Showing posts with label Race relations. Show all posts
Showing posts with label Race relations. Show all posts

Wednesday, July 23, 2025

Lizzie Bright and the Buckminster Boy by Gary D. Schmidt



My father is with God, just as the minister here says. But God didn’t call him there because God had work for him to do. My father died because he was doing God’s work here. 
He wanted the people of Malaga Island to live in a place that was their own.”

I started reading this book four days ago, but I kept having to put it down because there are so many utterly terrible scenes. On the one hand I wanted to keep reading but I also felt the need to protect myself from the vicious scenes. 

This book is utterly harrowing and upsetting but I really do appreciate the journey Gary D Schmidt has taken me on. About halfway through this story I began to worry there might not be a happy ending so I decided to skim through a few reviews. Some said the ending was tragic, but I also read that the ending was hopeful. This means that when the most dreadful and devastating things happened to Turner, I simply did not believe them. 

I should have read the Kirkus Star review more carefully:

There can be no happy ending to this story, but the telling is both beautiful and emotionally honest, both funny and piercingly sad.

Bookseller blurb: Set in 1912 and centered on a historical event, the moving and compelling coming-of-age story of Turner, a white minister's son who discovers joy through his friendship with a black girl, Lizzie, and finds his own strength and voice after painful losses transform his life. In this powerful and moving novel, Turner Buckminster, a preacher's son newly arrived in in Phippsburg, Maine, meets Lizzie Bright Griffin, a strong, spirited black girl from Malaga Island, a nearby island community founded by former slaves. All of Phippsburg, especially Turner's repressive father, disapproves of their friendship, but Turner ignores them; Lizzie is the wisest, most knowledgeable person he ever met. On top of knowing everything, she can row a boat and pitch a baseball like a champ. The town's move to turn the island into a tourist attraction destroys the powerless community, a historical event that occurred in 1912. It is the catalyst for a wave of personal losses that shakes Turner's world but leaves him whole.

Lizzie Bright and the Buckminster Boy is a Young Adult title and I would say this book is best for ages 14+. The treatment of and prejudice towards African American citizens as explained in this story set in 1912 in Maine is certain to shock teenage readers here in modern Australia.  It is also important to read the back notes which explain the actual historical events that inspired this novel.

If you are book talking Lizzie Bright and the Buckminster Boy I would use the four covers I have shared above as a way to interest your library or class group. In the light of my earlier comments it is interesting to think about the age intention of these cover designs. I wouldn't use this with a high school group but I do wish I could find a soundtrack of all the hymns Turner plays to Mrs Cobb. 

Take a look at this review. Here are some text quotes from this book:

Opening sentence: Turner Buckminster had lived in Phippsburg, Maine, for fifteen minutes shy of six hours. He had dipped his hand in its waves and licked the salt from his fingers. He had smelled the sharp resin of the pines. He had heard the low rhythm of the bells on the buoys that balanced on the ridges of the sea. He had seen the fine clapboard parsonage beside the church where he was to live, ...

He didn’t know how much longer he could stand it. Maybe somewhere out West there really were Territories that he could light out to, where being a minister’s son wouldn’t matter worth a . . . well, worth a darn. He hoped so, because here, being a minister’s son mattered a whole lot, and pretending that it didn’t matter to him was starting to peck at his soul.

Readers let's meet Lizzie Bright: She looked out at the thrusting tide, clenched her toes into the loose sand, and smelled the salty, piney air. At thirteen, she was, as her grandfather liked to remind her, one year older than the century, and so a good deal wiser. Too wise to stay on Malaga Island, he said, but she planned to stay there forever. Where else, after all, did the tide set a pale crab on your toe?

“More to the point,” said the tallest of the group—the one with the most expensive frock coat, the most expensive top hat, and the most expensive shiny shoes—“one less colored on Malaga Island.” Laughter from the group, louder than the gulls. “Though the issue is much larger than one colored.” His eye searched the pine shadows across the water for the girl, as if he sensed her watching him. His hands moved to the lapels of his coat. “The issue is how to relieve Malaga Island of the girl, her family, her neighbors, what she would call her house, what they would call their town.”

“Reverend Buckminster, behold the cross we bear in Phippsburg: a ragtag collection of hovels and shacks, filled with thieves and lazy sots, eking out a life by eating clams from the ocean mud, heedless of offers of help from either state or church, a blight on the town’s aspirations, a hopeless barrier to its future.”

