new “flying carpet,” the Moroccan boy sets up his computer, bought with profits from the rug. Baker’s entrancing collages, packed with visual information and created with fabric, sand, vegetation and other unusual materials, have the power to bring back child and adult viewers for infinite “readings.” Perfectly spectacular.

Mirror is a book to be treasured, to be read and re-read with children who will spot new details each time they look through the pages. The book stirs the imagination and creates countless opportunities to talk about our own culture and everyday life as well as exploring the culture of the people of Morocco in a way that children (and adults) will find relatable and personal. Kids' Book Review

Awards:

• British Book Design and Production Awards (2011) – Winner
• English 4-11 Book Awards Leicester (2011) – Winner
• Indie Book Awards – Children’s Category (2011) – Winner
• Oppenheim Toy Portfolio, Gold Award (2010) – Winner
• Australian Book Industry Awards, Book of the Year for Younger Children (2011) – Short-listed
• NSW Premier’s Literary Awards, Patricia Wrightson Prize for Children’s Literature (2011) – Short-listed
• West Australian Young Readers’ Book Award – Picture Book (2011) – Short-listed
• Western Australian Premier’s Book Awards, Children’s Books (2010) – Short-listed
•  Joint Winner CBCA Picture Book of the Year 2011
• Australian Indie Award Best Children’s Book 2011
• An International Youth Library White Ravens Award 2011

Robot Responders by Smriti Daniel

This is a very different book from the ones I usually see from CSIRO Publishing. Huge thanks for my review copy. 

What to expect from this book

1: A short history of robots

2: The digital revolution

3: Say hello to the robots …

4: Robots to the rescue: From dangerous to discovery

5: Dive into the world of roboticists

6: Humans and bots: Spot the differences

7: Biomimicry: Inspired by nature

8: Robots in different environments

9: The future from here

Blurb from Lamont: Explore the fascinating world of robotic innovation in Robot Responders. Uncover how nature inspires engineers, discover the latest life-saving technologies, and get a glimpse of the next

generation of robots that are already in development. Meet the robots that dare to go where humans can't! From blazing fires and crumbling buildings to radioactive zones and stormy seas, rescue robots are on the front lines saving lives, exploring the unknown and tackling tasks too dangerous for people. Whether they're diving to the ocean floor, fixing satellites or cleaning hospitals, robots are redefining what's possible. Behind every heroic robot is brilliant design and cutting-edge technology. Think flexible joints, precision flight, lasers for mapping, and fire-fighting abilities to spray hundreds of litres of water in seconds. But success also depends on seamless teamwork between humans and machines.

The Teachers Notes list these questions for discussion:

• Police should be allowed to use robots in public places if it helps keep people safe.
• Robots should be allowed to enter private land or homes during emergencies, such as bushfires or floods, without asking first.
• It is okay for robots like Reef Sweeper to kill invasive animals if it helps protect native species.
• Robots should replace humans in very dangerous jobs, even if it means some people lose their jobs.
• Drones and robots should be allowed to watch animals and people from above if it helps scientists collect important information.
• Medical robots should be allowed to work inside the human body if they can treat people faster and more safely than doctors alone.
• Robots should be used in war if it means fewer human soldiers are harmed.
• Robots that collect information (photos, sounds or data) should always ask for permission first, even in emergencies.
• If a robot makes a mistake and causes harm, the people who designed it should be responsible.
• Robots should only be used to help humans and the environment, not to make money or gain power

Over the last few days I read a new Young Adult title for readers aged 16+ Once Upon Tomorrow by Karen Comer due May 2026. Part of the setting of this confronting story is set in 2125 and in that imagined future robots are not to be trusted, humans have brain implants, and all thoughts are monitored. The future world described by Karen Comer is not one I would want to live in. 

Robot Responders contains ethical questions for further discussion. I have selected a few and if I was sharing this book in my school library (senior Primary level and High School) I would copy some of the questions and then link them with a suggested fiction title. I do enjoy fiction middle grade books that feature robots so I have quite a few I can suggest which you can link with this nonfiction title.

The Last Human

Troofriend

Roboethics "Some (people) think we'll see robots in every kind of industry. Others would like to see stricter rules and regulations put in place now."

Dogtown

Privacy paw-trol "Imagine if your pet could remember everything it sees and hears. While that sounds super cool, it also means we need to think about privacy ... What rules should be in place to protect information we don't want to share?"

Curiosity

A Rover's Story

When is it too risky for humans? "Robots can go places that are too dangerous for humans, such as deep under the ocean or far into space. Do you think that's necessary? What do we gain - or lose - when we send a robot instead of a human being."

Our sister again

The Wild Robot

Who is in charge? "Should robots always obey the commands of their human partners? Or are there some situations where a robot should act based in its own judgement?"

Runaway Robot

Friends or machines? "Some people think that as robots become more lifelike and useful, they should have certain rights similar to humans or animals. Others believe that since they are human creations and don't have feelings, robots shouldn't have rights."

Monstrous Devices

Robots at the frontlines. "Should robots be used in military conflicts? ... Do you think it is every right to have a robot fight a human? ... what happens when one side can afford advanced robots and the other cannot?"

The Lions' Run by Sara Pennypacker illustrated by Jon Klassen

Compassionate and complex. Kirkus Star review

Occupied France, 1944. Lucas Dubois lives in an abbey orphanage. There are rule and constraints but Lucas has some freedom because he works as a delivery boy for a local town greengrocer. Once his deliveries are completed he can enjoy a little free time and some fishing but on this day he sees two of the older orphanage boys stuffing some kittens into a sack. 

"When Marcel cinched the sack, Lucas squeezed his eyes shut. There was nothing he could do, either. Two against one; the two known to relish brawls. Lucas famous for running from them."

But not this time. Lucas follows the boys the bridge. He desperately tries to bargain with these bullies and hands over his precious fishing lure "but Claude didn't hand over the sack. He swung it out toward the canal and let go. Then both boys ran off laughing."

Perhaps all is not lost. Lucas grabs the bag and yes he saves all but one kitten but what will he do with the five that are left? There is an abandoned stable up in the hills above the town. To get there he has to ride past the Nazi maternity home - this is a place he visits regularly with his deliveries. On arrival at the stable Lucas makes an amazing, and life-changing, discovery. There is a horse in the stable and a girl. Alice is hiding her racehorse because:

"The Germans issued orders ... All healthy horses are to be seized for the war effort. They don't mean the racing horses still here - the Germans love their horse facing too much. But Bia doesn't race, so they would take her. They would probably use her to move artillery in Poland where the roads are gone until she was wounded or dropped dead of exhaustion. Then the soldiers would eat her."

The lives of these two kids in occupied France now collide. Lucas needs help to keep the kittens alive and safe; Alice needs Lucas to keep Bia, her horse, a secret; and then there is the further twist when Lucas steps in to help the local resistance movement helping Mme Garnier headhouse keeper at Lebensborn. 

"Lucas lay wide awake that night. Beneath his pillow was a slip of paper Mme Garnier had dropped. She had been so afraid of those Germans discovering this paper that it could mean only one thing: She was in the Resistance and it was a secret message."

As expected, this all puts Lucas in grave danger - this tension will keep you turning the pages of The Lions' Run desperately hoping Lucas, Alice, Bia and those kittens will all survive. Do NOT flip to the end of the book - the ending you will arrive at is unexpected and more.

This is the second book where I have read about the Lebensborn.

"to be accepted, the pregnant girls must pass all these tests. Not just blue eyes and blonde hair. They measure their heads, they measure the space between their eyes, everything. It's called 'Aryan,' what they're breeding for. Some with the men, the fathers ... Two blonde parents are most likely going to have blonde children."

Adding to all the complexities of this story - Lucas meets and talks with Clare, one of the young pregnant girls. As an orphan himself he is so dismayed when he hears that her baby will be taken away and she will never see him again. 

This immersive story is driven by Lucas’ emotional yearnings and the sometimes complicated relationships among the well-drawn characters, ... the history and the specific setting are accurate and carefully delineated, creating a strong sense of place. Kirkus Star review

... this a book the reader won’t be able to put down. Historical Novel Society

Pennypacker’s tale feels both relevant and necessary. She captures the idea that bravery doesn’t always look grand or heroic; sometimes it’s found in the smallest, most private choices. A Book a Week

Please read this interview of Sara Pennypacker by Betsy Bird. The Lions' run is available in hardcover for a really good price here in Australia (shop around I've seen this book between AUS$18 and AUS$25) so I highly recommend you add this book to your library collection. The cover by Jon Klassen is perfect - you need to stretch it out to see the front and back images together. Listen to an audio sample of Chapter 5 and you can read chapters one and two here.

There are so many books for readers aged 10+ about aspects of World War II but I highly recommend you consider adding this one to your school library. The story is a powerful one and yet also very personal. Lucas is an orphan and this drives his desire to firstly help the kittens and later the baby. Alice is wise beyond her years and a character to cherish. The important work of the resistance is woven into this story and this adds a very real layer of tension. (Click the label Resistance Fighters at the bottom of this post to find other books that explore the heroism of people who worked so hard to thwart the enemy). 

Companion books:

Waiting for the Storks

All the Beautiful Things

Faceless

Birdie

I am a huge fan of Sara Pennypacker.

Pax; Pax: The Journey Home

Summer of the Gypsy Moths

Leeva at Last

Sparrow Girl

Our Beautiful World by Sarah Speedie illustrated by Margeaux Davis

Please grab an atlas or find a simple world map online to share alongside this book. You will begin in Australia then travel on to Chile, China, England, Italy, Canada, Japan, Fiji, Sri Lanka, Morocco, and South Africa. Each location is matched with a landscape and a colour. Purple grapes in Chile, white snow in Canada, and yellow sunflowers (see the cover) in Italy for example. 

"Yellow, bold sunflowers and in neat rows. The Italian summer puts on a bright show."

Each landscape is a double page spread but the text placement varies. The children in each country change too. I especially loved the Japanese kids in their iconic school uniforms. 

Our Beautiful World celebrates a rainbow of colours and these same colours are used across the front and back end papers. 

I really like the cover of Our Beautiful World and, this might sound strange, but when I first saw this book in a shop in April 2025, I thought it looked like it came from a Japanese illustrator - I had no idea (at that time) that this was an Australian title. 

I love books about concepts like colours, days of the week, numbers and the alphabet. Our Beautiful World uses simple colours and landscapes to explore the world.  It reminded me of this truly exceptional book:

Our Beautiful World is a 2026 CBCA Early Childhood Notable title. 

Margeaux Davis is the illustrator of a book I really loved - What Stars are for. Here is her blog.

I was sent one of Sarah Speedie's early titles when I was a previous CBCA judge. I am going to honest and say it did not really appeal to me. I gifted it to a friend for her library and she told me her students really enjoyed it so that's great!

Here are the previous books by Sarah Speedie:

Here is my blog post about The Great Dawn Choir

Derek by Anne Donaldson illustrated by Matt Shanks

Bookseller blurb: Derek is a fish with many questions. Why is the universe round? Where do bubbles come from? Why does food rain down from above? But the question Derek asks himself more than any other is: ‘Why am I alone?’

I actually gasped when I turned the page and read that question - Why am I alone?

The solution is unexpected, delightful and hilarious.

Derek is a debut picture book for Anne Donaldson (her book/s will be in good company on your library shelves beside the famous Julia Donaldson!) and here are other books illustrated by Matt Shanks. 

Here is part of the ReadPlus review:

The wonderfully sparse illustrations are full of extra inferential information and make brilliant use of perspective and proportion. The front cover foreshadows Derek as a curious, wide-eyed fish in a big world. Observant endpaper readers know from the beginning of the story where Derek is (a pet fish shop) but it is never explicitly said.  Derek is a curious fish; among other things he wants to know why the (his) universe is round and why the (his) earth is pink. ...  The big creatures that Derek sees 'when food rains down' are shown just as a giant hand (as would be seen by Derek) and poor Derek is desperate to know why he is all alone. Adventurous Derek decides to make contact with the big creatures above but try as he might they are never that interested in him. There's a great little goldfish joke here as it is noted 'they must have very short attention spans'. 

Derek is a 2026 CBCA Early Childhood Picture Book Notable title. I have not read all of the 2026 Notables in this category, but I am hoping Derek will make the shortlist of six. 

Here are the judges' comments:

Check out this post from Kinderbookswitheverything where you will find lots more goldfish books. 

Companion books:

Paul meets Bernadette

Aquarium

Poor Fish isn't directly linked with Derek but it is a wonderful book to read aloud to Grade One or Two

For middle primary readers try to find these two books (short novel and a picture book):

Growing Home (Highly recommended)

Whale in a fishbowl

Once I was a Giant by Zeno Sworder - a deeper dive

"This is an enigmatic and challenging book of 
wisdom and beauty." Dr Robin Morrow

You might like to begin with my earlier post about Once I was a Giant. This book has just won the Victorian Premiers Literary Award - Prize for Children’s Literature.

Zeno Sworder's work, "Once I Was a Giant," was recognized with the Victorian Prize for Children's Literature at the 2026 Victorian Premier’s Literary Awards. This award highlights the importance of children's literature in fostering a love for reading and writing among young readers. Sworder's elegy on memory, loss, and regeneration has been described as a 'luminous' and 'authentically drawn' portrait of grief and care. His work continues to inspire and educate young audiences, making it a significant contribution to the literary landscape of Victoria.

Reading the in-depth review in Magpies Volume 41, issue 1, March 2026 by Dr Robin Morrow has added to my enjoyment and appreciation of this wonderful book. I really felt an urgent need to share the deep wisdom of this piece because I am hoping with all my heart that Once I was a Giant will win the CBCA Picture Book of the Year for 2026.:

"First impressions: I run my hands over the high-quality fabric cover, with its debossed lettering for the title."

"Then I note the unconventional lack of a title page or imprint details at the start of the book. The reader is plunged right into the story. The first end paper depicts a deary apartment block, with an unnamed first-person narrator stating now I live in a concrete box. Luridly coloured pictures in the next spread show the narrator is a pencil, being used by a picture-book maker who has run out of ideas."

"Four spreads of artificially-lit indoor scenes have given way to the start of the pencil's life-story (and) we now enter the natural world, a place of patient time and growth."

"Sworder's skill has transformed a cliched topic (the autobiography of a pencil into a tale reminiscent of those by Hans Christian Andersen, in having a seemingly inanimate object central to the story, and with its magic-making character the wanderer."

"Once I was a giant will evoke discussion of the book as constructed object, as it uses such devices as dramatic page turns, and the contrast of small strip-cartoon illustrations with dramatic large-scale pictures" 

Here is a screen shot of the CBCA judges report from the 2026 Notables booklet:

The Forest of a Thousand Eyes by Frances Hardinge illustrated by Emily Gravett

"The Wall had once been built to hold back the strange, voracious encroachment of the Forest, and protect the towns and cities of the plains. It had done so for a while, but eventually it had failed. The green had found weak points in the Wall and torn its way through them. Now on all sides there was Forest, 

and the only place people could live was the Wall."

Feather has taken something that was so precious to her community. She is one of the older children who leave the safety of their community each day to forage in the Forest but this is no ordinary forest - it is a dangerous entity and we read about this danger very early in the story:

"Of necessity, all the rooms within the stronghold of the Wall were long and narrow, with stone floors and ceilings. The only windows were round, palm-sized panes of clouded rock crystal, currently letting in the early morning light. Already those on broom duty were sweeping the floors in case tiny seeds had been brought in by accident."

Think about the story fragments in these three sentences. The word 'wall' has a capital letter - Wall - and it is stronghold. The way the windows are described reinforce this feeling of living in a fortress. Then we read the strangest idea which is implied by the sweeping - that seeds could be dangerous.

The Bulletin of the Center for Children's Books describes the forest as "vaguely sentient with a deep sense of malice toward the humans that exploited it."

This idea is reinforced by the word placement in this sentence: "she could already smell the heady, insidious green scents of the Forest, like the breath of some great beast."

The inhabitants of this place have developed ways to collect dew in funnels, tend to beehives, create bird traps, and even use metal. The community are sure they are the only ones left living in the Wall, but Feather discovers this is not true when she encounters a stranger.

On this day Feather prepares to go outside. Her clothes give further hints about possible danger - "her outdoor clothes coloured stone-grey and pale lichen-yellow for camouflage. She pulled on her tough gloves, the feather cap which stopped her scalp getting sunburnt and her squirrel-leather boots with cleft toes for climbing. ... fastening her tool-belt and hanging her gather- bag and climbing gear over one shoulder." (The audio sample includes this quote).

Feather takes her pet ferret Sleek with her. He is wild animal but he does have some loyalty to Feather and more than once on her journey he is able to alert her to danger. Feather does not go foraging, she goes back to meet the stranger who is called Merildun. He has promised to show her how to make maps but instead he does the most unthinkable and dreadful thing:

"She was opening her mouth to ask a question when a violent shove in the back knocked the breath out of her. She pitched forward into nothingness, and fell."

Feather survives but now she has to track this man. He has stolen something very precious. Feather steps into the unknown and follows the Wall making the most amazing discoveries along the way but also experiencing huge dangers. 

At the beginning of this book you will have NO IDEA what is going on - and I love that. Frances Hardinge is making you, the reader, work hard to join together fragments of this story. Who are these people? Why do they fear the forest?  Are their strange names significant - Feather, Ember and Cherry. Feather is the main character and she is leaving the safety of her home on the Wall. Why do they live inside the top of a very high wall? Everything feels so dangerous right from the beginning. In one scene Feather sleeps inside the empty carapace of a huge beetle - so along with the Forest itself there are also dangerous animals, reptiles and insects to contend with. 

"The human mind is a very strange thing, it can get used to anything, even continual moral peril."

If you love reading children's books as much as I do, then you really should believe me and RUSH out and grab this book - it blew me away. If you teach a Grade Four or Five class this could be a splendid read aloud - not to study, not to dissect, just to share and enjoy. I love the words used by The Horn Book that this is a quasi-post-apocalyptic story. I feel deeply privileged to be able to read and experience a book like The Forest of a Thousand Eyes.

Publisher blurb: The hungry Forest is moving forward like an army, a green and constant threat to the humans living in and on an increasingly crumbling Wall. Feather, accompanied only by her scaled ferret, Sleek, must avoid the Forest's tentacles, and the many dangerous creatures it shelters, to return the community's precious spyglass to its rightful place. Along the way, she develops her resilience, and meets other people living on the Wall, whose stories and experiences open her mind, and those of her community, to new horizons.

In a scant 128 pages, Hardinge immerses readers in a world of dangers and wonders, where nature isn’t neutral but actively hostile, waging an eternal war against the few remaining humans. ... Sumptuous worldbuilding and deft plotting make for a harrowing dystopian story that nevertheless thrums with hope. Kirkus Star review

The message about caring for others and building community is well-crafted, and the quick pace of the adventure along with the evocative illustrations will make readers want to devour this book in one sitting. The Story Sanctuary

(An) atmospheric tale told through Hardinge’s skillful fairy-tale prose and Gravett’s art, which intertwines, illuminates, and sometimes takes over pages altogether. ... Softly shaded illustrations emphasize the natural world’s overwhelming magnitude to Feather, sometimes in close-up views of insects and birds; sometimes opening out to expansive vistas; sometimes dissolving into impressionistic flecks of light and greenery. Horn Book

Read some more review quotes here. 

Here is the US cover:

I am now very keen to read this book by Frances Hardinge also illustrated by Emily Gravett:

Frances Hardinge spent a large part of her childhood in a huge old house that inspired her to write strange stories from an early age. She read English at Oxford University, then got a job at a software company. However, a few years later a persistent friend finally managed to bully Frances into sending a few chapters of Fly By Night, her first children's novel, to a publisher. Macmillan made her an immediate offer. The book went on to publish to huge critical acclaim and win the Branford Boase First Novel Award. She has since written many highly acclaimed children's novels including, Fly By Night's sequel, Twilight Robbery, as well as the Carnegie shortlisted Cuckoo Song and the Costa Book of the Year winner, The Lie Tree.

Fly by Night was published in 2006 and I know we had a copy in my former school library and I am fairly sure I did read it but I had not started this blog back then and so I don't have a written record of my thoughts or the plot. 

Emily Gravett has a rare talent for creating exceptional books for children. The winner of two CILIP Kate Greenaway Medals, her skill and wit are second to none. Emily first sprang into the limelight with the ground-breaking Wolves, which has been followed by such modern classics as Meerkat Mail, Little Mouse's Big Book of Fears, Monkey and Me and Again! and the fabulous Bear and Hare series for younger readers, as well as the beautiful Tidy, Old Hat, Cyril and Pat and Meerkat Christmas. Each book is unique and different from the last – and each features endearing, beautifully drawn characters that touch the heart and tickle the funny bone. Emily lives in Brighton with her family.