A Squiggly Line by Robert Vescio illustrated by Kathy Creamer

 

Is this book meant to convey some really deep meaning or life message? The words of the text do seem slightly philosophical, but it just doesn’t quite work for me at that deeper level perhaps because the illustrations, while fun and creative, seem to be aimed at a very young audience. 

There are other books about pencils and drawing which break the fourth wall like this one – Bear Hunt by Anthony Browne and the classic book Harold and the Purple crayon. 

This book actually seems a little derivative of those earlier and famous titles. 

Some of my questions when I read this book:

• Where did the sailor hat come from? 
• What is the role of the dog – a bystander? He seems quite threatening at times.
• Why did the mouse draw a boat? Is he preparing for an adventure?
• Where did the red ball come from? The size seems out of proportion with the mouse but if it is smaller than the mouse then it might be swallowed by the dog (if indeed it is his plaything?).
• If the mouse is offering advice to the dog, then the final illustration does not make sense because the dog looks worried about what he is seeing and for some strange reason his eyes have red vein lines? 

I also found the blue fluffy coat worn by the dog a little odd. 

Book design: I wish the designer had not included all of those full stops.   

I found the final page quite confusing.  The mouse says "ta-daa!" because he has successfully drawn his boat and is now able to sail away from the dog? Oh, and notice his pencil keeps changing from blue to brown to red back to blue and finally green. I guess this is hinted at in the pencil shavings on the front end paper.

Publisher blurb: A Squiggly Line is a story about the pursuit of one’s dream to create a masterpiece, similar to the rules of taming the life we live. The boy in the story starts with a blank page…he doesn’t know much about what he’s about to draw, but he knows he has a grasp on how to make it happen. During the process, even though his drawing may seem squiggly and messy at first, he soon discovers surprises along the way–surprises that he never thought existed. And from that moment, his creation comes to play.

But having said all of that I think it would be good to add this book to a preschool or infants school library and I like the pencil itself, I really like the end papers which, as I said, are littered with pencil shavings, and the stark white pages work well. Here are some teachers notes with very detailed art ideas. 

You could pair The Squiggly Line with this book by Anthony Browne:

You can tell that this book confuses me - which is strange because it is surely a simple idea. I read the comments of one commentator who really liked this book. She said it could be aimed at unlocking emerging (and reluctant) writers? I confess this idea is a little to obscure or intellectual for me.

Here is a comment by another reviewer: The lines the mouse creates shows that when things are in your way, go high. Or when things are tough pause and be clever. Robert Vescio shows us that imagination is a good thing and staying the course, going with the flow, and sometimes changing directions will eventually get you where you need to be. Cannonball Read (Raising funds for the American Cancer Society).

And the US bookseller Barnes and Noble said: Told in a unique way full of play and creativity, the story will send a powerful message about the endless possibilities of having fun with one’s imagination. It will help children to explore how they can turn a simple squiggly line into a playful idea. A Squiggly Line is a fun and entertaining story about how life is very much the same as a squiggly line. Our squiggly line, our life, is shaped by the directions we take in our lives and how we can develop the confidence and ingenuity to overcome the problems that try to trip us up. A Squiggly Line is a story about embracing life’s journey and creating the life you want. It shares lessons for life. It offers great advice for anyone. It’s a simple message about life and what it entails to sail on a pursuit of one’s dreams. This story will appeal to children graduating, celebrating a milestone or mastering the first day of school. It’s a great inspirational story to motivate children. Like the brave little mouse in the story, we all have a life that yearns to be created!

Here is a previous Robert Vescio book that I really enjoyed:

Finding You

Peregrines in the City by Andrew Kelly and Sue Lawson illustrated by Dean A Jones

 

"The tiercel hunts, searching for prey."

What is a tiercel? Where is this huge bird? Where does he take is prey? Is this the place you expect to find a nest?

"She settles back to incubate her clutch. Not all eggs may hatch and not all those that hatch may survive to fledge."