The afternoon had become as hot as meanness, and since the shirt he was wearing had enough starch in it to mummify two, maybe three, pharaohs, he began to feel he could hardly breathe. The only thing that saved him from absolute suffocation was the sea breeze somersaulting and fooling, first ahead, then behind, running and panting like a dog ready to play.

In the clearing, sixty graves lay quiet and still, restful. Wood crosses with printed names too faded to read stood at their heads. Some had piles of pink-grained stones gathered from around the island placed carefully at the foot of each cross. Some had sprigs of violets, some fresh evergreen boughs.

She took a deep breath, and she wasn’t just breathing in the air. She breathed in the waves, the sea grass, the pines, the pale lichens on the granite, the sweet shimmering of the pebbles dragged back and forth in the surf, the fish hawk diving to the waves, the dolphin jumping out of them. She would not ebb.

And suddenly, Turner had a thought that had never occurred to him before: he wondered if his father really believed a single thing he was saying. And suddenly, Turner had a second thought that had never occurred to him before: he wondered if he believed a single thing his father was saying.

Turner felt the cold of the place come into him. He could not move. It was as though the bricks surrounded him and him alone. He felt that he would never escape them, never see anyone he loved again, never see the ocean waves again. That he would always be cold, and the cold would be in him more than around him.

Companion book:

You may have read my previous post about the Newbery Award where I set myself a challenge to read more of the honor book titles. Lizzie Bright and the Buckminster Boy (2004) was one title on my list - partly because the title sounded intriguing and partly because I recognised the author's name.

I previously read these books by Gary D Schmidt:






Monday, January 29, 2024

The Probability of Everything by Sarah Everett



Dear Reader,
If you are reading this, then chances are that 
our world has ended.


"My name is Kemi Carter, and I'm a scientist .... My favorite type of science is the science of probability. Probability is pretty great because it tells you how likely something is to happen or not happen. It is a way of predicting the world."

BREAKING NEWS: MASSIC ASTERIOD ALTERS PATH, NOW ON COURSE TO MEET EARTH! NASA RELEASES STATMENT: DO NOT PANIC! PRESS CONFERENCE TO BE HELD IN THIRTY MINUTES!

"How long did we have until the end of the world?"

Kemi knows the world is about to end. This is huge and impossible to process so she decides to collect a box of treasures so that the people who come next have some idea about her life and the lives of various members of her family. 

Begin here with this video by Colby Sharp - "this book is blowing everyone's mind" ... "this is the best book to read when you know nothing about it!" ...  "You are in for the ride of your life."

Colby also says do not read the back cover (blurb) - luckily I was not able to do this because I read the ebook of The Probability of Everything.

Now listen (just play it without the image) to this video where the reviewer explains it is best to come to this book knowing nothing about the plot. This review is 9 minutes and at the end the librarian says she would like one million dollars so she could buy this book for everyone - surely that makes you curious about this story.

This book will shock and shake you - it is utterly fabulous but any more plot points will spoil it. I will however list a few text quotes:

"A sudden chill entered the room. It was Narnia cold, the kind of cold that makes your bones ache, and I shivered. The front door creaked like it had been left open, and I wondered if that was the reason for the cold."

"Amplus ... has a 84.7 percent chance of hitting us."

"When Mrs Wallace had taught us about asteroids, I hadn't really considered the possibility of one colliding with us. It was kind of the way I hadn't paid too much attention to our lesson on Tasmanian devils because I knew they were only in Australia."

"Would Baby Z be born before the asteroid hit? Mom was only five months pregnant, which meant the world would have to last another four months at least, if we were ever going to meet the baby. We didn't even know if we had four hours."

"... the end of the world might sound like a whoosh, like a thunderclap, or like a peaceful silence."

"Four days meant less than a full week of school. It meant we would never meet Baby Z, that I would never have two sisters instead of one. It meant the world would end on a Thursday."

"There has to be a way to make sure they don't forget all about us."

"I'm make a time capsule ... If I save all the most important stuff, the things we love the most, then nobody has to feel so sad about the end of the world. ... If I saved one thing that was precious to each member of my family, then something that was part of them - something that they loved - would always be here. It wouldn't be destroyed by the asteroid, and the next earthlings could find it and know about us."

