Showing posts with label Nostalgia. Show all posts
Showing posts with label Nostalgia. Show all posts

Sunday, May 31, 2026

Following Grandfather by Rosemary Wells illustrated by Christopher Denise


"It was Grandfather who taught me the names of all the shells: luck shells, boat shells, comb shells, winkles, and the rare queen's teacup, which washes up only once in a blue moon."


Jenny and her grandfather like to visit their local beach - Revere Beach in Boston - and yes this is a real place.


Her grandfather came to the US from Italy and as a young man worked in an Italian restaurant. Now he has retired and Jenny's parents run the restaurant. Grandfather has the time to look after and share his wisdom with Jenny but sadly he is coming to the end of his life.

Here is a special extract from this story:

"My parents worked late into the night, so it was Grandfather who spooned warm milk over my evening pudding. It was his hand that showed me how to button my buttons and how to draw J for Jenny. Into Grandfather's vest pocket went my first tooth, and to the ticking of his pocket watch I slept."

And my favourite scene is when Grandfather takes Jenny to the Jordan Marsh and Fliene department store. 

"There the latest fashions from Paris and Milan are copied exactly from the downstairs models. They are painstakingly sewn from sippets of silk and organza stolen from the main racks at night. ... I tried on every outfit and modeled them for Grandfather. He sat patiently, leaning on his mother-of-pearl tipped walking stick and examining the tailoring carefully, as if we could have afforded them."

Two names jumped out at me from the cover of Following Grandfather - Rosemary Wells (author of all those wonderful books about Max and Ruby) and Christopher Denise (illustrator of Knight Owl).


Bookseller blurb (this book is from 2012 and so is now out of print): 

Invisible to humans exists a parallel world of mice, where young Jenny misses her cherished grandfather so much that she begins to see him everywhere. Jenny is as close to her grandfather as a small mouse can be. Grandfather shows Jenny how to button her buttons and how to write her name. He passes along to her the secrets of making the best lasagna in all of Boston. And during long, shared days at Revere Beach, Grandfather teaches Jenny the names of the seashells they find washed up on shore. When Grandfather is all of a suddenly gone one day, the hole he leaves behind is too great for Jenny to fathom. Isn’t that him turning a corner, sitting on a bench, heading for the pier, walking along their beloved beach? Jenny runs after the familiar silver whiskers, hoping. ... Rosemary Wells peels back the layers of grief to reveal, at its core, something as exquisite and achingly beautiful as the rare and storied queen’s teacup seashell. Christopher Denise illustrates mid-century Boston with affection, and a mouse and her grandfather with gentle humor and unabashed sympathy.

This time spent together - old and young - made me think of this wonderful picture book:


I am an adult and I need to say that there is so much in this book that appeals to me, but I am not entirely sure if this is a book for very young readers. Not because of the content, even though the grandfather does die, but more because of the references to American culture and history and also the exploration of the concept of class and privilege. This quote explains this idea:

"I learned all the mice in the city and what they did to make a living. Grandfather tipped his hat to Senator Lodge himself and to the Cabot nursemaids, the fried-seed vendor, and the poorest rat who swept the sewers. Grandfather said hello to the world. I learned to say hello, too, in that way that made the world smile back."

Rosemary Wells expresses in a beautiful way sandcastles that are swept away by a rising tide - she calls them melting sandcastles and she also uses the delightful words 'crenellated tower' to describe the inside of one sandcastle. And you will want to think about the meaning of the title. And I do love the idea of collecting special shells. 

Following Grandfather has 58 illustrated pages so it is a very quick book to read but if you read this book aloud in your family you may find yourself explaining these things:

  • Meaning of the word 'revere': to be in awe of and respect deeply; venerate
  • Places - Revere Beach in Boston; Holy Cross Cathedral on Washington Street; Martha's Vineyard.
  • Italian foods - biscotti, gelato, mozzarella, cappolatte anisetto, tortellini, lasagna puttanesca
  • Riding in a streetcar (we might call this a tram).
  • Ship names 'Leonardo da Vinci'; Titanic; Carpathia and you will want to explore the sinking of the Titanic in more detail.
  • Grandfather wears spats and has mother of pearl buttons

My friend from Kinderbookswitheverything explains her reservations about the audience for Following Grandfather in her blog post. 

Beautifully written text and endearing gray-scale illustrations transport readers and add to the poignancy of the tale. The message that all people are worthy of respect is artfully delivered and the manner in which Jenny mourns her grandfather's death will evoke empathy from young readers who have suffered a similar loss. School Library Journal

Losing someone you love is always painful, but for the young such a loss can be devastating and incomprehensible. In this beautifully written and illustrated story, we come to appreciate how special Jenny’s grandfather is, and we see how the little mouse struggles to come to terms with her grief. Through the Looking Glass

Writing with tenderness and humor, Wells creates an authentic, parallel, mouse-sized world within Boston while introducing readers to human-sized devotion and grief in the fully developed relationship between Jenny and Grandfather. Kirkus

I do enjoy books about mice that incorporate the human world such as these:


















Sunday, February 1, 2026

Dreadful David by Sally Farrell Odgers illustrated by Craig Smith



Look closely at the cover.
David is emptying his Mum's purse all over the street.
This style of bush fence is often a feature of art by Craig Smith

I first read Dreadful David in 1984 in my first school library and decades later the words still resonate with me.

Dreadful David went to stay
With Granny for a while
His mum was glad to leave him there
For David was a trial

...

David
Made a box into a boat and 
Sailed it on the trough
The box was Granny's biscuit box
The biscuits went all soft!



He watered Granny's kitten because it seemed so small


He used up Grandad's shaving cream and overflowed the shower


He found a big new toilet roll and flushed it down the loo
Oh there was nothing horrible that David didn't do


Maybe now the text is not politically correct because Granny does eventually give David a smack on his bottom (but it didn't really hurt) but that part doesn't bother me, after all by this stage he has watered the letters in the letter box; watered the kitten; put flour and shaving cream all over the bathroom floor; and finally he's used the hose on Granny herself. I am sure most kids will just laugh over this final scene and grandparents will nod in recognition. 

Sally Odgers was born in Tasmania in 195. She began writing as a child, and her first book was published in 1977. Since then, she has published more than 400 titles, making her one of Australia's most prolific authors. Sally lives in North-West Tasmania with her husband, dogs, and a cockatoo, and she enjoys activities like walking, reading, and gardening. Sally Odgers was awarded an OAM (Medal of the Order of Australia) in the 2026 Australia Day honours. ABC Hobart talked to Sally Odgers [listen from 2.07.35] - [2.17.50]


If you have worked in school libraries for a while you might recognise some of Sally Odger's older titles. I own an original illustration from Drummond. Notice some of the very famous names on these book covers - Kym Gamble; and Kilmeny Niland. I also remember reading Wicked Rose to groups of Grade 5 students when we were exploring Bushrangers.


Sally Odgers also writes the Jack Russell: Dog Detective and Pet Vet series.  Trove list 395 book titles here.

Sally's favourites among her own books include the Bandinangi Books (which continue to generate enthusiastic mail from primary school readers), Amy Amaryllis, Shadowdancers, Aurora and Trinity Street. Other books she particularly enjoyed writing include Timedetectors, Theft in Time, CD and the Giant Cat and Tasmania: A Guide (all co-written with Darrel), a picture book called Bunyips Don't and two romances for adults, both published under the pseudonym Tegan James. Shadowdancers and Aurora were both shortlisted for the 3M Talking Book Awards, Looking Out for Sam was commended in the Christian Children's Book of the Year Awards and both Amy Amaryllis and The Follow Dog have been Children's Book Council Notable Books.

The illustrations in this book showcase the work of Craig Smith and they are fabulous. If you cannot find Dreadful David look at the pages in The Wobbly Bike which have a similar setting and feel.


