The Beautiful Layers of me by Sophia Payne illustrated by Ruchi Mhasne

Blurb: Aunty is getting married! Ameena feels beautiful in her new salwar kameez. But when someone comments on her 'pyjamas', Ameena is suddenly a bit less sure about her traditional dress.

Ameena’s emotional twists and turns feel authentic and relatable, and her eventual pride in her outfit—and, by extension, her identity—will resonate with young people. In Mhasane’s tidily composed illustrations, the brown-skinned family’s bright ensembles pop against the relatively subdued backgrounds. Babu’s words—“These clothes are a part of our heritage”—hearten Ameena and will do the same for readers ... Kirkus

Payne does a wonderful job highlighting the inner conflict of identity in America, where one’s family and heritage are often viewed as “other” to white Americans.  Ameena initially hesitates to embrace what she truly finds beautiful because of the judgment of someone who doesn’t understand. With the support of those who do, she honors herself and takes pride in what she knows is right. The story is beautiful and tender, and while it is clearly written and centered for young Indian girls, it also serves as a good lesson for those outside of this culture. YS Book reviews

I do hope you can find, read and appreciate this book. I discovered it in the library where I work as a volunteer. The talented Teacher-Librarian uses international (and national) book lists and book awards to build her rich library collection. One of these lists is Inclusive Books for Children.

The judges said: For its sensitive and powerful exploration of belonging, cultural identity and difference, showing how children can embrace all parts of themselves. Its warm, gentle illustrations, rich narrative depth and “quiet power” were seen as emotionally resonant, educationally valuable and accessible to a wide range of children.

You will need a box of tissues when you read The Beautiful Layers of me. And I love the way this book can be both a mirror and a window. It could also be a fantastic way to talk about the power of words to harm but also heal. Take a look at my Pinterest collection called "She looks like me". 

If you are reading this book to a group in your school library you might like to talk about the salwar kameez worn by Ameena:

A salwar kameez is a traditional outfit originating from the Indian subcontinent, cherished for its comfort and elegance. It consists of three main parts: the kameez, a long tunic; the salwar, a pair of loose-fitting trousers; and often a dupatta, a matching long scarf. Widely worn in India, Pakistan, and Bangladesh, this versatile ensemble can be styled for everything from daily errands to formal weddings, making it a staple in wardrobes worldwide. 

• Kameez (The Tunic): This is the top part of the outfit. A kameez can vary in length from hip-length to ankle-length and comes in a multitude of cuts, necklines, and sleeve styles. 
• Salwar (The Trousers): These are the pants worn under the kameez. The traditional salwar is pleated and voluminous at the top, tapering to a narrow cuff at the ankle. However, this component has many modern variations. 
• Dupatta (The Scarf): A long, rectangular scarf, the dupatta adds a layer of grace and can be styled in numerous ways draped over one shoulder, both shoulders, or used as a head covering. While integral to traditional sets, some contemporary styles are worn without one. 

You can see more books by Sophia Payne here. Read this review from Bulletin of the Center for Children's Books.

Here are other books illustrated by Ruchi Mhasane:

About Ruchi Mhasane: I'm an artist from India who has studied illustration at the Cambridge School of Art. I have always drawn pictures, but after my MA in Children's Book Illustration, I've realised that visual narratives are a form that I enjoy immensely and am very comfortable with. I love drawing figures, especially children, and I enjoy capturing their movements and gestures. I am now committed to a lifelong study of the form of a picture book, and to developing the way a book talks to a child (or even adult!) I hope to work on books with meaningful content that will delight and inspire young children, so they too can fall in love with books the way so many of us have.

Companion books:

Amma's Sari

Soup's On Around the World by Denyse Waissbluth illustrated by Chelsea O'Byrne

Delicious and nutritious. Kirkus

Bookseller blurb: Through vibrant illustrations and heartwarming text, Soup's On Around the World invites readers on a flavorful journey of soups across the globe, each with its own unique history and traditions! Every soup tells its own story, revealing fascinating stories such as: The popular Chinese dish, Wonton Soup, is over 1000 years old. In Finland, a unique Christmas dried fruit soup is served as a sweet dessert, topped with whipped cream. Bitter-leaf Soup, a traditional dish from West Africa, was first used to treat illnesses. French Onion Soup was possibly invented by a king!