What are some things to put in a time capsule:

  • Photographs
  • Newspaper clippings
  • Favourite books (Kemi likes The One and Only Ivan; Charlotte's web and Where the wild things are).
  • List of movies or tv shows you love
  • A mobile phone
  • Food (that won't spoil) 
  • Clothes
  • A map of your town showing all your favorite places
  • Letters between you and your loved ones

ONLY after you have read this book (yes you do need to read it) you might look at a few reviews such as this one from Kirkus (star review)

Awards:

  • NPR Books We Love 2023 
  • Publishers Weekly Best of 2023 
  • Winner of the Governor General's Literary Awards for Young People's Literature
This review by Betsy (my blogging/reviewing hero) contains spoilers - WAIT - read the book first please!


Companion book:




Sunday, September 18, 2022

Blended by Sharon M Draper




"When I play the piano, I rock! It would be nice if the rest of my life came together like some kind of magical musical symphony. But, nah, not usually."

"Daddy ... Do you think people think I'm Black or white when they see me? Am I Black? Or white?"

Eleven year old Izzy/Isabella has a lot to cope with in her daily life. Dad is Black, mum is white. Mum and Dad are now divorced. The judge at the court, a man who has never met Izzy, says she must live one week with Dad and one week with Mum. This means Izzy constantly has to juggle her possessions, bedrooms, rules, relationships and even her identity. Dad now lives with Anastasia and her son Darren. Mum now lives with John Mark.  Izzy gets on well with Anastasia and especially well with Darren and she really likes John Mark but Mum and Dad cannot stop fighting especially on change-over day which happens every week.

Her one consolation is music. Isabella has real talent and passion. She is preparing for a big concert and when she practices the problems of every day life disappear. At school, though, the students are faced with some difficult conversations about race and injustice. Izzy experiences aspects of this in her daily life because she is mixed.  

This book packs a wallop right at the end - do not jump ahead but be prepared to stay for the whole ride because even though you might guess something dramatic might happen I guarantee you will not, in a million years, guess this ending.

I loved the honesty of Isabella as she navigates her complex life. I want to thank Darren for the kindness and love he gives to Izzy. And I would love a set of Mum's t-shirts - they sure are fun. If you look at the labels I have assigned this post you will see the way this Middle Grade novel (I would say for ages 10+) explores so many important issues. I do love the cover but don't be fooled into thinking this is a gentle story. 

Most people have probably already seen Blended especially in the US but I had to wait for the paperback copy to arrive here in Australia.  Hardcover US novels are way too expensive ($41!). 

You can hear Sharon M Draper reading a few pages of her book from Chapter One here. Here is the piece Izzy has been preparing for her big concert - Sonatina in C Major, op. 36, no. 1 by Clementi. When Izzy's dad proposes to Anastasia a man in the restaurant comes across with a violin to play this piece by Mendelssohn. Read this review by Ms Yingling for more plot details. Here is an interview with Sharon M Draper about her book. Colby Sharp talks about Blended

What begins as the story of a lively young piano player caught between two new families inexorably becomes a piercing interrogation of everyday racism that culminates in a terrifying, all-too-believable confrontation ... Kirkus Star review

I am a huge fan of Sharon M Draper.  Take a look at these books:





After reading Blended you might look for The Watson's go to Birmingham by Christopher Paul Curtis or One Crazy Summer. 




Monday, January 24, 2022

Effie Starr Zook has one more Question by Martha Freeman


Precept 47: Clean feet at happy feet
Precept 1: A man's beard is a signifier of his special place in the natural order of things
Precept 2: A woman has her own special place in the natural order of things
Precept 151: The future cares as much about your wrongs as your rights

Publisher blurb: After being shipped off to stay with her aunt and uncle in Nowheresville, Pennsylvania, city girl Effie Starr Zook stumbles upon a mystery that leads her to an old family feud in this "accessible and exciting" (School Library Journal, starred review).  A rich girl from New York City, Effie Starr Zook isn't afraid of much. When her parents go on a dangerous round-the-world adventure in a solar airplane, she's packed off to her aunt and uncle's farm for the summer. Expecting boredom, she runs smack dab into a family secret. Why does the neighbour kid want to avoid her? What are her aunt and uncle so worried about? And what does "bad blood" mean, anyway? Effie's got a brand-new bicycle, time on her hands, and an unlimited capacity for asking questions. With these, she sets out to uncover whatever it is the grownups are hiding. Along the way, she'll contend with crackpot politics, serve coffee in a bookstore café, and learn more than she bargained for about her famous great-grandfather, the inventor of the barf bag. Fast-paced and funny, this is a story about having the courage to find out who you really are. Look out, world--when Effie Starr Zook has questions, she won't take no for an answer!