Tuesday, March 18, 2025

Countdown to Yesterday by Shirley Marr





Out of the blue his parents sit him down and tell him they are getting a divorce and mum is moving out tomorrow. James had no idea this was coming. His life and whole world are thrown into disarray. Something is going to happen though because each chapter is in the form of a countdown (you knew this from the title) to "launch" but a launch of what. Interspersed between the countdown chapters James shares his precious memories of all the good times with his mum and dad. He shares six wonderful family events such as climbing a steep hill together to see the view; dinner at a revolving restaurant; going to the movies and the day it rained so much that they all stayed together and built a blanket fort in the lounge room.

"Time and place and circumstances are complicated. The future is too huge and unknowable. Even the present is overwhelming. It would be much easier to go back to one moment in the past and exist in that forever. Safe and predicable and perfect."

Memories, though, are slippery things. James has a new friend named Yan. She asks him to recall the pattern on the little tickets that go with cakes from the famous Birthday cake book. James made these tickets and they are used as part of a school fund-raiser where parents select one cake from the book to make for a display and a competition - the prize is a gold apron! James is sure the pattern on these little cards is of cupcakes but when he looks at the cards again he discovers it is a pattern of cake slices. His memory was faulty.

Yan is a very clever girl. She has a keen interest in learning and also in old technology. I laughed over some of the titles of the books she borrows from the discarded section of her school library. Yan calls this the Book Departure Lounge. Some of these titles even seemed familiar to me because in the 1980s I worked for a company that sold computer reference books. Here are a few Program Catalogue for your TRS-80 Colour computer, 1980; Practical interfacing projects with Commodore computers, 1985; Start programming with the electron, 1983; and The Book of Atari Software, 1983.  Yan also talks about the way computers used to come in colours - I remembered that when she explained:

"Did you know computers used to come in flavours? ... Blueberry, grape, tangerine, lime and of course strawberry."

I think Yan is my favourite character in this book. It made me laugh to read that she loves the typewriter cake. It is interesting the way her manner changes, though, when she is with her mum - this simple plot point could make an excellent class discussion topic. (The same thing happens to James' mum when she speaks Chinese). Yan is also a wise girl. Here are a few of her words of advice:

"Life is about choices. Once you figure that out, things get easier."

"You know I was saying the mind is a mysterious machine."

"Sometimes you need fresh eyes. A different point of view."

"As I have said numerous times, James, knowledge is interconnected ... Just like life and the world and the universe and the metaverse and you and me."

"I've also learnt it pays not to be predictable."

"... the biggest poverty in the future will be time poverty."

I need to make a special mention of the wonderful school secretary - Mrs Tagliatelle. I would love to know more about her. 

"Mrs Tagliatelle always has her lunch at twenty minutes after twelve. She puts the phone straight to voicemail and lets me follow her to the staffroom, where we sit down at the corner table. I always have a sandwich and Mrs Tagliatelle always has leftovers from last night's dinner. She brings in extra so that I can taste her home cooking."


I loved all the references to this classic book birthday cake book. I have never owned a copy but I have certainly enjoyed perusing it when visiting friends. I well remember a teacher making the koala cake for a colleague and for myself I really wanted the castle with the ice cream cone towers. Another friend recently sent me a photo of the train cake she made decades ago side by side with the one made last year by her daughter. In this story they talk about the rocket cake (but I couldn't find a photo); the rabbit cake; and the wonderful oven/stove top cake.

I wrote this story for my son, a child of divorce and for all the children out there going through a similar situation. And of course I put in lots of nice cheery things like David Bowie and strawberry mochi and The Women’s Weekly Children’s birthday Cake book! Shirley Marr

In the US this book has a different cover and I read one reviewer who mentioned a QR code at the back of the book so you can find out more about the cakes - sadly this was not part of the Australian copy I borrowed from a school library. 


When you share Countdown to Yesterday with your class of upper primary students you will want to include the David Bowie song Major Tom. Here is one possible video version. And if you are reading this book at home you will most certainly want to make one of dad's deconstructed desserts - they sound wonderful. Here are the Scholastic teachers notes for Countdown to Yesterday. 

I seem to have saved one of the best books from the 2025 CBCA Younger Readers Notable titles for last. The storytelling and plot structure in this book has blown me away. At about page 250 of the 276 pages I wondered if everyone/anyone else had stood on their own mountain of books and wanted to shout out about Countdown to Yesterday so without planning to read the reviews I Googled the title and the words 'book review' and YES this book has travelled far and wide to huge acclaim including a Kirkus Star review and a glowing one in the School Library Journal and also one from the UK reviewers at LoveReading4Kids. Surely this book will be included on the 2025 short list which will be announced later this month. 

Here is a quote from the CBCA 2025 Younger Readers Notable titles judges' comments:

A stunning novel that will resonate with anyone navigating change in their life.





Shirley Marr is another wonderful writer with an amazing talent who deserves to be celebrated and awarded heaps of prizes. I loved her previous books:



Glass house of stars was the winner of the Children’s Book Council of Australia (CBCA) Book of the Year for Younger Readers in 2022 and the WA Premiers Book Awards for Writing for Children 2021. It was also nominated for the CILIP Carnegie Medal 2022 and shortlisted for the 
Queensland Literary Award - Children’s Book 2022



All Four Quarters of the Moon was awarded a CBCA Notable Book in 2023


I am so excited to see this new picture book coming in May, by Shirley Marr published by Walker Books Australia and illustrated by Michael Speechley.




Saturday, August 26, 2023

Farmhouse by Sophie Blackall

 



This book is a lyrical love letter to the past and to an old house that saw children grow and change until the house itself grew too old to stay standing. While this broken old house could not be rescued by Sophie Blackall, I love that she was able to retrieve so many fragments from the history of the house and then painstakingly incorporate them into her delicate collage illustrations. 

Her voice is so authentic recounting the lives of the family with twelve children who lived long ago in this house. There is a beautiful sense of completion when we meet the final and youngest child, now an old lady, who takes her last look around the house before leaving it to nature and tempest. While it is sad, it is also good to see the raw and messy state of the house fifty years after the last family left. From the artist page illustration where we see Sophie Blackall with her materials there is a feeling that even though the house is now gone its spirit will live on. 

The author note at the back of the book is essential reading and heartbreaking with those words “a roaring excavator would come and extend its long neck and open its wide jaws, bite through the beams, push over the walls, crunch up the parlor organ … “. I love the way Sophie scattered seeds on the land after the house was gone. 

The design of Farmhouse is scrumptious – the embossed cover, the wrap around image on the dust jacket, the view of the inside of the house, a little like a dollhouse, found under the dust jacket, the front-end papers with all the patterns and textures and objects from the house, and the photos at the back of those twenty-one dresses looking like ghosts from the house and along with the old organ. I wish I had a button that was once a shell in the sea - that is the perfect refrain. 


This book is sure to delight readers of all ages. The story telling is rich and nostalgic. There is a very strong sense of time and place. The illustrations can be revisited over and over again and each time the discovery of new details will delight children and adults alike. I also love the pace of the illustrations. We move from pages with so much detail and then turn to a quieter page such as the barn milking scene and the apple tree. To my eye those pages and the one where we see the surrounding farmland feel like places where a reader can take a "visual" breath - these are quieter pages.  


The rhythm and meter of the narrative is perfect. It undulates and weaves in and out of the family's little life in a playful and surprising way, drawing the reader in to 'eavesdrop' on the life of the family before sending the reader out to explore details gently dropped into the tale such as the button that was once a shell. It made me reach for my own grandmother's button jar to see if I had a shell button like this. IF I had been able to read this book with a group of children my button (like this one below) would have been my starting point. 


Image Source Etsy

It has taken me a while to talk about this book because I had to wait until after the CBCA (Children's Book Council of Australia) announced their award winners for 2023 - this waiting is part of being a judge. Farmhouse was shortlisted for the picture book award. The judge's comments were partly written by me, so they do overlap with my comments here. 

Here are some review comments:

A lovely, tender reimagining of people in a long-past time and place. Kirkus Star review

Maybe that’s the thing about this book I like so much. Picture books about old houses or old cars or other old structures view natural decomposition as something to be fought and fixed. Farmhouse respectfully disagrees. The tragedy at work here is that the stories that took place in this house might not get told again. They might fade in the memories of the people who knew them. So rather than refurbish and restore the house, Sophie refurbishes and restores the family and their lives in book form. And maybe there will be a child that reads this book and begins to wonder about old photographs in their own homes. Maybe they’ll ask for stories about their own ancestors and, if they’re lucky, maybe they’ll hear some they never heard before. We can’t help but wonder about the people who came before us. Isn’t it nice when someone like Sophie Blackall is able to give them a little gift, in appreciation for coming before? A lovely, moving, thoughtful book, full of children, life and death, and the turning of the years. Fuse 8 Betsy Bird SLJ

I loved watching Sophie Blackall share her process and art creations for this book on Instagram. Here is one moment.  Sophie Blackall talks to the Horn Book magazine. IBBY President Dr Robyn Sheahan-Bright has prepared some outstanding teachers notes. Here is another interview with Sophie by Parnassus Books in Nashville. 

There are hundreds of decisions to be made on every page of a picture book. In this book, in this family, there are twelve children, and they all have chores and I want it to be historically accurate, but I also want to give the characters depth and not lock them into gender roles.

The perfect comparison text is The Little House.



I also suggest looking for these:








Tuesday, May 26, 2020

My Dog's a Scaredy-cat by Duncan Ball illustrated by Craig Smith



Tuesday Treasure


This is one of those splendid books where the illustrator, Craig Smith, shows his brilliant imagination. He gives us rich scenes of daily life from the past inspired by seemingly simple words.

Here are the first few lines:

"My dog Stanley is the biggest dog on our street. He's a good dog and he's almost an old as I am. But my dog Stanley is a scaredy-cat."

Then comes a list of all the things Stanley is scared of - other dogs, bees, birds, butterflies, cars, water, bridges, and of course cats!  His owner wishes Stanley was brave. Brave as a lion, an elephant, a rhinoceros and a dragon. Of course this doesn't really matter at all

"Because Stanley is my dog and he loves me and I love him too."

Now onto the illustrations. The setting is the 1950s or 1960s in a small town (I think this is in South Australia where Craig grew up) with a special old time corner store. Stanley's owner is sent on a errand by his mum, or perhaps this is a neighbour, to go to the corner store and buy bread and two bottles of milk. On the way the boy sees some men painting and repairing a house and some other men moving a huge piano. It takes ages to get Stanley down to the store because everything is so frightening and, oh no, when they finally arrive the store is closed, perhaps for lunch.

The boy and his dog sit outside in the sunshine. When the pair finally do get inside we see a delightful array of sweets and other goods. You might notice the string bag used by the boy to carry the shopping. When he returns it only contains one bottle of milk. It is also interesting to note the Rosella tomato sauce sign, and the funny newspaper headline - "Rich get richer."








I adore My Dog's a Scaredy-Cat. It is a book to share side by side with a young child. You could also use this book for a school unit on life in the past.   Art students might like to compare the illustrations in My Dog's a Scaredy-Cat with another fabulous book illustrated by Craig Smith - Dreadful David.



I am so very disappointed to discover this is yet another treasure that has been disposed of from my previous library. My Dog's a Scaredy-Cat (1987) is sadly long out of print but I found a copy (2015) in mint condition at a recent charity book sale. This is a book to treasure.

Here is a quote from the late Maurice Saxby in his book Proof of the Puddin;

"A combination of subtle humour, childhood fantasy and a warm, loving relationship between a boy and his dog, along with a happy marriage of text and illustrations, make Duncan Ball's My dog's a Scaredy-Cat, illustrated by Craig Smith, one of the most appealing and successful pre-school picture books."

Magpies review (1988) by Joan Zahnleiter "This delightful book is a splendid example of the integration of text and illustration to form a satisfying whole."