For background reading you might begin with my previous post about the Panda Awards.
Here are the 2026-27 Nominees (English language texts);
For background reading you might begin with my previous post about the Panda Awards.
Here are the 2026-27 Nominees (English language texts);
This is my THIRD post about this, in my view, crazy project by The Guardian Australia. I talked about this on 28th November 2025 (some won't like my suggestions, but I didn't submit any as I totally forgot to do this) and I talked about it all again on 16th December 2025.
Yesterday I watched a video by one commentator filled with passion about the short comings of the book choices and this poll BUT once again I think everyone is missing a couple of crucial details. The post on Instagram has had 77 comments - this is a drop in the ocean of course in terms of people who might be interested enough to vote in this poll but many of the comments either amazed or enraged me. Who is this Instagrammer - her name is Shannon Wong-Nizic and she has 41.2K followers!
Firstly, please go back and read the CRITERIA - again this is just my view - but the criteria are crazy and so many of the books suggested by readers of The Guardian Australia do not meet these stated 'rules'. One of the eliminated titles (as of today) has a famous UK illustrator - Helen Oxenbury.
To be eligible a book must be -
Secondly - YES I am very happy to so any discussion about children's books and especially picture books but the notion of a winner fills me with despair and dread - in fact I think I am fairly sure I can predict the 'winner' quite easily.
Thirdly - barracking from the side lines. I guess this is okay - authors and illustrators begging people who follow them to vote for their book but only if the book does fit in with the criteria - especially the criteria able to be read in a few minutes to a child who does not yet read independently (which I have set as a child aged up to 6).
Fourthly - there were rules that should have been added but were left out - Should the book be in print? Should there be a date range so that older 'classics' that others are claiming are already famous (meaning those creators do not need book sales) might be eliminated or ineligible.
Fifth - should we talk about the sponsor of this 'competition'? It is a bookshop and it is a bookshop I really like but is this okay? Also, I think it is possible to vote more than once each day - the ethics of this worry me too.
My sixth point is WHY is this online newspaper doing this? I might be wrong but I am guessing this same poll idea was probably run in the UK and perhaps USA. I need a lot more transparency - who suggested the original books on the list? Did this 'paper' approach anyone with any level of authority about this important topic? Why haven't they reiterated their criteria? - Yes I am back on that hobby horse again.
Finally what will happen when this is over? I surmise nothing will happen. In a week or two it will all be forgotten or maybe an opportunistic publisher will make a bright book sticker that declares their book was the lucky winner. Will they ever run this again? Probably not because why bother? The book list of titles to vote for probably won't change very much and it will not surprise me if the same book wins again.
Here are some points made by Shannon on her Instagram video and my comments - under headings of positive and negative - but I still think she has missed a key issue - yes I am going to say it for the third time in this post - go back to the criteria.
GOOD
BAD
Bookseller blurb: It is 1900 and Dorothy and her family have just moved to a new house at 11 Ruby Road. Ruby Road is a busy street, bustling with activity - families and children, noisy carts and animals. The house is close enough to see the city and very different from the rural life Dorothy has known. Best of all it has a secret writing room that only she knows about! Dorothy has big plans for her new neighbourhood - she wants to put on a play and write it herself! But there are other reasons for her family's move to the city and, as Dorothy starts to learn about her new house, she discovers more about the period of time she's growing up in.
I picked up 11 Ruby Road 1900 from a charity book sale for just AUS$2 - this is a little surprising because this is a fairly new book published in 2024. The book that focuses on 1950 will be released in August this year.
Here are all three books from the series so far:
Here is the Lamont review of 11 Ruby Road 1900. Read more about Charlotte Barkla here. Walker Books have written some very detailed teachers notes. I am not sure I would use this book as a class novel but if you had a small book club style group (probably of girls) these notes might give you some ideas to discuss. As a character Charlotte annoyed me - she is too selfish and bossy for me. But I did enjoy the way she changed her play to link with the pressing issue of the times - votes for women. You could perhaps read chapter 20 and link this with your study of Australian history. The teachers notes have some useful ideas about this aspect of the story. I also worry about the awful teacher but perhaps her attitude to 'naughty' students is more a reflection of the times.
The obvious companion text is this famous Australia book My Place.
I also thought of this book where a group of kids are putting on a play:
And this wonderful book by Katrinia Nannestad:
I recently discovered this interesting article from IBBY Chile which explores twenty-eight children's choice awards. Our own KOALA awards participated in this survey from around the world.