I actually ran out of middle grade novels a couple of weeks ago so I charged up my old ipad and purchased a couple of ebooks (Kindle). I have no memory of how I found this one but I do think the title and cover are very appealing. I read this whole book in one sitting and the surprise at the end warmed my heart. Sadly this book is no longer available here in Australia in paperback and the hardcover is too expensive to consider for a school library purchase but perhaps you can access an ebook version of this book from a public library.

On the surface this feels a light, sun-dappled read, but within the depths of this story lurk compelling truths about sexism and racism that give shadow, dimension, and heft to this perky yarn. Effie’s growing awareness of her privilege and its origins is an appropriately complicated one. Kirkus

Opening sentences: "Effie Starr Zook looked out the bedroom window, and what she saw made her heart go thud. There in the pen with Alfred the Goat stood a little boy."

Here are a few text quotes to give you a flavour of the writing in this book:

Effie is a city girl "she knew a smoothie from a lassi, a cemita from a torta, and a latte from a cappuccino."

About Effie herself: "Effie was ordinary looking. Among the other eleven-year-old girls at her school, she was a little shorter than average and a little more square. Her hair was brown and opinionated. Her best feature, her eyes, were warm and brown besides being unusually large like her mother's and aunts."

Mr Yoder "He was big all over - tall and wide without being fat. He had abundant dark blonde hair on his head but the most striking thing about him was the hair on his face - the biggest beard Effie had ever seen in real life."

Pendleton Odbody "He was broad-shouldered with a mass of black braids that tumbled to his shoulders. He was dressed in khakis and a long-sleeved button-down shirt made from the puckery fabric called seersucker. He wore square glasses with wire frames."

Food at the country show: "The flyer says kettle corn, funnel cake, cheese on a stick, and cornhole. ... I don't even know what those things are. ... It will be a cultural experience."

I also love some of the vocab in this book: maudlin; emesis bags; scion; preposterous.

"How can you not ask questions? I always have questions."

Companion reads:






Saturday, October 9, 2021

Refugees by Brian Bilston illustrated by José Sanabria



Before you share this book with a group of students (I suggest age 10+) you should plan to read this book very carefully yourself first. The words of the first half of this book are harsh and confronting. You will need to prepare your students - I would explain that some words may shock or surprise them but it is essential to listen to the whole book before continuing any discussion.

You may already know I adore end papers especially ones that are different front and back and then there are the very best end papers that add to your enjoyment or interpretation of the story.  The end papers in Refugees by Brian Bilston are the very best.

Front end paper


Think about all of the symbolism in this fabric. It is stained, it has raw edges, and it is very roughly sewn together.

Back end paper


At the end of the book the fabric is rich, textured, neatly stitched and reflective of many diverse cultures. 

Here is the text for this book - you need to read it top to bottom and bottom to top.

They have no need of our help

So do not tell me

These haggard faces could belong to you or me

Should life have dealt a different hand

We need to see them for who they really are

Chancers and scroungers

Layabouts and loungers

With bombs up their sleeves

Cut-throats and thieves

They are not

Welcome here

We should make them

Go back to where they came from

They cannot

Share our food

Share our homes

Share our countries

Instead let us

Build a wall to keep them out

It is not okay to say

These are people just like us

A place should only belong to those who are born there

Do not be so stupid to think that

The world can be looked at another way

(now read from bottom to top)

Brian Bilston is a poet who first became known posting his poems on twitter. His first book of poetry, You Took the Last Bus Home was published in 2017 and this year, Bilston published Diary of a Somebody, a book which mixes poetry with prose. Fans of Bilston’s work will know that he never shies away from controversial topics including poems about American gun crime, Brexit and the refugee crisis. Particularly memorable for many readers is his poem, Refugees, which can be read forwards and backwards with very different meaning, a poem style that Bilston himself calls “forwardsy-backwardsy poems.” Adding “but there may be a better word than that.”  Read in one direction, the poem Refugees reflects the hatred refugees often suffer when they flee to safer shores only to be told to ‘go home’. However, read the other way, the poem is heart-warming, welcoming and inviting to refugees in need of asylum. For Reading Addicts UK

You can see many pages from this book here

Here’s a book to make you think hard no matter what your feelings on the topic. ... No matter what, the book ought to be shared, discussed and pondered upon by all.   Red Reading Hub

Here is a video of this poem which could be used with High School students. In the book the two parts of the poem are shown when the text moves from the left side to the right. 

We have another book here in Australia which uses this idea of reading text in both directions - Room on our Rock (winner of the Charlotte Huck Award 2020) by Kate and Jol Temple written on a similar topic for a much younger audience. This pair have a new title Move that Mountain which uses the same format. 

I have already swooned over another picture book illustrated by Colombian illustrator José Sanabria - As time went by.

Saturday, July 24, 2021

Running out of Night by Sharon Lovejoy

 


Publisher blurb: Every day is a misery for a nameless, motherless Southern girl who is treated cruelly by her pa and brothers. Her life changes forever when a runaway slave named Zenobia turns to her for help and shelter. Longing for her own freedom, the girl decides to run away, and she and Zenobia set off on a harrowing journey. Along the way, Zenobia names the girl Lark, after the bird, for her ability to mimic its song.  Running by night, hiding by day, the girls are pursued by Lark’s pa and brothers and by ruthless slave catchers. Brightwell, another runaway slave, joins them, and the three follow secret signs to a stop on the Underground Railroad. When the hideout is raided and Zenobia and Brightwell are captured, Lark sets out alone to rescue her friends.

Cliffhanger endings for nearly every chapter prove that adventure tropes can work just as well in historical fiction to keep the pages turning, and a happy but bittersweet conclusion ensures that both girls finally find safety. Bulletin of the Centre for Children's Books

I read this book as an ebook. It was first published in 2014 and here in Australia the paperback is nearly $25 which seems terrible to me considering this is a book with just 300 pages. I much prefer print books but the advantage of an ebook is I can highlight pieces of text to quote here which will give you a flavour of this powerful writing:

"I don't have no name. My mama died just when I were borned and nobody bothered to give me one, ceptin Grandpa, who always called me Sweet Girl when we were alone."

"I squared my chin and bit down on my tongue to keep it from waggin me into trouble again."

"I learnt a long time ago that turnin into a shadow, disappearin into whatever was round me were sometimes the only way to stay alive."

"I belonged to him, like his hunting dogs and his guns. He wouldn't never give up looking for me around here."

"Grandpa always told me that bad beginnings are a sign of a good endin. I hoped I didn't have to wait too long for a the good to come."

"And why did I have to take a beatin for someone I didn't even know, or care about? Someone who probably wouldn't give me a butter bean if I were the hungry one. Why should I risk my own hide for her?"

"Not bad enough that I'm a mite smaller than most girls, and that my ugly red hair stands out like broom corn, but now look what I were stuck with - a tall, raggedy runaway slave girl who dragged trouble behind her like a tail. We'd stick out worse n'chickens in Sunday dresses."

"What were that bird you were singin to?' 'That were a lark,' I answered. 'I be thinking on that and now I namin you Lark, ... that a name you can keep. You (are) Lark."

"I looked down. Me and Zenobia set next to each other, our arms wrapped around out legs. Her arms was the colour of dark clover honey, mine pale, white, and freckled like a wood thrush's chest. I had forgot that we was different colours."

There are some rich words in this book and I enjoyed the authentic Southern voice. I learnt these new words: scuppernong (grape); crawdad (crayfish); fetters (metal ankle chains); pinders (peanuts); buckeye (a seed); and milk name (first name given to a baby).

Here in Australia we have a weekly newspaper column penned by the radio journalist and presenter Richard Glover.  I love these quotes from his recent writings:

Saturday 24th July, 2021 "Books are best read in one or two sittings. In the before times, I could take a couple of weeks to read a book ... The plot would lose it momentum. ... A good author deserves a few hours of continuous reading."

I'm glad I read Running out of Night over two or three long and very absorbing sessions. 

Saturday 30th April, 2021 "Every book is a meeting of minds. ... Reading is an intense experience. ... The reader, after all, is the one who brings the text to life. A text without a reader, is a score without a piano. And then there’s the variation in pianos – some are out of tune, unable to even attempt the high notes; others have the ability to bring the score to tuneful life. ... Certainly, reading is not a passive activity. If the book is good, it should be transformative, leaving you slightly altered. Maybe even improved." SMH

I would add to this some wisdom (not as well expressed) about the way, as a reader, you put yourself into the hands of an author - trusting they will keep you (and their characters who may now be your friends) safe. I felt this way right through Running out of Night. So many utterly dreadful, violent, frightening, and truly terrible things happen to Lark and her new friends but I just kept hold of Sharon Lovejoy's hand, confident in the knowledge she would keep me, and those precious children, safe. 

