Sunday, November 30, 2025

Lost Evangeline by Kate Di Camillo illustrated by Sophie Blackall




"The shoemaker and his wife had no children, and they had long given up hoping for them. And so it seemed an entirely miraculous thing when one day, the cobbler sat down to work on repairing an old boot and found, hidden in its squared-off toe, 
an extremely small child."

No one comes back to claim the boots or the child. The shoemaker creates tiny clothes, shoes, furniture and a tiny ship's lantern and he names her Evangeline but his wife does not like the child. 

The small ship's lantern "was surely the shoemaker's finest creation. It was accurate in every detail, smaller than a thimble, and painted bright red. Within the lamp waws a wick of fabric that could be raised and lowered with a small knob, and the lamp, when it was lit, gave off a steady, gentle light."

Reader I need to take a small detour at this point and draw your attention to the word placement in this sentence - think about those words - steady and gentle. As with all good stories we know something is sure to happen - will this lamp help young Evangeline when she is faced with great danger? And of course you have already anticipated this from the title.

Long ago the shoemaker dreamed of a life filled with adventure, of journeys on the ships that anchor in the harbor. Evangeline does not grow bigger, but she does become a wonderful daughter to the shoemaker and together they watch the ships and talk of future adventures, but the shoemaker knows there could be danger if Evangeline is discovered. He keeps her well-hidden and makes sure she knows how to hide if a customer enters his store - the door hinge is rusty and the sound alerts Evangeline that she must 'make herself disappear'. I actually gasped when the shoemaker's wife oiled the hinges:

"And so, without telling her husband, the shoemaker's wife oiled the hinges on the door ... She opened the door and closed it again and the hinges made no sound at all."

Meanwhile in a different part of the town an elderly rich widow has a dream about some fabulous shoes that will grant immortality. Oh no are you following along with this story - we have some dangerous ingredients here - jealousy, pride, greed, and the desire for immortality. Surely little Evangeline is heading towards a disaster.

The rich widow Mrs Penrith-Smith sends her servant to visit the cobbler BUT of course the door longer alerts Evangeline to hide and so she is seen by the aptly named Gristle. He takes the news of the tiny girl back to his mistress.

"I think I understand now ... the dream of the shoes was merely a vehicle. The dream served to bring you to the cobbler's so that you might see this wonder. The shoes are not the point. I will have her come here and sing to me, and then I will get better. Her song will cure me ... I will have her."

And so the adventures begin. Yes, Evangeline is stolen; she escapes; she persuades a huge ginger cat to help her; she is stolen again by a truly despicable man; and then she finds a friend and a way to fulfill the dream she shared with her father.  So many twists and turns and all in just 152 pages.



"The cat had seen the girl of course. That little morsel of humanity had led her to the sea, to this wondrous place she had not even known existed. And, too, the cat knew exactly what had become of Evangeline. She had witnessed her demise. ... The cat recognised the man for what he was: a predator. ... She had watched as he captured the girl, watched as a single tiny shoe went flying through the air and landed on a rock."

Before or perhaps after you read Lost Evangeline it would be good to revisit classic fairy tales - The Eves and the Shoemaker and also Thumbelina. You might also think of Pinocchio and Snow White. I read one Good Readers review that said "This (book) had all the whimsy and heartbreak of a Hans Christian Andersen fairy tale."

Author blurb: When a shoemaker discovers a tiny girl (as small as a mouse!) in his shop, he takes her in, names her Evangeline, and raises her as his own. The shoemaker’s wife, however, fears that Evangeline has bewitched her husband, so when an opportunity arises to rid herself of the girl, she takes it. Evangeline finds herself far from her adopted father and her home, a tiny girl lost in the wide world. But she is brave, and she is resourceful, and with the help of those she meets on her journey — including a disdainful and self-satisfied cat — she may just find her way again. Kate DiCamillo

This is the third Norendy Tale and it is the one I loved the best but be warned this tale does not quite have that all important or expected happy ending although I am sure all readers will be able to imagine one. Kirkus explain this:

In true DiCamillo fashion, the ending is suffused with the gentlest melancholy, allowing readers to either believe in their reunion or dismiss it entirely. ...  There are no easy answers in a Norendy tale, but there is great courage, even when it comes in the smallest of packages.

Readers who aren’t used to a story with an ambiguous ending may feel cheated by the lack of an on-page reunion, but upon reflection, they will likely see how it is exactly the right end for such a dreamy little novel that prioritizes the whimsical vibes of Norendy over answering every question raised within it. Bulletin of the Center for Children's Books

The feeling of a fairy tale is enhanced by the very atmospheric illustrations which show the spirals of song which weave their way through the story right to the end. Although there is no instant happy ending with father and daughter reunited once more, it is through the final illustration which the reader is left with a thread of hope that this might yet happen. Through the Bookshelf

Here is a link to a set of discussion questions from the publisher.

I do need to mention the rich vocabulary you will encounter in this book. Here are a few examples: misspoke, due haste, marooned, morsel, modicum of alacrity, vermin, scrutinized, treachery, intercede, consumed, dolt, somber, and penury.

Each of the Norendy Tales features a different, fabulous illustrator. This one is Sophie Blackall. Previously we had Julia Sarda and Julie Morstad. It would be so special to display all three of these on your family bookshelves.






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