It is interesting to see the list of possible reasons from this survey for a children's choice award:
I spoke with a group of Shadow judges in a local school this week. I was so impressed with their intelligent approach to this task. I really wanted them to understand this is a serious program and not about popularity. Literary merit is a complex idea, but I explained the process followed by the adult judges (I was one in 2021-23) and the fact that the judges for their category (Younger Readers) will have read over 120 books over ten months selecting 25 for a notable list, 6 for the short list (the books they are reading) and then the three final choices and one winner. The shadow team work with an abridged form of the actual judging criteria. We talked about cover design, title words, blurbs, linking the book with life experience, and audience. I suggested they might like to select a small extract from the book which they would use to 'sell' the book to a peer. I hope to meet with this group again closer to their final decision day.
KOALA is a little different. The letters stand for Kids Own Australian Literature Award. It is mainly a popularity contest not a literary award.
KOALA is a non-profit organisation run by volunteers (teacher/librarians, public librarians, teachers, publishers and other supporters of children’s literature). Every year, young readers from all over New South Wales judge their very own literature awards. By voting in the KOALA awards they can reward the Australian children's books that have most inspired, amused, terrified, enlightened and engaged them.
KOALA AIMS TO
Kids Own Australian Literature Award short lists for 2024:
The vivid cover illustration of a young face invites the reader to look closely at this book, to read it carefully and to think about the words WE are Australians. This book does not contain a message of “them and us” it is about our shared responsibilities and the importance of cultural understanding and harmony. The straightforward and at times spare text, is powerful, poetic, resoundingly positive and so poignant. The page turns are carefully paced. Many of the images and words will lead to deeper discussions with students. The text celebrates the rich heritage of First Nations people, and it also celebrates many newer citizens who have chosen to come to Australia. This book could be shared with many ages of students from younger children right up to high school. We are Australians should be added to every school library collection.
Some of the images in this book just made me gasp! The plastic trinkets shown on palms takes the words “we have responsibilities” to a whole new level. The photo realistic illustration of the boy being painted is invested with enormous emotion. This comes from the way the boy’s eyes are looking up towards the man.
The cover is so appealing and the way the eyes look directly at the reader is both challenging and inviting. The white text on black adds to the gravitas of the message and the sans serif font and font size were a very good choices. Another standout page is the one filled with legs and feet showing different skin shades.
This could be the 'right' book to share this week with any of your family or friends are undecided about The Voice Referendum - voting will take place this week on Saturday 14th October, 2023.
Publisher blurb: For those born in Australia, it’s easy to take citizenship and its responsibilities for granted. But there is much more to being an Australian citizen than having a passport and the right to vote. We Are Australians encourages reflection and for readers to look further into the topics of citizenship and the role of Australia’s First Nations people. The poetic writing style creates a rich and respectful text, and the bright colours add a joyfulness and a sense of celebration. The use of traditional First Nations techniques reinforces the longevity and importance of a culture that has lived on Australian land for over 65,000 years.
The publisher Wild Dog have prepared some teaching notes. We are Australians was short listed for the 2023 Children's Book Council of Australia New Illustrator award.
Here is the trailer:
Here is the newest book by this team:

"There was once a farm where all the animals were friends."
Of course things are not perfect. Living on this farm there are the usual animals - cows, sheep, pigs, chickens and goats. Living on a pond at the edge of the farm are the ducks and geese. On the pond there is a little island. The end papers show the way the main farm is linked to the island by a bridge. Then the conflict begins. The geese call a meeting and tell the ducks it is time to leave the farm and live alone on their little island.
"Our island was once a green and pleasant land!' they declared to the ducks. 'The apples were much redder. The grass was much greener. The sun was much warmer. And the food tasted better!"
The ducks do not agree. They love the farm but there "were more geese than ducks" and so the decision is made. The geese remove the bridge and settle down to live on their own little island with just the ducks for company.
Of course the balance of life is now disrupted. There is way more work to do, the grass grows and then withers in the sun and there is no one to help harvest the apples. The years go by and things become harder and harder. Then the foxes arrive.
"The foxes looked slyly at the little island. No roosters to raise the alarm. No pigs to make trouble. No cows to chase them away. DINNER TIME."
The foxes swim over the island and prepare to attack. At this point, with a group of older students, you could pause and talk about what might happen next. Should the farm animals offer to help? How can they help from over the pond - remember there is no bridge? And what about the happy ending? Have any lessons been learnt?
Students in UK schools will see parallels here with Brexit but for our Australian children this story is a more universal fable. Make sure you take a look at the title page - the geese are reading a newspaper called "The Daily Gander". The role of the media in our daily lives is another huge topic to discuss with older students.
I love finding picture books that work on many levels. I'm thinking of books such as Click Clack Moo, Cows that Type by Doreen Cronin, Farmer Duck by Martin Waddell, and War and Peas.
Smriti Prasdam-Halls is the author of over 40 books including board books. I am keen to read these: