The Foal in the Wire by Robbie Coburn

Sam lives on a farm. His father is a horse trainer. There has been a dreadful accident and Sam's brother has died aged only seventeen. The accident happened three years ago but Sam still has nightmares, and his mother and father's relationship has descended into fights, arguments and screaming matches. Sam tries to stay invisible. 

Julia lives next door. Her father has driven her mother away after one beating too many. He is a violent man who is fueled by alcohol. 

A foal becomes caught in the wire of a fence. Sam hardly knows Julia but together they rescue and care for the young foal and over the days and weeks their own gentle relationship begins. Sam tells Julia about his brother and also about his one friend - a boy from school who is actually not a friend - he is a dreadful bully but Sam clings to this dysfunctional relationship. But then comes the day Alex verbally attacks Julia and Sam fights back. As I reader I cheered when this toxic relationship ended. 

Julia also confides in Sam. She desperately misses her mother and is afraid of the violence from her father. Then Julia cannot take it anymore and she swallows some pills. The authorities swoop in and she moves away to live with relatives. Sam loves Julia and now she has left. 

This is important - do not let the cover trick you. Yes, this is a book about a horse and yes, it is a 'thin' book with only 117 pages BUT this book contains topics only suitable for readers aged 15+. Hopefully bookshops won't 'accidently' put this one on their junior shelves. Oh, and YES, the cover by Tannya Harricks is truly wonderful so do put this book into your high school library. Young Adult fans of verse novels and of books filled with raw emotions will devour this one.

Did you ever see the movie of Forest Gump - do you remember Jenny the young girl next door. Do you remember the dreadful violence she was subjected to by her father - that is a part of this story too. Look at the labels I have assigned to this post - violence, death, accidents ...

The Foal in the Wire is certain to be listed as a 2026 CBCA Notable. 

This is a short book, but it deals principally with big questions and sometimes intense, formative experiences. Verse novels are deceptive in what would appear to be limited space for establishing depth in a story and characters. As both a lover of poetry and young adult literature, I find verse to be the perfect form to capture a story, particularly in dealing with difficult and confronting subjects. When writing for a young adult audience, free verse perfectly conveys a character’s internal language without the addition of unnecessary explanation. Each word must be chosen carefully, and no language wasted. The impact of poetry can be remarkably strong and effective in conveying emotion, while also adhering to brevity and trusting the reader to visualise and fill in the empty space on the page.~ Robbie Coburn 

In this piece for Paperbark Words Robbie Coburn talks about his poetry and about writing this book. Megan Daley and Your Kids Next read talk about The Foal in the wire here (listen from 2.50). You can hear Megan reading the blurb. Megan likens the language choices and expressive writing in this book to Sonya Hartnett and John Marsden - that's a big call but I do agree. 

Read this interview with Just Kids Lit. See inside The Foal in the wire and read some endorsements on the publisher page. And here is an interview with Hachette. And book club notes and Scholastic notes. 

Verse novels grapple with topics like trauma and loss in different ways than prose. It’s a little more subdued and evocative, with serious undertones that show that everyone lives a different lives. They can bring emotions that teens may be feeling to light, and give them space to talk about them safely. It gives them a voice to explore these feelings; explore the things teens might experience that they don’t think they can talk about with anyone else. This makes them powerful vehicles for discussion as well. ... This is the power of verse novels – they play with emotions and pull at the heartstrings. They invest in characters emotionally. The brevity makes it work well – the details aren’t needed, because you can fill them in yourself. The Book Muse

Here is the poem that made me shudder:

my only friend at school, Alex,

always makes fun of our house

and the way it doesn't look like

other people's. ...

he makes fun of my clothes

and the food mum makes me

that I bring to school for lunch.

he tells me I should be embarrassed

that my parents are poot

and says we are bogans

for racing horses.

he says my brother

is lucky he died

so he doesn't

have to be embarrassed

by me and my family anymore.