How long does it take to incubate falcon eggs? What does fledging mean?

"The tiercel arrives with the eyases' first meal. He strips meat from bone and delicately feeds the balls of wobbling fluffy down."

Some facts about peregrine falcons:

• They live on every continent except Antarctica
• The have a yellow ring around their eyes, yellow and feet with black talons.
• The female is larger than the male.
• They can reach speeds of up to 300km per hour.
• Falcons eat pigeons, seagulls and other small to medium sized birds.
• Falcons mate for life.
• They lay eggs on high stoney ledges or cliff faces, in hollow trees and on skyscrapers.
• Their nest is called a scrape, the chicks are called eyases.

This book is based on a pair of Peregrine Falcons who nested at 367 Collins Street in Melbourne back in 1991. In 2020 volunteers added raised nesting boxes to the ledge. The same pair have bred chicks since 2017. 

Publisher blurb: As urban development encroaches more and more on wild areas, many species have to adapt to survive. One species that has adapted to city living is the peregrine falcon. Falcons normally nest on high cliffs but in many cities across the world they can be found nesting on tall buildings.

The writing in this book is so powerful as evidenced by the poignant moment at the end when the three young birds leave the ledge and all that is left is one abandoned egg.

This is a fabulous book with such a striking cover. I well remember talking about peregrine falcons with all of the children in my school when Home by Narelle Oliver was short listed in 2007. 

I do wish this book had a glossary. I had to look up ‘tiercel’ and ‘gravel scrape’ and ‘eyases’.  I know some of these are explained on the falcon facts page, but I wanted a quick word list to refer to as I was reading. Here is a review of Peregrines in the City in Reading Time. And here are a set of detailed teaching notes. 

Peregrines in the City was a 2023 CBCA (Children's Book Council of Australia) Notable title (Eve Pownall - Non Fiction). I imagine it would have come close to short listing (6 titles) but was probably 'beaten' by Opal and Dart - a book with truly wonderful bird illustrations.

Recently I watched a video from the Evanston Public Library in Chicago where they also have had a pair of nesting falcons since 2004. Sorry the video on this page is not available in Australia. 

Stay for Dinner by Sandhya Parappukkaran illustrated by Michelle Pereira

 

"I love dinner time with my family, especially when friends are invited."

On special days Reshma eat sadhya, a traditional multi-course vegetarian meal served on banana leaves. This is very different from the meals she shares in the homes of her friends - Charlotte's mum serves roast chicken, carrots, peas, and pumpkin and the family use knives and forks to eat their meal.

"I wonder why we don't use cutlery. Papa always says the food tastes better when we eat it with our hands."

At Phoebe's place the family eat noodles, and dumplings using chop sticks. And the next day at Leo's Reshma joins them for spaghetti and meatballs - twirled around forks. 

Mama suggests they should thank everyone for taking care of Reshma. Everyone is invited for dinner. 

"Will my friends laugh? Eating with hands is not like ting-ting cutlery or click-clack chopsticks."

All of this reminded me of Amma's Sari and the anxiety of that little girl when she thought her mum looked different. Young Reshma is also worried about being embarrassed and she's worried about how the other parents will react to eating with their hands from banana leaves. Not to mention the burping!

Publisher blurb: Reshma loves dinnertime with her family. Her family eat with their hands – not just finger food type–eating, but hands-on squishy eating. When she’s invited to stay for dinner at her friends’ places, she finds out that they all eat in different ways. Some go ting ting with their cutlery, and others go click clack with their chopsticks. So what will her friends say when they see her family eat with their hands?

There is some delicious language in this book: keepie-uppies; jostle; ting-ting; prong; click clack; clickety-clack; swish swish; splatters; rice rains down; sambar splashes; pappadum smashes. 

Here are a set of teachers notes from the publisher. These notes also include a fabulous and extensive book list with terrific titles to source and share with your class. 

I thought of this one - long out of print but it might be in your school library:

Each page is a delight for ears and eyes, an invitation to explore and enjoy the richness and variety of the food eaten by these happy families ...  Storylinks

This story explores how kindness and being open to new ideas and possibilities, without judgement, can break down fears; empowering one to embrace new experiences, leading to an increased understanding and appreciation for diverse ways of being. Reading opens doors

Australia is a multicultural country and many schools or should I say the majority of schools in my state of New South Wales would have children from so many places around the world. Oddly though, my former school did not. There were only a handful of children across the school who came from UK, South Africa and one or two from USA - and that's out of a school population of 850+. My former school had a sister school relationship with another school in a different part of Sydney and that school had children from over 60 different countries. All of that means this book is an even more important one to share with students in any school - it will be affirming for many children and hopefully create awareness and empathy in others.  

This is the third book by Sandhya and Michelle.  I was on the CBCA (Children's Book Council of Australia) judging panel when their first book was submitted for the New Illustrator award. AND YES it was the winner! I am going to predict that Stay for Dinner will be on the CBCA Picture Book Notables list for 2024 and it has a good chance of reaching the shortlist too. (I am not a judge for this round). 

Read more about this book here. 

Amma's Sari

The Puppets of Spelhorst: A Norendy Tale by Kate DiCamillo illustrated by Julie Morstad

At its heart this is a story about the serendipity of life. It is also a quietly understated love story (and you know I adore those). And a story about the fulfilment of hopes and dreams. 

Five puppets languish in a toy store. There is an owl made from real feathers. A young girl with striking violet eyes. A boy with a bow and arrow set. A King who is wearing a crown. And a wolf with very sharp teeth. By chance, a lonely old sea Captain sees the puppets in the window of a toy store. He has no reason to buy this set of toys but the young girl, with her violet eyes, rekindles and old memory of his lost love from long ago. Back at home that night the man named Spelhorst writes a letter, and he places it in his old travelling trunk. This is the final act of his life but it is not the final act for the set of puppets. Their adventures are about to begin - be sure to listen carefully to their hopes and dreams.

The old sailor's trunk is sold and eventually ends up in a home with two young girls. The older girl, Emma, knows these puppets should be part of a play. She finds and reads the letter, but we still have no idea what it says. At this point the fate of those five very different puppets is in the balance. The owl is mistaken for a feather duster and he ends up in a cleaning bucket. The younger sister, as is the way with very young children, takes the boy and the wolf. Her treatment of the wolf made me gasp. And we watch as the boy, in a way I won't explain here, ends up in the top branches of a tree. 

Finally, we come to the night of the play. Emma has written the script and made the scenery. She needs her younger sister Martha and their maid, Jane Twiddum, to help her with the performance. We don't meet the assembled adults but this performance, in three acts, is filled with pathos. It also links very subtly back to that letter written all those weeks ago by the old sailor. 

Betsy Bird (Goodreads): this is the kind of book that’s going to appeal to kids young and old. A contemporary classic with ingrained appeal and the occasional jolt of weirdness to keep things interesting.

A quiet, comforting fable of identity and belonging. Kirkus

Blurb by Kate DiCamillo: Shut up in a trunk by a taciturn old sea captain with a secret, five friends—a king, a wolf, a girl, a boy, and an owl—bicker, boast, and comfort one another in the dark. Individually, they dream of song and light, freedom and flight, purpose and glory, but they all agree they are part of a larger story, bound each to each by chance, bonded by the heart’s mysteries. When at last their shared fate arrives, landing them on a mantel in a blue room in the home of two little girls, the truth is more astonishing than any of them could have imagined.

Betsy Bird mentions the three songs in this book, and I felt exactly the same way - I do hope someone can set these to music. 

Last week I saw Walker Books Australia had a little 'competition' give away advance copies of The Puppets of Spelborst - you know the kind of thing - first 'x' number of people to respond to this email will be sent an advance copy of Kate DiCamillo's new book. I had very little hope of winning because it was already late in the morning and surely tons of people had seen the email but NO, I was lucky, and I won this book. I picked up the parcel today at 12 noon and I read the whole book in one quick sitting as soon as I arrived home. 

I am calling this book a novella partly because it only has around 150 pages but also because, even though this looks like a slim and therefore junior book, it is not - I would put this book into the hands of readers aged 10+ who will appreciate the way Kate DiCamillo constructs her story and the way she gives each of her puppet and human characters very distinct personalities. There is some violence in this story but also tiny touches of humor and wonderful moments where we witness the fulfilment of dreams.

This book will be released in mid-October here in Australia, so I suggest you pop it onto your shopping list now or place an advance order with your favourite independent bookstore. I guess this will be the first book in a series because the publisher webpage says this is Book One in the Norendy Tale series. And I found more detail on Kate DiCamillo's web page: A beloved author of modern classics draws on her most moving themes with humor, heart, and wisdom in the first of the Norendy Tales, a projected trio of novellas linked by place and mood, each illustrated in black and white by a different virtuoso illustrator.

Here is a PBS interview with Kate DiCamillo. And even more importantly please take a little time to read this New Yorker profile piece from September this year. 

The reporter says uses these words when talking about The Puppets of Spelhorst: 'Joy and Despair' 'Truth Wonder and Sorrow'.

And here is a quote by Kate from the interview:

"One of the great things about being able to tell stories is that I can find a way to make sense out of what happened to me as a kid. And maybe help another kid feel safe and less alone."

Kate DiCamillo dedicates this book to her friend Ann Patchett.  Read what Ann Patchett says about Kate DiCamillo and her books here. 

My copy of The Puppets of Spelhorst is a paperback ARC but I think the real copy will be a special edition hardcover [9781529512854].  I do like the black and white pencil illustrations by Julie Morstad (I love her work) but it would be even more thrilling to see them in colour. 

This book made me think of these picture books (but they are far simpler stories).

The Hidden House

Ruby and Little Joe

The Barnabus Project

Nothing

I am a huge fan of Kate DiCamillo. I have read and blogged so many of her books and I was utterly thrilled when I heard her speak twice in Sydney, Australia at our Sydney Writers Festival. If I hadn't been so badly hampered by deep shyness, I would have loved to have talked to her - maybe I can do that one day.

Because of Winn Dixie

The Tale of Despereaux

Raymie Nightingale

Beverly, Right Here

Louisiana's Way Home

Great Joy

The Beatryce Prophecy

The Magician's Elephant

Flora and Ulysses

These are some other novellas I have read and enjoyed which would be good to put into the hands of readers who enjoy this story form:

Captain Rosalie

Saving Celeste

A Swallow in Winter

Lost by Mariajo Ilustrajo

 

"I am not sure how I got here ... everything looks so different."

A huge polar bear finds himself in the city. Everything is so confusing. There are long queues, coffee shops - in fact our bear is given a soy latte! He does not like the taste at all. Then he heads to the help desk at the station and that is where he is given the tube map. On the train no one notices the huge while polar bear except for one young girl. She takes him home but this home is nothing like his real home. The clothes are strange, the food is strange, and the sea (bath) is very small. Luckily this girl has a terrific book collection and one of books is entitled North Pole. She quickly works out the problem and makes a plan. She organises to lift him in a huge blanket attached to a wire under the helicopter. Arriving home the other polar bears are so happy to see their friend.

"I felt lost at first. But then someone found me."

Now turn to the final end paper - the little girl has given her new friend a truly special gift. 

There are some interesting design features to notice with this book. The title in Fluro orange is embossed. The front-end paper has the polar bear on one side striding into the story and a map on the other side which appears to have been tossed down or dropped. Over the page the huge polar bear has now picked up his map. It looks a little like a London underground train map. On the imprint page I read that the font for this book is called Marajo so I am guessing it is an invention of the author/illustrator. This hardcover book is not too expensive here in Australia so it is one you could add to your school library wish list.