In the author notes I discovered Sharon Lovejoy once owned a herb shop. In this book Lark uses herbs with great care and wisdom. Sharon has added her own passion to the story in a beautiful way. I recommend Running out of Night for mature readers aged 11+. 

This book reminded me of these:








I am now also keen to read Elijah of Buxton by Christopher Paul Curtis. Reviews also mention Trouble don't last by Shelley Pearsall and Stealing Freedom by Elisa Carbone. 

Thursday, July 15, 2021

The Parker Inheritance by Varian Johnson

 



I was reminded of a multigenerational story idea—a story that tracks a family’s experience with racism from the early 1900s to today—and I realised that this was the story that I needed to pair with the puzzle. Varian Johnson

I like to think of The Parker Inheritance as a mash-up: part contemporary fiction, part historical fiction, part mystery— even part middle-grade novel and part young-adult novel. That being said, I’m proud of the historical parts of the novel. I think it’s important that we write historical fiction—we don’t want to forget the sacrifices that others made in the past to make the world a better place for us today. Varian Johson

Candice and her mother have moved to Lambert, South Carolina. Her grandmother has left Candice a letter which contains a puzzle. From the letter Candice learns there might be a huge amount of money hiding in this small town but to find it Candice will need to solve a complex puzzle and make some discoveries about some very disturbing events from the past. Luckily Candice has made a new friend - the boy who lives across the road called Brandon. He is good at puzzles too.

Varian Johnson uses alternating voices - Candice from the present and characters from the past beginning with 1914 and progressively moving through time. It feels a little as though each character takes a microphone to share his or her role in the mystery.  Take a minute to read this wonderful review by Elizabeth Bird in the School Library Journal. She sums this book up by saying: Come for the puzzle, then. Stay for the biting glimpse of America’s intolerant past.

We are in lock down here in Sydney and so it was good to have an absorbing book to read yesterday. I started and finished The Parker Inheritance in just one day and it is 337 pages of fairly small print. The two covers above are the paperback edition (top) and the hardcover edition. I prefer the hardcover one - which one appeals to you? Listen to an audio sample from Chapter two. The Parker Inheritance is a Coretta Scott King Honour Book. Here are some teaching notes.

The town of Lambert brims with intrigue, keeping readers entranced until the very last page. A candid and powerful reckoning of history.  Kirkus Star review

When Candice finds a letter in an old attic in Lambert, South Carolina, she isn't sure she should read it. It's addressed to her grandmother, who left the town in shame. But the letter describes a young woman. An injustice that happened decades ago. A mystery enfolding the letter-writer. And the fortune that awaits the person who solves the puzzle. So with the help of Brandon Jones, the quiet boy across the street, she begins to decipher the clues. The challenge will lead them deep into Lambert's history, full of ugly deeds, forgotten heroes, and one great love; and deeper into their own families, with their own unspoken secrets. Can they find the fortune and fulfil the letter's promise before the answers slip into the past yet again?  Social Justice Books.

The puzzle aspect of this story reminded me of books by Blue Balliett and the issues of racial prejudice reminded me of The Watsons go to Birmingham by Christopher Paul Curtis and Stella by Starlight by Sharon M Draper. 



I enjoyed the way US History especially from the 1950's was woven into this story. Before reading this book here in Australia a reader aged 11+ will perhaps need to do some background reading about segregation; Brown v. Board of education; and civil rights.  In the US this book is listed for 9+ but in my view that is way too young. There is one very violent scene in this book which might disturb a younger reader.

This book refers to The Westing Game (1978) by Ellen Raskin which I have not read but have added to my 'to read' list. 


Wednesday, May 9, 2018

Can I touch your hair? Irene Latham, Charles Waters, Sean Qualls and Selina Alko

Can I touch your hair? Poems of race, mistakes and friendship

We smile when we learn we both like books, but not sports.
We nod our heads over cool shoes and colorful laces.

Now we see each other as individuals ...
We share hurts like being left out at recess and getting into trouble with our parents. ...

We are so much more than black and white.




This is a complex book with so many layers that it risks being left unopened on the shelf if it is not shared with the child by an astute adult, either parent or teacher, who can begin and sensitively guide the conversations.  The Bottom Shelf

The Bottom Shelf shared her review of this book and was immediately intrigued. I love the power of poetry, I love verse novels and this title sounded interesting.  Very kindly The Bottom Shelf sent me her spare copy so now I can share my thoughts about this slim book of connected poems. (It's not quite a verse novel.)

Mrs Vandenberg sets a class project - pairs of students writing poems. Irene ends up with Charles. They are so different this pair of grade 5 kids but over the course of their writing their differences make way for understanding and friendship.  Irene is white, Charles is African American. Irene is a shy girl who loves horses and reading. She longs to take part in playground games. Charles is clever and outspoken and he also loves reading. Charles wants to understand the adult world and the rules around race and fear.

The result is a set of alternating poems from each child. As a reader I imagined the conversations between Irene and Charles as they share their poems and experiences with one another. Church is different but in both places a white Jesus looks down on the congregation. A visit to the beach is torture for both of them even if the reasons are different. The fear of walking out after dark is the same for both sets of parents. "That's a rough neighborhood, especially in the evening."  "Why Aunt Sarah doesn't go downtown after Dark - sky black, streets black, faces black, fear white."

This is an important book which should also generate conversations with children in Australia and it is a perfect book for teachers looking to explore perspective.  It also shows the power of poetry as a way to express big emotions.

You can read more about the four people involved with creating this book at the Walker Books site.

Reviews:
School Library Journal
Kirkus star review
Horn Book Magazine
Jama's Alphabet Soup

You can see Charles Waters here (begin at 14.21 this is a long program so set aside some time) where he reads some of the poems and then answers questions.  Here is a set of Teaching notes.  Here is a ten minute interview at The Yarn with Travis Jonker.

Here is a poem by Irene which shows the power of this writing:

Apology
When Shona
presents
her family tree
to the class.

I see all
the top branches
are draped in chains.

Because my
ancestors
were slaves
she says.

I swallow
I want to say
I'm
          sorry,
but those words
are so small
for something
so big.

Still I want to try.

So I write it
on a scrap of paper,
find her library book,
and tuck it inside.

Web sites for the collaborators who worked on this book of 33 poems -  Irene Latham, Charles Waters, Sean Qualls (illustrator of Emmanuel's Dream), and Selina Alko.



Sunday, January 14, 2018

Wishtree by Katherine Applegate illustrated by Charles Santoso




Please, before you read my thoughts on Wishtree,  watch the publisher trailer - it is just perfect!  Now pick up this book and peel back the dust jacket. You don't want to miss the carefully embossed leaves underneath.

Be patient. Read this book slowly.  Let Katherine Applegate introduce the narrator Red (a tree) and his friend Bongo (a crow).  I hope when you get to page 52 you will have the same reaction I had - I gasped.  Such is the power of just one word.  The tone of this book flips right over :


LEAVE

Red has been growing in this place for over two hundred years. Red is exactly two hundred and sixteen rings old.  Red has watched human families grow and change, Red has sheltered hundreds of small animals and Red has listened to secrets and wishes.  One of the newest residents is Samar and her family. She loves to sit under the tree, being still and gradually the small creatures who shelter there gather around her. Samar writes her wish to tie to the tree - it is for a friend.  Why is this an issue :

"A few months ago, a new family, Samar's family, rented the blue house. They were from a distant country. Their ways were unfamiliar. Their words held new music. ... Our neighborhood had welcomed many families from faraway. What was different this time?"

A few weeks ago I received an invitation from a Goodreads book group to join a discussion about Wishtree.  I put this book on my list and yesterday made a special trip into the city to pick up a copy. Today I read it all in one sitting but really I didn't want the magic to end.

Names are a source of humor in this story.  This lightness of touch balances the heavy themes of intolerance, violence and prejudice.  There are also moments of  wisdom and odd ball jokes shared by Red.


  • Trees - all have the same name red oaks are called Red, sugar maples are called Sugar, junipers are called Juniper and so on.
  • Crows - some have human names, some are named after manoeuvres and the crow in this story Bongo is named after the bongo drums played by a band in this neighborhood - this is a sound she likes.
  • Skunks - all named after pleasant scents such as FreshBakedBread. 
  • O'Possums - named after things they are afraid of such as Flashlight.
  • Owls - take sensible names like Harold.
  • Raccoon mothers are not good with names so all their offspring are called You!

Katherine Applegate talks to Nerdy Book Club and shares her thoughts and hopes for Wishtree.  You can read the first twelve pages here but then please find the book because the most important parts happen after page 52!  Here is a long video with Katherine where she talks about her book.  Take a look at this review which includes discussion questions.

This is my new favourite book! I give it a ten star rating.  It is right up there with Because of Winn Dixie Sarah, Plain and Tall and all books by Patricia MacLachlan I have talked about on this blog.  I do hope Wishtree wins some big prizes so then it can come to the attention of book buyers and libraries everywhere.

Wishtrees are real and come from Ireland and here is a photo of one.  They are usually hawthorn trees.  I expect to see lots of school library with wish trees for everyone to fill.



I was excited to discover Charles Santoso is Australian and he lives in Sydney and he also illustrated the precious book Ida Always.

A deceptively simple, tender tale in which respect, resilience, and hope triumph.  Kirkus Star review

Another stunning effort from Applegate. This thoughtful read is a top choice for middle graders.  School Library Journal

Saturday, December 24, 2016

Stella by Starlight by Sharon M Draper

"Red fire. Black cross. White hoods. They're here. Now,' ... It was 1932, in the little town ... Every negro family in Bumblebee knew the unwritten rules."


I love the name Bumblebee North Carolina - there is no such town but I felt compelled to check - when you read Stella by Starlight you will feel as though you have visited this small community in 1932 so vivid is the writing of Sharon M Draper.

Every aspect of Stella's life is affected by the racial discrimination of this time.  There is only one African American doctor for example.  Tony, the son of Dr Hawkins, observers : "It's hard to live like there's a boot in your back every second of your life." The white doctor even has a sign on his door WHITE PATIENTS ONLY.  When Stella's mother, Georgia, is bitten by a snake he refuses to help and Stella's mother almost dies.  These are scenes towards the end of the book and I actually had to stop reading because I was so afraid for Stella's precious mum.

Stella loves to read and wants to write but feels she lacks the skill.  Another unfair aspect of life in 1932, Stella is not allowed to visit the public library but she does have writing all over her house.  Her mother papers the walls with newspaper articles.  Her father reads three newspapers each day "Gotta know what's goin' on in the world,' he reminded Stella when she'd ask why one paper wasn't enough." But Stella is an observant child and she notices "colored people were rarely mentioned in those ... newspapers."  When she and a friend look through the Sears and Roebuck catalog she says "Did you notice - I don't see eve one single person who looks like us in this big old book."

Apart from the horror of the Klan and the extreme fear felt by the citizens of color in this community another aspect of this book relates to rights and in particular the right to vote.  If you are working on a unit about democracy you might like to use chapter 22.  Three men from the town, including Stella's father, travel to Amherst to register to vote.  Stella goes along with them.  The men are ridiculed by the town official and then told to take a fifteen minute written test. They even have to pay for this privilege.  Meanwhile some white men walk into the same office and all that is required a simple signature on a form.  Stella is enraged. Then the men from Bumblebee are told to come back in a week.

"Mr Spencer sat down on the floor. After a moment, Stella's father and Pastor Patton joined him." They sit on the floor of the office until their test is graded.  The consequence of this action is truly awful - the Klan burn down the Spencer home and endanger their thirteen children.  You will cheer, though, when you read how the whole town including some of the white citizens unite to assist the family.  Stella is called a hero when finds six year old Hazel who has run away in fear and the Spencer's give her a typewriter which came with the donations given to the family after the fire. Using a typewriter gives Stella the motivation to keep working on her writing.

All through this book we see Stella's writing progress but she is full of self doubt. I love the words of encouragement from Stella's mother :

"I'm a dunce?' Stella said, fear clutching her chest.
'Quite the opposite. You are an amazing thinker - a gemstone hiding inside a rock."

Stella is a very talented writer.  Here are some samples from her work :

"I've got thick black hair, and bushy caterpillar-looking eyebrows. When I look in the mirror, I don't see pretty, I just see me."

"At the mill ... they take sawdust and turn that into paper. Those big old trees become books and notebooks and newspapers. Dust becomes words. I like that."

"My papa voted. He is a pebble. Lots of pebbles make a landslide, right? His vote counted."


Watch this video where Sharon explains her family inspiration for this important story which is a snapshot of history.  Click here to listen to an audio sample from Chapter 17.  Here is a thoughtful review which will give you more plot details.  The author web site will give you further insight into this important and award winning book.  Here are a set of teaching notes.  If I have not convinced you that Stella by Starlight is a special and important book - read this review from the Nerdy Book Club - now!!

After or even before reading Stella by Starlight I recommend you read the picture book Goin' someplace special by Patricia McKissack and the novels Kissy Ann Stamps, Mississippi bridge by Mildred D Taylor and Walking to the bus rider blues by Harriet Robinet.

Stella by Starlight is not at all like Sharon's earlier book Out of my mind but you will want to read this one too I am sure. It was one of my top books this year.