Bravepaw and the Fangstone of Flintfall by LM Wilkinson illustrated by Lavanya Naidu

Titch and her friends Huckleberry, Dollop and their new friend a squirrel named Briar are on a quest to heal a crack in the heart of Alluria. Titch has the Heartstone but ...

"It had been a wise old squirrel who told Titch that the Heartstone was incomplete - that there were other gems out there. One of them - the Clawstone - had hung around the nect of the turtle wizard. But there were more to find, which was why they were on their way to the library city of Lexhelm, to learn more about the Gems of Harmony and the history of Bravepaw."

All librarians and Teacher-Librarians will be thrilled that Titch needs to visit a library! BUT how horrid that they are confronted by armoured silversfish and they are holding the head librarian Master Sticklepin, a hedgehog, captive in his own office. Titch, Briar and Huckleberry fight the silverfish but while some are destroyed many just slither away (I hope we don't mee them again in the next Bravepaw book). 

Master Sticklepin explains to the group about the history of Bravepaw - the first was a rabbit princess named Hazel but more importantly they hear about an ancient monster of pure evil called the Deadroot. This monster is responsible for the danger facing Alluria because every hundred years he stirs again.

Titch has the Heartstone on the top of the staff given to her by Prince Vetiver and she now has one of the four Gems of Harmony - Clawstone. The other three are Fangstone, Dreamstone and Songstone. Titch and her group are now on a quest to find the Fangstone and this will involve a journey deep underground to a crystal cavern. It also means their trust will be betrayed. (Spoiler alert) Why is Clover, a very small, white, delicate looking mouse offering to help them? 

The underground scenes in this third installment are so vividly written I felt utterly claustrophobic. Oh and those awful curseworms are at work again and thank goodness the group rescue and meet Raia, the lavender wolf who I am sure will be back again. 

In 2022 I discovered the first book in the Bravepaw series and I fell in love with the characters and these little chapter books. In 2025 I rushed out to buy the second book and it was an equally terrific quest story. Late last week I saw the author LM Wilkinson and illustrator Lavanya Niadu mention the third book had been published early in March - how did I miss this? 

Yesterday I picked up Bravepaw and the Fangstone of Flintfall and I read the whole book as soon as I arrived home. If you haven't found this series you do need to begin with the first book and please take a minute to read my first two blog posts. I wonder how long I will need to wait for the final two installments. If you work in a school library this book set will look so splendid on your shelves. If you haven't added these to your library make sure you do this now - especially because sadly Book One is from 2022 so, unless it is reprinted, copies could become scarce. 

Bravepaw and the Heartstone of Alluria

Bravepaw and the Clawstone of Rotwood Mire

The Cave by Victor Kelleher

"no fire burns forever, and the Beast is always out there, waiting. 

No, something more was needed it they were to claim victory."

For a few hours yesterday I was living in the world of Paleolithic man. Fire is a precious commodity; tools are treasures made by skilled members of the community and I watched as bows and arrows were discovered and refined. I really was there - the writing in this book is so evocative of place and time and most of all harsh weather conditions. 

Irian and Ulana have seen their families massacred by a creature they call the Beast. 

"The eyes a golden yellow, almost beautiful in their sheer savagery; the fur of the head a snout patterned with the ugly scars of old wounds; and the fangs! Ivory white, and more like tusks than actual teeth, they curved down past its lower jaw and ended in jagged spikes."

It is late Autumn, and the Winter will be bitterly cold and dangerous. Ulana has been injured in her own confrontation with the Beast and Irian is so traumatized he has lost the power of speech. The pair are hopelessly underprepared for their journey, and they have no fixed destination except to get away from the cave where they have lived all their lives. Cave dwellers live precarious lives constantly on watch for the Beast and other huge predators such as the Pard. They use fire for cooking of course but also for protection. As the story opens Irian and his father have the task of maintaining the fire through the night but exhaustion overcomes them, they fall asleep and the Beast attacks. 

"For a mere split second, he glimpsed a scene of carnage; a nightmare vision of strewn bodies, of smashed pots and weapons, all of them corpse-grey in the uncertain dawn. Then the whole scene was replaced by a huge head and a great scared face, no more than an arm's length away."

The two young people on their own could never survive their journey or escape all the dangers that surround them except for the help of Trug. Trug is an old loner woman who survives by trading. She is a skilled traveler, and she carries a huge bag filled with all manner of tools. After their meeting she is able to help Ulana, whose wounds have begun to fester. Then she helps the friends make a shelter and together they survive a violent storm. Ulana is heading to the flint fields for trading. In spite of her grumbling, she teaches Irian and Ulana how to trade and by the end of that visit both have warm coats and more importantly Irian has discovered his own skill as a tool maker. Irian meets an old reclusive man who has brilliant tool making skills but sadly he dies. With his dying breath he gifts Irian some small strange very small weapons. 

"A tiny thing. A sliver of stone, no more, but chipped into a strangely curved shape that gave it a beauty and mystery that made it stand out from the rest. ... What used could there be for such a tiny weapon?"

I loved the care people take with transporting fire and the discovery that Trug finally shares about using a flint to make fire rather than need to rely on occasional lightning strikes and burning bushes. 

"she pulled apart the clay ball, splitting it neatly in two. At its core lay a tiny bed of hot coals. With two sticks, tong-style, she removed one of these tiny spots of glowing red and placed it carefully in the grassy nest. Working quickly now, she closed up the clay ball, preserving the rest of the coals; then folded the nest on itself and blew gently on it. Puffs of smoke immediately billowed out, followed by a spurt of flame that grew and grew."

There are also interesting issues in this book about kindness, sharing, trade, using your gifts and talents and trust.

If you read this book with a class I am sure you and your students will notice the way Victor Kelleher weaves in the seasons as a plot device moving from the dangers of Winter (danger and despair) through Spring (hope) to Summer (good times ahead). 

"Within minutes the temperature plunged and they were caught in a complete white-out that transformed even the closest trees and rocks into indistinct ghosts. The driven show, in the form of tiny ice crystals, stung their faces and hands; while the intense cold bit into their very bones and made each breath a form of torture. Worst of all was the wind, cutting and cruel ... "

The Cave just has to be a CBCA (Children's Book Council of Australia) Notable title either in Older Readers or perhaps Younger Readers. This book might better suit readers aged 12+ or very mature readers aged 11+. The print size is quite small. You will see in the reviews below that the age recommendations do vary widely. Our Australian journal Reading Time said Grades 4-6; Buzz Words said 12+; and Kids' Book Review say 10+.  There is a one scene in the story where Trug tells Ulana to be very careful at the flint fields. Ulana is a pretty girl and the men there could be dangerous.  Check chapter 7. 

Don’t miss this outstanding novel that will leave you as enriched in knowledge as were the characters of the story from their journey. Kids' Book Review

The cave is a scary adventure story. The little group have to travel through snow, rain and flood, always on the alert to danger from leopards and other wild creatures. Along the journey, Irian has to rediscover his selfhood and find the courage to stand tall and take his place in the world. There are strong moral lessons about caring for others, sharing knowledge, and working together for the better of the community. Read Plus

Kelleher laces the fairly straightforward text with hints of more complex philosophical tension—Ulana’s utilitarian idealism favours sharing resources and knowledge, while Trug relies on more defensive trade tactics, with Irian suspended between them, fighting his own demons and slowly fostering a sense of purpose in the aftermath of losing his known world. Books+Publishing quoted on Facebook.

Kelleher creates a prehistoric world in a way that is both familiar and unfathomable. He leads the characters on a journey where the descriptive writing is detailed enough that the reader can easily imagine being on the journey with them. The characters he has created are so unique, so individual and so enjoyable that they will each stay with the reader long after the final page has been read. Buzz Words

Reading The Cave I kept thinking about earlier books by Victor Kelleher. Sadly, these are both long out of print. If you are lucky one or both of these might still be held in your school or local library. I adored both of these when I read them many decades ago.

Companion books:

This is the first book in a series called "Chronicles of Ancient Darkness" 

I highly recommend these books.

Tarin of the Mammoths

Also try to find these two non-fiction books - they are so interesting:

Cave Paintings

Ancestory

Also look for this book recently written by Victor Kelleher:

Wanderer

Ettie and the Midnight Pool by Julia Green illustrated by Pam Smy

I spied this book in Melbourne (Ladyhawke, Ivanhoe) and I recognised the author name but I couldn't think which book I had previously read. I was delighted to find it was House of Light. I said in that post that I would like to read more books by Julia Green but sadly I didn't really love Ettie and the Midnight Pool in the same way. I found the anger Ettie levels against her grandmother quite awful. I know Ettie is growing up and questioning the way her grandmother seems to set so many rules. Ettie is also desperate to know more about her absent mother and she wants her grandmother to acknowledge life is not like a story with a happy ending. In fact, when Ettie finds out that the famous myths and other classic stories her grandmother has told her do not have the endings her grandmother always shared and that these stories are actually filled with tragedy and sadness Ettie becomes even more determined to defy her grandmother.

Near their home there is a disused slate mine. Ettie is not supposed to venture beyond a certain point, and she is most definitely not allowed to swim in the lake at the bottom of the mine. I am sure you have worked out she breaks both of these rules and that her behaviour has dangerous consequences. Ettie is not alone though and perhaps she would not have been so defiant or attempted such dangerous activities if she had not met the mysterious Cora.

It would have been good to find a list of the famous stories referred to in Ettie and the Midnight Pool such as Pandora's box, Persephone and Demeter, Orpheus and Eurydice, and Icarus. Familiarity with these might help readers more deeply appreciate Ettie and the Midnight Pool. There are also references to Little Red Riding Hood (think of the cautionary tale) and The Incredible Journey by Shelia Burnford which is a book I loved as a child. I also wanted to know more about Ettie's absent mother. The story implies she cannot travel home because of Covid restrictions but there is also a hint that her mother has no plan to return and that she thinks Ettie should be raised by her grandmother. 

Readers aged 11+ might enjoy Ettie and the Midnight Pool. These reviewers all enjoyed this book (way more than I did) and you can click these for more plot details. 

Not everything is spelled out for the reader who is given space to form their own conclusions in this haunting, intriguing tale. There is a wonderful use of myth and traditional tales to underpin the message that you cannot, and should not, try to protect children from the dark side of life. We cannot fully appreciate the light without understanding the darkness that exists. Superbly descriptive writing, evocative illustration and psychological depth make this an unforgettable read. Love Reading4Kids 
This review also includes an interview with Julia Green (27 minutes).

'Powerful, haunting and incredibly atmospheric . . . told with all Julia Green's great skill and shot through with a vein of dark mystery. A truly special book' Nicola Davies

Enhanced by Pam Smy’s powerfully evocative illustrations, Julia Green’s wonderful descriptions of the countryside, in combination with intrigue and nail-biting moments, make this a mesmerising story that lingers in your mind long after you’ve set the book aside. Red Reading Hub

This would make the perfect read for those children who are thinkers, who want something different or special to read. Every class has them and it’s always a joy to have a gem like this to offer when they are ready for their next book! It is a wonderful, layered story, full of love, longing and life. Through the Bookshelf

Julia Green’s writing is always incredibly powerful – an ode to nature with a hopeful call to action. Ettie and the Midnight Pool is no different. Readers feel the rhythm of the earth – the peace, the heartbeat, the story of the land – as they think about their own place in it. From the freshness of the hay meadows to the oak trees to the iciness of the water, nature is enchanting and the most beautiful place to be. Scope for Imagination

Ettie and the Midnight Pool companion book:

October and October

Julia Green is an author of over twenty novels and stories for children and young adults. She has worked as a publicity assistant for a publisher, a library assistant, an English teacher, and is currently Emeritus Professor of Writing for Young People at Bath Spa University. 

Ancestory: the mystery and majesty of ancient cave art by Hannah Salyer

Ancestry - Ancestory - this book is about the stories of our ancestors that we have discovered through their rock art and cave art. Hence the clever title.

"These time capsules take the shape of ancient tock paintings, drawings and etchings. But who made them? Our ancestors. ... Their art can be found all over the world."

Image source: Hannah Salyer

Ancient people made this art. Some of it took a long time to create. There is a wonderful double page in this book which shows some of the materials and tools they used. A curious reader is sure to want to know more about azurite; goethite; limonite; selenite; and cuprite. With your young reader or class you could experiment with charcoal and ochre using a shell or flint as a tool. (Note there is a very useful further reading list at the back of the book).

What did they draw? Another fabulous double page shows art from 64,000 years ago through to 300 years ago from all around the world - South Africa, Saudi Arabia, India, Finland, Spain, Australia and Namibia. Then turn the page to see the numerous animals that have been discovered - animals that are now extinct - Eurasian Wild horse, Moa, Irish Elk, Woolly Rhino, Woolly Mammoth, Cave bear and Eurasian Cave Lion. 

"Our ancestors used natural shapes in the stone to help define the creatures, so that they seem to emerge from the walls."

The other issue is preservation of this precious art. Art in caves has often survived because it was not subject to wind and rain. There are some notes in the back of the book about the Lascaux Caves in France. Over the decades they were open to the public (they are now closed) and the breath of the visitors "drastically changed the atmosphere, and condensation formed on the walls and ceilings. Moisture sullied the paintings. Mould developed. And high-powered lighting caused the painting to fade." Show your class this 3 minute film. 

 But what else do we know?

"Archaeologists study tirelessly to connect the dots, and sometimes people who are part of local indigenous communities still have distant familiarity with these ancient sites and stories."

Publisher blurb: Around the world, our ancient ancestors’ mysterious art is left behind on cave walls, in rainforests, and with ink made from charcoal and crushed clay. These people told their stories in magnificent drawings that still speak to us today, echoing across generations. In her own stunning artwork that features the deserts of North America to the caves of Papua New Guinea, Hannah Salyer showcases ancient rock paintings, drawings, and etchings and invites us to add to the ongoing story—our ancestory.

The back matter expands the text with more information:

• site maps and lists of places where rock art sites are found
• “A Story Within a Story: The rediscovery of the Lascaux Caves”
• an author note
• a glossary of “Words to Know”
• a timeline
• resources for Further Reading and Investigation

The author raises questions about how and why our ancestors crafted their art: “Mapping the stars? Documenting the world around them?” Readers will also learn our forebears used all-natural materials, such as charcoal, ash, and malachite, and tools including flint, shells, and yucca stalks. Excellent explanatory backmatter concludes this fascinating book. Kirkus Star review

This unusual and brilliant book will appeal to a wide age range of readers who will want to study it in repeated readings. I anticipate that teachers will want to introduce the book to different classes, like art, history and composition. It makes an excellent read aloud. Worlds of Words

I spied this book when I was shopping at Gleebooks with my friend and I suggested she could buy this for her school library. That means I am the lucky first borrower of this utterly brilliant book. I also relate to the content of this text because as a child we used to clamber over rock art in a local reserve near my home. There was a kangaroo carved into those rocks a little like the one on the cover of this book - which is art from Arnhem Land.

Awards:

• Bank Street Children’s Best Books of the Year
• Vermont Red Clover Book Award
• Kirkus Reviews Best Books of 2020
• Outstanding Science Trade Books for Children (NSTA/CBC)
• New York Public Library’s Best Books for Kids
• CBC Best Book of the Year

Watch this film where Hannah describes her book. You can read more about Hannah Salyer here. "The artist used ceramic sculpture, photography, coloured pencils, charcoal pigment and digital media to create the illustrations for this book."

Please add this book to your school library and then find a passionate teacher who you know will enjoy exploring this fascinating topic with their class. 

The Ghost of Howlers Beach by Jackie French

Butter lives in a Very Small Castle built by his grandfather who made his fortune from jam. Also living in the Very Small Castle are his dad, three aunts and some servants. The aunts seem to have very odd names but really they are left over nick names from the childhood. Aunt Elephant (Ellen), Aunt Cake (Kate) and Aunt Peculiar (Petunia). I really enjoyed meeting these strong and forthright women. Butter is a nickname too because he is known for always saying 'but'. We never do find out his real name. The year is 1932 - The Depression. Living near Butter are people on welfare who have set up a make shift camp. It is called a susso camp because the people are living on government handouts or 'the susso'.

One day Butter sees three young children playing cricket on the beach. He asks to join in their game but then they somehow disappear. Could they be ghosts? It turns out they are not ghosts but they are living hidden lives. Butter needs to find out why and he needs to help these kids who are frightened, alone and very hungry.

Jackie French has penned a really good Australian yarn.  I have had this book on my too read pile for a month or more but I kept putting it to one side because, sorry Jackie, but I really don't like the cover illustration. Of course the old adage applies "don't judge a book by its cover" - The Ghost of Howlers Beach is an easy read and a warm-hearted story that gives the young reader good insight into life in 1930s Australia. You may love the cover or it may not appeal to you but either way I recommend this book for readers aged 9+.

Warning don't read this book when you are hungry. There is so much delicious food in this story.  Luckily there are some recipes at the back of the book.  Here are some of the treats:

"Chicken soup, bubbling rich with vegetables
buttered toast with a dish of plum jam
egg and lettuce sandwiches
a big plate of lamingtons"

"Chicken and salad sandwiches.
And some Neenish tarts, an apple, an orange, a banana, some dates
and iced cocoa and lemon barley water."

"Sunday lunch was always a big saddle of lamb that Cookie put onto roast slowly by itself in its nest of potatoes and carrots and pumpkin ... (with) beans or peas or buttered cabbage."

Neenish Tarts

There must be plans for more books about Butter and his family of aunts because the cover of this book says: "The Butter O'Bryan Mysteries" and the publisher web site includes #1 in the title. Put this book on your 'to read' list but you will need to wait a couple of months. The Ghost of Howlers Beach will be published in March 2020. Huge thanks to Beachside Bookshop for my Advanced copy.

You can read more about the 1930s in Australia in Sweet Adversity; and the Our Australian Girl series featuring Ruby.