See pages from Lost here. I am not entirely sure but the polar bear in Lost might be the same polar bear from Flooded?

Companion books:

Lost and Found

Little Bear

Blown Away

Mariajo Ilustrajo is a Spanish illustrator based in the UK. Her real name is Mariajose Gajate Molina. Flooded was her first book and it went on to win the Klaus Flugge Prize for Illustration 2023.

Her new books due in 2024 areHelp we Need a story and I love books:

Impossible Creatures by Katherine Rundell

In this book you will meet - beautiful Al-mirajes; Dragons of every size; a Kanko; a vicious Karkadann; some little Lavellans; a huge Longma; a very special Ratatoska; a herd of Unicorns and many others.

Publisher blurb: Impossible Creatures tells the story of a boy called Christopher who is visiting his reclusive grandfather when he witnesses an avalanche of mythic creatures come tearing down the hill. This is how Christopher learns that his grandfather is the guardian of one of the ways between the non-magical world and a place called the Archipelago: a cluster of magical islands, where all the creatures we tell of in myth live and breed and thrive alongside humans. They have been protected for thousands of years from being discovered; now, terrifyingly, the protection has worn thin, and creatures are breaking through.  Then a girl, Mal, appears in Christopher’s world. She is in possession of a flying coat, is being pursued by a killer, and is herself in pursuit of a baby griffin. Mal, Christopher and the griffin embark on an urgent quest across the wild splendor of the Archipelago, where sphinxes hold secrets and centaurs do murder, to find the truth – with unimaginable consequences for both their worlds. Together the two must face the problem of power, and of knowledge, and of what love demands of us.

As I read this book I added about 40 post-it notes marking my favourite scenes and sentences.  Here are some of them:

"This world has always had magic in it, Christopher. Aren't you holding a griffin in your arms? The magic grew with the Earth's first tree, from the tree it flowed into the soil, into the air and the water. In the Archipelago, they call it the glimourie."

"Some sentences have the power to change everything. There are the usual suspects: I love you, .... But the words with the greatest power to create both havoc and marvels are these - I need your help."

"He knew that sometimes, if you are among the very lucky, a spark of understanding cuts like lightning across the space between two people. It's a defibrillator for the heart. And it toughens you. It nourishes you."

Thank you, Katherine Rundell for mentioning delicious and essential food - this is something I always look for in longer complex books like this one.

"She spent hours running through trees with Gelifen (a griffin), looking for unicorns and gorging on waterberries."

"There was a wall of blue glass jars, containing sweets from across the Archipelago. There were balls of soft gum, harvested from the sea by sylphs, which gave you brief bursts of great physical strength, but if you chewed too long gave you a rash of scales across your hands. There were ruinously expensive candies called voulay-drops, made my centaurs in the mountains of Edem. They tasted of that which craved most, but also, if you ate more than one, made you vomit something black for days afterwards."

"The table was laden with food. There was a beautiful moist nut cake, and fresh cinnamon twists, and a plate of biscuits still hot from the own.  Leonor was grey-haired, untalkative, unsmiling - but she showed her care in her cooking. She was the finest baker in the whole of Icthus: it was there that she put her patience, and her love."

"His grandfather had said that unicorns had a taste for mint. Quickly he tore open the pack and held them out in one hand. The unicorn dipped its mouth and sucked them from his palm, leaving it wet with unicorn spit. Then it touched its muzzle to his face, and breathed. Christopher felt the warmth on his skin and it smelt of mint and animal and something magnificently wild ..."

"There was a dark flat bread, which they ate dipped in olive oil. There was a slab of cream-coloured dried fish, delicious and so salty it was like eating the sea itself."

"He had been given a woven bag of apples, of plums and pears and apricot: dryad fruit, like nothing else on earth. They tasted still-living fruits with opinions and jokes and laughter in them."

Overtones of folklore; mythology; fairytales; and CS Lewis (the final scenes are sure to make you think of Aslan and Narnia):

"It had been years now since Mal had first learned to fly. a travelling seer had given her the flying coat soon after she was born. He had named her and laid the coat at her small feet." I thought of Sleeping Beauty.

