IBBY 40th World Congress Ottawa, Canada 2026

IBBY Canada organised a fabulous four-day World Congress in August 2026 with keynotes, roundtables, panel sessions, workshops and poster sessions - this was my fourth IBBY Congress. I also attended two USBBY Conferences in the past. I always leave these events filled with admiration and awe of all the amazing work done by people from every corner of the world who work with children and reading and books. I so admire their passion and intelligence. (and their ability to switch between two or three or more languages).

Prior to the first day we were so privileged to hear about the IBBY Children in Crisis projects with: Patsy Aldana (former IBBY President, and former President of the IBBY Foundation and IBBY Trust),  Basarat Kazim (IBBY Pakistan), and Shereen Kreidieh  (IBBY Lebanon). I will talk about this session in more detail over the coming days.

Basarat Kazim (IBBY President) shared an inspirational short film - I asked her later if there might be a way to view and share this with a wider audience. This is not the film she shared but it is another showcasing her work in Pakistan. Basarat, in her role as president, delivered several inspirational speeches throughout the Congress especially around the theme "Listening to each other's voices".

OPENING CEREMONY 

During the opening ceremony we heard from Monica Ittusardjuat (Inuit) a Residential School survivor who grew up in a time when Inuit lived a subsistence way of life, moving camps and following animals where they were plentiful. Monica shared the story Lighting the Qulliq a wordless picture book showing a grandmother and granddaughter from long ago lighting a qulliq, an Inuit lamp that provides light and warmth to the Earth. It was a hugely emotional moment when she lit a qulliq on the podium.

In the second part of the Opening Ceremony we heard from Honourable Senator Kristopher Wells, PHD. Kristopher is an educator and champion of the 2SLGBTQI+ community who has used research and advocacy to help advance diversity, equity and human rights in his home province of Alberta, across Canada, and around the world. His focus was this year’s theme of Gender, Sex, and Sexuality in children’s literature. As part of the 40th IBBY World Congress, we were given the catalogue (included in our conference bags) and we were able to peruse the exhibition titled Reading with Pride: Stories for Everyone. Reading with Pride features over 300 2SLGBTQ+ children’s picture books, originally collected by Senator Wells and expanded through a call to Canadian publishers. I did spy some Australian titles in the book display such as 'Who's your real mum' by Bernadette Green and 'My shadow is Pink' by Scott Stuart. You can hear Kristopher talking about the collection here.

Here is the conference bag and its contents including the Reading with Pride catalogue

Extra sessions and Closing Ceremony:

Sydney Smith Hans Christian Andersen winner 2024

Jon Klassen winner of the Astrid Lindgren Memorial Award 2026

Michel Chikwanine 

David A Robertson

Here are the sessions I attended (I will share more details about many of these in further posts):

PP 02 INCLUSIVE CLASSROOMS AND LIBRARIES: BEST PRACTICES

Discovering Lifesaving Books Elena Perikleous Commissioner for the Protection of Children’s Rights, IBBY Cyprus 

Developing a Critical Analysis Framework for Picture Books About Children on the Move Tess Prendergast University of British Columbia, Canada 

An Expansion to the APALA Rubric to Evaluate AAPI Youth Literature (Asian American and Pacific Islander Youth Literature) Filipino Diasporic Texts in Focus Cheeno Marlo D. Sayuno University of Illinois Urbana-Champaign and the University of the Philippines Los Baños, Philippines 

An Exploration of Classic Children’s Literature through the Lens of Humanistic Education Nasser Yousefi Independent, Canada (texts: Pippi Longstocking, Pinocchio, Alice in Wonderland, Peter Pan, and The Little Prince).

 PP 04 LISTENING TO VOICES IN NON-FICTION

Listening to the Sea: Exploring the Fascinating World of Ocean Wildlife with Non-Fiction Picture Books Sabine Fuchs Independent Researcher, Austria 

Books Without Borders: Representing Migration in Non-Fiction for Young Readers Ana Margarida Ramos University of Aveiro, Portugal 

The Power of Voice: Analyzing Puerto Rican Representation in Children’s Biographies Aura E. Gonzalez Robles Universidad de Puerto Rico, Puerto Rico Ruth J. Saez Vega Universidad de Puerto Rico, Puerto Rico Adriana N. Sotomayor Pérez The Ohio State University, US

PP 06 IMMIGRANT EXPERIENCES: BELONGING AND IDENTITY

 

Transnational Narrative and Poetic Justice in Children’s Novels by Asian Diaspora Authors in the West Fengxia Tan Nanjing Normal University, China 

Shaping Identity through Memory in Iranian Diaspora Children’s Picture books Maryam Mohammadkhani Independent Researcher/Writer, Canada 

From Looked-At to Heard: Voice, Power, and Immigration Narratives in YA Fiction Aleksandra Strelcova IBBY Lithuania

PP 12 LISTENING TO MIGRANT AND REFUGEE VOICES  

Lonesome Child Refugees – Too Uncomfortable Narratives? Jaana Pesonen University of Helsinki, Finland 

Forgotten Border Crossings: Rethinking Childhood, Belonging, and Unbelonging for North Korean Defectors Yoo Kyung Sung University of New Mexico, USA 

  

 PP 23 REIMAGINING CITIZENSHIP 

Voicing Citizenship: Children’s Civic Agency in Schools, Museums, and Literature Justyna Deszcz-Tryhubczak University of Wrocław. Poland

The Plural Identity of Brazilian Children’s Literature Maria Carolina Nunes Gobbo University of São Paulo, Brazil

  

Between Critical Hope and Moral Ambiguity: Picture books Mediating Cross-Conflict Youth Dialogue Chang Li University of Padova, Italy

DINNER

Hans Christian Andersen Award Dinner - Michael Rosen and Cia Gao.  Michael Rosen gave a fabulous speech - I do hope it is republished by IBBY either on their web page or in Bookbird. 

EXHIBITIONS

The congress also presented an exhibition for the Hans Christian Andersen Award 2026 by some of the most distinguished voices in contemporary children’s literature, whose contributions have made a lasting international impact. Works by winners, author Michael Rosen (United Kingdom) and illustrator Cai Gao (China). Alongside them, the exhibition highlighted books by shortlisted authors: Ahmad Akbarpour (Iran), María José Ferrada (Chile), Timothée de Fombelle (France), Lee Geum-yi (Republic of Korea), and Pam Muñoz Ryan (United States). Along with the illustrators Beatrice Alemagna (Italy), Linda Bondestam (Finland), Gundega Muzikante (Latvia), Walid Taher (Egypt), and María Wernicke (Argentina). 

Other exhibitions - 2025 IBBY Collection for Young People with Disabilities: IBBY-UNESCO Collection of Remarkable Books in Indigenous and Endangered Languages; The IBBY Collection of 

Children’s Books from and about Palestine (A map for Falasteen); and 25 years of the Governor General's Literary Award Winners (Canada). The exhibitions were staged over three venues and so I sadly missed a couple - The Panda Awards and Folktales reimagined from UAEBBY.

Honour titles I have talked about here: Picasso and the Greatest Show on earth by Anna Fienberg (Australia); Simon sort of says (Canada); The eyes and the Impossible (translation to Dutch); Then and Now by Datsun Tran (Australia); Frindle Files (translation to Turkish); Not Nothing (USA); and Medusa (Translation to Greek). I also spied Silverborn by Jessica Townsend translated into Norwegian. 

On the Canadian Governor General's award stand I spied: The Probability of Everything (one of my top books); Stand on the sky; The Crazy man; Sweep the story of a girl and her monster; and Airborn (Kenneth Oppel).

Sessions I missed that I wish I had attended:

PP 11 WAR AND TRAUMA 

Listening to the Whispers: Giving Voice to Young People in the Midst of War Marsha Forchuk Skrypuch Independent Author, Canada

Kan Yama Kan: Building Libraries, Bridging Voices, and Healing Through Books Marwa Al Aqroubi UAEBBY, UAE  

Stories of Hope: Literature Workshops for War-Witnessing Children amid Ongoing Instability in Tehran Hooria Rezaei Ruhr-University Bochum, German

PP 10 MIGRANTS: WORDLESS PICTUREBOOKS AND THE LAMPEDUSA PROJECT 

A Very Powerful Silence Deborah Soria Silent Books—Final Destination Lampedusa IBBY Project, Italy 

Listening to Silence: Building Bridges to Understanding with the IBBY Silent Books Collection Jared S. Crossley The Ohio State University, USA Lisa Pinkerton The Ohio State University, USA

The Narrative Aesthetics and Cross-Cultural Characteristics of Wordless Picture books Qingzhi Zhu Nanjing Normal University, China

I wrote heaps of notes but here are two quotes which resonated with me:

Small Stories Connect the Vast World. 

Delicious and Nutritious Children's books are Food for the Soul.

Meet a few illustrators and authors speaking at the IBBY Congress

Natali de Mello

Blurb for When we go Home: Marlee’s parents are excited. "We are going back home!" they tell her and her brother. "Not my home," Marlee says. She knows the island is where her mum and dad grew up, and that she and her brother will get to do lots of fun things when they visit. But she’s never been there. And though her dad says a person can have two home countries, Marlee isn’t sure she believes him. But slowly, the warm welcome from her large, loving family, the coconut water she drinks on the beach and the many other delights she discovers on the island, from pigs on the beach to music at bedtime, help Marlee see that what her dad says is true. (Read the review in Quill and Quire)

Natali de Mello is a Brazilian-Canadian author and illustrator based in Ottawa, creating picture books and visual stories that blend imagination, design, and a touch of humour. I’ve been working in children’s publishing for nearly a decade, exploring themes of identity, belonging, and nature through a mix of traditional and digital media. My background includes an MA in Illustration from Falmouth University, a Certificate in Visual Arts and a BA in Architecture.

I’m the author-illustrator of Curious Capybara (Roaring Brook Press/Macmillan, 2026), and the illustrator of When We Go Home (Kids Can Press, 2026), as well as several other titles published with Planète Rebelle and Kata, including Suivez la capitaine fourmi! (2024) and Indrazaal et la quête de l’océan (2023). I’m currently working on new picture books as both author and illustrator, including projects with Planète Rebelle and Heritage. I’m also developing my first middle-grade graphic novel, Lyla and the Squirrels, supported by the Canada Council for the Arts and the Ontario Arts Council—a story about curiosity, friendship, and small rebellions. Here is her Instagram page.

Sadé Smith

Born in Toronto, Ontario, Sadé Smith is the Canadian children's book author of Granny's Kitchen which was nominated for the Blue Spruce Award for the Forest of Reading 2023 and shortlisted for the 2023 Crystal Kite Award. She is of Jamaican descent and her books often involve food and recipes with colorful illustrations to capture the vibrancy and beauty of the Caribbean islands. 

Granny’s Kitchen is her debut children’s picture book illustrated by Ken Daley. Her second book Julie and the Mango Tree illustrated by Sayada Ramdial has been selected for the CBC Books list of 40 Canadian kids books to read in spring 2023 and the Barnes & Noble’s list of Most Anticipated Kids’ Books for August 2023. It has also been selected for the 2025 TD Summer Reading Club.

 Jean-François Sénéchal

Here is the Kirkus review of I will not be Scared

 

Here is the Kirkus Star review

The son of two teachers, Jean-François Sénéchal was born surrounded by books. After studying anthropology and writing a few texts on Haiti, he returned to his first love and devoted himself to literature. He was a frequent finalist for the Prix Jeunesse des libraires du Québec (Quebec Booksellers’ Youth Prize), which he won with Au carrefour (At the Crossroads). For this novel, as well as for Feu (Fire), he was a finalist for the Governor General’s Literary Awards. He was also a finalist for the Prix du livre jeunesse des Bibliothèques de Montréal (Montreal Libraries’ Youth Book Prize) and the winner of the Prix Adolecteurs (Adolescent Readers’ Prize) and the Prix Bernadette-Renaud (Bernadette Renaud Prize) for Le boulevard (The Boulevard), which was included on the 2018 Honour List of the International Board on Books for Young People (IBBY). Jean-François Sénéchal received the 2017 Joseph S. Stauffer Award for Literature from the Canada Council for the Arts.

Meet the Canadian author David A Robertson

David Alexander Robertson (born 12 January 1977) is a Canadian author and public speaker from Winnipeg, Manitoba. He has published over 25 books across a variety of genres and is a two-time winner of the Governor General's Literary Award. He will be a keynote speaker at the 2026 IBBY Congress in Ottawa.  I thought I should explore some of his books or at least familiarise myself with them before I hope to read many in Canada and at the Congress.

About the Misewa Saga: Morgan and Eli are Indigenous children who discover a portal at their foster home to another world, Askī; there they discover talking animal beings who connect them to traditional ways, as well as help them deal with the challenges in the real world. A fantasy for readers aged ten and up, the Misewa Saga (“misewa” is Cree for “all that is”) series reflects stories of the sky and the constellations held within its great canvas.

Here are some of his children's titles. 

Ispík kákí péyakoyak | When We Were Alone (2020)

On the Trapline (2021)

Strangers (The Reckoner Trilogy, Book 1) (2017)

Monsters (The Reckoner Trilogy, Book 2) (2018)

Ghosts (The Reckoner Trilogy, Book 3) (2019)

The Barren Grounds (The Misewa Saga, Book One) (2020)

The Great Bear (The Misewa Saga, Book Two) (2021)

The Stone Child (The Misewa Saga, Book Three) (2022)

The Portal Keeper (The Misewa Saga Book Four) (2023)

The Sleeping Giant (The Miswea Saga, Book Five) (2025)

The World's End is the newest title in this series - Book Six

You will find a longer list here. And you can read more about his adult books and YA titles here. 

Blurb: A picture book that celebrates fathers and grandfathers. A boy and Moshom, his grandpa, travel to visit a place very special to Moshom – the trapline his family used when he grew up. The boy imagines life two generations ago, and what is different and what is similar to his life now. A beautiful introduction to Indigenous culture, as well as – more generally – family histories.

Here is my previous post - meet the illustrator Julie Flett.

Blurb: When a young girl helps tend to her grandmother's garden, she begins to notice things about her grandmother that make her curious. Why does her grandmother have long braided hair and wear beautifully coloured clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where everything was taken away.

When I attended the USBBY Conference in Seattle I read this book which opened my eyes to the experience of children in Canada who were placed in residential schools. Here is a list of other books complied by David A Robertson on this topic.

This book has just been released. Here is the bookseller blurb: When I'm a moshom, a long, long time from now, I will watch my grandchildren dance and play hockey, and I will be the loudest one cheering. I will take them on the trapline and teach them how to fish. I will feed them Bannock and share stories about our community. I will tell them I love them, just like my moshom did. This heartwarming story thoughtfully explores the legacy of love, traditions and heritage passed down from generation to generation. Through the eyes of three siblings and their moshom (grandfather), readers are taken on a journey filled with cherished moments, from cheering at sports events to sharing traditional Cree knowledge and language. This picture book beautifully captures the bonds between grandparents and grandchildren, making it perfect for shared reading and an ideal gift for special occasions like birthdays, holidays or family celebrations.

Meet the Canadian illustrator Thao Lam

Image source: House of Anansi 

About Thao Lam: Thao Lam fled from Vietnam to Canada with her family as a child. Learning English was difficult, and it was picture books that helped her understand this new world and ignited her passion for visual storytelling. She has an insatiable love for colored and textured papers, which she uses to create her exuberant collages. Source

Take a look here to read more about many of these titles.

The Paper Boat is part of the IBBY Silent Book collection and Everybelly was selected as a title for the 2026 USBBY Outstanding International Book list. 

Read the Kirkus Star review of The Paper boat. Here is a video of Thao talking about this book. 

Bookseller blurb for Thao (the book): A funny, eye-opening story about the challenges of growing up with an unfamiliar name and learning to be true to yourself, new from the critically acclaimed Thao Lam. Even though it's only four simple, familiar letters long, nobody can ever pronounce Thao's name. She's been called Theo, Tail, even Towel! But the teasing names - Tofu, Tiny, China Girl - are worse. Maybe it's time to be someone else? Thao decides to try on a different name, something easy, like Jennifer. It works, but only until she opens her lunchbox to find her mother's Vietnamese spring rolls, ... Thao's favorite! Now, it feels a lot more comfortable to be herself. Simple on the surface, this story inspired by Thao's own childhood is full of humour, heart, and important ideas of diversity, inclusion, and cultural pride. The story will be instantly relatable to readers who have ever felt different. Designed with a playful emphasis on typography, and Thao's own childhood photos added to her signature cut-paper collage, THAO champions being true to yourself and your background, and being empathetic towards others. It is a celebration of all that's in a name and the power of owning your identity.

Kirkus Star review comments:

Every Belly: Through cut-paper collage illustrations, Lam spotlights a noteworthy diversity ... 

Wallpaper: Paper-collage illustrations lend texture and depth to this fantastical story, with individual elements providing layers so real readers will want to lift them up and peek underneath. Simple shapes (triangles for trees) and careful attention to detail make complex emotions visible and real for young readers. The hand-lettered title adds to the accessibility and childlike qualities of this book. A unique and visually stunning approach to the classic dilemma of making new friends.

The Line in the Sand: The artwork uses bold pops of color and geometric designs to tell an elegant, profound story.

Meet the Canadian illustrator Elly Mackay

Butterfly Park

Bio: Elly MacKay is an acclaimed paper artist and award-winning children’s bookmaker. She is the author and illustrator of a number of picture books, including In the Clouds and Red Sky at Night, and has illustrated, among others The Enchanted Symphony by Julie Andrews and Emma Walton Hamilton and I A a Meadow Mermaid and The Secret Fawn by Kallie George. Before pursuing a career in picture books, she taught in schools and was an educator in galleries. Elly lives in the winter kingdom of Owen Sound, Ontario, where she and her family often search for snow dragons in the gardens and fields nearby. 

Read about her process here and see all of her picture books. I am attending the IBBY Congress in Ottawa - hopefully Elly Mackay will be there too sharing her wonderful work.

Here is an interview with Marmalade Books. You might like to follow her work on Instagram.

Kirkus review comments:

The Bunny Ballet: Though select stylistic elements invoke the pastoral aesthetic of Little Golden Books of yore, MacKay’s art is something special, a marriage of vintage and contemporary in its ethereal dreaminess and Technicolor detail. The result is an enchanting bedtime incantation, one that’s light on narrative tension and rich in immersive loveliness. (Star review)

The Tallest Treehouse: MacKay’s backlit dioramas, suffused with watery colors, glow gauzily. Moss greens and dawn pinks conjure the light-skinned fairies’ forest, a place that feels both familiar and faraway. 

Here is a list of her newest and forthcoming titles:

• The Island of Wild Horses. by Elly MacKay. Tundra Books, 2028.
• Fox Fairies. by Elly MacKay. Tundra Books, 2027.
• A Forest Begins Anew by Louise Aamodt. Ill. by Elly MacKay. Astra Young Readers, 2026.
• Twelve Daring Grays: A Whale Migration Adventure by Nora Nickum. Ill. by Elly MacKay. Candlewick, 2026.
• The Bunny Ballet. Written by Nora Ericson, Ill. by Elly MacKay. Abrams, 2025.

MacKay’s captivating ink and paper illustrations were layered and enhanced with wire, colored filters, and light and then photographed for a glowing and serene three-dimensional effect. The speckled whales seem ready to splash off the page in each dioramic scene. Kirkus Star review

And here are all her previous titles:

• Frostfire. by Elly MacKay. Tundra Books, 2024.
• The Enchanted Symphony. by Julie Andrews and Emma Walton Hamilton. Abrams Kids, 2023.
• I Am a Meadow Mermaid. by Kallie George. Tundra, 2023.
• Zap! Clap! Boom! Written by Laura Purdie Salas. Bloomsbury, 2023.
• Too Early. Written by Nora Ericson. Abrams, 2022.
• In The Clouds. by Elly MacKay. Tundra Books, 2022.
• Hidden Treasure. by Elly MacKay. Running Press Kids, 2021.
• The Secret Fawn. by Kallie George. Tundra Books, 2021.
• The Tallest Treehouse. Running Press Kids, 2019.
• Red Sky at Night. Tundra Books, 2018.
• Waltz of the Snowflakes. Running Press Kids, 2017.
• Maya. by Mahak Jain. Owlkids, 2016.
• Beach Baby. by Laurie Elmquist.  Orca, 2016.
• Butterfly Park. by Elly MacKay. Running Press Kids, 2015.
• Shadow Chasers. by Elly MacKay. Running Press Kids, 2014.
• Fall Leaves. by Loretta Holland.  Clarion Books, 2014.

And I now discover Elly Mackay did the cover for A most magical girl by Australian author Karen Foxlee.

International Award Winners Announced

On the same day we heard the news about the Hans Christian Andersen Award winners (one for writing and one for Illustration) and the Astrid Lindgren Memorial Award winner.

The Hans Christian Andersen Award is the highest international recognition given to an author and an illustrator of children's books. Given every other year by IBBY, the Hans Christian Andersen Awards recognize lifelong achievement and are presented to an author and an illustrator whose complete works have made an important, lasting contribution to children's literature. The Author's Award has been given since 1956 and the Illustrator's Award since 1966. The Award consists of a gold medal and a diploma, presented at a festive ceremony during the biennial IBBY Congress. 

And the winner for writing is .... Michael Rosen. Read my post from 2024. And here is his web page.

We're Going on a Bear Hunt

Michael Rosen's Reading Manifesto:

1. Reading books helps children make the most of what school and the world offer them.

2. Books give children language, thoughts, ideas and feelings.

3. Books show them places and times and cultures very near and dear to them.

4. Books show them places and times and cultures they may not have come across before.

5. Books help children walk in other people’s shoes, seeing things from someone else’s point of view.

6. Books help children see that they are not alone.

7. We have to do what we can to put books into children’s hands.

8. We have to do what we can to find space and time for children to talk about books.

9. We have to celebrate children’s books.

10. Children’s books are for everyone because we are all children at some time or another.

The Astrid Lindgren Memorial Award is a global award given annually to a person or organisation for their outstanding contribution to children’s and young adult literature. With a prize of five million Swedish kronor, it is the largest award of its kind. Above all else, it highlights the importance of reading, today and for future generations.

And the winner is ... Canadian author/illustrator Jon Klassen. Read more here. 

Extra Yarn

Check out my previous posts about the ALMA for 2026 and the HCAA ten short listed authors and illustrators. The 2026 HCAA Illustrator winner is Chinese artist Cia Gao. I don't think any of her books have been translated into English but I expect that will now happen following on from this award.  You can read her dossier. There are links here on the IBBY page. 

Previous ALMA winners include our Australian Indigenous Literacy Foundation; Shaun Tan; Sonya Hartnett; Jacqueline Woodson; Christine Nostlinger (Conrad the story of a factory-made boy); Laurie Halse Andersen; and Maurice Sendak.

Previous HCAA winners for writing include Patrician Wrightson (Australia); Jacqueline Woodson; David Almond; Margaret Mahy; Martin Waddell; Aiden Chambers; Katherine Paterson; and Astrid Lindgren. Previous HCAA winners for illustration include Maurice Sendak; Mitsumasa Anno; Robert Ingpen (Australia); Lisbeth Zwerger; Anthony Browne; Max Velthuijs (Frog is frog); Roberto Innocenti; Roger Mello; Suzy Lee; and Sydney Smith. 

IBBY Who What and Why

IBBY is an non-profit organization that was founded in Zurich, Switzerland in 1953. Today, it is composed of 85 Sections all over the world. It represents both countries with well-developed book publishing and literacy programmes 

and countries with only a few dedicated professionals who are doing pioneer work in children's book publishing and promotion.

In social situations I am often asked about IBBY. It is difficult to know how much detail to explain and exactly what to say and an even bigger puzzle, which I cannot answer in this post, is whether I should try to entice the questioner into joining IBBY Australia. But first I will focus on the bigger international picture by starting point with the IBBY Children in Crisis Fund:

Go to the webpage and click on each image to read more

IBBY also compile and maintain several very important book lists and collections - Silent Books (wordless); International Honour Books; Outstanding Books for Young People with Disabilities (Australian list is here); Children's Books from and about Palestine; Books to support the Sustainable Development Goals; and IBBY-UNESCO Collection of Remarkable Books in Indigenous and Endangered Languages.

I recently read a fabulous interview between the US IBBY president Susan Polos and Betsy Bird. I am going to quote large chunks of it here.

Betsy: The other day a librarian colleague of mine reached out to me. They found that after years of doing their job they found themselves in a bit of a slump. They were hoping to find new outlets of interest in the world of children’s literature to pursue. At the same time I was also meeting with a newly minted children’s librarian, fresh out of library school. For her, she was looking for ways to advance her career. Or, maybe, just keep in touch with the wider world of children’s books out there.

Enter the USBBY. And it’s not a new organization, not by any means. But to get at its origins you need to look at another organization first. In 1953 The International Board on Books for Young People (IBBY) was founded, based on the vision of its creator, Jella Lepman. IBBY´s mission is to promote international understanding through children’s books. And USBBY is the U.S. national section of IBBY.

All well and good, but what’s the organization do? And what’s the advantage to joining? To answer that, we’re talking today to the President of USBBY, Susan Polos. After all, there’s no better way to get some answers than to start asking some questions.

For folks unfamiliar with the organization, can you tell us a little bit about what it is and what it does?

Susan: The United States Board on Books for Young People (USBBY) is the United States’ section of the International Board on Books for Young People (IBBY). As such, it works with 84 other sections to promote increased international understanding through sharing outstanding books for children and young adults.

What, would you say, are the benefits of seeing books for children from all over the world?

Susan: Reading books from other countries and cultures broadens children’s awareness of the world and their place in a global society.

If a person is interested in learning more about books for kids from other countries, what’s the best way that they can begin their education? Where should they be looking? What would you recommend that they read?

Susan: Read works by recipients of the Hans Christian Andersen Award to understand global narrative and artistic traditions. Consult curated reading lists such as IBBY Honour Lists. Explore catalogs from independent presses specializing in translated and international children’s literature. Engage with academic journals, conferences, and university coursework focused on comparative children’s literature. Develop critical awareness of translation, cultural context, and representation when selecting and sharing international texts. And note how illustrations are often so distinctly different from what we are used seeing.

Use global awards/international lists as entry points, not endpoints, asking why certain books are recognized and others are not. When you read books from other countries, pay attention to how you feel after reading these books. Sometimes the plot in books from non-Western countries are not in the order of “starting point-climax of the story-ending” because there are many other types of storytelling such as circular narratives, nested stories, etc.

And if a person were interested in joining USBBY (or IBBY or  IBBY Australia), what could they expect? 

Susan: There is an IBBY Congress in Ottawa with the theme “Listening to Each Other’s Voices” this August (2026). ... Whenever you do anything with IBBY or USBBY, you can be assured that you will be surrounded by some of the most wonderful people in publishing and education you will ever know. You can expect to grow and learn and be very glad you joined!

In these terrible times, we look for hope. ... USBBY (and IBBY) will continue to be engaged in uplifting stories that represent many different cultures and that speak to and celebrate diversity within cultural groups. Jella Lepman, a founder of IBBY, believed that books for children could help heal the world after the atrocities of WWII. We need healing now, don’t we? I agree with you that people who love children’s books are some of the kindest and most open-minded people. ...  International children’s books (are) as USBBY’s mission declares, they are a bridge to understanding. Thank you!

Back to IBBY Australia - celebrating 60 years in 2026:

IBBY Australia, was established in 1966 and Ena Noël, OAM became its first president remaining in this role for over 20 years.  Australia has twice hosted International Children’s Book Day the annual international celebration on behalf of IBBY.  The first time was in 1978, when Colin Thiele wrote the message and Robert Ingpen illustrated the poster with a picture from Storm Boy supported by a grant from the Literature Board.  The second time was in 1988, when Patricia Wrightson wrote the message The Magic Carpet, and Robert Ingpen again illustrated the poster with an image from The Idle Bear with support from the Bicentennial Authority.

IBBY Australia nominates Australian children’s authors and illustrators for the prestigious Hans Christian Andersen Awards.  The Hans Christian Andersen Award is the highest international recognition given to an author and an illustrator of children’s books. The award is made to a living author and illustrator whose body of work has made a lasting contribution to children’s literature. In 1986, both Hans Christian Andersen Awards were won by Australians: Patricia Wrightson for writing and Robert Ingpen for illustration. Our 2026 nominees were Bruce Whatley (illustration) and Emily Rodda (writing). 

Here is our 2026 IBBY Australia International Children's Book Day Video which celebrates our 60th. 

Take a look at our past Newsletters and read about the prestigious Ena Noel Award.

Purpose and goals:

• To promote international understanding through children’s books
• To give children everywhere the opportunity to have access to books with high literary and artistic standards
• To encourage the publication and distribution of quality children’s books, including those in their own languages (eg the Indigenous languages across Australia)
• To provide support and training for those involved with children and children’s literature
• To stimulate research and scholarly works in the field of children’s literature

I highly recommend these two books about the founder of IBBY Jella Lepman.  Click the link below each book to read more about this feisty, determined woman who had a wonderful vision for a better world. 

Jella Lepman and her library of dreams

The Lady with the Books