After by Padraig Kenny

"Tell me again how the world ended."

Jen and her father live in the world of 'our' future. All the cities have been destroyed following a huge flood and also, as Jen discovers later, a violent war. At the heart of this destruction is just one man. Edward Seacroft is a tech genius. He has developed a way to build powerful robots called Merks and then he has convinced humans to implant chips in their brains but when his plans went  badly wrong he then implemented his first contingency. 

"Seacroft was the man who invented the Hive, an artificial intelligence network that spanned the globe ... He created robots and machines that were connected via this Hive intelligence. Then he had the bright idea of also connecting humans via implants. ...  Soon the Hive became such an accepted part of life that people were given implants at birth. ... But for some reason the Hive turned on the human race ... The Meks rose up. They showed no mercy. The war was bitter and short. Then the Flood came, overloading everyone and anything connect to the Hive."

People who were too poor for the implants have survived and, as this story begins, Jen and her Father have stumbled onto a small colony. Their leader, Albert, is welcoming and Jen knows this could be a place that she will feel safe but it is vital that no one discovers the true identity of her 'father'. Also who is Albert? Is this really a utopian community? What is hidden behind that locked door? Are the people right to be suspicious of strangers? 

There are eight chilling words in chapter 18:

"Human beings are useful. Up to a point."

Jen is a character who will linger with you long after you finish this book. She is so wise and insightful but also at times witty and funny.  The idea of brain implants is explored in another very old dystopian book that I read and loved decades ago - Devil on my Back by Monica Hughes.

Okay, so I need to say I have had this book on my 'to read' pile for over six months. The cover reminded me of another book I read by Padraig Kenny and I wrongly assumed this one would be similar. I did enjoy Stitch but it was a somewhat harrowing book and so I kept waiting to feel 'in the right mood' to tackle After. 

YES as I said I was wrong. After is a gripping book with a plot that keeps you on the edge of your seat. It is not a horror story in the traditional sense such as another Padraig Kenny title - The Monsters of Rookhaven. This new book, After, has more in common with Tin published in 2018 because once again he explores the possibilities of robots and their role or interactions in our human world.

I found After when I visited an independent bookstore in Balmain. Chatting to the shop owner I mentioned I enjoy middle grade novels with a dystopian setting - she checked her database and handed me After but months later I had forgotten this conversation and I let the cover guide me, so I kept skipping past this book with the wrong impression of the contents.

Yesterday I started and finished After. I was so engrossed reading this on a bus that I totally stepped away from the 'real world' for several minutes. I love that feeling of being so absorbed in a story. 

This is science-fiction, a dystopian future, but also a message about how we care for each other, and why we do so. Just Imagine

From the outset, the reader is encouraged to question the dynamic between Jen and Father, who are wandering along a path hoping to find a better place, hunting for food and avoiding gangs of scavengers. They have an unusual relationship: Jen is an independent and clever twelve-year-old girl who seems to make a lot of the decisions for the pair, while Father is quiet, protective and obsessed with a parenting book he has read. ...  this (is a) fast-paced and action-packed take on what could be a frightening dystopian topic, that is handled in a moving and thought-provoking manner for young readers. From its gripping first line – ‘Tell me again how the world ended’ – immediately setting the scene, to the final thrilling climax, this book will open young readers’ minds to some big philosophical questions about what it means to be human, whether machines can learn to have feelings and how we treat those who are different to us. Who are the real monsters here, machines or humans?  Children's Books Ireland

Here is a radio interview with the author.

Pádraig Kenny is an Irish writer from County Kildare, now living in Limerick. Previously an arts journalist, a teacher and a librarian's assistant, he now writes full-time. His first novel Tin and recent The Monsters of Rookhaven were both Waterstones Books of the Month. He has twice won the Children's Books Ireland Honour Award for Fiction, has been nominated for the Carnegie Medal and shortlisted for the Irish Book Awards.

After is sure to make you think about similar issues to those raised in other robot books such as The Wild Robot. Jen's 'father' makes a sacrifice to save her life and the life of the people in this small community. How did the processors of a robot allow him to do this? If you are looking for other dystopian books and books about robots use the labels at the bottom of this post - this book covers lots of issues that should generate deeper discussions about technology, power, corruption, climate change, and even AI.

The wild Robot

This book also explores the issue of robots and emotions.

This book also reminded me of the pods that are found in this book:

The Raven's Song

The Valley of Lost Secrets by Lesley Parr

Like many other children during World War II, Jimmy and his brother Ronnie are sent away from London - in this case to a remote village in Wales. Jimmy is desperate to return home. He wants to protect his brother and he has great difficulty accepting the kindness offered by Gwen and Alun Thomas. Luckily they stay very patient with him even though he is rude and surly. Wandering on his own he climbs a tree on the outskirts of the village and he finds a human skull. Jimmy has a wild imagination and he is sure there must be a murderer on the loose in Llanbryn. 

One of the other evacuated children is a girl named Florence. Back in London Florence was shunned for her poor family and ragged clothes but her foster family in this little village also show her wonderful kindness and like a butterfly emerging from a cocoon Florence emerges as a very different girl to the one Jimmy previously knew and shunned. Thank goodness Jimmy is able to accept Florence as a new friend because she is a very smart girl and she helps Jimmy solve the mystery of the skull and she also shows him that it is important to be kind - to his brother and to Mr and Mrs Thomas.

Teacher-Librarians will cheer when Florence takes Jimmy and Ronnie to the library so they can research human bones and the time it takes for a body to decay - all of this information is crucial as they edge closer to a solution to this mystery. 

Author blurb: When Jimmy is evacuated to a small village in Wales, it couldn't be more different from London. Green, quiet and full of strangers, he instantly feels out of place. But then he finds a skull hidden in a tree, and suddenly the valley is more frightening than the war. Who can Jimmy trust? His brother is too little; his best friend has changed. Finding an ally in someone he never expects, they set out together to uncover the secrets that lie with the skull. What they discover will change Jimmy - and the village - forever.

Read more plot details in each of these reviews:

This is a well-constructed mystery, with a most enjoyable and interesting storyline that contains lots of diverting paths that join up beautifully. Kids' Book Review

Many topics are addressed as Jimmy’s story is revealed, such as: bullying, bigotry, anxiety, loss, the burden of secrets kept, and changing friendships. All are sensitively explored as the adventure unfolds. The totally credible characters capture reader empathy as the issues are explored honestly, but ultimately the book leaves the reader with understanding as prejudices are overcome, lies are uncovered and the mystery of a death that has shadowed a life for years is explained and resolved. Historical Novel Society

Overall, this is a thrilling and touching story about change, family, and friendship, and also about giving people the chance – to support you, and surprise you. Setting the “mystery” storyline aside briefly, I feel that the story is a good look at the evacuee experience, showing both positives and negatives from both sides.  Libraries 4 Schools

I have a Pinterest collection of Middle Grade Novels set during World War II - here is the section about evacuees. 

I spied this book at a recent charity book sale. I recognised the name Lesley Parr and I now discover that this is her first book. I previously read:

Last year I visited Wales and I made a collage of all the books I have read that are set in Wales:

Promises and Other Lies by Sue Whiting

"The fire razed much of the town, destroying seventy-plus homes, five businesses, the surf club, the CWA hall and much of the caravan park, and sadly caused the tragic death of volunteer firefighter Jack Robson ... "

Publisher blurb: One year on from a devastating bushfire, the small coastal town of Wangaroo Bay is still reeling. Fletch’s family lost their home, and his best friend Immie lost her beloved dad, a volunteer firefighter. Throughout it all, Fletch and Immie have had each other … Immie’s grandparents push for the Operation Bayfire investigation to be reopened, but Fletch’s mum, dad and elder brother Cooper want to put the past behind them. And when a local, one of their own, is charged with arson, emotions flare, sides are taken and promises – and secrets – are at stake.

We live in a time when everything is fast paced. The internet has made us slaves to the skim and scan of a text probably without even realising that's what we are doing. But I have to say that approach will not work with this book. Readers aged 11+ will need patience and reading stamina to reap the rewards of this 'who done it' mystery. Sue Whiting does NOT spell everything out for her readers, and I really appreciated this. She expects her readers to work hard. You have to put the pieces together - pieces about each character and about the events of the present and past. Who is telling the truth?

Having said that about the pieces, though, I did at times wish for two things - a character list and even better I wish there was a map of this small south coast town - I do know it is fictional.

Here is an example to explain what I mean about picking up fragments of information and waiting to discover what they are (although this example is not vital to the plot). I do not live near the scene of the dreadful bushfires we had here in Australia in recent years. The bushfire in this book, set on the south coast of NSW, wipes out nearly every house. Early in the story Sue Whiting refers to pods. I had no idea what these were, but I assumed they could be or must be temporary housing. By the end of the story my ideas were confirmed and as I said this isn't an important plot point but it is an example of the way Sue Whiting expects her readers to fill in the gaps for themselves. Another example is Brown's Cows Circus School run by Fetch's mum assisted by Marie - we really don't know much about this but when Immie feels able to join in at the final festival in her cow costume and on stilts we know she is well on the way to healing some of the pain she's been feeling since the loss of her dad. 

Here is a text quote to give you a flavour of the writing in this book:

"Immie's hot. She's tired. She's grumpy. And she's late. A local? She still can't believe it, can't stop thinking about it. Every time she closed her eyes last night, a long noisy freight train loaded with question after question rattled through her brain, one alarming question pulling the next one behind it. Could it really e someone in Wangaroo Bay who started the fire? ... And why come forward now?"

The collective trauma of the town reverberates off the page, and shows how trauma, tragedy, and a desire for justice can impact a community and individuals. It also explores the lengths one person will go to so they can frame someone just to get what they want. To make sure they’re not caught. Everyone in this novel has secrets, makes promises, and lies for different reasons. They all want to protect family and friends, and slowly, things will come out. Things will explode and come to a head as the novel moves along, where the past and present start to collide through the different perspectives used in the novel to build the tension and deliver the clues to the mystery at the heart of the novel. The Book Muse

It so easily could be true which makes it even more gripping. And with the emphasis on truth-telling, relationships, community, and grief it will have a wide appeal. I particularly also enjoyed the references to climate change, and the fire prevention practices of our First Nations people. Although suggested for 10 years upwards, I would suggest it is most suitable for your more mature readers who will be better equipped to absorb the themes and concepts. Just so Stories

When you recommend this book or talk to a group of students tell them to be patient (I already mentioned this) because the action doesn't really 'heat up' (pardon the pun) until chapter 31 and page 242 but please know this is not a weakness it just means the rewards of reading this gripping story come thick and fast in the final five chapters. 

Spoiler alert: I wish I had taken more notice of this description of Marie: "with spiky purple hair, floral tattoos ... and thick bands of purple and green woven bracelets at her wrists."

I wonder if Sue Whiting ever wrote for television - this book just feels so cinematic - my brain kept flashing back to the television series Fires (2021) and YES this book is just as gripping as that was.

Character list:

• Immie Robson - it is her dad Jack who died in the fires and her mum died in a car accident many years ago. She has a special relationship with Bertie (the camel)
• Fletch - best friend to Immie
• Mary Feng and Frank Khoo - grandparents to Immie and Jack's in-laws. Immie calls them Ama and Akong.
• Aunty Bree - sister of Jack now living in a caravan behind Ama and Akong's house. Her son is crazy about dinosaurs and his name is Coby and he is five years old
• Marie Holden - new in town but a hero because she saved several houses during the fire and now she runs a podcast where she interviews the local residents
• Cooper Jones - older brother to Fletch 
• Gilmore and Penny O'Carolan parents of Fletch. Gilmore is a member of the local volunteer fire brigade. 
• Old Gus owner of Bertie the camel
• Jason Jones - father of Copper and currently in jail 

Here is a Q and A with Sue whiting about her book. I am sure Promises and Other Lies will be a 2026 CBCA notable title.

Things I enjoyed about this book:

• The alternating viewpoints between Fletch and Immie
• The flashback scenes where we read about the impact of the fire as it is happening
• The surfing scenes - Sue Whiting must be a surfer - these sure do feel very real
• The tension waiting to find the anonymous person and informer and also waiting to discover the secret Fletch has been holding onto for a whole year
• The portrayal of the people in the town - the kind ones, the suspicious ones, the angry ones and that sweet little man who owns the camel named Bertie
• The way Bertie kept escaping (this reminded me of Too Small to Fail by Morris Gleitzman)
• The tag line of Fletch and Immie "Holy moly poly. Who would have thunk it?"
  

I have listed some picture books in this blog post about bushfires and I have a Pinterest collection on this topic.

I previously talked about these books by Sue Whiting:

The Book of Chance

Tilda

Pearly and Pig and the Great Hairy Beast

Candle Island Lauren Wolk

"Six mysteries waited for me on Candle Island.

One involved a bird.

The second a hidden room.

A song the third.

A poet the fourth.

A cat fifth.

A fire sixth.

Each of them exciting in its own way.

But none more interesting than the mystery I took there with me."

Begin with the cover - I really like it and after reading this book you will want to go back and see how an important story element has been incorporated into this illustration. 

Here is the quote on the opening page - it is very pertinent to this story:

"As music is the poetry of sound, so is painting the poetry of sight." James McNeill Whistler

I think sensitive readers (with some reading stamina) aged 10+ will really enjoy Candle Island. I had no idea this story was set in the 1970s (see the Kirkus review).  I loved the island setting and the way Lucretia and her mum were keeping the identity of the artist of their famous paintings a secret kept me turning the pages knowing that they were sure to be discovered. I was also happy that there was no twist at the end and that the bad things that happened on the island were all down to those awful rich kids as Lucretia, Bastian and Murdock suspected. If you look at the labels I have assigned this post you can see the plot covers a lot of things - Lucretia finds a wounded baby bird (an osprey) and she nurses him back to health; there are three summer kids who are dreadful bullies; there is an art theft; the island is small and suspicious of strangers; Lucretia and her mum are experiencing terrible pain after the death of her father; and each of the three island kids has a special talent. Oh, and I do need to mention two more things - mum cooks delicious food in this book and I adore the town librarian (I think I need to make a list of books that feature very special librarians).

Curious readers might want to know more about osprey birds after reading this book. Also Lucretia is named after Lucretia Mott - a Quaker suffragist and anti-slavery campaigner. You might also want to learn more about the scale of being or the Great Chain of Being. 

Candle Island is set on an island - I know that is obvious - so I was not surprised to read Lauren Wolk lives on Cape Cod. I really enjoy visiting islands and I enjoy books set on islands and even though I have not been there for some reason Maine, USA has a special fascination for me.

Here are some text quotes:

"When I let myself spill onto the canvas like melted wax, I built a world where I felt exactly right, entirely who I really was. Free. Unwatched. Alone."

"He was singing a story. A sad one that suddenly became something else and then something else again, the colour changing as the story did, from a radiant magenta to some kind of violet. And then a gold I rarely heard."

"When I hit the water, my head exploded. Every particle of my body panicked. It was as if I'd been injected with frozen mint. As if my skin was size too small. As if I'd been scoured with a wire brush dipped in acid. All of that, all at once."

The town librarian - notice the placement of the word beautiful: "She was old. Thin. In a black dress with a lace collar. Her hair was a beautiful white, twisted into a crown on top of her head. Her skin was the same deep brown as my eyes. ... At her full height she was smaller than I was, but she seemed much taller."

"The most common form of despair is not being who you are - Soren Kierkegaard"

There are certain authors for children that are capable of the kind of writing that is not merely full of strong character growth and interesting plotting, but legitimately lovely prose as well. On a single page I found lines that end with glimpses of a “bruise-blue sea.” Or, when Lucretia thinks about befriending the prickly Murdock, she is thinking of, “How adding even a little yellow to the coldest gray could warm it toward something altogether new. But Murdock was a girl, not a painting. I would have to remember that.” I mark in my copy of this book the lines I like best. What’s remarkable about them is how seamlessly they’re integrated into the plot. Betsy Bird SLJ

And bottom line, this is a beautiful book set on a beautiful island off the coast of Maine. It will linger in your heart. Sonder Books

Wolk’s latest novel wonderfully portrays new relationships while tackling grief and self-discovery. The characters are well developed, and readers can see parts of themselves and those they know. The book also has several small mysteries that readers will be itching to solve. While a work of historical fiction, the story has the modern feel of a quiet life without current technology and trends. School Library Journal

Here is an interview with Lauren Wolk.

I spied this book some weeks ago and knowing how much I loved every previous book by Lauren Wolk, I added it to my 'to read' and 'to buy' list. Luckily for me this book has appeared in the library where I work as a volunteer, so I borrowed it and read it over one or two days. This is a longish book with 340 pages, but the print size makes it easy to read and of course Lauren Wolk creates a page turning story with characters you really care about. The library has a copy because this book was sold as a Scholastic Australia Book Club title (issue 5, 2025 AUS$12). We are having extreme rain conditions in my city and so today (after some very necessary chores) I snuggled down beside my heater and finished read Candle Island.

Publisher (Scholastic Australia) blurb: Lucretia and her mother have come to tiny Candle Island, Maine (Population: Summer, 986; Winter, 315) with a secret to keep ... and to escape—escape memories of the car accident that killed her father and escape the journalists that hound her mother, a famous and reclusive artist. The rocky coast and ocean breeze are a welcome respite for Lucretia, who dedicates her summer days to painting, exploring the island, and caring for an orphaned osprey chick. But Candle Island also has secrets—a hidden room in her new house, a mysterious boy with a beautiful voice—and just like the strong tides that surround the shores, they will catch Lucretia in their wake. With an unforgettable New England setting and a complex web of relationships old and new, this is a powerful story about art, loss and the power of being true to your own voice.

There is a huge error in my Scholastic Australia copy of this book. This book was originally published in hardcover by the Penguin Young Readers Group [9780593698549]. My copy in paperback is a new 'edition' BUT the imprint page does not acknowledge the original publisher or date of publication AND the author's name is spelt incorrectly as Wolke. This is funny but also disturbing. 

Other books I have loved by Lauren Wolk:

Wolf Hollow

My Own Lightning

Beyond the Bright Sea

Echo Mountain

The Pickpocket and the Gargoyle by Lindsay Eager

There are a host of very different characters in this splendid book. The setting feels like an ancient European city such as Paris or Rome and the unfinished cathedral, which has several gargoyles on the roof, is so well described I felt as though I was roaming right through the city and standing on the cathedral while I 'lived' through the whole year covered by this story. The descriptions of the sights, sounds and smells are so vivid. The derelict cathedral is at the centre of the story. It was built one hundred years ago in Odierne and is apply named Cathedral Sans Nom. A huge gargoyle observes the life of the city. He is not alone on the top of this building, but the other gargoyles are on the opposite side facing east and they shun him. Our alternate chapter narrator is the gargoyle facing west. One evening a young woman holding a tiny baby, climbs up to the roof of the ruined building in an attempt to escape the police. When she is finally cornered, she jumps into the river clutching her tiny baby. Eight years have now passed by the gargoyle still feels so much pain. His job is to protect but he failed to protect the mother and child. But what can he do. He is a gargoyle. He cannot move and he cannot talk, except to the pigeons who try to roost in his open mouth. He is powerless and deeply sad. 

Then we meet Duck. Duck is rescued as a tiny baby girl from the Saluire, the river that runs through the city. She is taken in by a gang of pickpockets and petty criminals all of whom are really children themselves. The gang call themselves Crowns. Duck does not know this yet but it is not a coincidence that the gang have moved into Odierne. The gang leader Gnat (this is the most perfect name for him) organises for Duck to work for Griselde as a baker's apprentice. His scheme is to have Duck steal bread and money to pass onto the Crowns each Saturday at the market. But Duck has a destiny. It is clear from the beginning she has a talent for baking and for creating delicious flavor combinations especially with her favourite herb - rosemary.

As I said at the beginning of this post, each of the characters in this book is so well drawn. Baker Griselde is a huge woman with enormous patience and good sense. Her journeyman Petrus is a thin suspicious figure who is always watching Duck. In the gang Ash, is both Duck's rescuer and her one true friend. Gnat, leader of the Crowns, revels in the power he wields over this group of young orphans but Duck has learnt to watch his face closely and from time to time she sees tiny hints of his true character and yearning to know about his own past and possible family. As for Duck, it is a joy to watch her transformation from a timid, almost silent child, into a young girl who learns to read, to bake and who gains enough confidence to question Gnat especially now he seems to be conspiring with the dangerous rival gang the Red Swords. 

Publisher blurb: Fished from the river as an infant and raised by a roving band of street urchins who call themselves the Crowns, eight-year-old Duck keeps her head down and her mouth shut. It’s a rollicking life, always thieving, always on the run – until the ragtag Crowns infiltrate an abandoned cathedral in the city of Odierne and decide to put down roots. It’s all part of the bold new plan hatched by the Crowns’ fearless leader, Gnat, to ensure the Crowns always have a steady supply of food and money. But no sooner is Duck apprenticed to the kindly local baker than her allegiances start to blur. Who is she really: a Crown or an apprentice baker? And who does she want to be? Meanwhile, high above the streets of Odierne, on the roof of the unfinished cathedral, an old and ugly gargoyle grows weary of waiting to fulfil his own destiny to watch and protect. Told in alternating viewpoints, this exquisite novel evokes a timeless tale of love, self-discovery, and what it means to be rescued.

I have had this book on my to read pile for many months. I picked it up a couple of times but the opening prelude to the story didn't quite grab me. This book has 448 pages and so I did keep pushing it to the bottom of the pile until this week. I did take the whole week to read this book but near the end I devoured the final chapters because they were so gripping. I was desperately hoping Duck would finally find her true place in the world even though Gnat had so horribly used and betrayed her.  After reading this book (or perhaps listening to an audio version if one is made) you will want to head off to your own local bakery so you can also devour some delicious breads in as many different forms and flavours as you can find. I recommend this book for keen readers who have good reading stamina aged 10+.

Here is an excellent review by Margot Hillel for Reading Time:

This is a book about loyalty and choices, particularly having one’s loyalty tested when required to choose sides. It is also about belonging and community; about what makes a home and what constitutes a family. It is a multi-layered book that will benefit from discussion in a class but is also a rich, individual reading experience.

"The craft of the baker is described in mouth-watering detail, and the reader gains some insight into how medieval guilds might have operated. ... Those interested in historical fiction (with a touch of magical realism) will enjoy this one." Reading Time Margaret McKay-Lowndes March, 2023.

Companion books:

The Threads of Magic

A Very Unusual Pursuit

Manxmouse by Paul Gallico

This book has twelve chapters and each reads like a short story. We first meet Manxmouse as he is created by a ceramic artist who specializes in making mice. On this night, however, he has been drinking and his newest mouse looks very odd. This chapter is entitled "The story of the Tiddly Mouse-Maker."

"In the first place it was not grey but an utterly mad blue. It had a fat little body like an opossum, hind feet like those of a kangaroo, the front paws of a money and instead of delicate and transparent ears, these were long and much more like those of a rabbit and what's more they were blue too, and violently orange-coloured on the inside."

And of course this little creation has no tail - just a button.

As the clock strikes thirteen, Manxmouse makes his getaway. He discovers his fate lies with meeting a manx cat and so his long adventures filled with interesting characters begins. He meets a movie star, an elephant in a circus, a greedy pet shop owner, a long-distance truck driver, a taxi driver, a tiger and a lonely child named Wendy H Troy. He flies on the back of a hawk who talks like the captain of a passenger jet and rescues a fox from a pack of hunting dogs. Every story feels like a wild ride and readers are sure to keep turning the pages anxious to know the outcome of meeting the fabled manx cat which you are sure to anticipate will end in disaster. 

Blurb: The brave little Manxmouse is one-of -a-kind creature on a special journey. But everyone knows who awaits him, for the Manxmouse belongs to the Manx Cat… The Manxmouse is one-of-a-kind. He’s the strangest little mouse you’ll ever see, with bright blue fur, huge rabbit ears and a distinct lack of tail. But Manxmouse doesn’t mind being different. He knows that destiny awaits him, and so Manxmouse sets out on an exciting adventure. He meets tigers and hawks and dastardly pet-shop owners, but there’s someone he dreads and desires to meet more than anyone else. The someone who has been waiting for him all along… the Manx Cat.

I think this book has stood the test of time even though it is quite a quirky tale. Children in Australia may be unfamiliar with some of the settings in London such as Madame Tussaud's wax museum. If this story was your own childhood favourite you could read it as a family read aloud - one chapter per night. 

Here is a discover - The Manx Cat is a real breed: The Manx cat is a breed of domestic cat originating on the Isle of Man. It is one of the oldest known cat breeds. The Manx is medium-sized, stocky, and heavily boned, with sloping shoulders and full chests. It has a naturally occurring mutation that shortens the tail, and can be identified as being either a rumpy, a rumpy riser, a stumpy, or a longy. 

Manx is also a Celtic language spoken on the Isle of Man. All of the UK references in this book seem a little strange to me now that I have discovered Paul Callico is from the USA.

On my recent trip to Melbourne I visited several bookshops including a few I had not seen before. One was North Melbourne Books and it had the best back list titles and eclectic collection of children's books of any store from my visit. 

Manxmouse was published in 1968. You are sure to recognise the name Paul Gallico (1879-1976) and perhaps you read others of his famous books such as The Snow Goose (1941). I didn't realise he wrote Mrs. 'Arris Goes to Paris (1958) but I did love the recent movie. He also wrote The Poseidon Adventure (1968) and again, although it was long ago, I did love the movie. Reading about Paul Gallico I was amazed to find that in 2000, J.K. Rowling declared that Gallico's Manxmouse was one of her favorite childhood books. Again, this one has a movie adaption - this time as a Japanese Anime movie Manxmouse's Great Activity (Tondemo Nezumi Daikatsuyaku). Manxmouse even has his own Wikipedia page. 

Here are some previous cover designs (using these to talk to students about appeal and design etc can be a powerful discussion starter).

My copy of Manxmouse is from the series Collins Modern Classics - here are a few others:

The Apprentice Witnesser by Bren McDibble

Once again Bren MacDibble takes us to a dystopian future world - this time set in Queensland. We have wrecked the world. There is no electricity and no cars and worse there are now diseases. Blame comes from both sides - the sides in this book are women versus men. This disease seems to affect men more than women so in this divided world women live a subsistence life in make-shift villages and men have been sent into the mountains. If baby boys are born, they are dressed up as girls so they can stay in the community. Bastienne, a young girl, has been rescued by Lodyma. Lodyma's own son has been banished from the community following the death of her older son and husband. 

"Both Lodyma's own kids were boys. When the sickness spreads it always takes the men. Lodyma says women and girls got different immune systems better able to put up with the sickness .. "

Bastienne Scull is nearly twelve years old, and she lives a simple life as an apprentice to the Witnesser of Miracles in a small village mostly populated by women and girls. Basti knows that miracle-hunting is a lot like mystery-solving, and her little world is full of wonder and intrigue and unexpected adventure. Lodyma is a witnesser. 

"She's witnesser of miracles. People want to think she's special. ...  We have markets here three nights a week. That's a lot of miracles we gotta hunt down on the other four days. Lodyma's been witness to more that a hundred miracles, so she can get through them over and over."

The 'miracles' are not really miracles, but Lodyma is a brilliant storyteller and so people 'pay' for her performances with produce and occasional coins. Basti keeps the crowd together and she sells peanuts from a local farm, and these also bring a few coins. Lodyma 'proves' her miracles with photographic evidence. I enjoyed the references to 'old tech' in this story. Lodyma has an instamatic camera. She has a limited amount of 'film' but Basti has the task of recording any 'miracles' they encounter. Basti is a very observant girl, so even though she should not waste this precious resource, she takes other photos too - photos of precious interactions between people - photos that show love. 

"I don't say nothing about the other photos tucked away in my bag. The one where the fruit vendor gave those two little kids a memory they'll keep in their hearts forever, and hopefully the one of Lodyma in the shade, along with some other special photos I've taken."

Here are descriptions of the landscape:

"Far as I can tell, the collapse was when the climate got hotter, the cities washed into the sea and pollution and diseases took out most of the people."

"Over the hills, the streets are a mess. Abandoned trucks, dumped tyres, wire fences fallen down, warehouses torn open and bits and pieces pulled out and scattered everywhere. Rusty hunks of machinery things, I dunno what. Plastic contains that's cracked and faded, bits of piping and taps and sinks and old cupboards left out in the weather to swell and collapse."

Someone is selling plastic shoes at the market and then two young boys arrive and summon Lodyma to another distant settlement. Lodyma and Basti make an amazing discovery about the factory that makes the shoes but more importantly, in the monastery at Ravenshoe, they find a young wild girl. Her eyes match the strange pattern of Lodyma's - is it possible that she is the daughter of her lost son? 

So now we have a group of three and Basti is no longer sure of her place - will Lodyma really want an apprentice? Perhaps Basti will need to resign herself to tedious work at the peanut farm. She becomes deeply unhappy and angry (but she holds her anger inside). Meanwhile caring for little Raveena is a full-time job. This little girl, aged five or six, is such a wild spirit and her life story is a mystery which Basti is determined to solve. As it says in the blurb below - finding this little girl will change all their lives. Is she the real miracle?

Publisher blurb: Bastienne Scull is a young orphan who lives with the local Witnesser of Miracles, Lodyma Darsey, who investigates 'miraculous events' and spins them into stories she tells at the night markets. After Lodyma's husband and elder son died of a sickness that continues to sweep the land, she sent her teenage son Osmin into the hills to live with the mountain men. That was ten years ago, and Lodyma doesn't know if he's alive or dead. And she's taken Bastienne as an apprentice to fill the void of her lost family. One day, two young boys arrive in town asking Lodyma to go on a mysterious mission to a monastery. And when Lodyma and Bastienne arrive, what they discover will change their lives.

I do enjoy books where the author makes you work hard to fill in the gaps and also books where at the end things come together - not in a saccharine, we all live happily ever after way, but in a very satisfying way, allowing a character whom you have come to care deeply about to have the promise of a better life. And I did care very deeply about Basti. The final chapters of this book are especially wonderful. If I was 'hand selling' this book to a reader in my library (or even in a bookshop) I would explain that readers do need to stick with this story because the ending will make your heart melt with happiness. I recommend this book for all fans of Bren MacDibble aged 11+. Congratulations to the publisher Allen and Unwin and the cover designer/artist Julie Hunt - this book has such an arresting cover which is sure to grab the attention of readers. Take a look at the labels I have assigned to this post - suspicion, survival, and belonging. There is also the issue of the best ways to express love in a family. There are tiny moments in this story when you deeply feel the way Basti just longs to be loved by Lodyma. 

Huge thanks to Three Sparrows Bookshop who let me read the advance reader copy of The Apprentice Witnesser. It will be published on 30th April 2024.

Here is an audio book review from New Zealand. 

How to Bee

The Dog Runner

The Raven's Song

Across the Risen Sea

One Bee too Many by Andrés Pi Andreu illustrated by Kim Amate

I love the little touches of humor in this story which I am sure any adult sharing this book with a young child will really enjoy such as this:

"One day, the bees met in the hive to discuss why they were always so cramped. They didn't have enough space to play sudoku, Parcheesi and or even checkers."

On this page the bees are reading their newspaper - the Honey Times. And on the page where the bees are talking about how to find this terrible extra bee the law book has the title - Bee Laws by Bee Good. You might also spot a Rubics cube, security cameras, and a machine called a pinocchiotronic - yes it's a lie detector.

The bees are in a housing crisis. They employ three architects - naturally things in the hive are based on a hexagon. The experts conclude there is one bee too many and immediately accusations fly around the room - this is such a disturbing scene:

• a foreign bee
• an immigrant bee
• a dirty bee
• a robber eating OUR honey
• it might carry germs
• it wants to take my job

How can the members of the hive find this extra bee. Should they assign a number to each bee - no. The lawyer suggests everyone needs a passport and birth certificate; and the linguist suggests listening to every bee as a way to detect a foreign accent.

Finally the Queen Bee steps in with her words of wisdom and the obvious solution. 

There are fabulous words in this book - incredulously; dramatic pause; hysteria; requirements; worrisome; and chilling conclusion. 

Adults will quickly recognize the allegory with parallels to immigration and racism issues of the present day and perhaps grasp the lesson of the queen bee. If only we could find such human wisdom. Friends Journal

Featuring surreal and elaborate illustrations reminiscent of Catalan modernism, readers are sure to find new surprising details in every read. Originally published in Spanish, it has won prestigious awards such as the White Ravens List, Golden Medal of the Campoy-Ada Award, and USA National Children Literature Award. from Dymocks bookseller page

I would like to find the context for this quote from the back cover of the book: “The picture book comes across inconspicuously, but it is the most beautiful and cleverest philosophical book that has been on the book market for a long time” ―Hans Christian Andersen Committee - I am not sure if the author or illustrator were perhaps nominated for the HCAA Award.

Another reviewer quoted on the back cover uses the words - whimsy, delight, moving and captivating.

Listen to a sample of an audio reading. Kim Amate comes from Spain and Andrés Pi Andreu is originally from Cuba but now lives in the US.

Pair this book with:

Scary Bird

It is not related to this book but in February I will also be reading and talking another bee book by Australian author Megan Daley illustrated by Max Hamilton.

Broken Beaks by Nathaniel Lachenmeyer illustrated by Robert Ingpen

"Then, one morning the young sparrow awoke to discover that his beak had broken while he slept. It does not happen often, but sometime a sparrow's beak will break. No one knows how or why it happens. It just does."

Now it is so difficult for the young sparrow to pick up crumbs dropped by people at the cafe. Sadly, the other sparrow are either frightened of him, or suspicious of him while others are sure someone else will help the young sparrow. The people are no better. To their eyes this bird looks dirty and ugly. 

Luckily along comes a compassionate stranger - a homeless man. 

"He was thin and dirty. He had a bushy beard and long scraggly hair, and he talked to himself. The sparrow could tell from his voice that he was sad and lonely."

"Looking closely at the stranger, the young sparrow realised that they were alike. He somehow knew that the stranger also had a broken beak- only his beak was on the inside, where you couldn't see it. ... Like the sparrow, the stranger couldn't help that his beak was broken."

Now go back and think about the title - broken beaks. The bird has a broken beak and so does the man but readers should also think about the reactions of others (bird and human) - how we view others who are different, or who need compassion. 

The final scene in this book is sure to break your heart. This book has a personal connection with the author. 

Blurb: A beautiful story about a friendship between a small sparrow and a homeless man. Readers of all ages will be moved by this powerful narrative, which highlights the heroism and dignity of people with mental illness. Beautiful full colour illustrations drawn with depth and insight by former Hans Christian Andersen Medalist Robert Ingpen. 

Broken Beaks is long out of print and I think it might be very hard to find. IF you do have a copy it is now very valuable. I have seen copies listed between AU$90 and AU$150.

When I was a CBCA (Children's Book Council of Australia) judge we read Crumbs by Phil Cummings illustrated by Shane Deveries. One of the judges in my category (Picture book of the Year) linked Crumbs with Broken Beaks (2003 and out of print). I love making connections between texts, but I had no idea about Broken Beaks. I was so thrilled to find this book in the school library I visit each week. What an extraordinary wealth of books this library holds. I continue to be so amazed and excited by the books I discover. 

Egg by Clare Atkins illustrated by Harrison Vial

 

This is my favourite type of picture book – a book with layers of meaning which can be enjoyed by a very young child but which will also challenge older children to think more deeply about the allegorical meaning. 

Clare Atkins said: "We sat on the grass in the sun and brainstormed themes we were both passionate about: migration, dislocation, racism, colonialism, difference, climate change, culture, history, authorship and many more."

With an older group it would be good to pair this book with The Island by Armin Greder (for older readers) or Scary Bird by Michel Streich. 

There are huge themes in this book - migration, racism and discrimination, fear of the unknown, climate change and refugees. 

This is such an interesting book. It has a deeper story than the one implied by pastel colour palette and the cartoon-style eggs. I do like the tactile cover and the story clue which is revealed when the cover is stretched out in full, and we can see a tiny island covered in trees. The end papers are based on the gentle movement of the ocean, and we see this image used to bookend the story firstly with the arrival of one ‘egg’ and later when lots of seeds are on the way. 

The egg conversation, written with indented lines and no speech marks, is innovative. I like the different fonts – a formal one for the narrator and informal one for the Egg residents.

Using a simple line, the illustrator manages to give each of the central characters of Little Egg and Strange Egg a distinct personality. The way the flashback page is framed with the commentary eggs in the corner will help readers to identify these are scenes from the past. I love the character of Little Egg and the way he/she/it shows kindness. The smallest egg is a true hero, and the silence of Strange Egg speaks volumes. 

I do wish we knew why the shade trees disappeared from the island – is this meant to be about global warming?  SO much to discuss with your students. 

• What is the egg? Or did you think this was a potato from the start?
• Does this make you think about the seed of hope and new ecological sustainability? 
• Is this book about finding a source of hope and difference in a parched same-same world? 
• Is the new egg an asylum seeker washed in from afar, the same but suspected of being different? 
• Who are the other eggs? Are they closed-minded adults or environmentally irresponsible citizens or perhaps politicians or just people with fear of the unknown or fearful of change? 

Paperbark words interview with Clare Atkins: I wanted Egg to be a book that could appeal to readers on multiple levels. Younger readers might giggle at the funny talking eggs and enjoy seeing Brave Egg and Strange Egg’s friendship develop and change. Older readers might pick up on the themes of migration, racism and discrimination, fear of the unknown, climate change and refugees. Parents or teachers could whiz through reading it to kids, doing funny egg voices, or take their time and discuss the ideas behind it.

Egg is a 2023 CBCA (Children's Book Council of Australia) Notable Picture Book. 

Take a look here to see work by Adelaide illustrator Harrison Vial.

Bookseller blurb: A truly unique picture book about a newcomer arriving to an island inhabited by superstitious eggs. This thought-provoking story raises gentle questions about displacement, environment, xenophobia and climate refugees. When something strange washes up on the eggs' island, they are scared. It looks like them. But different. What if it hatches? What if there are more of them? Most of the eggs hope the newcomer will float back to where it came from, but one little egg is not afraid. Can their friendship prove there is nothing to fear?