The cover of this book caught my eye and then to my delight my friend told me there is another book in this series (Taste the World) about tea. Both of these books would be fabulous additions to your school library and especially perfect if you have a multicultural school population or if you school celebrates days such as Harmony Day. And for families here in Australia, it is Winter so that is the perfect time to snuggle up and read a book about soup.

Bookseller blurb: Let's go on an adventure to discover new cultures and friends through tea! In this fun and lyrical picture book for ages 4-8, kids will learn how tea is enjoyed in Thailand, Japan, Russia, Egypt, Pakistan, Hong Kong, Uruguay, South Sudan, India, and more countries! Did you know that po cha, the traditional tea in Tibet, is thick and salty like soup? Or that in Iran, tea is served with a rock? (A rock candy, that is!) Or that afternoon tea was dreamed up in England by a duchess who complained of being hungry between lunch and dinner? With vivid poetry, vibrant illustrations, and unique facts about different tea cultures, Teatime Around the World tells the delightful story of a beloved beverage.

Read the Kirkus review. In this video the author talks about creating her book Teatime around the World. Denyse Waissbluth and Chelsea O’Byrne both live in Vancouver, Canada.

Silver Brook: Yumna and the Golden Horse by Yassmin Abdel-Magied

There is a lot going on in this book - corrupt developers arrive in this small English village. There are four kids - three girls and a boy - they are Muslim and related. You are sure to anticipate that the kids save the day and stop the nasty developers, but there is more to this story. These kids share great grandparent ancestors - one human one djinn - which means they have magical abilities - the boy Kareem can turn into a golden horse, one girl Nafisa can summon and communicate with birds, and the other girl Sadeeqa can summon insects. None of this 'magical' action kicks in until page 45 (I kept waiting for the fantasy) and readers need to wait until Chapter 16 to read about the djinn.

This is a very complex story, and I found the words "fantasy series" on the back cover misleading. I also wish this book had a glossary - there are lots of references to Muslim culture and religious practices (see below). Although I was keen to reach the end of this story and see how the 'magical' kids might thwart the developers and even more importantly regain the trust of their community. I did cheer when Yumna spoke out against the Maidstones.

There are themes of betrayal; endangered animals; and xenophobia. This last one is important. The developers use cunning ways to persuade the people in this village that the Muslim families are causing trouble and should be evicted. This has already happened once before to this family. 

Now back to the subtitle - Yumna does not have the magical abilities of her cousins - she aspires to be a detective which, in the context of this story, seemed to me to be a little 'childish' to me. Her part in the story at times, felt like an episode of the Midsummer Murders television series.  The Golden Horse is also referenced in the subtitle. In the story the author mentions Buraq - the mystical horse. Buraq is a mythical creature from Islamic tradition, described as a white, winged horse with a human face. According to Islamic beliefs, Buraq carried the Prophet Muhammad on a miraculous journey known as the Night Journey (Isra and Mi'raj). The journey took the Prophet from Mecca to Jerusalem and then ascended to the heavens.  

In his horse form Kareem is captured by the evil couple (Hector and Sybil Maidstone) and he is shackled with golden bracelets which conveniently Yumna with her detective skills can unlock! I was unsure why the Maidstones wanted the Golden Horse. 

Because Yumna does not have magical abilities she feels rejected by the other teens especially when they block her from their social media chat group. Yumna's mother was a djinn and that is given as a reason to explain why she left the Yumna and her father. At the end of this book (it will be a series) the stage is set for Yumna to now look for her mother. 

Publisher blurb: Thirteen-year-old Yumna lives in a sleepy town where nothing ever happens. So when her friends start sneaking into the woods at night, curiosity gets the better of her and she follows. There, she discovers something unbelievable. Kareem can turn into a golden horse. Sami can touch fire without burning. Even her cousin Nafisa has a strange new power. Everyone's changing . . . except Yumna. But when Kareem vanishes and a mysterious new family, the Maidstones, seem to be hiding something, Yumna is the only one asking the right questions. As secrets unravel and danger creeps closer, it's up to Yumna to rally her friends and uncover the truth. In a town full of secrets and powers, can one ordinary girl become the hero they all need?

Listen to an audio sample from Chapter One.

There is a little mild swearing in this book and as for an age recommendation I would say mature readers aged 10+. The main characters are aged 13+ and Yumna is waiting for her period to begin - she is very embarrassed when her dad tries to talk about this. 