Vocab: phalanx of swans; rhinocerosed; gainsay; scrofulous. And there are lots of invented words too. 

Names are important in this book too (think of A Wizard of Earthsea). Mal is short for Malum - and malum has a deep meaning - one that Mal herself has yet to discover. 

There is also a tiny thread of a love story in Impossible Creatures. I am not going to spoil this with any details, but adult readers might think of scenes from a favourite movie where the two main characters briefly glance at one another and then look away or brush hands and it's electric - these tiny moments were thrilling for a romantic reader like me. 

The Guardian's Bestiary at the start of this book has art by Tomislav Tomić. He is from Croatia. The cover is by Daniel Egnéus. (I have talked here about two of his books - Fox and Raven Child. In the UK the hardcover edition has phoenix sprayed on the page edges - it looks so magical.

Image source: Instagram

One of my favourite parts of writing Impossible Creatures was creating a bestiary to go in the front of the book: a collection of twenty-one of the creatures you might meet in the Archipelago. It’s illustrated by Tomislav Tomic, whose artwork is magnificent - 

kluddes and kankos and karkadanns, longmas and lavellans. 

I am not a big fan of endorsements, but this book has a huge list of celebrity praises - Michael Morpurgo; Catherine Doyle; Philip Pullman; Neil Gaiman; Jacqueline Wilson; and Kiran Millwood Hargrave. 

Everyone on social media is so excited about this new Katherine Rundell book - and justly so. I have seen bookshop window displays here in Australia (Three Sparrows) and in UK (my bookish friend has shared them) and the Australian children's book podcast Your Kids' Next Read included an interview with Katherine Rundell [begin at 16.45]- this is quite amazing because this group (Facebook and Podcasts) are usually, almost exclusively, focused on Australian books. I was also amazed that that interviewer had not previously read any of Katherine's books - how did she miss them and why didn't she prepare for the interview?  Anyway, if you listen you can hear Katherine Rundell's absolutely beautiful, lyrical speaking voice. 

I completely agree with these review comments by Just So Stories: I cannot tell you how much I love this (book), and that will be demonstrated by the fact that I will be keeping my copy and will re-read it, more than once I suspect. Though I read it immediately it was received, in swift binge fashion (and cried), it has taken me two weeks to compose this review – which I fear still does not do it justice.

I also agree this book is best for mature readers aged 11 or 12+. 

Here is Katherine Rundell on Instagram. Here is a one hour video where Katherine talks with Michael Morpurgo about her book. I do need to warn you, I just read on the UK publisher site (Bloomsbury) that Impossible Creatures is the first book in a trilogy. The good news is that at the end of the first book we are not left hanging. Yes, another book will be very welcome but enough is resolved at the end of the first installment thank goodness. Listen to this short introduction by Katherine Rundell. 

Writing fantasy has been a huge joy. Impossible Creatures has been a long time in the making – I pitched the idea more than five years ago, and I’ve found it a magnificent challenge. I loved fantasy as a child, and I love it now as a writer – for the freedom it gives to wholly unleash your imagination. Fantasy seems to me one of the most exciting ways to wield metaphor: so that, in writing about griffins and dragons and horned hares and immortality and flying coats, you might offer children (who have such allegiance with the fantastic, in every sense) a way to fathom their own world. Katherine Rundell

I have read and LOVED so many books by Katherine Rundell and the delicious thing about her writing is that it defies categorization. She covers so many genres and themes but the one thing that links these books is that they are all page turners and for me, they are all FIVE star titles.

The Explorer

The Good Thieves

Wolf Wilder

Cartwheeling in Thunderstorms

I also loved these:

One Christmas Wish

Why you should read children's books

All through this book I kept thinking about this book illustrated by our Australian Hans Christian Andersen winner - Robert Ingpen and I have discovered he has a new book about mythical creatures too.

Companion reads: