IBBY and UNESCO are currently compiling a list of books that honour and celebrate indigenous languages from around the world. IBBY Australia will send a list of potential titles and I expect to see a display of these books at the IBBY Congress in Ottawa this year. In the Kelp Forest is a perfect example of a text with integrated Indigenous words and beautiful art and it will be eligible for submission with the next (second) selection round. Along the way you readin this book and your library group or young reading companion are sure to learn so much more about kelp and in this book you will also discover indigenous words for sea snails, sea urchins, crayfish, mussels, abalone and the sea horse (patterleenner in Coastal plans language). In the Kelp Forest is a book you should add to your library and then share it with your teachers so the class can discover more about this amazing underwater environment.
As a way to find more books on this topic and for background reading take a look at these two posts from my friend at Kinderbookswitheverything:
1st March 2025 World Seagrass Day
The crew of Backroads (ABC Television) visit the kelp forests of Tasmania (4 minutes). And Nature Conservancy have some further information and photos.
Aunty Patsy Cameron grew up on Flinders Island and can trace her Aboriginal heritage through her mother’s line to four Ancestral grandmothers ... Patsy has a Master of Arts in Tasmanian Aboriginal History and an Honorary Doctor of Letters from the University of Tasmania. She was inducted onto the Tasmanian Women’s Honour roll in 2006 and was invested with an Officer of the Order of Australia (AO) in 2017 for distinguished service to Indigenous communities in Tasmania. Her first picture book, with Lisa Kennedy, was Sea Country, also published by Magabala Books.
Belinda Casey is a proud great granddaughter of legendary Tasmanian Aboriginal woman, Fanny Smith, whose traditional homeland is Tebrakunna Country in North Eastern Trouwerner/Tasmania. Belinda graduated with a Bachelor of Fine Arts with Honours from the School of Creative Arts, University of Tasmania in 2018 and was a finalist in both the 2025 John Glover Art Prize and the 2022 Hadley’s Art Prize. Belinda’s art practice honours the legacy of her ancestral grandmother and the strength and resilience of the Tasmanian Aboriginal people, their culture and connection to Country.



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