Examples of words that are used in this book:  Fajr; habibti; abaya; Dhuhr; and Asr.  And there are prayers such as - Ya Allah, Bismillah, Allahu, Akbar! Towards the end of the story there is also a mention of Surat-al-Nas. Surah Nas is the 114th and last chapter of the Qur’an, consisting of 6 short ayats. Many Muslims recite Surah al Nas and Falaq together for protection from the evil eye, envy, black magic, and spiritual harm.

Thanks to Gleebooks Kids for sharing a copy of this book which was published earlier this year. 

These two reviews give more plot details. Here is the Book Trust review:

Themes of identity and belonging are explored in this mystery, along with true friendship, family secrets and what it means to feel that somewhere is your home.  

and the one from The Book Muse:

The mystery is unique, something I have never seen before, and I was drawn into the story, wanting to know more about Yumna, the secrets and her culture. Because it is our culture that shapes who we are and how we see or interact with the world as much as where we grow up. ... Fantasy can be written in so many ways, and I enjoy seeing how different authors navigate the fantasy genre and what they do with it. This one captured a vibrant culture, the modern world and family, community and the strength of community. It shows that it is possible to stand up to bullies and people who want to divide us whilst also showing the unity of a family and friends navigating secrets. I thoroughly enjoyed this novel, the mystery, the magic, and the characters.

Yassmin Abdel-Magied has published five books, most recently Stand Up and Speak Out Against Racism (Walker, 2023), named a Best Book of 2023 by School Library Journal and longlisted for the 2025 UKLA Book Award and 2024 SLA Information Book Award. Her previous books include ... two novels for younger readers, You Must Be Layla (Puffin, 2019) and Listen, Layla (Puffin, 2021). Listen, Layla was longlisted for Book of the Year by the Children's Book Council of Australia, and named a 2022 Honor Book for Children's Africana Book of the Year by the Center for African Studies at Howard University in the U.S. Her TED Talk on bias has been viewed over 2.7M times. Sudanese by birth, raised in Australia, Yassmin now lives in London.

A Taste of Home by Maryam Hassan illustrated by Anna Wilson

Tariqu's teacher announces the class will hold a special picnic and everyone is invited to bring one special dish to celebrate family and culture. The kids are excited and mention so many different foods such as yakisoba (Japanese fried noodles) and perogies (Polish dumplings).  Tariq talks to various family members and each make a good suggestion - saag paneer (vegetarian Indian curry), crispy paratha (unleavened layered flatbreads), or falooda (frozen dessert with vermicelli, jelly, rose syrup, sabja seeds, milk and ice cream). Each food leads to a description of an adventure or special experience. Finally Tariq decides. 

"He chopped onions, garlic and ginger with his dad. He picked the freshest herbs from the garden with his sister, and he mixed it all to form perfectly round patties to fry with his mum."

He has made bun kebabs. 

A Taste of Home is on the 2026 Inclusive Books for Children list. 

Make a note of this book - it is one to share for Harmony Week which this year was 16-22nd March. Check out my Pinterest for more book ideas. 

I especially loved the illustrations in A Taste of Home and then I discovered Anna Wilson is Australian but she now lives in Scotland. You can see some of her books at the end of this post.

There are a couple of things that I wish were different about this book.

1. I would have loved to find a list of all the foods and some recipes and also some cultural details about the different treats and tastes.

2. I do wish the final page had not ended with a pirate scene. I have previously talked about the link between pirates and people smugglers and the dreadful experiences of refugees. Many school libraries no longer promote pirate stories for this reason.

Companion books:

Stay for Dinner

Books illustrated by Anna Wilson:

The Librarian's Stories

Love Birds

Noah's New Home by Zeshan Akhter illustrated by Nabila Adani

Many years ago my Grade 6 students and I used to watch a ABC program where refugee children talked about leaving their homeland, their dangerous journey across the world, arriving in a new place, and their hopes for the future. I vividly remember one young girl who talked about her sister's reaction to planes flying over head. She would run for cover - shaking and terrified - even though she was safe here in Australia, because the sound of a plane meant a bomb was about to be dropped. I watched this program many times but that interview is the one that has lingered with me decades later. 

In this book it is the sound of fireworks that are terrifying for young Noah. He recalls his memories - good and bad - of his homeland. One day a bomb landed and it killed his Baba. This is such a terrible memory.

"The air shook. The windows shook. Noah shook. Noah my darling it's just fireworks ... But fireworks made Noah remember when the sky exploded outside his old home."

Luckily Noah has good friends and neighbours who offer other activities such as drawing, music and delicious food - and each of these allow Noah to remember the good times. Best off all someone suggested headphones so Noah can see the pretty colours without the scary sounds. 

This book is included on the Inclusive Books for Children (IBC) Awards and Read For Empathy – Primary list. Noah's new home is available in paperback for a really good price here in Australia. I highly recommend this book as an addition to your Primary school library. 

Bookseller blurb: In a tale of home and healing, Noah’s family have taken a journey no one should have to make. They arrive in a different country as refugees. While settling into their new house, Noah misses his Baba, Jida and their old home. When a fireworks display brings back both happy memories and difficult moments of their journey and arrival, his family and their new community support him in facing his fears and feeling hopeful for the future. This timely and heartfelt story is a deeply emotional exploration of the lasting impact of the refugee experience and the tragedy of war. The perfect companion to The Suitcase, The Journey and The Other Side.

I am not sure if these are the books the publisher blurb means:

The Suitcase

To the other side

I previously talked about this book by Zeshan Akhter. She lives in Glasgow.

My name is a gift

Nabila Adahi lives in Indonesia. You can see more of her books here. I am keen to see this one:

No Purchase Necessary by Maria Marianayagam

I got to the section with the Mercury bars and stared at the chocolate bar in front of me, my heart pounding so loud I was sure Scary Al could hear it from behind the till. I glanced up at the cash register. Scary Al was ringing up a customer. I should do it now, I told myself, but my hands trembled in my pockets. What on earth was I doing? This was not me. ... “Some people must steal to survive,” I whispered to myself. I needed to do this to survive Bridge Creek. I’d find a way to pay for it someday.

Ajay and his family (father, mother and younger sister) have come to America from Sri Lanka. Amma and Appa have very high expectations for their children. Ajay does not want to disappoint them, so it seems easier to tell them a lie about the grade for his poetry assignment. His father expects Ajay to always score over 90 but for this assignment, set by Ms Livingston, where students had to respond to the Robert Frost poem ‘Nothing Gold Can Stay', Ajay scored 79. This lie, telling his parents he scored 90, is the first of many. You could think of the term 'slippery slope'.

Ajay is a new student at Bridge Creek Middle School. Jacob is also fairly new too, but Jacob is a bully and has already acquired a couple of thuggish friends. Early in the story there is a terrible scene where Jacob sees Ajay eating a Sri Lankan Sandwich: 

"Just as I was about to take a bite of my sandwich, Jacob walked up with his goons. He stopped in front of me, blocking out the daylight, and my insides went as cold as my outside. He looked at my sandwich and scrunched up his face. “What’s this stinky sandwich, Uhh-jay?” That also wasn’t my name. ... “Swi Lunk what?” Jacob howled. “What kind of meat is that?” Brad and Eric snickered again. ... “Yeah, it’s gross,” I said, and immediately felt guilty. It was my favorite. “You should throw it out,” he said as he munched his chocolate bar mindlessly. I’d never tried a Mercury bar, and here he was chewing it like a piece of stale gum. He was testing me, and I was ready. I needed to prove to Jacob Underson that I could be cool. Carefree. I shrugged. “Okay.” I walked over to the trash can and threw out my uneaten sandwich. Jacob smirked, then turned around and walked away."

From that day on it broke my heart to read that Ajay always bought a simple ham and cheese sandwich to school. He also cleared his locker every day and carried every book home just in case he needed one for a school assignment. Ajay puts so much pressure on himself. Thank goodness he does excel at maths and karate. 

It's that chocolate bar that leads to the next problem and the incident that 'snowballs' into so many terrible lies and dilemmas for Ajay. Jacob tells Ajay to steal a Mercury Bar from Scary Al's store. Ajay is terrified but also desperate for approval so he takes the chocolate and stashes it in the waist band of his trousers. Jacob is 'mock' horrified and he tosses the treat away. When Ajay picks it up he finds he has won the prize. But how can he claim this million dollar prize when he didn't buy the chocolate; and how can he tell his parents; and what about Scary Al, the store owner - surely, he will contact the police; and then there is the complication of his new friend Mindy - the way all of this happened this chocolate bar should have been her purchase. Oh and what do the words "no purchase necessary" actually mean?

There is so much tension in this story which is driven by the complex moral dilemma of what to do if you win one million dollars but actually it seems impossible to claim the prize.

Here are a couple of text quotes:

My throat tightened. That was the thing about Appa and Amma. They could be one hundred percent scary and one hundred percent loving at the same time. And maybe we were all like that. Not a list of things, but a messy pile—jumbled, overlapping, and contradicting.

I wanted to tell them about the chocolate bar, but my heart started palpitating when I thought about it. I couldn’t. The right thing to do was to let it go, I decided. I’d paid Al back. I wasn’t redeeming the prize. It was time to move on and start over. But for some reason, it still felt like I had miles to go before I got some sleep.

I had all these rituals because I wanted my life to be perfect. Perfect student. Perfect son. Perfect everything. And what about my life was perfect anymore? Nothing. I was a thief. And now I’d nearly killed someone.

He cleared his throat. “We put high expectations on you because we don’t want you to ever struggle the way we have. We do it because we want you to have better lives than we’ve had.” He turned to Aarthi. “But maybe, somewhere along the way, we became too hard on you.”

For more plot details read this detailed plot summary by Ms Yingling - I love her final comment:

This made me SO anxious the whole time I was reading it, which just shows how good the writing was, but it was not a good feeling! I thought of a dozen different ways that Ajay would have been able to claim the prize, and it was frustrating when he didn't take any of my advice! 

Here in Australian you will need to wait to read this book. I read an ebook version. The print copy (256 pages) is only in hardcover so far and it is very expensive but hopefully a paperback edition is planned. This book will be devoured by readers aged 10+ and it fits that expression "windows and mirrors". For some this book will be a window into the life of a migrant family and the cultural expectations of parents and while others are sure to relate (mirrors) to the pressures placed on Ajay and his sister and the unfairness of the way Amma and Appa are treated in their new country. 

Maria Marianayagam lives in Alberta, Canada: "My stories call upon a childhood and adulthood of multiple identities. I am a Canadian who was born in India. I am a Catholic but also Tamil Sri Lankan. I love writing but have a degree in chemical engineering. We all contain multitudes–and I draw on our intersections to inspire, empower, and engage young readers."

The novel’s plot twists will especially entrance and surprise younger audiences and those able to suspend disbelief and go with the flow of this completely age-appropriate and appealing story. Utter fun. Kirkus Star review

No Purchase Necessary is a warmhearted coming-of-age story about figuring out who you want to be and standing up for what’s right. Marianayagam has crafted an enjoyable, humorous, and thoughtful story that sheds light on immigrant struggles and the pressure kids face to be like their peers. Reading Middle Grade

Bookseller blurb: Ajay Anthonipillai has a million-dollar problem. Ajay has lived his life dutifully following the rules set by his Tamil parents.

• Rule #3: Straight As only
• Rule #5: There is no such thing as a no-homework day.
• Rule #10: Never watch scary movies.

However, moving to a new school gives Ajay a new rule to follow: Get on seventh-grade all-star Jacob Underson's good side. When Jacob asks him to steal a Mercury bar from Scary Al's convenience store, Ajay feels this is his chance to finally "get cool" and stop eating alone. But Jacob rejects the stolen chocolate bar, leaving Ajay to unwrap it and discover that it contains Mercury's Twenty-fifth Anniversary Grand Prize...one million dollars. Faced with an extreme dilemma, Ajay will have to bear the weight of his actions and battle his morality in deciding whether to claim the prize that may change the life of his family forever.

There are some interesting book and poetry references in this story. Ajay loves The Hardy Boys book series. Mindy loves Nancy Drew. Ms Livingston sets assignments on famous poems by Robert Frost: Stopping by Woods on a Snowy Evening; and The Road Not Taken.

Companion books:

Scar Town

The Eleventh Trade

These two are for younger readers:

Bored Book One: Milo finds $105

Mr Chickee's Funny Money

Threads Zlata's Ukrainian Shirt by Lina Maslo

 "Red is for love, and black is for sadness ... Life has good times and hard times. Even though the Communists are making life difficult, we still have each other."

"Blue is for healing. Green for renewal. And gold - for the hope that one day, the wheat fields will again touch the sky."

Zlata is given a beautiful shirt for her birthday. Her mother has carefully stitched red flowers and black leaves - "Life has good times and hard times." The year is 1932 and just a few days after her birthday the Russian Communists arrive. They take everything of value from her home and then their neighbors betray them and the solders come back and take their hidden food, tiny amount of money and Zlata's father. Her father is gone, her beautiful new shirt is gone and Zlata and her mother are barely surviving. This is the time in history 1932-1933 called the Holodomor (famine-genocide here is some background reading for teachers).

Zlata has a good friend named Yeva but it was her father who betrayed Zlata and her parents. It is Yeva's fault her Papa has been taken away. Their friendship is over. But then the soldiers take everything from Yeva and her family and her father is also taken away. The way the friendship of these two young girls is able to be healed will warm your heart. In a familiar story trope this healing coincides with the arrival of spring. Sadly though, we do not discover the fate of her father.

You can see pages from this book on the author webpage. 

Threads: Zlata's Ukrainian Shirt is a very important book for a few reasons:

Children here in Australia will have been hearing about the war in Ukraine for over a year now. This book is a way to introduce older students to (a) the history of other dreadful conflicts in Ukraine and (b) to show the beauty of their culture via, in this case, exquisitely embroidered shirts. This is a picture book I would share with students aged 10+ because it deals with complex topics of betrayal (blood money), persecution, war, famine, injustice, starvation, communism, and fear. 

A poignant yet accessible entry into Ukraine’s ongoing suffering—and survival. Kirkus Star review

Publisher blurb:  The threads on Zlata's beautiful birthday blouse were stitched by her mother. “Red is for love, and black is for sadness,” her papa says. Mama warns her not to show it off. Ever since the Communists came from Russia to Ukraine, they prohibited the teaching of Ukrainian culture. Now, in the Ukrainian Famine-Genocide of the 1930s, they've even taken the grain from Zlata's family's fields. But despite the danger, her parents refuse to give up their art, language, and beliefs. As Zlata works to help her community survive, she finds that the dream of freedom is stitched deeper into the Ukrainian spirit than she could ever imagine. Drawing from her grandparents' experience of the Famine-Genocide, Maslo weaves a thoughtful story that dares us not to forget the pain of the past as it informs the present conflict in Ukraine and inspires hope for the future.

Last week, the 15th May, was the third Thursday in May. Today a new parcel of books arrived and one of them was this one Threads: Zlata's Ukrainian Shirt and that is where I read about the Vyshuvanka which is the special embroidered shirt you can see on the cover of this book. This means I have missed Vyshyvanka Day (by just one week) but I am so happy to have found this book. Next year, 2026, the date will be 21st May. 

Vyshyvanka Day is an international celebration dedicated to the traditional Ukrainian embroidered shirt. Its purpose is to preserve and promote the age-old traditions of folk art and national clothing. While it's not a public holiday, that doesn’t stop people from joyfully supporting the tradition — by wearing a vyshyvanka to work, school, at home, or at public events.

• In 2015, the holiday gained official international recognition, and vyshyvankas were worn in over 50 countries.
• In 2017, a massive banner with vyshyvanka patterns was unfurled on the Eiffel Tower in Paris.
• Between 2020–2022, Ukrainian diplomats wearing vyshyvankas posed for photos in the capitals of countries with Ukrainian embassies.
• The largest vyshyvanka in the world was created in Rivne, Ukraine, in 2011 — it measured 54 square meters.
• In 2023, vyshyvankas were even placed on statues in Central Park, New York
• In 2021, Ukrainian airline SkyUp released a crew capsule collection inspired by vyshyvankas.
• In 2015, Google featured a special vyshyvanka-themed Doodle on its homepage for Ukrainian users.
• 
  

Image source: Google Doodle

Over 250 distinct embroidery stitches can be used to form the vyshyvanka’s signature coded symbols. These typically fall into three categories: floral ornamentation, zoomorphic figures, and geometric shapes, all of which can be found in today’s Doodle artwork. No pattern comes without a detailed meaning, and Ukraine’s varied cultures and natural landscapes are reflected in the unique iconography employed within each region. (This video goes into more detail about the embroidery patterns)

The patterns vary across the country as you can see on this map:

Here are two other books by Lina Maslo:

Read more here

I have previously talked about these books by Ukrainian authors and illustrators. I also love the art of Hans Christian Andersen illustrator Kost Lavro (I do hope he is safe and has perhaps been able to leave Ukraine). And don't forget to look for versions of the folktale The Mitten. 

Stars and Poppy Seeds

Alias Anna (verse novel)

The Blackbird Girls

Then and Now by Datsun Tran

"This book is dedicated to those who have had to make the difficult decisions to leave their homes, to those who had to cross oceans for safety, to those learning to live life again in foreign and sometimes unfriendly lands, to those who found their new homes, and to those who didn't make it in their attempts. Your courage will not be forgotten."

The narrative in this book is shared from two perspectives as the title implies - then and now. Look at these lines:

"Knock, knock, knock. We hide under the table."

"Knock, knock, knock. We open the door to welcome our guests."

These two highly contrasting responses to a knock at the door could form the basis of your introduction and preliminary discussions with a class before you read the whole book.

Or you could use this line "The smell of food is a distant memory." Talk about why the boy might say this. Discuss the difference between hunger and words you might use such as I'm hungry. Where in the world past or present might a child experience desperate hunger and starvation as the illustration shows? Talk about food as an important part of culture.

For more ideas take a look at this page from the publisher and here are some simple art ideas.

The way the two colours are used in this book is so powerful. The blogger at Reading Opens Doors explains it this way: Sepia tones are used to illustrate the past and capture the history of where the children have come from. The emotions etched on the children’s faces convey a gamut of feelings – fear, courage, desperation, sadness, despair, hunger and pain. The use of space on the page serves to highlight the vulnerability of the children. Shades of blue with pops of colour represent “now”. In their new home the children celebrate their culture, honour their ancestors, take comfort in sharing a traditional meal with their neighbours and experience a sense of belonging, abundance, freedom and beauty in their new community.

It would be fantastic to experience some of the 'now' foods mentioned in this book: dim sum and char siu bao.

Here is an interview with Datsun Tran and here is an extract:

The way refugees are often depicted in news and media don’t usually show the humanity, other than the suffering. So I wanted to show refugees as people like you and I, people who have had to go through a really devastating event. The story is told through sensory triggers for trauma, and I wanted to show that these triggers can also change and fade away to more positive experiences.

And I found another interview with images of the illustrations.

You already know I have an opinion about endorsements on book covers but with your students it would be very worthwhile to research the three people who are quoted on the back cover of Then and Now - Behrouz Boochani, Abdul-Rahman Abdullah and Zeno Sworder (My Strange Shrinking Parents).

An astounding work of light and shadow, this poetic and profound book is a rare treasure. Zeno Sworder

The publisher of this book is Slingshot Books. The founder says: I seek to broaden the range of print material accessible to children and their grown-ups. It’s my hope that the growing Slingshot library helps raise curious, brave, loving and critically engaged people who are committed to collective liberation.

When I saw this book on a display at the announcement of the 2025 CBCA Picture Book of the Year Notables I picked it up, read it and declared - this will surely be one of the winners!

The CBCA Picture Book judges in their Notables report said this - I have added bold to some of the text for emphasis:

Drawing on Vietnamese refugee experiences, this layered narrative explores the power of memory through sensory detail. The minimal yet masterfully crafted text creates emotional resonance through transformed meanings where the same sounds carry profoundly different weight across time and place. Ink paintings, inspired by classical Chinese brushwork, employ contrasting colour palettes of evocative browns for the past and deep blues for the present. Strategic touches of full colour highlight some pivotal moments. The illustrations, merging traditional and contemporary techniques, integrate seamlessly with the text. The cover's metaphorical composition, where past and present selves reach towards a bright red lantern, symbolises enduring cultural identity. The thoughtfully designed endpapers introduce contrasting colour schemes that flow throughout this immersive story of survival and renewal.

I said this in a previous post about another one of the splendid notables - A Leaf called Greaf: "One of the things that I think is important in Picture Book judging, when we think about an award such as the one from the Children's Book Council of Australia - relates to the universality of the book. Is this a book that could be shared with a child in another English-speaking country? Is this a book that should travel beyond our shores? Would you be excited to see this Australian book for sale in London or New York. Is this a book that transcends and age classification? (You could read this book to a child aged 6 or 7 and equally to an older child or gift it to an adult). I can answer YES to all of those questions ... Also a fabulous picture book like this should expect readers to 'join the dots' - to have to think about the story and its deeper meanings."

Check out my Pinterest and here are some companion books:

Grandma's Treasured Shoes

My Strange Shrinking Parents

What you need to be warm