Peijing and her little sister Biju have moved to Australia with their parents Ma Ma, Ba Ba and her grandmother Ah Ma. Everyone in the family has to make huge adjustments in order to cope with this new place. Peijing loves her Ah Ma but Ah Ma is beginning to act strangely as her memory deteriorates. None of the adults seem able to talk to Peijing about this. Back in Singapore Ma Ma was popular and confident but with little or no English here in Australia she has retreated into her home. It is so difficult to mesh traditional family customs and expectations with the new life Peijing is experiencing at her school. And also she has new levels of responsibility towards her sister and her mother.
Peijing and Biju share a Little World. It is all made from paper and they love to add new creatures and invent stories as they play.
"Little World was something familiar. Something safe. Something to escape into. Where minutes could become hours and hours grow into days. Where in the blink of an eye, ecosystems could grow and flourish and collapse again back into the ocean, and large herds of beasts that only existed in your mind could cross from one continent to another. Where something you made yourself could be your home, even just for a while."
"There were zoos and farms and a network of underground burrows and branches of trees made of many pieces of paper sticky-taped together. There were oceans, rivers and lakes too but some of them were so big they stretched from one side of the room to the other."
In a moment that lingers with me, on the day the family leave for Australia, everything in their Little World box is gone. Peijing knows that her mother has done this. Biuj is distraught but the girls find one paper rabbit hidden under a flap in the box. Peijing tells Biuj to hide the rabbit so they can take him to Australia. There is such a raw honesty to this scene that it must be a memory from Shirley Marr's own childhood. In fact I wonder how much of this story is autobiographical such as the scene where Biju refuses to use chopsticks (chapter 10). I also adored the unfold friendship between Peijing and Joanna. Every story needs a special and kind friend like Joanna.
"Peijing's heart was beating fast. She wanted to yell at the boy to take back what he said about Joanna. She wanted to punch him in the face for saying what he did about her. Then she wanted to run out of the school gates, run until she reached the ocean and, even though she could now swim, make it impossibly back home."
Interspersed between chapters are Biju’s own retellings of myths and fables, offering the sisters a chance to consider elements of Chinese culture as Peijing seeks to navigate between the values of her family and their teachings and what she learns in Australia. And we also witness a transformation of each family member - Ba Ba softens, cooks and forms a relationship with his daughters and Ma Ma finds a job at the Asian Mart.
As I write this it is Book Week here in Australia and one of the major things that happens this week is the announcement of our National children's book award winners by the Children's Book Council of Australia. There are six categories of awards and one of these is for Younger Readers (in the US you might call this elementary school). The winner for 2022 is by Shirley Marr - A Glasshouse of Stars.
When you read both of these book I recommend you should then try to find books by Gabrielle Wang and Grace Lin (especially Where the Mountain meets the Moon).
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